City of Ember

Posted on January 20, 2009 at 6:00 pm

Under the earth’s surface for so long they have forgotten how and why they got there and even that there is another place to be, the citizens of the City of Ember have just about lost their sense of hope, of wonder, of imagination, and adventure. On “assignment day” kids pick their careers out of a hat. The idea of special interest, curiosity, or competence never comes up. And neither does the idea of creating or improving anything. All of the jobs that occupy the time of the citizens of Ember are about maintenance. All of the clothes, all of the infrastructure, everything is made from broken pieces of other things. Decay and breakdown pervade everything. Learning, reading, and creating, are ideas that have just about disappeared.

There is a genial but disengaged mayor (Bill Murray). Everyone seems to accept everything the way it is except for two kids, Lena (Saoirse Ronan), who lives with her dotty grandmother and little sister, and Doon (Harry Treadaway). Together, they race to solve the mystery of how their city was created before it becomes uninhabitable.

An almost Junior Great Books version of Brazil, this is a gorgeously imagined and visually sumptuous but still bleak and dystopic vision. In most stories featuring young lead characters, at some point they consult with a wise older person or get help from an adult. But here all of the other characters, the adults and even Lena’s little sister all seem oddly passive and disconnected and the kids are on their own. It does not have the brightness and energy of many films for this age group, and that may take some getting used to for kids used to a lot of flash.

But like a good book, it rewards patience and thoughtful attention. As with Wall∙E, some audience members will complain that this film is a one-sided and thinly-veiled allegory about current controversies or that it promotes rebellion. But that a very superficial mis-reading of the movie’s message, which is about the much more important and much more fundamental importance of independent thinking and not being satisfied with the status quo. In a time where both candidates for President are competing to persuade voters which will be the most effective in bringing change, it is an important reminder that we can all find ways to make things better.

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The Best “Christmas Carols” — from “Bah humbug” to “God bless us everyone!”

Posted on December 21, 2008 at 6:00 pm

Charles Dickens’ A Christmas Carol is my favorite Christmas story and I love it in just about any of its movie incarnations. “Bah, humbugs” have been muttered by Scrooges played by top-notch dramatic actors like George C. Scott and Albert Finney, former Miss America Vanessa Williams, former Fonzie Henry Winkler, and former Saturday Night Live star Bill Murray. I love them all. But here are my very favorites, the ones I try to watch every year.
5. Mickey’s Christmas Carol Who better to play Scrooge than his namesake Scrooge McDuck? And who better for the part of the unquenchable Bob Cratchit than Mickey Mouse? This compilation DVD includes other Christmas goodies “The Small One” and “Pluto’s Christmas Tree.”
4. The Muppet Christmas Carol has the distinguished actor Michael Caine as Scrooge and the equally distinguished Kermit the Frog as Bob Cratchit. Special mention of A Sesame Street Christmas Carol as well.
3. Mr. Magoo’s Christmas Carol. The voice talent is outstanding, with Broadway star Jack Cassidy (father of teen idols David and Shaun) as Bob Cratchit and of course Jim Backus as Mr. Magoo, in this version an actor playing the part of Scrooge. The tuneful songs were written by Bob Merrill and Jule Styne, who later went on to write “Funny Girl.” (The legend is that their song “People” was originally written for this movie.)
2. A Christmas Carol This MGM classic features the top stars of the 1930’s. Watch for future “Lassie” star June Lockhart as one of the Cratchit children — her real-life father Gene Lockhart played Bob. (He also appears in another Christmas classic, as the judge in Miracle on 34th Street.)
1. A Christmas Carol This is the all-time best, with the inimitable Alistair Sim as Scrooge. There has never been a more embittered miser or a more jubilent Christmas morning rebirth. When he orders that turkey for the Cratchits and walks into his nephew’s celebration at the end, everything Dickens hoped for from his story is brought to life.
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Horton Hears a Who

Posted on December 15, 2008 at 8:00 am

A-
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril, no one hurt
Diversity Issues: A theme of the movie.
Date Released to Theaters: March 14, 2008
Date Released to DVD: December 16, 2008
Amazon.com ASIN: B001DPHDCY

horton1.jpgThey finally got Dr. Seuss right in this warm-hearted and heart-warming story of the elephant who is “faithful 100 percent” and the world on a little speck of dust that he rescues.

Jim Carrey provides the voice of Horton, an elephant with a gentle soul who teaches the jungle animal children. When a frail plant is carelessly trampled underfoot, he stops to pat it carefully back into the ground. And when he hears a tiny voice coming from a dust mote, he races after it to tenderly place it on a clover. He finds a way to communicate with the voice, which belongs to the Mayor of Whoville (Steve Carell). Each is surprised to find out that there is a world beyond the one he thought of as everything there was.

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The Chronicles of Narnia: Prince Caspian

Posted on December 1, 2008 at 8:00 am

prince%20caspian.jpgThe Pevensie children are back in London and contemporary life seems pale and uninvolving compared to their adventures in the magical land of Narnia. As they wait for the Tube, a wall opens up and just as happened when they went through the wardrobe, they stand before the entryway to Narnia again. This time, they know immediately where they are. What they don’t know is when they are. Everything is different. “I don’t remember any ruins in Narnia,” one says. Lucy (Georgie Henley) confidently approaches a bear, introducing herself as though she was inviting him to tea. But he growls and charges. “I don’t think he could talk at all,” she says with surprise. “If treated like a wild animal long enough, that’s what you become,” explains Trumpkin (Peter Dinklage in heavy gnomish make-up). “You may find Narnia a more savage place than you remember.”
“Everything you know is about to change,” says one character and that serves as a warning and a prediction that applies to all of the great adventures before the Pevensies — the battle for Narnia, the challenges of growing up, and the struggles of leadership, faith, and principle.
As the Pevensies explore, they find that 1300 years have passed in Narnia since they helped Aslan the lion (voice of Liam Neeson) defeat the White Witch (Tilda Swinton) and end the tyranny of Narnia’s perpetual winter. It is summer, but there is no peace and prosperity in Narnia. The nearby Telmarines have done their best to wipe out all of Narnia. Those creatures who are left are in hiding, without a leader. Aslan, who seemed the answer to all questions in their first visit may have been glimpsed by Lucy, but the others are not willing to believe her. And they meet up with Prince Caspian (Ben Barnes), the rightful heir to the throne of the Telemarines, usurped by his evil uncle. Wary of each other at first, Caspian and the Pevensies join forces to battle for the freedom of the Narnians.
Like the first film, this is a grand and visually stunning epic with thrilling battle scenes and powerful themes. This one has more violence but also more humor, especially from the most welcome new character, a mouse with the heart of a lion and the voice of Eddie Izzard. Like the book, one of the less compelling of the seven-volume series, it is not as involving as the first. Barnes has a nice screen presence (though his accent sounds like he is trying out for a road show version of “West Side Story” as one of the Sharks). The pacing is strong, the effects are superb, and the battles are exciting. The themes are presented with a subtlety that encourages thoughtful consideration, with a range of possible interpretations.
Don’t let the PG rating fool you. This is a long, intense, violent epic with the deaths of both good guys and bad guys, and it is not suitable for young children. The earlier film had some difficult and troubling material, including the shearing and apparent death of Aslan and the emotional corruption of one of the Pevensie children by the White Witch. But this one has a childbirth scene (with the mother in evident distress) and a retreat from battle that involves the loss of Narnians that is the fault of one of the Pevensies. The disturbing material may be darker than the first for some viewers.

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A Christmas Story

Posted on December 1, 2008 at 8:00 am

A-

There’s no better way to start off the Christmas season than this holiday classic, now celebrating its 25th anniversary and so popular that Turner Classic Movies runs it for 24 hours each year. Millions of fans can recite its lines from memory and some are so passionate they visit the Christmas Story house and attend the Christmas Story conference. Some even buy leg lamps or the action figures.

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I think there are two reasons for the movie’s enduring appeal. First, it perfectly evokes the experience of childhood. Today’s kids may not drink Ovaltine or wait for their decoder rings, but they still have to deal with bullies and they still wish for gifts their parents think are too dangerous. But more than that, this is the perfect antidote to all those stories of Christmas perfection on one hand and dysfunction on the other. I love the way this family responds when everything goes wrong. They laugh. And you know that in the future, this Christmas is the one they will always remember.

Parents should know that this movie includes some mild sexual references. A character offers money to a girl to do some non-specific things for him and looks at pictures of women in lingerie. There are also humorous references to bad language including a child having his mouth washed out with soap for swearing.

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