Thoughts on ‘W’ as Movie, History, and Politics

Posted on October 18, 2008 at 2:20 pm

Movie review from Dana Stevens of Slate:
Neither satire nor biopic, the film is a kind of secular pageant, enacting with dogged literality the well-known stations of the cross of Bush’s life: the 40th-birthday hangover-turned-religious-conversion! The near-asphyxiation by pretzel! Mission accomplished! “Is our children learning?” The moments scroll up the screen like the song titles on one of those greatest-hits collections advertised on TV. The movie is done in the broad strokes and primary colors that are Stone’s trademark–lest you’ve forgotten JFK, this is not a filmmaker of nuance–but the net effect is both satisfying and strangely cathartic to watch.W-poster-sml.jpg
My enjoyment of this film hovered perilously close to camp at times. Stone’s musical choices lay it on particularly thick: He accompanies a party scene during Bush’s drinking years with the Freddy Fender song “Wasted Days and Wasted Nights” and scores the fall of Baghdad to the marchlike rhythm of “The Yellow Rose of Texas.” But if Stone’s portrait of George Bush is laid on with a trowel, maybe it’s because God seems to have engineered the real Bush’s life with a similarly crude sense of irony. W. is a case of biographer and subject being perfectly matched: You really don’t want a Bush biopic directed by Jean-Luc Godard (though Robert Altman could have done something interesting with it if he were still around). Like Tina Fey’s Sarah Palin, Stone’s George Bush gets his best lines straight from the source. This movie was scripted by screenwriter Stanley Weiser (Wall Street) but was ghostwritten by history itself.
Slate political columnist Timothy Noah talks about what they left out:
W. is the rare Oliver Stone film that had to tone down the historical record because the truth was too lurid. How the hell do you tell the uncensored story of a guy like George W. Bush? No one would believe it.
Stevens and Noah have a great conversation about the movie on the weekly “spoiler special,” which can be accessed via iTunes.

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Mandela

Posted on July 14, 2008 at 8:00 am

A
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Disturbing material about apartheid
Diversity Issues: A theme of the movies
Date Released to Theaters: March 21, 1997

Celebrate the 90th birthday this week of one of history’s greatest leaders, Nelson Mandela, with one of the fine films about his extraordinary perseverance, vision, courage, and leadership. The story of the massive social change he achieved without violence is profoundly moving and inspiring and one that all families should understand and discuss. Perhaps his greatest contribution is the notion of reconciliation and forgiveness rather than retribution and punishment, a lesson the world will need to recover from its current conflicts.

nelson mandela.jpg

The documentary, Mandela: Son of Africa, Father of a Nation follows Mandela from his early years as one of nine children of a polygamist father assigned the name “Nelson” by a teacher instead of his tribal name to his 27 years in prison, his election to the Presidency of South Africa and the awarding of the Nobel Peace Prize. The made-for-television Mandela & De Klerk (PG-13 for disturbing images of political violence) has Sidney Poitier and Michael Caine as Mandela and his co-Nobel awardee F.W. de Klerk. Both are outstanding.

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Charlie Wilson’s War

Posted on April 22, 2008 at 6:00 pm

charlie%20wilson.jpg It is not easy to take a wealthy socialite, a powerful Congressman, and a CIA agent, have them played by three Oscar-winners, two who are genuine box office gold, and make them look like the underdogs, but in this “extraordinary story of how the wildest man in Congress and a rogue CIA agent changed the history of our times” (as put in the unusually accurate book subtitle), that is what they are.

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Into the Wild

Posted on March 3, 2008 at 8:04 pm

Every one of us at times hears the call of the wild, to match the wild of the outdoors to the wild that is inside us, to leave behind all of the petty complications of civilization and test ourselves down to the deepest essence, to test our nature, in both senses of the word.
In 1992 Christopher McCandless left behind everything — family, friends, jobs, money, even his name, and went on a journey to find something that felt authentic to him. Actor Sean Penn has written and directed a superb film based on the best-selling book about his journey and its tragic conclusion.IntoTheWildPoster.jpg

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Rudy

Posted on January 17, 2008 at 4:59 pm

In this true story of determination and courage, a young man from a blue collar family wants to play football for Notre Dame, despite the fact he has neither the athletic nor the academic skills. Daniel “Rudy” Ruettiger (Sean Astin) is told by his family and his teachers college of any kind is out of the question for him, and he should be content with the good, steady work with his family at a steel mill. Only his best friend, Pete, believes in him, and when Pete is killed in an accident at the mill four years after their high school graduation, Rudy puts on the Notre Dame jacket Pete gave him and takes the bus to South Bend. A sympathetic priest helps him get into nearby Holy Cross Junior College, where, with the help of a shy tutor named D-Bob (John Favreau), he is able to make the grades necessary to be accepted as a transfer to Notre Dame.
The coaches make it clear he will never be good enough to play, but they accept him on the team to act as an opposing team player in practice sessions. His determination and commitment endear him to the team, and he is finally permitted to play for seven seconds of his last game, assuring him a place in the record books as having made it to the Fighting Irish.
With some reservations about the language, this is a good family movie for a discussion of dreams – the importance of having them and the possibility of achieving them through persistence and commitment. Rudy is contrasted not only with the athletes who have far more ability but none of the “heart,” but also with his friend Fortune (Charles S. Dutton), who reveals near the end that he was once a member of the team but quit, and has regretted it every day since.
Rudy’s father is afraid of dreams; his own father lost everything in the Depression by risking all he had to have a dairy farm. He insists Notre Dame is not for people “like us.” Rudy’s older brother, Frank, does not want Rudy to succeed, because then he will have to confront his own failure to try for something more. Rudy’s teammates want him to “tone it down a notch,” not to “play every practice like it was the Super Bowl.” But ultimately, his spirit and his insistence on giving everything he can every single time inspires them. Rudy becomes an indispensable part of the team, and each of his teammates goes to the coach to insist Rudy play in his place.
Parents should know that this movie has very strong language for a PG movie. A man calls another a “pussy,” and there is a reference to “busting your balls.” D-Bob’s girlfriend tells him not to swear anymore. Characters drink beer. Rudy gets a little drunk, with consequences – he makes the mistake of telling the secret he had been trying to keep: he was not enrolled at Notre Dame. There is a scuffle in a bar and a subtext of class issues.
Family discussion: What are some of the things Rudy has to do to be able to be on the team? Which are the hardest? What are some of the things he had to give up? Which do the people who made the movie think is more important, ability or determination? How can you tell? Why didn’t Fortune admit he left Rudy the key? How did Fortune change Rudy’s mind? Why didn’t the quarterback do what the coach said at the end of Rudy’s last game? Why did Pete’s death make Rudy decide not to wait any longer? Do you think determination is a talent you have to have, or can you learn it? Have you ever been determined to make something happen? What did happen?
If you like this, try: Ideally, this movie should be seen as a double feature with Knute Rockne, All-American, that other great movie about Notre Dame football. Pat O’Brien appears in the title role, and Ronald Reagan plays “the Gipper,” whose deathbed request inspired the most famous motivational speech of all time, memorialized on a plaque in the Fighting Irish’s locker room and read aloud by Rudy.
Rudy is played by Sean Astin, son of Patty Duke (The Miracle Worker) and John Astin (West Side Story). In real life, Rudy (who appears in a photo at the end of the movie and as a fan in the stands) had a second dream: to make a movie about his time at Notre Dame. Like the first dream, it seemed impossible, and like the first dream, he made it come true.

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