Roger Ebert Cites Me in MPAA Ratings Op-Ed

Posted on December 12, 2010 at 7:34 pm

I am honored to be mentioned in Roger Ebert’s outstanding op-ed about the MPAA ratings, and thrilled with his support for what I do. Last week, on appeal, the MPAA lowered the rating of “Blue Valentine,” a searing portrait of a deteriorating marriage, to an R. Its explicit sexual material had given it an NC-17, which meant that many newspapers would not accept ads and many theaters would not show it.
Ebert says:

The MPAA should have changed its standards long ago, taking into account the context and tone of a movie instead of holding fast to rigid checklists….It’s time to get pragmatic about this. The current ratings system is useful primarily for the parents of small children who are concerned that images or situations may be disturbing for young minds. They know a G film is harmless and a PG almost certainly is, and a PG-13 may or may not be. It’s an open secret that some naturally PG movies have an element or two thrown in to earn a PG-13, so teenagers aren’t scared off. That’s not a step forward.

Obviously, what parents really want is an evaluation, exactly what Mr. Valenti said the MPAA could not provide. When they’re informed that a PG-13 contains “language, some intense situations and smoking,” what have they learned? On the Internet, useful guides to content are everywhere. Critics like Nell Minow, the “Movie Mom,” write intelligently for parents about the content and context of films.

Related Tags:

 

Commentary Critics Media Appearances Parenting Understanding Media and Pop Culture

Another Bad Call from the MPAA

Posted on November 1, 2010 at 10:45 pm

The ultra-violent “Saw 3D” gets an R. The ultra-explicit and disgusting “Jackass 3D” gets an R. But how does “The King’s Speech” get an R? This is an acclaimed historical drama about the King of England (Colin Firth) who has to have speech therapy to help his stutter. As a vocal exercise, he has to say some bad words. And so it gets an R rating. The LA Times’ Patrick Goldstein has an excellent article about the arbitrariness of the MPAA’s rules and the outrageous results.

To call the decision crazy and unhinged would be to let the MPAA off too lightly. Its ratings decisions, which frown on almost any sort of sex, frontal nudity or bad language but have allowed increasing amounts of violence over the years, are horribly out of touch with mainstream America, where families everywhere are disturbed by the amount of violence freely portrayed in movies, video games and hip-hop music.

He quotes Tom Hooper, director of “The King’s Speech.”

“What I take away from that decision,” says Hooper, “is that violence and torture is OK, but bad language isn’t. I can’t think of a single film I’ve ever seen where the swear words had haunted me forever, the way a scene of violence or torture has, yet the ratings board only worries about the bad language.”

And he quotes me:

he ratings board judges violence on a far more amorphous and clearly subjective sense of overall tone. That discrepancy sets up the MPAA for all sorts of criticism, much of which has come from Nell Minow, a corporate governance expert whose must-read Movie Mom blog has frequently taken the MPAA to task for its inconsistencies.

“The ratings decision on ‘The King’s Speech’ is just another example of how completely out of touch and useless the guidance is that we get from the MPAA,” Minow told me Monday. “The one thing we want from them is a general sense of where a movie fits into our family values. But by putting ‘The King’s Speech’ in the same ratings category as ‘Kill Bill’ or ‘Scarface’ or ‘Saw,’ then it really makes a mockery of the whole system.”

Related Tags:

 

Commentary Parenting Understanding Media and Pop Culture

Do the GQ ‘Glee’ Photos Go Too Far?

Posted on October 21, 2010 at 8:26 am

Katie Couric and the Parents Television Council are objecting to a sexy photo spread of “Glee” cast members in GQ Magazine. While Finn (Cory Monteith) is fully clothed, his cast mates Rachel (Lea Michelle) and Quinn (Diana Agron) (both 24 years old but playing teenage high schoolers in the show) are in their underwear and posing very provocatively.

The PTC says “It is disturbing that GQ, which is explicitly written for adult men, is sexualizing the actresses who play high school-aged characters on ‘Glee’ in this way. It borders on pedophilia.” GQ responded, “As often happens in Hollywood, these ‘kids’ are in their twenties. Cory Montieth’s almost 30! I think they’re old enough to do what they want.” NPR’s Monkey See blog also objected to the sexy “Glee” photos, because of the passive, little-girl signifiers of the props and poses.

“Glee” is not intended for children. It has a good deal of edgy material with frequent sexual references and situations. Agron plays a character who, despite membership in the school chastity club, had a baby last year. A teen boy has sex with older women. In another episode three characters decide to lose their virginity, though not all of them went through with it. The most recent episode showed two teen girl cheerleaders making out with each other.

At least three or four times a year there is a headline about some former child star who wants to show she is all grown up with a sexy photo shoot or music video. A new video from Miley Cyrus, formerly the squeaky clean Hannah Montana, has her posing blindfolded on a bed and giving lap dances. The only thing harder to control than a teenager is a teenager in show business. Or a publication trying to get headlines.

How should parents respond? First, by listening. Young fans of performers like Miley Cyrus may be distressed by this kind of behavior. Parents should use this as an opportunity to say that sometimes people, especially teenagers, make foolish choices, and we hope they learn from their mistakes — and that we do, too. If they feel strongly about it, help them write a letter to the performer, or post something on a fan site expressing their views. Teenage Gleeks may be willing to talk about why it is that the male performer gets to keep his clothes on, why the female stars pose in their underwear in public settings, and how props like a lollipop are used transgressively to make the images evoke both childhood and adult sexuality.

Let me know what your family thinks about this issue, either here or at moviemom@moviemom.com.

Related Tags:

 

Actors Parenting Teenagers Television Tweens Understanding Media and Pop Culture

Protecting Kids’ Privacy: Common Sense Media

Posted on October 10, 2010 at 8:00 am

Common Sense Media announced a new privacy initiative this week along with the results of their survey showing that 92 percent of parents are concerned about protecting their children’s privacy online.

The Common Sense Privacy Campaign will include the distribution of consumer tips, information, and videos to millions of homes and a new privacy curriculum for teachers and schools around the country. The campaign will challenge technology companies and operators to develop far better policies that make it easier for parents and kids to protect personal information online and will also ensure that parents’ and kids’ voices are being heard in Washington, D.C., through a national awareness and advocacy campaign.

According to a recent study by The Wall Street Journal, 50 of the most popular U.S. websites are placing intrusive tracking technologies on visitors’ computers — in some cases, more than 100 tracking tools at a time. Fifty sites popular with U.S. teens and children placed 4,123 “cookies,” “beacons,” and other tracking technologies on their sites — 30 percent more than similar sites aimed at adults. Tracking technology scans in real time what people are doing on a webpage, then instantly assesses location, income, shopping interests, and even medical conditions. Individuals’ profiles are then bought and sold on stock-market-like exchanges that have sprung up in the past 18 months.

Congress’ primary goal in creating the Children’s Online Privacy Protection Act (COPPA) in 1998 was to help parents control the information that’s collected from and about their children online and to control how that information is used. But today, extraordinary changes in technology and digital media have made it far more difficult for parents and young people to protect their privacy. The Zogby poll finds that more than 60 percent of parents want Congress to update online privacy laws for children and teens, and 70 percent of parents think schools should educate about online privacy.

Common Sense Media head Jim Steyer asked industry to let parents know how information will be used before it’s collected and use short and simple privacy policies instead of confusing and dense policies that take hours to read. He said industry should support ‘Do Not Track Kids’ and should provide parents and kids the opportunity to clear their histories with an “eraser button.”
Their goals:

We challenge industry, educators, policymakers, and parents to
protect kids’ privacy:

1. Do not track kids. No behavioral marketing for kids.

2. Opt in. Kids shouldn’t have to opt out of something to keep third parties — like marketers — from tracking them.

3. Clear & simple statements. Privacy statements should be easy to read and understand.

4. Everyone needs privacy education. Parents, teachers, and kids need to be educated about the risks of loss of privacy and how to control their personal information.

5. Innovate to protect. Industry must focus on creating better privacy protections.

6. Privacy for the 21st century. Government needs to update privacy policies to keep up with the times.

CSM has resources every parents should look at, including “10 Ways You’re Not as Private As You Think” and Staying Safe and Secure in a Digital World. Too many families have learned that “stranger danger” and bullying can come into their homes and into their children’s lives through the internet. Larry Magid’s SafeKids.com has some thoughts on the survey and proposals and GetNetWise, a cooperative project of public interest groups and industry, has some good guidelines for kids of all ages that families should discuss.

Related Tags:

 

Commentary Marketing to Kids Parenting

Say No to Informercials Masquerading as Programs for Kids

Posted on October 3, 2010 at 3:57 pm

The FCC has issued a call for public comment on the Campaign for a Commercial-Free Childhood’s petition that the upcoming Nicktoons children’s television show Zevo-3 violates the public interest. It is the first children’s show to feature commercial spokescharacters; the stars are characters whose only previous existence was in commercials for Skechers shoes. CFCC believes the show violates the Children’s Television Act and FCC policies that limit the amount and kind of advertising in children’s television programs. Comments must be filed by October 18.
Zevo-3, produced by Skechers (the footwear giant) is scheduled to begin airing on Nicktoons on October 11. The animated series stars superheroes named Kewl Breeze, Elastika, and Z-Strap and a villain named Dr. Stankfoot who, until now, have only been used in advertisements to promote specific lines of Skechers shoes. The characters were originally created by Skechers for comic books distributed in shoe boxes and have also appeared in numerous Skechers’ television ads. Since the characters themselves have always only been ads, CFCC says that the show’s broadcast will violate the time limits for commercial matter in kids’ TV shows (12 minutes per hour on weekdays) and FCC policies that call for strict separation of commercial matter and programming.
Children are not clear on the difference between programming and advertising, and blurring the line further by putting advertising characters into programs turns them into an infomercial. Zevo-3 is the first children’s program based on advertising logos. Its main characters, Elastika, Kewl Breeze, Z-Strap and the evil Dr. Stankfoot have only appeared in advertisements for Skechers shoes. Zevo-3 violates policies designed to protect children from overcommercialization on television such as the limits on commercial matter (12 minutes per hour on weekdays) and clear separation between commercial matter and programming. It escalates commercialism in children’s media and will open the floodgates for a slew of children’s programming based on spokescharacters such as Ronald McDonald, The Burger King, and Tony the Tiger. The CCFC’s petition is asking the Commission to uphold the few laws and rules that exist to protect children–not asking the FCC to create new rules.
This isn’t the first time a corporation has tried this: In 1992, Fox planned to air a show based on Chester Cheetah, the Cheetos spokescharacter. However, when advocates petitioned the FCC, the show was pulled. In the intervening eighteen years, there has been no development of children’s television programming based on advertising spokescharacters – until now. Zevo-3 might be the first, but unless it’s stopped it won’t be the last. Public opinion will matter, and it’s essential that the advocacy, public health, and education communities weigh in on behalf of children. That’s why the FCC needs to hear from parents, teachers, and other concerned adults.
The deadline for comments in October 18 and it does not need to be more than a single sentence: I support the CCFC’s efforts to enforce the existing FCC regulations and policies by protecting children from commercials masquerading as programming in Zevo-3. Be sure to refer to #10-190.
If you are filing your comment as an attachment (Word or .pdf), you can upload your submission.
Or, type or cut and paste a brief comment into the FCC’s express form.
CCFC’s petition and the supplemental material provide more background.

Related Tags:

 

Advertising Marketing to Kids Parenting
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik