Coraline’s Special Effects

Posted on February 22, 2009 at 12:00 pm

Wired Magazine has a fascinating story about the breathtaking special effects in “Coraline.” In an era when we are used to astonishingly “true” images generated by computers, the old-school charms of this stop-motion movie, where everything you see was actually there being photographed, enhanced with ground-breaking 3D technology, is entrancingly tactile. A painstaking process meant that no more than 2-4 seconds a day were completed, with thousands of tiny adjustments in each scene. The title character’s 200,000 facial expressions, required 350 top plates for her eyebrows and forehead and 700 bottom plates for her mouth.

It’s the stunningly inventive DIY visual effects that director Henry Selick (The Nightmare Before Christmas) used to bring the story to life. A quarter-million pieces of popcorn are transformed into cherry blossoms, superglue and baking soda are whipped into snow, and black fishing line becomes creepy chest hair.

coraline garden.jpg

In all, the crew hand-built 150 sets and 250 jointed puppets, as well as plants and toys with countless moving parts. “What makes this film different,” says Tom Proost, one of the art directors, “is that everything is real and everything moves.”

Every detail is brilliantly imagined and brilliantly executed. I love the way they created the steam from a tea kettle: cotton spritzed with hair spray. I’ve seen the film twice and plan to go back again just to see the extraordinary garden and theater scenes and to catch some of the many details I know I have missed.

Debate: Is ‘The Reader’ Great Art or Hackneyed Tripe?

Posted on February 22, 2009 at 8:00 am

“Don’t Give an Oscar to ‘The Reader'” is the headline of an angry Slate essay by Ron Rosenbaum, author of Explaining Hitler: The Search for the Origins of His Evil. Rosenbaum says it is “a film in which all the techniques of Hollywood are used to evoke empathy for an unrepentant mass murderer of Jews.” He argues that “This is a film whose essential metaphorical thrust is to exculpate Nazi-era Germans from knowing complicity in the Final Solution.”

I’ve argued that most of the fictionalized efforts either exhibit a false redemptiveness or an offensive sexual exploitiveness–what some critics have called “Nazi porn.” But in recent years, a new mode of misconstrual has prevailed–the desire to exculpate the German people of guilt for the crimes of the Hitler era. I spoke recently with Mark Weitzman, the head of the Simon Wiesenthal Center’s New York office, who went so far as to say that The Reader was a symptom of a kind of “Holocaust revisionism,” which used to be the euphemistic term for Holocaust denial.

SPOILER ALERT: Based on Bernhard Schlink’s best-selling The Reader, an Oprah book selection, the movie stars Kate Winslet as a German woman in the early 1950’s who has an affair with a 15-year-old boy. Years later, the boy has become a law student and he sees her in court, being tried for atrocities during the Holocaust. He discovers that she cannot read and that her humiliation and efforts to hide her ignorance
On the other side is Roger Ebert, who says “The Reader” is not a Holocaust movie; it is a movie about the consequences of not speaking up. He agrees with Rosenbaum that Winslet’s character “was responsible for inexcusable evil.” But he does not feel that the movie excuses her or redeems her in any way. He believes the movie’s point is that Michael was guilty of worse not because the consequences were as bad but because his education and circumstances gave him more of a choice.

Who committed the greater crime? Michael, obviously, although few audience members might see it that way. He was more mentally capable than she was. She is deeply, paralyzingly ashamed of her illiteracy. It has led her a lifelong neurosis. She worked for the Nazis, as many other Germans did with much less reason, or none at all. What did she go through to keep her secret? What lies did she tell, what intimacies did she betray? Has she never been able to have a relationship with a man without using sex and her greater age to prevent the man from learning of her shame? What kind of a monster was she, that she helped innocent victims to go to their deaths because of a secret that seems trivial to us?

Miley Cyrus Apologizes Again (Twice)

Posted on February 15, 2009 at 12:00 pm

It seems like a very minor infraction compared to the recent Chris Brown/Michael Phelps/A-Rod transgressions, but Miley Cyrus had to apologize again — twice — for a photograph that appeared to mock Asians.
Her first apology was a bit defensive and accusatory.
“I’ve also been told there are some people upset about some pictures taken of me with friends making goofy faces! Well, I’m sorry if those people looked at those pics and took them wrong and out of context! In no way was I making fun of any ethnicity! I was simply making a goofy face. When did that become newsworthy? According to MTV.com, she said:
“It seems someone is trying to make something out of nothing to me. If that would have been anyone else, it would have been overlooked! I definitely feel like the press is trying to make me out as the new ‘bad girl’!”
She had to do better than that. On her website, she wrote, accepting responsibility instead of blaming the press and the victims:
“I want to thank all of my fans for their support not only this week, but always! I really wanted to stress how sorry I am if the photo of me with my friends offended anyone. I have learned a valuable lesson from this and know that sometimes my actions can be unintentionally hurtful. I know everything is a part of GOD’s ultimate plan, and mistakes happen so that eventually I will become the woman he aspires me to be.”
It seems a lot to come down so hard on a young woman who has in many ways been such a wholesome role model for girls. But her success brings with it an enhanced responsibility and if she must learn some difficult lessons in public at least her young fans can benefit from seeing her develop the grace to respond appropriately.

Bad Timing — This Week’s Releases

Posted on February 13, 2009 at 10:00 am

Both of this week’s big mainstream releases are suffering from bad timing. “The International,” inspired by the BCCI banking scandal of 1991, is about a multi-national bank that is involved in everything from weapons sales to political payoffs and even murder. And “Confessions of a Shopaholic,” based on the best-selling book, is about a young woman who loves to shop for extravagant clothes so much she runs up $16,000 in debt. Both are about problems that, even as fiction, seem almost trivial in light of current economic conditions. Despite the awkward insertion of a massive shoot-out in “The International” to make it more exciting and a line of dialogue about the precarious position of the banks in “Shopaholic” to make it seem more timely, both movies have been so overtaken by events that they seem off-key. It will be interesting to see a year from now the way that movies currently in production reflect current economic and cultural concerns and how well they connect to wherever we are by the time they are released.

Chris Brown and Michael Phelps — What Do We Tell Kids?

Posted on February 9, 2009 at 3:42 pm

This has been something of a bad boy week. A-Rod confessed to steroid use. “Dark Knight” star Christian Bale was taped when he erupted into a furious and very profane rage at a technician on his set. A photograph of Olympic swimming champion Michael Phelps puffing marijuana at a party was published in England. And assault allegations against pop star Chris Brown have already led to suspension of his ad campaign with Wrigley, though so far no charges have been filed.
This is particularly troubling in the case of Phelps (age 23) and Brown (age 19) because they have been role models for many young fans who may be disappointed and confused. It is a good chance for a family discussion of consequences — reputational and financial — for foolish choices. The Phelps photograph was apparently taken with a cell phone. Parents must make it clear to teenagers that in a world of omnipresent capacity for taking pictures and videos and instantly making them available via the internet, even if the subject is not a celebrity. Even these very young performers have devoted a great deal of time to building careers that rest as much on their reputations for honesty, dedication, and professionalism as on their talent. A momentary bad judgment has put all of that at risk. When our generation was in school, a threat was having some infraction on our “permanent record.” In today’s world, everything goes on the permanent record. Even a photograph removed from Facebook or Myspace lives on forever, to be accessed by potential employers, admissions directors, and friends. This is a good time to talk with them about the choices they make in posting photographs of others as well as those taken of them.
It is also a good time to talk about apologies. Bale said nothing for four days and then impulsively called into a radio station that had been making fun of him. While he apologized unreservedly, he said “I regret it. I ask everybody to sit down and ask themselves if they have ever had a bad day and lost their temper and really regretted it immensely.” That “bad day” reference sounds too much like an excuse; I guarantee the person who was having the bad day in that situation was the technician on the other end of the tirade. A-Rod tried the same “different era” excuse that Merrill Lynch CEO John Thain used to explain his $1.2 million office decorating expenses.
Phelps’ apology was prompt and unequivocal. He is suspended for three months from competing but his endorsement contracts seem to be staying with him. Brown has not yet made a statement. This is a good opportunity to talk to kids about what people do to acknowledge and rectify mistakes and about how loyal friends and fans can still support people even if they’re not perfect. And it is a good opportunity to let them know that however they feel — disappointed or supportive or both — that is legitimate and understandable.