PBS Kids and PBS Kids Go movies available for download
Posted on March 27, 2008 at 8:00 am
Episodes of Boohbah, Caillou, Cyberchase, and Liberty’s Kids are now available for free download from public library patrons’ home computers. The award-winning series are designed to enhance child development with age-appropriate, diverse content focusing on social-emotional development, math skills and other life lessons through engagement and interactivity. These programs and many other programs and movies can be accessed through MyLibraryDV, a 24/7 video download service offered at no cost to library card holders at libraries nationwide. Check with your local library to see if they have signed up for this service.
Interview with Hugh Welchman of “Peter and the Wolf”
Posted on March 23, 2008 at 2:00 pm
Peter and the Wolf,” this year’s Oscar-winner for best short animated film will be shown on PBS this Wednesday from 8-9 Eastern Time. It is a brilliantly imaginative film and well worth setting aside some family time to watch it together.
“Peter and the Wolf” was originally written by Sergei Prokofiev in 1936 as a way to introduce children to the instruments of the orchestra. A brief narration tells the story of the little boy who goes into the forest with his pet duck and cat. They meet up with a little bird and have an encounter with a scary wolf. Each character in the story is represented by a different instrument.
Bird: flute
Duck: oboe
Cat: clarinet
Grandfather: bassoon
Wolf: French horns
Hunters: percussion
Peter: strings
There have been many film versions of the story. Perhaps the most famous is a Disney animated cartoon made in 1946. This latest version, produced by Hugh Welchman of Breakthru Films, dispenses with the narration, which only takes up three minutes of the half-hour-long musical composition, but creates a complex and involving story with a contemporary setting that remains very true to the themes of the original. I spoke to Welchman about the challenges of creating Peter’s world for the painstaking stop-motion animation to create the film. How big was the set? “We were working at a one in five ratio. That’s the normal scale for stop-motion animation. The set was truly enormous. The forest had 1700 trees, each 6 feet high. The set was 80 feet long; it was like going into Wonderland. We also did all the close-ups at 1 in 3 . The grandfather puppet was 3 1/2 feet high. With that size, you get so much more detail. The grandfather’s hands were incredibly detailed which gave it a real different quality and makes it much more real.
The set was built in Poland and they worked amazingly quickly to build it. That was one of the fastest part of the process; making the models took much, much longer. We wanted it set in modern Russia and so we went there to take photographs. On a playground somewhere they found Peter. And they were arrested by the KGB for taking photographs of a power station! The Russian police didn’t really know what to do with these two women. They thought they were eco-terrorists. So, they wiped their photos. But the Russians are very knowledgeable about film, especially animation.
Yes, they’ve got a heritage with stop-motion.
Trevor Romain knows how to talk to kids about the problems they think no one understands. His DVDs are a great way to begin conversations at home, in school, in Scout troops, religious groups, or in other community gatherings. They are just right for that stage in life when children first begin to want to look beyond their parents for answers to questions that trouble them and they speak to kids in a frank but matter-of-fact tone that is very reassuring. Most important, they provide very concrete, practical suggestions for coping with some of the most complex troubles of childhood and early adolescence, from homework to bullies to divorce and loss.
I was delighted to see a terrific article about the fabulous Anita Renfroe in the New York Times. It is especially gratifying to see the mainstream media embrace a performer who is frank and upfront about her Christianity. It is a welcome reminder to everyone along the spectrum from believer to skeptic and beyond that humor’s inherently subversive aspects are not inconsistent with sincere faith and religious practice.
One of my first postings on this blog was Ms. Renfroe’s “William Tell Overture” version of everything a mother says in a 24-hour period and I am pleased to have a chance to post it again for those who might have missed it. Check out her home page for her response to the dads who asked for their own version. Check out Good Morning America for her “Estrogen Theater” updates on life’s most crucial issues and confounding questions.
“One Hundred and One Dalmatians” is one of the best-loved Disney classics (and the first of its animated films to take place in a contemporary setting). There is nothing more irresistible than 99 frisky spotted puppies and there has never been a more deliciously scary villain than the fur-mad Cruella De Vil. It is a great family movie because it is exciting and funny and because it is all about the importance of family and community and the love parents have for their children. And just because it is a lot of fun.
Like “Lady and the Tramp,” 101 Dalmatians is told from the perspective of dogs, this time two dalmatians, Pongo and Perdita, the cherished pets of Roger and Anita. Anita’s old friend is the aptly named Cruella De Vil (Betty Lou Gerson). Her henchmen kidnap Perdita’s puppies and eighty-four others so she can make them into a dalmatian fur coat. Pongo (Rod Taylor) and Perdita (Cate Bauer), with the help of their animal friends, undertake a daring rescue. The puppies are adorable, and the movie is delightful (with a sly poke at television and the kids who watch it).
Movieline magazine once asked actresses to name the most memorable female villain in the history of the movies — Cruella was at the top of the list. She just might be the most ruthless villain of all time and any gender. Hannibal Lecter may be “Hannibal the Cannibal” but he never tried to make darling little puppies into a fur coat.
This gorgeous new Diamond edition is a treasure. This was a transitional film between the hand-painted classical style of the fairy-tale Disney films and a looser, more modern look. It was the then-new invention of the photocopier that made this movie possible. Without that technology, the Disney artists would still be painting all those spots.
Families who enjoy this movie might also like to see the 1997 live-action version, with Glenn Close as Cruella. Close is wonderful, but the movie relies too much on slapstick and the real dogs do not have the personality and range of expression of their animated predecessors. The 2000 sequel, “102 Dalmatians,” also featuring Close, is disappointing, too much silliness and not enough sweetness. The animated original is still the best. And the book by Dodie Smith is very different, but also wonderful.