Wolfs

Wolfs

Posted on September 19, 2024 at 5:36 pm

B +
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language throughout and some violent content
Profanity: Very strong language throughout
Alcohol/ Drugs: Drug dealing, alcohol
Violence/ Scariness: Extended crime-style violence, chases, car crashes, bloody shoot-out with many dead bodies, graphic and disturbing images
Diversity Issues: None
Date Released to Theaters: September 20, 2024

Two old pros play two old pros in the irresistible “Wolfs,” basically an hour and 40 minutes of George Clooney and Brad Pitt bickering plus some crime stuff (drugs, chases, shooting), and there’s nothing wrong with that. On the contrary, it is delightfully entertaining.

Copyright 2024 Apple TV+

The title may be a callout to Wolfe, the Harvey Keitel character in “Pulp Fiction,” the fixer, the clean-up guy, the hyper-capable, unflappable character who can make even the messiest, most embarrassing, most serious, bloodiest, lock-you-up-forever or get-you-killed situation go away. We are smack dab in the middle of exactly such a situation before the credits roll. While we are looking at a winter nighttime skyline, we hear the sounds from just one penthouse hotel room, one which we will later learn goes for $10,000 a night.

It’s a very bad sound. It’s a scream of shock and pain, with shattered glass, followed by the words and gasps for breath one might imagine someone present in such a situation might say. That person is Margaret (Amy Ryan), a “law and order” prosecutor, and she is horrified to find that a young man she has invited to hotel suite has apparently accidentally killed himself by jumping off the bed and landing on the now-shattered bar cart.

After a gruesomely funny retrieval of her purse from under the body, she scrolls through her blood-spattered phone to find someone to call. There is a number with no name. Just two brackets: []. She has been told to call this number if she needs help and she has been told what to say. “I was told that if I needed help, serious help, I was to call you. There is only one man in the city who can do what you do.”

George Clooney’s character, identified in the credits only as “Margaret’s man,” so what the heck, we’ll just call him George Clooney, tells her not to talk to anyone or do anything and he will be right over.

He arrives and gets to work. But then someone else arrives, too, “Pam’s man,” who we will call Brad Pitt. He also is “the only man in the city who can do what you do.” Pam, the owner of the hotel (I won’t spoil the Oscar-winning performer who provides the voice) has her own “wolf.” And we settle in to see these two guys, every bit as good at what they do, radiating screen charisma, brilliant acting, and the comic rhythms they have perfected over decades of friendship, as their characters are at what they do, whether it’s providing a change of clothes for the client to getting rid of a body.

Writer/director John Watts keeps the story moving briskly and it is a treat to see it all play out, with some wild twists and turns that include the wedding of a gangster’s daughter, a seedy motel with a safari room that rents by the hour, and coffee with a very big fan of Frank Sinatra. It is fun to see the two characters, master problem solvers able to consider every risk and option, try to top one another, and yes, grudgingly learn that they have more in common than they thought and yes, that it might be nice to know someone who understands what it’s like. But that takes a while and it is hilarious and exciting along the way thanks to a fresh mix of action and comedy and the sizzling chemistry of the co-stars. Outstanding camera work from “Everything Everywhere All at Once” and music video cinematographer DP Larkin Seiple captures just the right tone, making the most of the winter setting and locations like Chinatown, a couple of bars, and a small suburban home.

I won’t spoil the identity of a third party who ends up being part problem, part solution, except to say he takes them on quite a chase (in his underwear!) and provides a nice naive counterpoint to their seen-everything, cannot be flustered demeanor.

From about the halfway point, I was not just rooting for them to succeed; I was rooting for a sequel. Good news: one is on the way.

Parents should know this movie includes a lot of violence including chases and shoot-outs with some gory and disturbing images and many characters killed. It also includes drug dealers and other criminals and very strong language. Characters drink alcohol.

Family discussion: Do you think there are people like the wolfs? What kind of background would they have and who would have their contact information? What is the importance of their view that one’s word is “the measure of a man?”

If you like this, try: “Oceans 11”

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Transformers One

Transformers One

Posted on September 19, 2024 at 4:36 pm

B +
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for sci-fi violence and animated action throughout, and language
Profanity: Mild schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Extended action/cartoon-style violence, characters injured and destroyed
Diversity Issues: A theme of the movie
Date Released to Theaters: September 20, 2024
Copyright 2024 Paramount

“Transformers One” has just about transformed me into a fan. I know — based on a toy and a Saturday morning cartoon series and lots of movies already so it was hard to imagine that they could surprise me, but they did, with well-designed action scenes, an origin story drawing from classic sources, and A-list actors bringing their A-game as voice talent.

Quick recap: Transformers turn from robot-y creatures into car creatures. The good ones are the Autobots, led by Optimus Prime and they befriend humans. The goofy one is Bumblebee. The bad guys are Decepticons, led by Megatron. The bots we meet here will become these characters.

It takes place long before the Autobots come to earth. They are on their home planet, called Cybertron, where an arrogant ruler cruelly oppresses the worker bots. Cybertron is in dire distress following a brutal war with the Quintessons.

There is a sharp class distinction between the overlords, who have cogs in their chests that give them the power to transform, and the cog-less workers, who spend their days doing drudge work in the mines, looking for Energon, the once-plentiful substance that sustains them.

They are literally kept in the dark, spending their days in the mine and being lied to about who they are, the history of Cybertron, and what is really happening.

Orion Pax (Chris Hemsworth) and D-16 (Brian Tyree Henry) are best friends. Their support for one another is what keeps them going. They do not realize that the restrictions that constrain them keep them from noticing how different they are. Orion is more optimistic, willing to take some risks. D-16 does not want to get in trouble. “No bad things happen when you stay on protocol,” he says, as Orion is beginning to understand that protocol itself is the bad thing.

Orion enters himself and D-16 into a race reserved for bots with cogs. This challenging of the hierarchy brings the unwanted attention of the cog bots, who punish Orion and D-16 by reassigning them. That is where they meet a straight-laced supervisor named Elita-1 (Scarlett Johansson) and the goofy, motormouthed B-127 (a very funny Keegan-Michael Key, sneaking in a reference to his “Substitute Teacher” sketch).

The four bots end up on the planet’s surface, where they discover they have been lied to about pretty much everything. They were not created without cogs; their cogs were taken from them. Now be-cogged and able to transform, they discover their new powers as they learn about the lies they have been told by the forces holding their community down.

The closer they get to escaping oppression, the more the two friends find they see everything differently. Orion sees hope and opportunity. D-16 sees threats that can only be removed through power. This almost Shakespearean divide (Othello and Iago, Professor X and Magneto) adds weight and meaning and a deeper sense of transformation to the various actions scenes,.

What makes that work is the superb voice talent. Hemsworth shows us Orion’s shift from generalized naive good will to a more mature understanding of his opportunity as a leader, even as he sees the sacrifices it may require. And Brian Tyree Henry matches him, going from hesitation to hurt to anger. We are genuinely sad to see the end of their friendship even as we recognize its inevitability.

Parents should know that this PG-rated film has extended action sequences, mostly with machines battling each other. Some are injured and broken/killed and an animal is blown up. There is some mild schoolyard language, with “screwed” perhaps the strongest used.

Family discussion: Why do Orion and D-16 see the world differently? How does hope affect Orion’s thinking? How does fear and anger affect D-16’s?

If you like this, try: the original cartoons and the Michael Bay live-action films

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Jackpot!

Jackpot!

Posted on August 15, 2024 at 9:56 am

B +
Lowest Recommended Age: Mature High Schooler
Profanity: Extensive very strong language
Alcohol/ Drugs: None
Violence/ Scariness: Constant action-style peril and violence, characters injured and killed, some disturbing and graphic images
Diversity Issues: Diverse characters
Date Released to Theaters: August 15, 2024

My biggest complaint about “Jackpot!” is that there is no possible reason this crazy, don’t- think-just-laugh, essence of summer silliness, action comedy should be straight to streaming. We should be coming from the hot air into the air-conditioned theater, grabbing a bucket of popcorn, and joining an audience that is all there to laugh together. “Jackpot!” is a joyously goofy hoot of a movie with a killer cast. And that works very well, even if you’re watching it at home on your laptop. 

Copyright Amazon 2024

The premise is simple. Okay, deranged, but simple. A few years in the future, everything is terrible. Los Angeles has established a gigantic lottery. The twist is that when a winner is picked, everyone in the city has 24 hours to kill the winner (no guns, though, only what can be thrown) and take the money. Winners’ options are to evade a city full of murders, despite drone cameras reporting their location to everyone every 14 minutes, to escape across the city border, thus staying alive but foregoing the prize, or hiring a high-end security firm that specializes in protecting winners.

If the person with the lucky winning ticket manages to survive for 24 hours, the prize is delivered on camera, one of those cheesy giant cardboard checks. presented by a ghoulishly grinning game show host played by the delightful Murray Hill (Fred Rococo in “Somebody Somewhere”).

Think “The Purge” meets “Hunger Games.” But funny. Really.

Awkwafina plays Katie Kim, a former child actress (her best-known work was a commercial for square pasta. She has just returned to Los Angeles after caring for her dying mother and does not know anything about the lottery. She somehow finds herself in possession of a winning ticket, and the rest is pretty much jokes (often pretty funny, especially the understated throw-aways), chases, and fight scenes. See what I mean about summer silliness?

Katie still has no idea why everyone is trying to kill her when a car drives up and Noel (John Cena) opens the door and tells her to get in. When he explains what is happening, she naturally wonders why she should trust him. So mixed with the wild action (you will not believe how many lethal objects people can throw when billions of dollars are at stake) there is the development of the Katie/Noel connection to make the stakes more meaningful.

I know what you’ve been waiting to ask. Yes, the action scenes are off the hook. Did I mention John Cena? How about if I raise you a Simu Liu, as Noel’s former colleague-turned-competitor and possibly enemy? And there are some wild interactions along the way with some improbable co-stars including Dolly De Leon (“Triangle of Sadness” and also featured in this month’s “Between the Temples”), Becky Ann Baker (quite a twist as a character named Sweet Irene), Ayden Mayeri and Donald Elise Watkins as Katie’s crazy Airbnb roomies (“He’s a DJ and his name is DJ!”) and, I’m not kidding, Machine Gun Kelly as himself. Keep an eye out for the fight scene in the celebrity wax museum (nice Kardashian joke), and be sure to stay tuned for the outtakes over the credits to see that they had as much fun making it as it is to watch it.

Parents should know that this film is constant action- and comedy-style violence with many characters injured and killed and graphic and disturbing images. Characters use very strong and crude language.

Family discussion: If you were Katie, what would it take to get you to trust Noel or Louis? If you won $3.8 billion, what would you spend it on?

If you like this, try: Jackie Chan movies

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Deadpool & Wolverine

Deadpool & Wolverine

Posted on July 23, 2024 at 6:15 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated R for strong bloody violence and language throughout, gore and sexual references
Profanity: Extended very strong and crude language
Alcohol/ Drugs: Drinking and alcohol abuse, references to cocaine
Violence/ Scariness: Extended and sometimes very graphic comic book violence with many characters injured and killed and many disturbing images
Diversity Issues: None
Date Released to Theaters: July 26, 2024

This one is for the fans. I say that with love because this movie loves the fans. I’m sure there are newcomers out there who are not deeply enmeshed in the comic book history of Marvel characters Deadpool and Wolverine, or even the canon of the Marvel Cinematic Universe. There may even be a ticket-buyer or two who have not seen the wildly popular earlier Deadpool and Wolverine movies, even the critically acclaimed “Logan,” and may not know how Deadpool likes to trash Wolverine in his movies in only the way that someone does (usually in middle school) when they really like someone and want that someone to like them back. Those people will enjoy “Deadpool & Wolverine” because it is smart, funny, exciting, often filthy, and even has some heart. Ryan Reynolds (who not only stars as Deadpool but co-produced and co-wrote and has been the force behind the entire Deadpool oeuvre) and Hugh Jackman (Wolverine) are having so much fun on screen it is impossible not to have fun with them. There’s also a little dog that would be very cute if it didn’t have such a weirdly long tongue, and yes, he is Dogpool.

If you have not seen the movie yet, just know that unlike other Disney/Marvel movies this one is rated R, and Ryan Reynolds has said that it is not for kids. I’ll avoid spoilers here, which is hard because there are so many of them and they are choice, but still, you do not need a review to know if you want to see it or not; if you’re a fan, just go and have a great time, then come back here and read the rest of the as non-spoilery as possible review.

It’s not a spoiler to talk about the opening credits, is it? I’ll just say that they involve some adamantium-enhanced bones used as weapons AND as informative material for listing the filmmakers. We then go back in time to see Deadpool turned down by Happy Hogan (Jon Favreau) when he applies to be an Avenger. Disheartened, he gives up being a superhero and goes to work as a used car salesman, which he does poorly. In the present, his birthday party is interrupted by some scary-looking storm trooper types, who take him to the TVA.

For those of you who have not been watching “Loki,” the TVA is the Time Variance Authority. This outpost is run by Mr. Paradox, played by “Succession’s” and “Pride & Prejudice’s” Matthew Macfadyen. Basically, this is just an excuse to (1) both have fun with and (2) make fun of the concept of multi-verses and get around the fact that Wolverine DIED HEROICALLY in a previous film.

Soon, Deadpool and a version of Wolverine (so we don’t have to worry about, like, consistency or logic) are in a massive void that they acknowledge looks like it’s from the “Mad Max” cinematic universe, where they meet up with some interesting characters, good guys and bad. All I can say about that is that there are some truly wonderful surprises from the MCU, not just in who show up but how they behave. Deadpool, going back to his comic book days, has broken the fourth wall, and in this movie it is smashed into smithereens, with more self-referential in-jokes and asides than even an infinite number of multiverses can contain.

Deadpool & Wolverine Copyright 2024 Disney

I always say that superhero movies depend on the villain. That is less true in this case because Deadpool and Wolverine are anti-heroes, careless, damaged, and often mean-spirited. But the requisite British-accented bad guys are here, one with a rather preposterous link to one of the MCU’s most central characters. Most fans will be more interested in the two well-choreographed fights between the title characters than in their fights with the bad guys (also well-choreographed and very gory). To avoid spoilers I will just say that, as with Thanos (who is not in this movie), it can be difficult to come up with a bad guy (or girl) who is powerful enough to make the stakes meaningful but not so powerful that there is no understandable path (e.g. Kryptonite, Achilles’ heel) to vanquishing them.

The movie expertly balances the exciting, the silly, the references for the fans (look for Deadpool creator Rob Liefeld’s name on a shop the characters go crashing through and digs at the previous and current movie studios for the franchise, plus, for some reason, the Honda Odyssey), and the straightforward superhero stuff, even a few glimpses of actual sincerity. Reynolds and Jackman have tremendous chemistry and should make many movies together. The banter is A+ and so are the needle-drops, including Madonna, N’sync, Green Day, Grease, Aretha Franklin, and Huey Lewis and the News.

It is wonderful to see some of our old favorites from the MCU though I missed spending more time with some of the DCU (Deadpool Cinematic Universe). I want more Negasonic Teenage Warhead! Great nod to Stan Lee. Great nod to the fans from people who love these characters but do not take them too seriously, just like us.

Parents should know that this is a “hard-R” movie with constant strong and crude language, drinking and alcoholism, and extremely graphic violence with many characters injured and killed and many disturbing images.

Family discussion: How do you decide what “matters?” How do Deadpool and Wolverine and Mr. Paradox decide what matters to them? How do the villains in this movie compare to other Marvel villains?

If you like this, try: the other “Deadpool” and “Wolverine” movies and the Loki series.

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My Spy: Eternal City

My Spy: Eternal City

Posted on July 18, 2024 at 5:14 pm

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for violence/action, some strong language, suggestive references, teen drinking, and a nude sculpture
Profanity: Strong language for a PG-13, f-word, s-word
Alcohol/ Drugs: Some alcohol
Violence/ Scariness: Extended action-style violence, chases, explosions, guns, knives, punches, near-drowning, torture, attempted murder
Diversity Issues: Diverse characters
Date Released to Theaters: July 19, 2024
Copyright 2024 MGM Amazon

Four years ago, the original “My Spy” was a familiar but mildly entertaining story about a cute 9-year-old teaming up with a gruff fighting machine, five tours in special forces CIA field agent. I questioned at the time why a movie about a 4th grader would be rated PG-13 for violence. That is an even bigger problem for the sequel, with Sophie (returning Chloe Coleman) now a 14-year-old in high school, and material that is too intense and inappropriate for young children but not interesting enough for teens and adults.

The first film matched up a fierce, all-but-emotionless tough guy who survived five tours of duty in special forces with an adorable little girl who wants to be a spy. Needless to say, no contest and — spoiler alert! — he’s pretty much a marshmallow (maybe one burnt around the edges) by the end of the movie. This one tries for the same kind of mixed match-up. The marshmallow, now the not-so-little girl’s step-dad, is up against something as daunting as a fighting machine veteran of special forces: adolescence.

Normally, I put this information at the end of the review, but because there is such a disconnect between the intended audience for “My Spy: Eternal City” and the content, I want to put it up front. This movie has some very strong language, a close-up of very accurate male genitals knocked off a statue, an adult woman advising a 14-year-old to use a lot of tongue in kissing and then (intended to be humorous) demonstrating by kissing her boss, jokes about menopause, a woman making an ugly joke insulting a male colleague about his (reference to a female body part), plus, of course, a lot of action-style violence with chases, explosions, shoot-outs, the inevitable comic crotch hit, a reference to suicide, a reference to mass killing, a near-drowning, knives, punches, torture, and terrorism, including a bomb under the Vatican. There is an extended scene where dozens of attacking little birds are sliced up into tiny pieces and it is supposed to be amusing. Not to spoil anything, but if there was a website called doesthefishdie.com, this movie would be on it.

Dave Bautista returns as JJ, the tough guy who is now a doting step-dad who loves cooking, his beloved fish from the first film, Blueberry, and spending time with Sophie who is continuing her training to be an agent. Her mother is in Rwanda on a humanitarian mission so it is just the two of them at home.

As anyone who has ever been or lived with a 14-year-old or watched “Inside Out 2” knows, that is a difficult time for everyone. Sophie tells JJ he is NOT her dad and that she now has other interests that go beyond mastering spy craft and training to become a fighting machine. The interest occupying her attention is Ryan (Billy Barratt) a jock with an angelic voice and something of a Justin Bieber vibe. They sing together in the school choir, which has been selected to perform in Venice, Florence, and at the Vatican. JJ, wanting to stay close to Sophie, volunteers to be a chaperone.

Also on the trip is Sophie’s shy friend and BFF, Collin (Taeho K), basically in the Duckie role here. Coincidentally, Collin thinks his dad (Ken Jeong as David Kim) is a pediatric nurse, but in reality he is JJ’s boss at the CIA. Once they get to Italy, there is a chaotic collision of teen misbehavior and terrorism as some very bad people are getting access to some very bad bombs. In fairness, there is also some very lovely choir music and Venice, Florence, and Rome are all beautiful.

Coleman is still an appealing young performer but the switch from a child softening the heart of the tough guy to the dad trying to stay close to his daughter does not work as well. Bautista looks tired, and the script doesn’t help, getting him beat up over and over. This sequel is a superfluous and unnecessary IP extender, which might be okay if it wasn’t creating a problem for parents who have to explain to eight-year-olds why they should not see it.

Parents should know that this film has very strong language, a close-up of very accurate male genitals knocked off a statue, an adult woman advising a 14-year-old to use a lot of tongue in kissing and then (intended to be humorous) demonstrating by kissing her boss, jokes about menopause, a woman making an ugly joke insulting a male colleague about his , plus, of course, a lot of action-style violence with chases, explosions, shoot-outs, the inevitable comic crotch hit, barfing, a reference to suicide, a reference to mass killing, slaughter of attacking birds and killing of a beloved pet, a near-drowning, knives, punches, torture, and terrorism, including a bomb under the Vatican.

Family discussion: Why did Sophie like Ryan? Why didn’t David tell his son the truth? Were you surprised at who was behind the terrorism?

If you like this, try: “My Spy,” “The Spy Who Dumped Me,” and “Spy”

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