Posted on July 31, 2010 at 3:56 pm
It’s time to release the Kracken! I have FIVE copies of “Clash of the Titans” with Sam Worthington and some amazing stunts and special effects to give away to my beloved readers. The first five to send me an email at moviemom@moviemom.com with “Clash” in the subject line will be the winners.
And don’t forget the contests for James and the Giant Peach and Prime Suspect are still going!
Posted on July 27, 2010 at 10:24 pm
B-| Lowest Recommended Age: | High School |
| MPAA Rating: | Rated PG-13 for intense sequences of violence and action |
| Profanity: | Brief strong language |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Constant peril and violence, shooting, fighting, explosions, torture, some graphic images, many characters injured and killed |
| Diversity Issues: | Very strong female character |
| Date Released to Theaters: | July 23, 2010 |
“Salt” is the story of a CIA agent with an exemplary record who is accused by a mole of being a Russian spy, part of a cadre trained as children to infiltrate America by living normal lives until ordered into action. Angelina Jolie plays the title character, Evelyn Salt, bringing all of her Angelina Jolie-ness with her, for better and worse. She continues to explore the fearless action star stunt daredevil side she showed in the “Tomb Raider” movies and “Wanted” and the intensity of a wronged but fierce and fearless woman she showed in “The Changeling” and “A Mighty Heart.” And there’s the inevitability of her real tabloid-fodder life spilling over into the story as well, the wild child with her knives and épater le bourgeouis attitude evolving into the glowing madonna working tirelessly for the world’s children and happily devoted to her own highly photogenic six.
And so, when the movie opens, showing us Salt/Jolie being tortured by North Koreans, wearing nothing but her scanties, all of that comes along with whatever we are learning about her character. She is fierce and brave and will do anything it takes to protect her home. Once she is rescued, she holds it together until she sees who it was who insisted on getting her out, not the CIA, which has strict procedures for calculating the greater good, but her German boyfriend Mike (August Diehl), a scientist specializing in spiders.
Five years later, she has a desk job at a CIA cover organization and is getting ready to celebrate her wedding anniversary when a Russian guy shows up with an offer to provide information. He says that Salt is a Russian spy and is about to kill the Russian president (yes, I know that does not seem to make much sense). Her long-time colleague Ted (Liev Schreiber) believes she is telling the truth when she says she is loyal to America. But another official named Peabody (Chiwetel Ejiofor) wants her investigated. Salt runs. It could be because she thinks Mike is in danger or because she does not trust Peabody. Or it could be that the Russian was right.
The chase and fight scenes are well staged, especially when Salt leaps across the tops of trucks as they race along a highway. But the absurdity of the plot is made even harder to accept because Jolie’s dignified diligence seems so out of step with the film’s tone. The Jolie of “Tomb Raider” and even “Gone in 60 Seconds” knew how to have fun on screen. But the wild child era is over, and even in film these days, Jolie seems to want to go for the gravitas. If so, this is the wrong movie.
Posted on July 27, 2010 at 8:45 am
Director Louis Leterrier (the second “Hulk” movie) says that he was a big fan of the 1981 Clash of the Titans
This remake is bigger and grander but it is missing just that sense of life that Harryhausen brought to his fantastic creations, which were always astonishing and unique. Instead, we get the same CGI-fest we have seen so many times, with nothing especially imaginative or memorable.
The same can be said for this generation of classically-trained British actors, including Liam Neeson as Zeus, in a shiny (and anachronistic) Joan of Arc-style suit of armor and Ralph Fiennes as Hades, the god of the underworld, dressed like a Norwegian death metal band member trying to play Richard III. They are the titans who clash by proxy.
The gods need the loyalty of humans to survive. Zeus insists that they will get more fealty with love; Hades, still bitter and jealous that it is his brother who is king of the gods, believes in ruling by fear. The winner of their battle will be decided by a fight to the death of their progeny. Perseus (Sam Worthington in an even more anachronistic buzz cut) is Zeus’s son; the sea monster called the Kraken is the child of Hades. The arrogant king and queen of Argos have committed the sin of hubris, thinking they are more important and powerful than the gods. So Hades tells them that he will destroy the city unless they sacrifice their daughter, Andromeda to the Kraken. Perseus is determined to fight the Kraken and save the princess. And he is determined to “fight as a man,” not to use any of the powers or tools of the gods because he blames Zeus for the death of his mother and his adoptive parents.
With a small band of allies, Perseus travels to the three Stygian witches, who share one eye, to find out how to defeat the dragon. The journey involves battles with giant scorpions and trip into the underworld to fight the serpentine Medusa, the snake-headed lady whose eyes can turn a person to stone. And then, he must make it back to Argos in time to save Andromeda and defeat the giant sea monster, to the tune of some even more anachronistic rock chords.
The effects would be more impressive than the original’s only if you were still living in 1981. Today we take for granted that anything is possible on screen. But possible is not good enough; there has to be something truly striking. The witches and desert djinns look like they are wearing Halloween masks and the creatures look like variations on one predictable theme. There is a demigoddess whose powers seem to vary from scene to scene. The liberties taken with the original myths and the 1981 version’s story seem purposeless. And Worthington just seems lost, as though he wandered in from the set of “Avatar” and is looking around for the exit. I know how he felt.
Posted on July 23, 2010 at 3:59 pm
This is a treat. Before he made “Coraline,” director Henry Selick made the enchanting “James and the Giant Peach,” based on Roald Dahl’s classic book and featuring the voices of Susan Sarandon, Richard Dreyfuss, and “Frazier’s” Jane Leaves.
It’s now out on eye-popping Blu-Ray for the first time, and each one includes a DVD as well. Send me an email at moviemom@moviemom.com with James in the subject line and tell me your family’s favorite Roald Dahl book. I will pick three lucky winners on August 7.
NOTE: Prizes provided by Disney. All views are my own.
Posted on July 20, 2010 at 8:55 am
The weather is getting warmer, which means it must be time for some movies about BLOWING STUFF UP!
And so we have “The Losers,” based on a comic book originally set in WWII but updated by Andy Diggle. The name originally signified that they were all officers who had lost men in the war, but now it means they’re the usual motley crew of lovable rag-tag tough guys as quick with a quip as they are with the various mechanisms they have for creating mayhem, and almost as quick as they are to come to each other’s aid or defy authority. These guys are the fists and fury equivalent of a boy band, each member with his own adorable quirks, awesome proficiency, and cool call sign name that makes them sound like extras from “Top Gun.” And there’s just enough variation among them that you can pick your own favorite. There’s the sharpshooter who’s silent, but deadly (Óscar Jaenada as Cougar). There’s the scary-looking guy with the scar who seems to have a rather short fuse (Idris Elba as Roque). There’s the cute computer whiz with a taste for whimsical t-shirts (Chris Evans as Jensen). There’s the sweetheart family man who can master any known vehicle on land, sea, or air (Columbus Short as Pooch). And big daddy, the mastermind (Jeffrey Dean Morgan as Clay).
It’s sort of “Mission Impossible” and “The Three Musketeers” crossed with “The A-Team.” There’s the sniper, the weapons expert, the techie, the transportation guy, and the leader. They got mad skillz so they are only brought in on the blackest of black ops, so secret it’s amazing even they know who they are.
We meet them in Bolivia, where they are on a mission to tag the hideout of a drug dealer so that it can be air-bombed, under the direction of a Charlie of Charlie’s Angels mysterioso they’ve never seen named Max. But when they see that the dealer is using children as mules to transport the drugs it turns out the big old tough guys are also big old softies. Can our hardy little team fight off a zillion Bolivian bad guys with AK-47s and rescue 25 cute little kids, one with a teddy bear (presumably not being used as a place to hide cocaine)? As a former Vice Presidential candidate might say, “You betcha!”
But it’s a set-up. Things go terribly wrong and The Losers are framed and believed killed. When a mysterious woman named Aisha (“Avatar’s” Zoe Saldana) offers to get them back to the US if they will help her go after Max, they agree.
The Losers have brash, raffish charm, the action scenes are well-staged, the explosions are really big, the bad guy (Jason Patric) is entertainingly twisted, and nobody takes themselves too seriously. Pass the popcorn!
