Reservation Road

Posted on April 7, 2008 at 10:13 pm

We’ve all done it. We know we shouldn’t. We know it is dangerous. Dwight (Mark Ruffalo) is racing to get his 10-year-old son home after a ball game went into extra innings. He is talking on the cell phone to the boy’s annoyed and anxious mother. And he is going too fast around the curve, just as his son slips out of his seatbelt to change the channel on the radio. Ethan (Joaquin Phoenix) has a 10-year-old son who is standing too near the edge of the road, freeing some fireflies from a jar.

And the unthinkable happens. A sickening thud. The driver’s son hits his head on the dashboard. And the car keeps going. The father speeds away, in shock and denial, seeing to his boy’s bruises and still trying to get him home on time, desperately, irrationally, magically thinking that maybe if his boy is safe, the other one will be, too.

But he is not. As Luke Arno (Eddie Alderson) is being returned to his mother, holding a bag of frozen peas to his swelling eye, the other boy’s mother and sister are huddled in the back of a police car, shattered by grief.

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Based on a book Drama

I am Legend

Posted on March 18, 2008 at 8:00 am

i_am_legend_will_smith__1_.jpgWill Smith plays the last man on earth in this third movie based on Richard Matheson’s novella. Scientist Robert Neville was immune to the virus that wiped out everyone. He spends his days hunting for food in the deserted streets of Manhattan, now overgrown with brush and inhabited by deer, and working in the lab to find a cure for the virus. And he spends his nights barricaded to protect himself from the infected creatures who are hunting him. Once human, they are now mindlessly enraged vampire/zombie killers who can do nothing but devour.
Okay, they can do one other thing. They can learn. In their feral, furious way they can cooperate and plan. Neville can trap them for his experiments or throw them off his trail, but they keep getting smarter. He is not just their prey — he is their teacher, and he is teaching them how to get him.

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One Hundred and One Dalmatians

Posted on March 4, 2008 at 7:00 am

A
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Characters in peril, no one hurt
Diversity Issues: None
Date Released to Theaters: 1961
Date Released to DVD: February 9, 2015
Amazon.com ASIN: B00OZLF4AG

“One Hundred and One Dalmatians” is one of the best-loved Disney classics (and the first of its animated films to take place in a contemporary setting). There is nothing more irresistible than 99 frisky spotted puppies and there has never been a more deliciously scary villain than the fur-mad Cruella De Vil. It is a great family movie because it is exciting and funny and because it is all about the importance of family and community and the love parents have for their children. And just because it is a lot of fun.

Like “Lady and the Tramp,” 101 Dalmatians is told from the perspective of dogs, this time two dalmatians, Pongo and Perdita, the cherished pets of Roger and Anita. Anita’s old friend is the aptly named Cruella De Vil (Betty Lou Gerson). Her henchmen kidnap Perdita’s puppies and eighty-four others so she can make them into a dalmatian fur coat. Pongo (Rod Taylor) and Perdita (Cate Bauer), with the help of their animal friends, undertake a daring rescue. The puppies are adorable, and the movie is delightful (with a sly poke at television and the kids who watch it). 101%20dalmatians.jpg

Movieline magazine once asked actresses to name the most memorable female villain in the history of the movies — Cruella was at the top of the list. She just might be the most ruthless villain of all time and any gender. Hannibal Lecter may be “Hannibal the Cannibal” but he never tried to make darling little puppies into a fur coat.

This gorgeous new Diamond edition is a treasure. This was a transitional film between the hand-painted classical style of the fairy-tale Disney films and a looser, more modern look. It was the then-new invention of the photocopier that made this movie possible. Without that technology, the Disney artists would still be painting all those spots.

Families who enjoy this movie might also like to see the 1997 live-action version, with Glenn Close as Cruella. Close is wonderful, but the movie relies too much on slapstick and the real dogs do not have the personality and range of expression of their animated predecessors. The 2000 sequel, “102 Dalmatians,” also featuring Close, is disappointing, too much silliness and not enough sweetness. The animated original is still the best. And the book by Dodie Smith is very different, but also wonderful.

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Into the Wild

Posted on March 3, 2008 at 8:04 pm

Every one of us at times hears the call of the wild, to match the wild of the outdoors to the wild that is inside us, to leave behind all of the petty complications of civilization and test ourselves down to the deepest essence, to test our nature, in both senses of the word.
In 1992 Christopher McCandless left behind everything — family, friends, jobs, money, even his name, and went on a journey to find something that felt authentic to him. Actor Sean Penn has written and directed a superb film based on the best-selling book about his journey and its tragic conclusion.IntoTheWildPoster.jpg

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Based on a book Based on a true story Biography Drama

Sydney White

Posted on January 20, 2008 at 3:14 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language, sexual humor, and partying
Profanity: Some crude language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Tense confrontations, comic peril
Diversity Issues: Diverse characters, some stereotyping
Date Released to Theaters: September 21, 2007

This updated fairy tale has some clever riffs on “Snow White” but never makes use of the considerable talents of its star, Amanda Bynes.

Copyright Morgan Creek 2007
Sydney (Bynes) is a college freshman who wants to join Kappa, the most exclusive sorority on campus, though she is more comfortable on a construction site than at a cotillion. “You know how people joke about being raised by wolves? I was raised by construction workers,” she explains and we cut to her devoted father (“The Dukes of Hazzard’s” John Schneider) illustrating the facts of life for her with plumbing supplies. When she knew she was dying, Sydney’s mother wrote her a letter, telling her how much she loved being in the sorority. Now Sydney wants to fulfill her mother’s dream.

But Sydney does not meet the standards of the Kappa president, Rachel Witchburn (Sara Paxton). She is not blonde, she is not a size 2, and, worst of all, Sydney fails to recognize Rachel’s supreme domination over just about everything on campus — especially the handsome Prince Matt Long as Tyler Prince, the campus McDreamy.

Rachel boots Sydney out of the sorority in a humiliating public ceremony. There is only one place left on campus that will take her in, the ramshackle house occupied by the campus outcasts. There are seven of them. One has allergies and sneezes a lot. One is an exchange student with jet lag who sleeps all the time. One is bashful. One is grumpy. All are nerdy. And Rachel has a plot to tear their house down so her family can build a shiny new rec center for sorority and fraternity members only.
Echoes of the Snow White story provide the movie’s brightest moments. Rachel checks constantly to make she is still considered the fairest in the land, not in a magic mirror but in the campus “hot or not” website. The poisoned apple? An Apple laptop with an important homework assignment gets infected with a virus. And of course in the big moment Sydney is awakened by a kiss from the Prince.

It is less cute when a nasty trick has the seven dorks naked at a campus party and when they march past Rachel with a mean-spirited “Hi, Ho!” It makes it harder for us to stay on the side of the good guys when they descend to the terminology of the bad guys. And it goes overboard on the geek factor; drawing less from fairy tales than from “Revenge of the Nerd”-style caricatures. For a movie that is supposed to be all about inclusion and respecting the dork within each of us, it has a lot of fun at their expense.
Bynes is captivating despite a role that does not give her much to do but display tomboyish good spirit behind some really unfortunate hair and make-up. She looks trapped in a 1970 Yardley ad, all fake tan, shag haircut, and pale eye shadow. She can make a retort sound spirited, not snappish, as when she tells Rachel that she doesn’t “speak priss.” Her best moments are with Long, who has a great smile and a rare ability to listen to what other performers are saying without thinking he has to be doing something every second he is on screen. Newcomer Jack Carpenter as Sneezy/Lenny brings warmth and humanity to a thinly written role as the most sociable of the dorks.

But director Joe Nussbaum does not trust his performers, the material, or the audience. He keeps the tempo so synthetically sitcom-y you expect to hear a rim shot and a laugh track. Everything is exaggerated. Every joke is an elbow in the ribs. Like Rachel, he is checking his “hotness” every couple of minutes. And like Rachel, his score could use some improvement.
Parents should know that this movie has some vulgar humor and strong language (references to “hos,” b-word), implied nudity, and a drinking game at a party. A strength of the movie is its emphasis on inclusion and the importance of treating diverse people respectfully, and Sydney reaches out to all groups on campus, from the Hassids to the band geeks, cross-dressers, and Goths.
Families who see this movie should talk about when they most felt like outsiders or dorks and what they can do to make sure that people around them feel included and appreciated for who they are.

Families who enjoy this movie will also enjoy other takes on classic fairy tales like Ella Enchanted and Shrek. Barbara Stanwyk and Gary Cooper co-starred in an earlier update of Snow White, Ball of Fire.

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