Pokémon Detective Pikachu

Pokémon Detective Pikachu

Posted on May 9, 2019 at 5:51 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action/peril, some rude and suggestive humor, and thematic elements
Profanity: Some schoolyard language, potty references, mild words (jeez, hell, etc.)
Alcohol/ Drugs: Fantasy "drug," caffeine, brief drug humor
Violence/ Scariness: Extended fantasy/cartoon-style violence, parental loss
Diversity Issues: Stereotype of disabled villain
Date Released to Theaters: May 10, 2019
Date Released to DVD: August 5, 2019
Copyright 2019 Legendary Pictures

People around me were gasping, hooting, and laughing at various details that passed right by me during “Pokémon Detective Pikachu,” so if you are already a fan of the Pokémon franchise, the cards, the series, the games, you will be better off reading a review from someone as deeply enmeshed as you are. If you are only vaguely aware of the characters and premises of the international merchandising monster that began as “pocket monsters” and now has an entire universe of things to buy (more than 300 million copies sold of just one of there many, many games alone), then stick with me and we will try to assess this new movie on its own merits.

That would make merit number one for non- or not-yet fans the non-stop commentary of Ryan Reynolds, who provides the voice of the title character, a kind of PG version of his iconic Deadpool performance. After that, we have an appealing human lead character, Tim Goodman, played by Justice Smith of “Paper Towns” and “The Getdown.” He interacts believably with the CGI characters and even manages a genuine character arc as we see him become less isolated and more vulnerable and authentic.

We first see Tim as a quiet loner working as an insurance appraiser. He lives in a world where people often catch or partner with Pokémon characters, something like pets or sidekicks or Phillip Pullman-style daemons. He once dreamed of being a Pokémon trainer (we learn more about that as we see the unchanged childhood bedroom in his dad’s apartment. But when he is out with a friend and has the chance to “catch” a Pokémon, it does not go well, probably because his heart is not in it.

Tim receives a phone call informing him that his estranged father, a detective who lives in Ryme City, has been killed in an accident. He travels to Ryme City, where a wheelchair-bound billionaire and philanthropist named Howard Clifford (Bill Nighy) has established a utopian community for humans and Pokémon to live in harmony. In a welcome video on the train, Clifford explains that since he became disabled, the connection to the Pokémon has helped him to become “a better version of myself.” He wants Ryme City to make it possible for all humans to have that experience.

The police chief (Ken Watanabe) gives Tim the keys to his father’s apartment and tries to comfort him. But Tim shrugs off any condolences, insisting he has no real sense of loss for the father he has hardly ever seen. At the apartment, Tim meets a mysterious fuzzy yellow Pokémon Pikachu who has amnesia but who, unlike the other Pokémon creatures, speaks fluent English (voiced by Ryan Reynolds) that only Tim can understand. Pikachu wears a Sherlock Holmes-style deerstalker hat with Tim’s father’s contact information inside. He believes Tim’s father is still alive. Tim is at first reluctant to work with him, but some clues, some escapes, and an attractive young journalist (Kathryn Newton as Lucy) who tells him, “You just walked into quite a story,” persuade him to try to find out what really happened.

Their investigations take them to a mysterious lab in a remote valley, to Clifford’s office, where he shows them a detailed VR depiction of the accident, an encounter with Mr. Mime, who may be a witness but won’t say (hah!), and Ryme City’s most famous annual event, a pride parade and carnival celebrating Pokémon.

Tim’s increased confidence and connection to others is a sharp contrast to Clifford’s notion of what makes someone a better version of himself. But it may be hard to notice that in the midst of non-stop special effects and elaborate, video-game style action sequences. For fans, this may be a B+, but for outsiders without a gaming controller, it’s a couple of grades lower.

Parents should know that this film includes extended fantasy/cartoon-style peril and violence (no one badly hurt) with some scary monsters, themes of absent or neglectful fathers, some fantasy drug material and brief drug humor, and some potty jokes and mild bad language (hell, jeez, etc.) SPOILER ALERT: The movie also perpetuates some tired and obsolete cliches about disabled villains whose evil acts are inspired by an effort to be “cured.”

Family discussion: What would the better version of you look like? Would you like to be a detective?
Which Pokémon would you like to have as a partner and why?

If you like this, try: “Monster Trucks” and the Detective Pikachu video game

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Bumblebee

Bumblebee

Posted on December 20, 2018 at 5:34 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sequences of sci-fi action violence
Profanity: Brief strong language
Alcohol/ Drugs: None
Violence/ Scariness: Extended sci-fi/action-style violence, weapons, explosions, mayhem, characters injured and killed, some disturbing images
Diversity Issues: None
Date Released to Theaters: December 21, 2018
Date Released to DVD: April 2, 2019

Copyright 2018 Paramount
You know how Transformers turn from cars into robots and robots into cars? Well, with this movie, an origin story for fan favorite Transformer Bumblebee, who “speaks” via audio clips from the radio. The ridiculously bombastic Transformer series just kept getting bigger, louder, and dumber. Roger Ebert famously called one of them a “horrible experience of unbearable length” and they got worse after that. This Bumblebee has transformed itself, kind of, into a more warm-hearted “ET” plus Herbie the Love Bug-style story with a retro soundtrack, directed by LAIKA’s Travis Knight. And it’s…better. Not great, but it won’t make your ears ring or your brain cells melt.

Charlie (Hailee Steinfeld) is an unhappy teenager living in San Francisco in 1987. She is still mourning for her dad, who died suddenly the year before, and counting the days until she can leave home. Everything seems an affront to her — the terrible uniform she has to wear working at the amusement park food stand, selling lemonade and hot dogs on a stick, her mother’s odious boyfriend who has moved into their home and thinks he can tell her what to do, and the monstrous unfairness of not having a car. So she spends much of her free time sulking and wearing an endless assortment of t-shirts from various edgy 80’s bands to show how righteously disaffected she is.

Meanwhile, after losing a battle to the evil Decepticons on their home planet, the good-guy Autobots led by Optimus Prime (still voiced by Peter Cullen, thank goodness) put their top soldier, Bumblebee (voiced by Dylan O’Brien) into an escape pod and tell him to set up a safe place on a remote planet called Earth. He arrives in the middle of a military wargame that leads to a chase, and is soon tracked down by two Decepticons (voiced by Angela Bassett and Justin Theroux), who permanently damage his voicebox and his memory cells. Later on, when Charlie wheedles a beat-up old yellow VW bug from a junk dealer, it turns out to be Bumblebee, and he and Charlie begin to form a friendship.

This takes us back to the first “Transformers” movie, oh, so many explosions and robot fights ago, when it was about the relationship between Sam Witwicky (Shia LaBoeuf) and his special space friend. Bumblebee’s inability to communicate, until Charlie figures out how to give him access to a radio and he figures out to use sound clips from it to “talk,” give a special poignancy to those first encounters. But that is undermined in part by subsequent scenes, which spend too much time on weak sub-plots about mean girls and the nerdy but lovable boy next door. It is nice that Charlie is very clear about setting boundaries with the boy, and he respects that. The movie could have skipped the scenes of Bumblebee inadvertently trashing Charlie’s house TP-ing the bully’s house and overturning her car, diversions that go nowhere and are not nearly as merry or endearing as they are intended to be as Knight seems more interested in the mechanics of the scene than what they add to the storyline.

All of this is of course just building up to lots more action as both the military and the Decepticons (best line in the movie is when Cena points out that the very name Decepticon should make us worry) come after Bumblebee. The Decepticons first appear to befriend the humans (and incidentally invent the Internet). So, lots of bombast and shooting and chases and explosions.

No matter what, I always enjoy seeing cars turn into robots and robots turn into cars, and I appreciated the lower-key, retro setting. If the series is not completely transformed, it does remind us why we liked the Transformers to begin with, and that’s a good start.

Parents should know that this film has a few bad words and extended sci-fi/action-style violence with characters injured and killed, weapons, explosions, and mayhem. Humans are vaporized. A positive element of the movie is Charlie’s clear boundaries with the boy who likes her.

Family discussion: Why does Charlie trust Bumblebee? Why does Agent Burns change his mind?

If you like this, try: “The Iron Giant”

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Teen Titans Go! to the Movies

Teen Titans Go! to the Movies

Posted on July 26, 2018 at 5:15 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Action/comic book-style peril and violence
Diversity Issues: None
Date Released to Theaters: July 27, 2018
Date Released to DVD: October 29, 2018
Copyright 2018 Warner Bros. Pictures

Not another superhero movie, you say? And how far down the list of comic book characters do we have to go? The Teen Titans are way ahead of you. Silly, surreal, super-snarky, self-aware to a fault and smashing the fourth wall into smithereens, the “Teen Titans Go! to the Movies” movie is a superhero movie about a third-tier superhero who only wants to fight the bad guy because that’s how he’ll get to be in a superhero movie. Got it?

It’s got plenty of inside humor for the fanboys who will know why it’s especially apt to have Nicolas Cage providing the voice for Superman, why it’s funny to have a Stan Lee cameo in a DC movie, who the Challengers of the Unknown are, and why the arch-villain Slade (producer Will Arnett) keeps being mistaken for Deadpool. And it has action, heartwarming friendships, and plenty of potty jokes for those who have no idea who the Teen Titans are, and, believe me, will not know much more about them when the movie is over.

The Teen Titans as they are currently portrayed are Robin (Batman’s sidekick, voiced by Scott Menville), Beast Boy (Greg Cipes), who can turn himself into any animal, alien princess Starfire (Hynden Walch), who signifies her other-worldliness by inserting “the” randomly in front of other words, the gothy Ravan (Tyra Strong), who can create portals from anywhere to anywhere, and Cyborg (Khary Payton), who can adapt his metal shell to create any machine. Insulted that they are not even invited to the premiere of the new Batman movie, Robin is even more horrified to see that upcoming sequels include movies about Batman’s butler, Alfred, and even one about his utility belt, but nothing about Robin. He appeals to the director, Jade Wilson (Kristen Bell), but she says she cannot make a movie about him unless he has an arch-nemesis.

Enter Slade, “an archenemy whose name is fun to say in a dramatic way.”

There are songs. There are action scenes. There are many, many jokes about the world of comics, from the ultra-obscure (stay all the way to the end) to the widely accessible (yes, there are a lot of superhero movies and Green Lantern is still embarrassed about his). It makes fun of itself and then it makes fun of itself for making fun of itself, and then it makes fun of us for watching so many superhero movies. It is unpretentious, the look harking back to low-budget Saturday morning cartoon shows. And that makes it refreshing and delightful.

NOTE: The movie is preceded by a very cute DC superhero girls short called “The Late Batsby,” with Batgirl racing to catch up with her super-friends to fight Mr. Freeze.

Parents should know that this film includes extended cartoon-style action/superhero peril and violence, explosions, chases, fire, some characters briefly injured, potty humor, and schoolyard language.

Family discussion: If you made a movie about one of your friends, what would you include? Why did Robin want a movie so badly?

If you like this, try: the Teen Titans television series, “Incredibles 2″ and “The LEGO Movie” and “LEGO Batman”

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Transformers: The Last Knight

Transformers: The Last Knight

Posted on June 20, 2017 at 5:37 pm

D
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for violence and intense sequences of sci-fi action, language, and some innuendo
Profanity: Strong language, many s-words and crude insults
Alcohol/ Drugs: None
Violence/ Scariness: Extended sci-fi/fantasy violence, fire, guns, explosions, chases, characters injured and killed, reference to suicide
Date Released to Theaters: June 21, 2017
Date Released to DVD: September 25, 2017
Copyright 2017 Paramount

It is time to stop the madness. I only wish this was called “Knight: The Last Transformers Movie.” I am as happy as anyone to see robots transforming into cars and cars transforming into robots and I freely admit to tearing up once when it appeared that Bumblebee might have been mortally wounded. I’m very fond of Sir Anthony Hopkins, and I’m also very fond of Mark Wahlberg. But this big, loud, dumb, dull, nonsensical dud of a movie is two and a half excruciating hours long.

Wahlberg returns as inventor-turned-renegade Autobots protector Cade Yeager. The government has set up a special branch of the military to get rid of all of the transformers, making no distinction between the honorable Autobots led by Optimus Prime and the evil Decepticons led by Megatron. We see in a prologue set in the time of King Arthur that the Transformers go back more than 1000 years, when Merlin, who turns out to have had no magical skills at all, was given the “weapon of ultimate power,” a staff that enabled Arthur and the Knights of the Round Table to win some battle with the help of a pretty impressive three-headed dragon. The staff and an amulet that is somehow connected to it will be the McGuffins that everyone will be looking for despite the fact that we never really find out what they can do.

Sure, the stunts are fun, and I especially enjoyed seeing Wahlberg leap from drone to drone like he was a stone skipping on a pond. But without a clear idea of the stakes there is no heft to them; it’s just pixels.

And the dialog — I can’t say which is worse, the painful attempts at banter (there’s an intended-to-be cute but isn’t at all riff on the homonyms “chaste” and “chased”), the exposition-heavy portentousness (“Where in Hell is your so-called magician?” “He will be here, Lancelot.” “Why do we tell ourselves these stories? We want to believe we can be heroes in our own lives.” “Do you seek redemption?” “Only a direct descendant of Merlin can wield this instrument of immense power!”), or the faux meaningful (“You are more important than you can possibly imagine”). If someone has to be spouting off idiotic explanations, though, at least most of it is in the beautifully husky Welsh voice of Sir Anthony (though his character’s ripping a page out of an antique library book is the most disturbingly violent act in the film).

Not much makes sense in “Transformers: The Last Night.” I’m not talking about why a robot would smoke a robot cigar-type sense. We expect that going in. But why would a robot want to eat a car?
And I’m talking about the basic elements that are necessary to connect to what is going on. How do you kill a Decepticon? Sometimes robots blow apart and sometimes they just come back together like in “Terminator 2.” How do we know how we are supposed to feel if we don’t know what the impact/import of a hit is? That all-powerful weapon? We never understand what it can do and it doesn’t seem very powerful after all. What is the point of Tony Hale spouting off about physics? I will note that one completely deranged moment was actually quite fun, when a C-3PO rip-off (acknowledged as such!) turns out to be the source of the dramatic organ music in one scene: “I was making the moment more epic.” A bit more deliriously loopy stuff like that would have been a step in the right direction.

What is the point of all the jokes about how a professor at Oxford should be looking for a husband? (Or a wife?) What is the deal with way too many daddy issues? Everyone in this movie seems to be a daughter looking for a daddy or a daddy looking for a daughter. As for this daughter, I’m just looking for a good summer stunts and explosions movie. Still looking.

Parents should know that this film includes extended sci-fi/fantasy peril and violence with chases, explosions, swords, guns, and monsters. Human and robot characters are injured and killed. Characters use strong and crude language and there is some dumb sexual humor.

Family discussion: Does it matter that Cade is “chosen?” Which Transformer is your favorite and why?

If you like this, try: the other “Transformers” movies and the television series

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Smurfs: The Lost Village

Smurfs: The Lost Village

Posted on April 6, 2017 at 5:21 pm

Copyright Sony 2017

The Smurfs are back where they belong, in a fully-animated feature film that wisely gives up on the idea of trying to put them into the real live action world and even more wisely gives up on the brash and unfunny storylines that relied much too heavily on substituting “smurf” for various words. Better than that, “Smurfs: The Lost Village”creates a truly enchanted and enchanting world for the Smurfs, a candy-colored pastoral setting that is just right for the little blue creatures. And best of all, for the first time this is a Smurf story that engages with the ultimate existential dilemma of the Smurfs: why are all the male Smurfs given names that reflect their most salient attributes (Hefty, Clumsy, Brainy, Nosy, Painter, Table Eater, Therapist) while the lone female Smurf is only defined by her gender and called Smurfette? Does her lack of a more descriptive name mean that there is nothing special about her? And why aren’t there any other female Smurfs, anyway?

These questions will all be answered in a delightfully satisfying and beautifully designed film that will be enjoyed by long-time fans and newcomers. Those steeped in Smurfology know that Smurfette’s gender is not the most important difference that sets her apart from the other Smurfs in her village.

Smurfette (with the sweet, spunky voice of Demi Lovato) was not born a Smurf (if, indeed Smurfs are born). She was created out of clay by the Smurfs’ nemesis, the evil wizard Gargamel (delightfully voiced by Rainn Wilson), who wanted her to infiltrate the Smurfs so she could spy on them and create mistrust and jealousy. But she was turned into a real Smurf by the Smurf’s wise and benign leader, Papa Smurf (Mandy Patinkin). As this story begins, she is living happily in the Smurf community, though wistful at not having a (literally) defining characteristic. If her name does not tell her who she is, how will she and the boy Smurfs know?

As in most Smurf stories, the bad buy here is Gargamel, who as usual has an evil plan that involves capturing the Smurfs and extracting their magic to create a potion that will give him unlimited power. Smurfette discovers that there is another Smurf community, so she, Hefty (Joe Manganiello), Brainy (Danny Pudi), and Clumsy (Jack McBrayer) go on a journey to find it. The adventures along the way and the fun of getting acquainted with the Amazonian warriors of the lost village (including Julia Roberts as their leader) are whimsically imagined and a lot of fun, with bright, lively music and a sweet message of finding your own way and being a part of a community.

Parents should know that this film has some mild fantasy peril and violence, with no one badly injured. There is some mild language and brief potty humor.

Family discussion: If you were a Smurf, what would your name be? Which Smurf is your favorite and why?

If you like this, try: the Smurf cartoons and books and “Trolls”

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