Still Mine

Posted on July 18, 2013 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some thematic elements and brief sensuality/partial nudity
Profanity: Mild language
Alcohol/ Drugs: None
Violence/ Scariness: Sad themes of aging and loss
Diversity Issues: A theme of the movie
Date Released to Theaters: July 19, 2013

StillMineWhy do we spend so much time in movies watching young people fall in love? Why is the wedding so often the happy ending? “Still Mine” is a beautifully performed true-life tale of a couple who have been deeply in love for 70 years. That is a love story.

James Cromwell (“Babe”) plays Craig Morrison, a flinty, taciturn, stubbornly independent man in his 90’s who is committed to caring for his wife, Irene (the exquisitely lovely Geneviève Bujold), as she is struggling with becoming forgetful.  Their seven grown children are concerned, but Irene wants to stay at home and Craig is resolute.  He has land and he knows how to build.  When she falls down the stairs in their home, he decides he will build a new house for them on their land, something small, simple, and one-story, where he can keep her safe.

The local building authorities tell him that he is in violation of their rules.  They have no reason to believe that the structure is unsafe.  But they have regulations about the certification of lumber and various other check-list requirements that his home does not meet.  As the movie opens, he is in court, with the judge to decide whether he will go to jail for contempt, or go home to his wife.

We then go back two years to see what has led to this court appearance, in a series of sensitively understated scenes brimming with privileged moments.  It is clear that the depth tenderness between Craig and Irene is earned over a period of decades.  And it is so sweetly portrayed it will make you eager to get old.

Parents should know that this movie’s themes include aging and loss.  There is a sad death.

Family discussion:  How should families talk about end of life issues?  Do you agree with the way the Morrison’s children and grandson respond to them?  What is the best way for government authorities like the building inspectors to ensure the safety of the community but give people like Craig the freedom they need?

If you like this, try: “The Straight Story” and some of the earlier films with the immensely talented Cromwell and Bujold like “Babe,” “W,” “King of Hearts,” and “Anne of the Thousand Days”

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Based on a true story Drama Family Issues Movies -- format Romance The Real Story

An American Girl: Saige Paints the Sky

Posted on July 1, 2013 at 8:00 am

B+
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Scary accident
Diversity Issues: Diverse characters
Date Released to Theaters: 2013
Date Released to DVD: July 1, 2013
Amazon.com ASIN: B00C9VZ73S

saigepaintstheskyThe latest in the terrific series of American Girls movies is the story of Saige (Sidney Fullmer), a talented artist and a horse-lover.  She is devastated to learn that due to budget cuts, there will be no more art class in her school.  Just as painful, her lifetime best friend seems to like a new friend better.  Everything she thought she understood and everyone she thought understood her seem to be changing.

Then it gets worse.  Her adored grandmother (Jane Seymour), an accomplished artist and Saige’s role model, is hurt in an accident.

Saige has to learn some new skills and develop her understanding and courage in this heartwarming story of friendship, problem-solving, and making change work for you.

https://www.youtube.com/watch?v=cFK76G2bsws
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Interview: “American Idol’s” Brooke White on Hallmark Channel’s “Banner 4th of July”

Posted on June 27, 2013 at 5:00 pm

American Idol star Brooke White talked to me about her role in “Banner 4th of July,” premiering on the Hallmark Channel this Saturday at 9/8c.  White plays Desiree Banner, who once was in a successful band called The Banner Project with her brothers Mitchell (Christian Campbell) and Johnny (Michael Barbuto).  She left the group, and had not seen them for ten years when she comes home to help care for her Rosalind (Mercedes Ruehl), who has had a heart attack.  Shortly after Desiree arrives in her hometown of Pinewood Hills, she learns that the town will face bankruptcy if it can’t make a bond repayment by the July 4th Holiday. As the Fourth of July approaches, it is up to Desiree and her siblings to put into action a plan that will save Pinewood Hills. If you think that will involve a performance by The Banner Project, you have the right idea.Banner4thOfJuly_0003G_1860

I talked to Ms. White about the movie and what Mercedes Ruehl has taught her about acting.  “I’m the rookie of the bunch. This is basically my second and both were lead character roles and I was fortunate to work with patient and kind and talented people who really helped me and were so generous with me.  They were really encouraging and made the whole experience really fun.

I would ask her things and she was just so kind and so open in sharing with me.  Vocal exercises, more even than acting.  Making sure that I enunciate things.  If you don’t enunciate things, then you have to record it again later.  When it comes to emotional scenes, getting to a place of crying.  That makes me nervous.  I’m a really emotional gal and my emotions are really close to the surface.  But when you have to do it — on demand — and movies are not shot in chronological order — you could have just done a funny scene and now you’re having a big fight with your brother and mourning the last ten years of your life — and the camera is on you — that is difficult.  She really helped me by being honest about how difficult it is.  And I have a really loud voice naturally, due to the anatomy of my vocal chords.  I have to really push to get the sound.  Long story long, this is sometimes a struggle when you’re making a movie because a little goes a long way on screen.  I had to find a tone that was not too loud or forceful.  The director was really helpful as well. She has such a high level of energy, you want to come back at her with the same level of energy.  She really elevated my performance and helped me to be more creative, to have fun with it, be free with it, try different things.  It’s helpful to have more experienced actors tell you — yes, this is fine, you can do this.”

Banner4thOfJuly_0001G_KeyArtShe wrote songs for the movie, which are now available on iTunes, including  “XYZ,” “Sun Up, Sun Down,” and “Fly Fly Fly.” One is the hit the band had when they were all still together, ten years ago.  It’s got a country, Americana feel.  I was really inspired.  I rarely sit down to write a song about a specific subject.  I let the song-writing process dictate itself.  It was a positive experience, so I’m going to start songwriting with more intentional ideas and concepts.  The other song is for a poignant moment in the movie, called “Fly Fly Fly.”  It was by far the most rewarding thing for me, to see the songs come to life in the story.  We had this whole audience of people singing along, the pinnacle of the movie, a really awesome thing for me.”

She said she is inspired by real life.  “I can’t say that every song is about me or comes from my life, but if it isn’t about it it comes from someone close to me.  Songs revolve around relationships, humanity and people and their imperfections.  There are conflicts but I like to have some kind of redemption or hope, or life.  You can’t experience joy without sorrow and music is one way to play with that notion of opposition and how it plays into our life.  And mu daughter, who is one, she really inspires me.  The whole time I was pregnant I was recording and on the road.  So I always had a guitar up against my belly and this kid came out with so much natural musicality!  She loves music.”

And she is very proud of the themes of the film.  “The music brings everyone back together and heals everyone and it’s a Hallmark movie so of course there is a little bit of romance happening, but overall it’s about the family mending their fences and coming back together.”

 

 

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Family Issues Music Musical Television

Fill the Void

Posted on June 13, 2013 at 6:25 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG for mild thematic elements and brief smoking
Profanity: None
Alcohol/ Drugs: Drinking and drunkenness, smoking
Violence/ Scariness: Sad offscreen death
Diversity Issues: Role of women in traditional orthodox community
Date Released to Theaters: June 14, 2013

A young woman about to choose the man she will marry is torn between her own desires and the wishes of her devout family, ultra-Orthodox Jews.  We know where the American version of this story would go — the triumph of individual happiness over the antiquated strictures of the community.  But Israel’s official entry for the foreign language Oscar is a sympathetic, layered portrayal, rich with detail, that earns its more complex and resonant conclusion.

Writer-director Rama Burshtein was born in the United States, grew up in Israel in a non-Orthodox home, studied film, and chose to become “baal teshuva” or one who “returns” to the the practice of traditionally observant Judaism.  This movie reflects her deep understanding of both liberal and conservative notions of religious practice as a connection to the divine and the many variations in between.  She is a gifted filmmaker who understands the way the tiniest details tell the story and evokes utterly natural, intimate performances from her actors.  She shows us a world of very strict and demanding tradition, but it is the context for characters who are never caricatured.  They are vividly drawn and portrayed with respect and affection.Fill_the_Void_(2012_film)

Like a Jane Austen novel, the primary concern for Shira (a shimmeringly lovely Hadas Yaron) and her family is a propitious match, and the cultural structures for making this decision are clearly defined.  In this community, young men and women have no opportunities for interaction until they are identified as potential partners by their parents.  Then they have one heart-wrenchingly awkward meeting to decide whether they can spend a lifetime together.  As the invariable small plate of cookies goes untouched, there is no shilly-shallying about what they majored in or their favorite music.  A few simple questions about their aspirations for family life are all they get.

We first see Shira and her mother sneaking a look at a prospective groom in the aisles of a the grocery store.  Shira believes he could be the one.  She is excited and happy.  But then a terrible tragedy strikes.  Her sister, Esther (Renana Raz) dies in childbirth.  And then the widower, Yochay (a smolderingly handsome Yiftach Klein) has an offer to marry a woman from Belgium, which would mean moving there and taking the baby with him.  The only way to keep Esther’s child close to the family is for Yochay to marry Shira.

Suddenly, Shira has to cope with an entirely different set of pressures and an entirely new sense of power.  She has to sort through her feelings without any real opportunity to learn how Yochay is responding.  Could he want her?  Or is he being forced?  What would it be like to be married to someone who has not just been married before, but who was married to her sister?

American films have ranged from clumsy to dreadful in portraying the Orthodox community, with Renee Zellwegger in “A Price Above Rubies” and Melanie Griffith’s “A Stranger Among Us” as notorious failures.  Burshtein’s perspective as someone who chose that life is refreshing in its focus on the lives, relationships, and choices of the characters.  The details of their religious practice draw us in as illumination, not anthropology.  The dynamics of Shira’s parents’ relationship play out in the celebration of Purim, a holiday less observant Jews may think of as a minor celebration for children to wear costumes and shake noisemakers.  For these people, it is also a time to encourage those the community who needs help to ask for it and for those who can to give it.  It is Shira’s father who receives the requests.  But it is her mother who brings the money.  And in the oblique discussions they have about Shira’s choice and the factors to be considered, we see the many layers of family, community, and religious observance twined together.

Parents should know that this film includes drinking and drunkenness and brief smoking.  There is a sad off-screen death.

Family discussion:  What does Shira decide and why?  Do you agree?  Will she be happy?

If you like this, try: “Ushpizin,” another film about the Orthodox community made by a baal teshuva

 

 

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Family Issues Movies -- format Spiritual films

Epic

Posted on May 26, 2013 at 10:08 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for mild action, some scary images and brief rude language
Profanity: Brief language
Alcohol/ Drugs: None
Violence/ Scariness: Fantasy/action/cartoon violence and peril, mostly non-graphic, arrows, swords, poison, sad deaths (one onscreen, discussion of death of parents and death of child)
Diversity Issues: Diverse characters and voices, all combatants white males
Date Released to Theaters: May 24, 2013
Date Released to DVD: August 19, 2013
Amazon.com ASIN: B00CQFINCE

Epic Movie First look“Epic” means big — usually a big story filled with grand adventures. This is a grand adventure, but the story is very small, or at least its characters are. Like “Honey I Shrunk the Kids,”  “A Bug’s Life,” and “The Ant Bully,” this is a story about the tiny creatures who live in the forest, riding on hummingbirds and swinging swords the size of toothpicks.

They are so little and move so quickly that most humans cannot even see them. But there is a scientist named Bomba (Jason Sukeikis) who knows they are there. He is so obsessed with tracking the little creatures that he lost his wife and daughter. Everyone thinks he is crazy.

As the movie begins, his ex-wife has died and his now teenaged daughter MK (Amanda Seyfried) is arriving. She has had almost no relationship with him and is not sure she wants one now especially when she learns that he still insists that there is a community of tiny beings in the forest. He has rigged up motion-sensitive cameras and he keeps detailed records of his sightings. MK decides to leave, but on her way out she has a close encounter of her own and suddenly finds herself shrunk down to the size of an insect and with the dying queen of the forest (Beyoncé Knowles) giving her custody of a magical bud.  If the bud is not exposed to moonlight at exactly the right once-in-a-century moment, the forest will fall into the hands of the evil Boggens, led by Mandrake (two-time Oscar-winner Christoph Waltz).

In the forest, there is a constant struggle between the forces of life and decay.  The queen is protected by an army of Leafmen, led by Ronin (Colin Farrell).  Ronin is responsible for Nod (Josh Hutcherson), the impetuous and rebellious son of a close friend who died in battle.  Nod quits the Leafmen in frustration, but when everyone is needed to make sure the magical bud gets to bloom in the moonlight, including Ronin, Nod, MK, and an adorable snail and slug duo (Chris O’Dowd and Aziz Ansari, the comic highlight of the film).

The co-producer, co-writer, and production designer is the brilliant writer/illustrator William Joyce, inspired by his book, The Leaf Men.  The visuals are pure magic, from the grand sweep of the forest to the tiniest details of the saddle on a hummingbird.  Every shot is filled with marvelously imaginative ideas, exquisitely rendered.  MK’s absent-minded scientist father has a wonderfully messy office filled with charts and equipment and record books that have a slightly stem-punk, Victorian feel.  Chase scenes through the trees are deliciously vertiginous in 3D.  And the quiet moments are lovely, too, with MK and Nod sharing the experience of losing a parent and learning to appreciate the families they have.

Parents should know that this movie includes a discreet but sad death of the murdered queen and references to divorce and the death of parents.  Mandrake’s son is killed, and characters are in frequent peril.  There are some scary images and characters use brief strong (for PG) language.  There is one sweet kiss.

Family discussion: “Who gives up everything for a world that’s not even theirs?” What does it mean to say “many leaves, one tree?”

If you like this, try: “Robots,” “Ferngully,” and “A Bug’s Life” and the books by William Joyce.

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3D Animation Based on a book DVD/Blu-Ray Pick of the Week Family Issues Fantasy
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