David Thomson’s top 1000 Films

Posted on November 5, 2008 at 8:00 am

David Thomson is one writer whose appraisals are as riveting and entertaining as the films and performances he describes. His The New Biographical Dictionary of Film is one of the dozen or so indispensable reference works every film fan needs.

His latest book is “Have You Seen . . . ?”: A Personal Introduction to 1,000 Films. He does not waste time trying to be too specific or consistent about his guidelines (okay, so “Monty Python” and “The Sopranos” are television programs, not movies, they’re still must watching) and thank goodness he does not try to rank anything. That does not mean you won’t find something to argue with. But it does mean that the arguments it sparks will be a lot of fun. Critics are cranky. But crankiness can be a lot of fun. Whether he included or dissed your favorites, it cannot be denied that every movie on his list is worth seeing and every entry in this book is worth reading.

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The FCC, the Supreme Court, and the F- and S-Words

Posted on November 4, 2008 at 8:00 am

As we go to the polls today, honoring our Constitution’s fundamental principles of representative democracy, another key element of Constitutional system of checks and balances is also at work. And it may include consideration of yet another key founding principle of the United States, the right of freedom of speech and the press under the First Amendment of the Bill of Rights.
Today the Supreme Court will hear arguments in the case of Federal Communications Commission v. Fox Television Stations. The FCC, an independent agency of the federal government, will argue that it has the authority to ban “fleeting” expletives after the FCC issued warnings to broadcasters after celebrities used certain terms in live broadcasts.
The case is not strictly speaking a First Amendment case. As legal challenges often do, it relates more specifically to the procedures followed by the FCC in determining their policy on the words at issue. And as always happens with high-profile Supreme Court cases, there have been many filings by “amici” (“friends of the court”) — advocacy groups, television producers, even the pediatrician’s trade association — all expressing their views about who should decide what is appropriate, when they should decide it, and how the decision should be implemented. A group of former FCC Commissioners and staff wrote that while they were “not without sympathy” for the the FCC’s views on obscenity, they were concerned about:
decisions that have transformed a hitherto moderate policy of policing only the most extreme cases of indecent broadcast programming into a campaign of regulatory surveillance that will chill the production of all but the blandest of broadcast programming.
The words at issue raise an interesting problem in the arguments before the Court, where lawsuits are always argued with decorum and formality. According to the Supreme Court blog SCOTUS:
Unless Chief Justice John G. Roberts, Jr., intervenes, some of the argument in the Supreme Court chamber next Tuesday morning may sound at times like a typical conversation in a seventh grade boys’ restroom — the uninhibited use of four-letter words.
And, if Roberts allows it, such a display of blue language will be heard on TV and radio — in the middle part of the day — across America, and may be read the next morning in many newspapers. But, apparently, not in every news outlet.
The Court may very well rule that the FCC may not interfere with the “fleeting” use of these words on the air. And they may do so without using the words themselves, as they did in the famous case where they upheld the use of the f-word in a political protest. They noted that the word could be considered indispensable to make exactly the objection that the protester wanted to without saying what the word was.
According to the book, The Brethren, Burger approached Justice John M. Harlan, the opinion’s author, and said: “John, you’re not going to use ‘that word’ in delivering the opinion are you? It would be the end of the Court if you use it, John.” And Harlan did not. It was included, though, in the Court’s opinion finding that Cohen’s First Amendment rights had been violated. Justice Harlan described Cohen’s message as one involving a “scurrilous epithet,” but he also wrote: “While the particular four-letter word being litigated here is perhaps more distasteful than most others of its genre, it is nevertheless often true that one man’s vulgarity is another’s lyric.”
What should the policy be about the language used on broadcast television? There are no restrictions on the language used on cable programs. The last time the Court ruled on this issue it made a distinction based on the unique availability of broadcast television and radio for children. But in a world of internet, podcasts, and DVDs (not to mention schoolyards, shopping malls, and newspaper articles), that distinction no longer applies. I look forward to reports on the arguments and to the Court’s decision.

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Alice Upside Down

Posted on November 3, 2008 at 8:00 am

B+
Lowest Recommended Age: 4th - 6th Grades
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Reference to sad death and illness
Diversity Issues: Diverse characters

Based on the popular series of books by Phylis Reynolds Naylor, this understated but sensitive and warm-hearted film is funny, touching, and wise.

Middle school is miserable enough, but for Alice (Alyson Stoner) there are complications that are even more horrifying. She is brand new in town because her father (Luke Perry)
has just bought a music store in Silver Spring, Maryland, so they have moved away from everyone they know. She has gotten off on the wrong foot with just about everyone — a neighbor who is in her class in school (a muddy handshake and un-gracious rejection of her family’s gift of a meatloaf dinner), a boy from school (she accidentally opened the door to the changing room at the store and saw him in his boxers), and her terrifying new teacher, Mrs. Plotkin (Penny Marshall, in a welcome return to performing) by insisting that she was supposed to be moved to another class. But the most important reason she feels out of place (aside from being 11 years old) is that she misses her mother, who died when she was little, and her father does not want to talk about her.

Naylor and screenwriters Meghan Heritage and Sandy Tung have ably evoked the tumultuousness of 6th grade as Alice swings back and forth from misery to ecstasy and from over-confidence to utter humiliation and back again. When Miss Cole (Ashley Drane), the teacher she idealizes, directs the school play, Alice thinks all of her problems will be solved. All she needs to do is get the lead and fix the teacher up with her father so they can unite in marriage and in recognizing Alice as the fabulously talented, confident, and popular girl she knows she is destined to be.

Of course, that isn’t the way it all works out. Alice lapses into daydreams, forgets to do her homework, and finds that she did not inherit her mother’s gift for singing. But she also discovers that she can learn from her mistakes and that everyone deserves a second chance.

Stoner is an appealingly sincere young actress with a gift for comedy and “High School Musical’s” Lucas Grabeel is terrific as her older brother. Co-screenwriter Tung directs with enough respect for his characters and the audience that he lets everyone learn some lessons without having a sit-com resolution to every situation. It’s a fine family film, enthusiastically received when I introduced it at the Tallgrass Film Festival and I was delighted when it came in second for the festival’s audience award.

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Movie ABC’s

Posted on November 1, 2008 at 4:00 pm

We just looked at long movie titles, so let’s take a look at short ones. The release of “W” inspired NPR’s Bob Mondello to ask whether you could put together an entire alphabet of movies with one-letter titles. Of course there are classics like Fritz Lang’s “M” (Peter Lorre as a serial killer), “X” (Spike Lee’s biographical film about Malcolm X) and “Z” (Costa-Gavras’ searing political film). And the horror films “SSSSSSSSSS” (about a snake) and “Q” (about a flying lizard). “O” is a version of “Othello” set in a high school. Mondello could have added “G,” a version of “The Great Gatsby” set on Long Island.
The other letters gave him trouble — it’s fun to see what he came up with.

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Lists

List: Movies With Very Long Names

Posted on October 31, 2008 at 6:00 pm

Deletionpedia is a site that scoops up all the articles considered unworthy of being included in Wikipedia because they are not important or not documented or just silly. What a magnificent concept! One example is the list of movies with particularly long titles.
Here are some of the longest:
Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Alien, Flesh Eating, Hellbound, Zombified Living Dead Part 2: In Shocking 2-D (1991)
The Fable of the Kid Who Shifted His Ideals to Golf and Finally Became a Baseball Fan and Took the Only Known Cure (1916)
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1967)
The Lemon Grove Kids Meet the Green Grasshopper and the Vampire Lady from Outer Space (1965)
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
It is interesting that the 60’s seemed to be the height of the long movie title era. Don’t know how they missed this one:
Oh Dad, Poor Dad, Mama’s Hung You in the Closet and I’m Feeling So Sad (1967)

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