Revvin’ Up the Reindeer with Brady Rymer

Revvin’ Up the Reindeer with Brady Rymer

Posted on December 12, 2017 at 1:44 pm

Brady Rymer’s tuneful new holiday album for families is Revvin’ Up the Reindeer. In an interview, he shared his own family’s favorite holiday traditions and the inspiration for his songs about untangling Christmas lights and rainbow candles for Hanukkah.
You have toured with some of the greats — what did you learn from performing with them in front of such huge audiences?
Copyright 2017 Bangin’ Out a Melody Music
My grown-up group From Good Homes did a very special tour with Bob Weir back in 1995. He was one of my idols growing up — his rhythm guitar playing was very inspirational — so here I am with my buddies in a band, years later sharing the stage with him – it was incredible! We were on tour with Bob the day Jerry Garcia passed away, and I remember the show after Jerry passed Bob saying, “Let’s go on and do our thing. Jerry would want it that way.” That night, I saw the power of music to heal, communicate, connect us all. Giving us joy, sadness, hope to carry on – it was all there as we celebrated through song an artist that we all loved and who gave so much of himself. Later on the tour, I asked him how he had kept going after all of these years (roughly 30 at that point). He simply said, “You gotta have fun.” He said he wouldn’t be doing it all these years if it wasn’t fun. So, guess you can just take it from the good ol’ Grateful Dead: Just go out there and do what you do and have fun! Don’t try to be something that you’re not — share your passion and talents in an honest way.
How are kid audiences different from grown-ups?
I struggle with this one because in a lot of ways they are similar. They all wanna get rockin’. They both wanna see the band having fun, and they both like to dance. Both grown-ups and kids have been known to get rowdy; they both wanna hear their favorite songs, they both wanna connect with the artist and each other and experience something. One difference is that it’s hard to do the longer improvisational and instrumental stuff for the kids! No space jams for them! Ha! But I don’t know, maybe it would work if I just asked them all to pretend they were all ballerinas for the next 10 minutes. At the core they seem the same. We are always trying to connect with our music and songs and as people. At live concerts, we are all together for a little amount of time, singing, dancing and experiencing something magical together.
I don’t think there’s ever been a song about untangling Christmas tree lights before — what inspired that?
That’s one of my holiday tasks! Year after year I get to untangle the lights and hang ‘m on the tree – aren’t I lucky! So, a few years back I was untangling a particularly knotted, stubborn batch when I just started singing to help manage the time and frustration. I recorded a little bit of it, and you can hear on the tape the sound of the lights being untangled. That version actually became the basis for the final song, I went back to it when I was writing the lyrics. The original tape of me singing was about 50 minutes long, so we had to cut it down a bit for the album!
Why is music such an important part of celebrating Christmas?
So much emotion, memory, is wrapped up in the holiday music. When you hear it again it opens up and hopefully you open your heart to a sweet time and some magical feelings. Music is a great way to spread the love and cheer. It just seems to mix well with the snow, chill, peace, hope and magic that comes around each holiday season.
What are some of your family’s favorite holiday traditions?
Cooking (& eating)! We usually host lots of family. My wife, Bridget & I love planning a different menu each year, and we create special cocktails to serve, etc. Now that our two kids are older they are involved as well — suggesting recipes and helping along. I also love getting up every Christmas morn to see what kind of surprise Santa has left each year. Last year, because it was so warm on Christmas, Santa moved our entire Christmas situation — the tree, all the presents, the stockings – everything was moved from the living room to our (typically freezing) enclosed deck space where the kids have been wanting to have Christmas since they were little. It was just too cold in past years. So, how did Santa know that the weather was perfect last year? It was so crazy when the kids ran into the living room on Christmas morn expecting the tree and all the presents to be there… they yelled, “Santa! Where’s our Christmas?!”
What was the first instrument you ever learned to play?
Well, I played the baritone horn in elementary school for a bit but it had a hard time competing with a shiny, cool (and loud) electric guitar! Led Zeppelin riffs were not being played on the baritone horn. Around the same time (5th or 6th grade) my brother and our friends also picked up guitars, basses and pianos & we started a rock band. It was the thing to do. After a few nights in my parents’ garage we had a few songs down. That was it for me – I loved it.
What was the first rock concert you ever attended?
KISS with my dad & brother! Roosevelt Stadium, Jersey City, NJ, July 10th 1976 – I’ve even seen it on Youtube! They were on their Destroyer Tour and the show started with explosions, and I loved the huge rock n roll sound and spectacle! It was incredible. It was a great bill. And the other bands left just as much impact — it was Bob Seger and the J Geils Band. Kind of a strange bill, but it worked. And wow, what a scene, so much to see at an outdoor rock concert in the 70’s! My head was spinning. I think my dad’s was too.
How do you approach writing a song for Hanukkah?
I remembered a book that was in my kids’ preschool classes called “Rainbow Candles.” I thought that would be a sweet thing to sing about and a great way to write about the holiday. I didn’t have any songs in waltz time so I tried it in ¾ time. I also wanted it to have a Klezmer flavor so it’s in a minor key.

 

What parts of the holiday are most music-friendly?
I knew I wanted to sing about kid-friendly Hanukkah treats like latkes and donuts, dreidel spinning and lighting the menorah. But I also wanted to express the feeling of love, hope, family and joy. The idea of a festival of lights is so lovely – the hope, promise, peace, that image & idea made its way into a few other holiday songs on the album as well. Those ideas became somewhat of a holiday theme. And as Bob Weir said – just trying to have some fun with it all.
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Interview Music
Interview: Writer/Director Ron Shelton and “Just Getting Started”

Interview: Writer/Director Ron Shelton and “Just Getting Started”

Posted on December 12, 2017 at 1:40 pm

Copyright Broad Green 2017

Writer/director Ron Shelton understands the way that people — especially men — communicate through competition that can be both amiable and cutthroat at the same time. And he knows how funny it is to watch. In his new movie, “Just Getting Started,” Morgan Freeman, Tommy Lee Jones, and a cast of great character actors play residents of an idyllic retirement community in Palm Springs who try to top each other in golf, poker, and the affections of a new arrival played by Rene Russo. In an interview, he talked about the differences between men and women, spending Christmas in the desert, and And he quoted one of his most famous characters, “Bull Durham’s” Annie Savoy.

One of the funniest characters in the film is the mob wife played by an unrecognizable Jane Seymour. What did you have in mind with the look of her character?

She’s supposed to be outrageous. Jane said she wanted to come in and have some fun, and she told me she had two different wigs; one blonde, one brunette. I said, “Bring them both and wear one in each scene.” She’s a woman who married into a criminal wealth and we wanted to have fun with it.

It’s unusual to see a movie with Christmas in the California desert, no snow, no pine trees.

I’m a native of Southern California so I grew up with Christmas at the beach. I looked it up and Southern California is on the same latitude as Bethlehem so I’ve always joked about that but half the world has hot Christmases. I was in Palm Springs one time around Christmas and it was one hundred ten degrees and there were dust storms blowing and Johnny Mathis was singing “Let It Snow” and everybody was perfectly happy so I thought it was a good backdrop for not your normal Christmas setting.

Your films often feature guys and their relentless competition, even in the smallest of ways. Why do they do that?

 Obviously if I knew I wouldn’t keep trying to explore it in dramatic ways. Honestly, I think it might be chemical. It is supported by conditioning and the world. Writers are storytellers and forever we have been exploring the why of all that without ever coming to an answer. I think on the other side of guys and that alpha male thing, guys also forget and forgive much quicker than women. All my women friends in life completely agree. Men say, “That’s over; let’s play golf, let’s have dinner, let’s have a drink.” The women go, “Oh, wait aren’t there unresolved issues?” As Annie Savoy says in “Bull Durham,” “It’s wonderful how men get over things.”

Is it different to write for older characters?

It turns out to be the same because I’m an older character and I don’t think of myself as older, so they don’t either. You and I are still thinking about what are we doing next, about doing what are we doing today, what’s my next job, my interview, my script, my movie, whatever. I’m more active than I’ve ever been. I can’t jump as high or hit a golf ball quite as far, but I think I’m a lot wiser. I don’t make as many of the same mistakes. I’m a better parent and grandparent. I wanted to treat them like people and not go to all those usual sort of go-to default reflex Viagra jokes.

They’re toasting the Christmases to come, looking ahead, not back. So are the actors. Morgan’s eighty, Tommy seventy. Nobody in the movie was under sixty except the two young kids and everybody was active and vibrant and full of energy.

You have made some classic sports movies, and of course there is some golf in this one. We don’t get those adoring portrayals of athletes you see in Turner Classic Movie films like “The Stratton Story” and “Pride of the Yankees.” Why is that?

I think we know too much. Television and iPhone and video cameras and paparazzi and confessions mean we cannot pretend that these people are anything other than the brilliantly talented and flawed people they are. Back when those movies were made there were no televised sports. People didn’t know what the athletes looked like. All I try to do in my stories is put the camera and the story where the television cameras can’t go.

Do sports build character, reveal character or both?

Both; without question. I’m a big believer in sports. It’s great training for people, I know it’s a cliché but it’s true — you learn life lessons. People ask me “what did you learn from sports?” because I went to college on a basketball scholarship and played professional baseball. I say, “you learn to lose” You never win in sports. You have good years and bad. You deal with disappointment. You learn to figure out, “How does that make me stronger? How do I put it in perspective with everything else going on in my life?” So, that’s a great life lesson. It’s what you keep in your heart and mind as you play, whether you are eight years old or thirty or sixty.

 Originally published in HuffPost

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Directors Interview Writers

WAFCA Awards 2017 — “Get Out,” “Three Billboards,” “Coco”

Posted on December 8, 2017 at 1:12 pm

The Washington Area Movie Critics are proud to announce our winners, the very best of 2017:

Copyright Universal 2017

Best Film:
Get Out

Best Director:
Christopher Nolan (Dunkirk)

Best Actor:
Gary Oldman (Darkest Hour)

Best Actress:
Frances McDormand (Three Billboards Outside Ebbing, Missouri)

Best Supporting Actor:
Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

Copyright A24 2017

Best Supporting Actress:
Laurie Metcalf (Lady Bird)

Best Acting Ensemble:
Three Billboards Outside Ebbing, Missouri

Best Youth Performance:
Brooklynn Prince (The Florida Project)

Copyright Disney-Pixar 2017

Best Voice Performance:
Anthony Gonzalez (Coco)

Best Motion Capture Performance:
Andy Serkis (War for the Planet of the Apes)

Best Original Screenplay:
Jordan Peele (Get Out)

Best Adapted Screenplay:
Virgil Williams and Dee Rees (Mudbound)

Best Animated Feature:
Coco

Best Documentary:
Jane

Best Foreign Language Film:
BPM (Beats Per Minute)

Copyright Warner Brothers 2017

Best Production Design:
Production Designer: Dennis Gassner;
Set Decorator: Alessandra Querzola (Blade Runner 2049)

Best Cinematography:
Roger A. Deakins, ASC, BSC (Blade Runner 2049)

Best Editing:
Paul Machliss, ACE; Jonathan Amos, ACE (Baby Driver)

Best Original Score:
Hans Zimmer and Benjamin Wallfisch (Blade Runner 2049)

The Joe Barber Award for Best Portrayal of Washington, DC:
The Post

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Awards Critics
The Shape of Water

The Shape of Water

Posted on December 7, 2017 at 3:37 pm

A-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for sexual content, graphic nudity, violence and language
Profanity: Strong language
Alcohol/ Drugs: Alcohol, smoking
Violence/ Scariness: Intense and graphic violence, peril, torture, murder
Diversity Issues: A theme of the movie
Date Released to Theaters: December 9, 2017
Date Released to DVD: March 12, 2018
Copyright 2017 Fox Searchlight

There is some reassuring symmetry in the cinematic bookends that gave us “Beauty and the Beast” in January (the highest-grossing film of the year), a “Beauty is the beast” film with the mid-year’s “Colossal,” and now, in December, another variation with Guillermo del Toro’s enthralling R-rated fairy tale, “The Shape of Water,” which was awarded the 2018 Oscars for Best Picture and Best Director.

Sally Hawkins is luminous as Elisa Esposito, a custodian in a secret government lab during the cold war era. Her closest friends are her chatty, unhappily married colleague Zelda (Octavia Spencer) and her neighbor Giles (Richard Jenkins), an anxious, cat-loving, old-movie-watching, out-of-work illustrator. They are the only two people who can communicate with Elisa. She can hear but is mute due to a childhood injury, and uses via American Sign Language.

The film is as gorgeous as any enchanted tale could wish, with a green-blue color palette that evokes the sea and old-school, analog equipment in cavernous rooms and huge, clanking equipment harking back to early horror classics like “Frankenstein” and “Creature from the Black Lagoon” (the later of which del Toro acknowledges as inspiration), with a nod to princess in the castle stories as well.

Elisa discovers one of the lab’s biggest secrets. Strickland (Michael Shannon) a harsh, brutal, “collector,” has captured and brought back to the lab a creature he discovered in the Amazon, a gilled, scaley human-shaped reptilian (played by del Toro regular Doug Jones) who has two separate breathing systems, one for air, one for water. He has some other unusual qualities, which Strickland is not learning much about because he mostly zaps the creature with a cattle prod to “tame” him. Elisa shares her hard-boiled eggs with the creature, and then some music, and then some words, as he begins to learn her language. As we will see, there are parallels between them that make them seem almost like star-crossed lovers kept apart only because they are of different species. Elisa is an orphan who was found not on a doorstep but in the water. The scars on her throat from the abuse that cost her her voice look like gills. Most important, she believes the creature is the only one who sees her as whole, complete, not missing anything.

There is a scientist at the lab named Hoffstetler (Michael Stuhlbarg), who has a secret of his own. There are other people who want to steal the creature and people who just want to kill him because it is more important to keep him away from the enemy than to learn more about who he is and what he can tell us about who we are. Of course, the way we treat him tells us a lot about who we are.

The story capaciously encompases a fairy tale romance with spies, the Cold War, the Civil Rights movement, a heist, and a musical number without, well, losing a step, thanks to del Toro’s ability to create cinematic magic. Hawkins is, as she was in “Maudie” earlier this year, exquisitely able to create a character of fierce intelligence and the kind of gentleness that is grounded in moral courage. Instead of subtitles in white at the bottom of the screen, her words are depicted in yellow letters floating around her, her face communicating as clearly as her hands. The movie is bracketed with images of Elisa floating. By the end, the audience will feel we are floating as well.

Parents should know that this movie includes some elements of horror with graphic and disturbing images, peril, and violence, including torture, sexual references and situations, strong language, smoking and drinking.

Family discussion: How are Elisa and the creature alike? How are Hoffstetler and Strickland different? Why does Giles change his mind?

If you like this, try: “Colossal” and “Pan’s Labyrinth”

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