The Muppets!

The Muppets!

Posted on November 22, 2011 at 8:00 am

Hurray for the Muppets and hurray for Disney and Jason Segal for bringing them back! “The Muppets” is one of the best movies of the year. When your children want more, try The Muppet Show, The Muppet Movie, and The Muppets Take Manhattan!

 

 

http://www.youtube.com/watch?v=z-_QLNkh-zI

 

 

 

 

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Classic Elementary School For the Whole Family For Your Netflix Queue Movie Mom’s Top Picks for Families Original Version Talking animals Television
Marilyn Starts a Heat Wave

Marilyn Starts a Heat Wave

Posted on November 20, 2011 at 1:14 pm

I hope that Michelle Williams’ exquisite performance in the new film, “My Week With Marilyn” inspires its viewers to go back and watch the inimitable original: Marilyn Monroe.  Williams does a snippet of this song in the film though does not try to replicate the staging of the original.  It’s one of my favorite of Monroe’s musical numbers, steamy but witty and shows what a gifted dancer and singer she was.  One amusing note: in the original film, There’s No Business Like Show Business, one of Irving Berlin’s lyrics was censored for being too racy.  Instead of saying, “She started a heat wave by letting her seat wave,” they changed it to “letting her feet wave”(!).  In the Michelle Williams version, the original lyric is used.  In both, her seat waves.

http://www.youtube.com/watch?v=Qe-45dj-aGo

That’s Donald O’Connor, Ethel Merman, Mitzi Gaynor, and Dan Dailey watching from the wings.  The movie is just an excuse for a lot of Irving Berlin songs, but that’s enough to make it worth watching.

Here’s Williams:

 

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West Side Story

West Side Story

Posted on November 15, 2011 at 8:00 am

A+
Lowest Recommended Age: Preschool
Profanity: Mild language
Alcohol/ Drugs: Reference to drugs, smoking
Violence/ Scariness: Gang violence, characters killed
Diversity Issues: A theme of the movie
Date Released to Theaters: January 1, 1970
Date Released to DVD: November 15, 2011
Amazon.com ASIN: B005BDZN62
Actress Natalie Wood and Richard Beymer in a scene from the movie “West Side Story” (Photo by Donaldson Collection/Getty Images)

In honor of the 50th anniversary of this American classic there is a new Blu-Ray release of West Side Story: 50th Anniversary Edition.  Modeled on “Romeo and Juliet,” this movie puts the star-crossed lovers in two warring gangs in the slums of New York.  The opening dance number brings us up to date. The Sharks (Puerto Ricans) and and the Jets (Anglos) have blown up a series of petty insults and turf disputes into a war over who will rule the territory.   The leader of the Jets, Riff (Russ Tamblyn), goes to see his best friend Tony (Richard Beymer), the former leader of the gang.  Riff asks Tony to come to the dance that night to support him as he negotiates fight terms with Bernardo (George Chakiris), the leader of the Jets.  Tony has outgrown the gang, and wants more from life, but he and Riff are friends “womb to tomb,” so he agrees to go.  Moreno and Chakiris both won Oscars for their performances, two of the ten won by this movie, including Best Picture.  The brilliant music and lyrics are by Leonard Bernstein and Stephen Sondheim.

Bernardo’s sister Maria, just arrived in the US, is getting ready for the dance, begging to have her dress cut just a little lower.  Bernardo’s girlfriend, Anita (Rita Moreno), watches over her protectively.  At the dance, well-meaning Mr. Hand tries to get the teenagers to mix with each other, but tensions are high.  As each side dances furiously, everything seems to stop for Tony and Maria, who see each other and are transformed.

Bernardo is furious when he sees them together, and he takes Maria home.  But that night, Tony visits her, and they declare their love for each other.  She asks him to make sure there is no fighting, and he agrees.  At the “war council” he persuades them to make it a fist fight only, and he feels successful.  But Maria wants him to make sure there is no fighting of any kind, so he agrees to try to stop them.  Things get out of control, and Bernardo kills Riff with a knife.  Tony, overcome with grief and guilt, grabs the knife and kills Bernardo.

Running from the police and the Jets, Tony finds Maria.  They dream of a place where they could always be safe and together.  Anita agrees to take a message to Tony, but when she is harassed by the Jets, she angrily tells them that Maria is dead.  Blinded by grief, he stumbles out into the night, and is shot by one of the Sharks.  Maria holds him as he dies, and together, the Sharks and Jets carry him away.

The story retains its power, but the gangs are endearingly tame to us now.  Can it be that once there were gangs who fought with fists and knives?  This is a good opportunity to explore the reasons that people fight.  Anita says that the boys fight like they dance, “Like they have to get rid of something, quick.”  According to her, they are getting rid of “too much feeling.”  Kids understand that idea and may like to talk about what “too much feeling” feels like to them.  The music and dances in this movie do as much to tell the story as the dialogue and plot, and they illustrate this idea especially well.

One important difference between this movie and “Romeo and Juliet,” is that in Shakespeare’s play, the older generation plays an important role.  In “West Side Story,” the few adults who appear are ineffectual and tangential, like Mr. Hand (John Astin), who thinks he can get the kids to be friends by having them dance together.  Listen to the lopsided music-box song he plays for them, and see what a good job it does of expressing both what he is trying to accomplish and how hopeless it is.

            And, of course, this is an important movie to use in talking about prejudice.  See if you can get kids to watch carefully enough to figure out why the Sharks and Jets resent and mistrust each other.

Family discussion: If you were going to adapt the story of “Romeo and Juliet” today, what groups would the boy and girl come from? Where do you see the most prejudice today?  Listen to the song about “America,” with the Sharks and their girlfriends disagreeing about whether America has been good or bad to them. Which side do you agree with?  Are they both right?  Why? In the song “Tonight,” both sides sing, “Well they began it!”  Have you ever seen people act that way? One of the boys tells Doc “You was never my age.”  What does he mean?  Do all teenagers feel like that at times?  Have you ever dreamed of a special place where you could always be safe?  What would it be like? Tony has to decide how he can be loyal to his friend and loyal to Maria.  Why is that hard?  Who else in the movie has to make a decision about loyalty? If you could talk to Tony and Maria, what would you tell them to do?

Connections:  This is a great double-feature with “Romeo and Juliet” or the 1997 version, “William Shakespeare’s Romeo + Juliet.”  It is fun to see how much of the movie’s structure is taken from the play.  In both, the lovers see each other at a party, and are immediately overcome.  In both, the boy comes to see the girl later that night.  Juliet speaks to Romeo from a balcony.  Maria speaks to Tony from a fire escape.  Romeo and Tony are both pulled back into the fight due to the deaths of their friends.  In both movies, tragedy results from missed messages.  There are some important differences, too.  Juliet dies, but Maria does not.

 

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Based on a play Classic Drama DVD/Blu-Ray Pick of the Week Musical Romance Tragedy
The Lion King

The Lion King

Posted on October 3, 2011 at 8:00 am

B+
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Characters in peril, murder, scary stampede and hyenas, sad death of a parent
Diversity Issues: Diverse characters
Date Released to Theaters: 1994
Date Released to DVD: October 3, 2011
Amazon.com ASIN: B0036TGT3E

“The Lion King” finishes its record-breaking theatrical re-release in 3D with its first Blu-Ray in a superpack and I have five to give away!  Details below.

One of Disney’s most popular animated features (and the inspiration for one of Broadway’s biggest blockbuster) is ”The Lion King,” a sort of cross between “Richard III,” “Henry IV,” and “Hamlet.” It is the story of Simba (voice of Jonathan Taylor Thomas as a child, Matthew Broderick as an adult), the cub of Mufasa (James Earl Jones), the king of the jungle.  Simba “just can’t wait to be king.” But his evil Uncle Scar (Jeremy Irons), bitterly jealous of Mufasa, wants to be king, so he arranges for Mufasa to be killed in a stampede and to have Simba think he is responsible.

Simba runs away, and finds friends in Pumbaa the warthog (Ernie Sabella) and Timon the meerkat (Nathan Lane), who advise him that the best philosophy is “hakuna matata” (no worries). Simba grows up thinking he has escaped from his past, but his childhood friend, Nala finds him, and tells him that under Scar’s leadership, the tribe has suffered badly. She persuades him to return to take on his responsibilities as King of the Pridelands. He learns that it was Scar who caused Mufasa’s death, and he vanquishes Scar to become King.

Not just a movie, but a marketing phenomenon, this blockbuster was the highest grossing film of 1994. Amazingly, it made even more money in merchandise than it did at the box office, a fact for which audiences have been paying ever since, as each subsequent Disney animated movie seems to be designed primarily as a commercial for teeshirts, lunch boxes and action figures. The score, and the song “Circle of Life,” with authentic African rhythms and instruments, won Oscars for Elton John and Tim Rice.

Parents should know that the death of Mufasa is genuinely scary and young and sensitive children may be frightened of the stampede, the hyenas, and the family betrayal.  More troubling is the arrogance of the “Circle of Life” explanation, which is mighty reassuring as long as you are the one on top of the food chain. And worse than that is the whole “hakuna matata” idea, which is genuinely irresponsible.  Make sure that kids realize that even Simba finds out that he cannot run away from his problems.

Family discussion:  How was being king different from what Simba thought?  What does your family do to welcome new babies?

If you like this, try: the stage production, with its extraordinary puppets, “The Lion King 1 1/2,” a much better-than-average sequel, and other Disney animated classics like “Aladdin” and “The Little Mermaid.”

To enter the contest for the Blu-Ray/DVD Combo: send me an email at moviemom@moviemom.com with “Lion King” in the subject line and tell me your favorite song from this movie.  Don’t forget your address!  Good luck, and I will pick a winner a week from today.

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Action/Adventure Animation Classic DVD/Blu-Ray Pick of the Week Musical Talking animals

Citizen Kane

Posted on September 25, 2011 at 7:51 pm

A+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Drinking, smoking, sometimes to excess
Violence/ Scariness: Tense confrontations, sad death
Diversity Issues: Character makes an anti-Semitic remark
Date Released to Theaters: 1941
Date Released to DVD: September 26, 2011
Amazon.com ASIN: B0050G3NWG

“Citizen Kane” has topped more “all-time best” lists than any other movie and this 70th Anniversary Ultimate Collector’s Edition is a treat for passionate fans and those who still have the thrill of seeing it for the first time ahead of them.

Orson Welles was only 26 but already an accomplished writer/director with a distinguished body of work on stage and radio.  He and writer Herman J. Mankiewicz wrote the script, inspired by the life of publishing titan William Randolph Hearst.  Welles directed and starred in the title role of a wealthy young man who turns from idealistic newspaper owner to political candidate to bitter recluse.  It is worthy of every accolade it has received and more.

http://www.youtube.com/watch?v=zyv19bg0scg

This magnificent film influenced and inspired everything that came after.  And the sumptuous extras that come with this anniversary edition are treasures, especially the scene-by-scene commentary by Roger Ebert, almost as entertaining and illuminating as the film itself, with insights and details of technology and artistic innovation that are mind-boggling.  There’s a separate commentary by director/historian Peter Bogdanovich and interviews with editor Robert Wise (who later became a director) and co-star Ruth Warrick (who played Kane’s first wife and later went on to star in “All My Children”).

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