The Banker

Posted on April 2, 2020 at 9:51 am

B +

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some strong language including a sexual reference and racial epithets, and smoking throughout
Profanity:	Some strong and racist language
Alcohol/ Drugs:	Drinking and smoking
Violence/ Scariness:	Some peril
Diversity Issues:	A theme of the movie
Date Released to Theaters:	April 3, 2020

“The Banker,” now available on Apple TV+, is three movies in one, all of them vivid, engaging, and compelling.

First, it’s a heist in plain sight movie, and all, or pretty much all, strictly legal. Two black men, Bernard Garrett (Anthony Mackie) and Joe Morris (Samuel L. Jackson) start a business in the pre-Civil Rights Act era when it was not only legal but the universal practice to keep people of color not just out of the neighborhoods where white people lived and worked but out of the places that make property ownership possible, the business that sell homes and office buildings and the people who provide the financing for those purchases.

Second, it is a “My Fair Lady”-style Cinderella makeover fairy tale movie, about taking someone who has the heart to be more than he is and teaching him the language, manners, and skills necessary to have credibility in the highest levels of society, or, in this case, business and finance. Garrett and Morris need a white man to pretend to be the president of their enterprise, so they recruit Matt Steiner (Nicholas Hoult), a genial construction worker, and teach him their version of “the rain in Spain stays mainly on the plain,” how to do (or pretend to do) complex valuation computations in seconds and how to play golf, so he can display the (apparently) effortless credibility needed to do big-money deals.

Third, it is a very personal underdog story of heroes to cheer for, two very different men, both played with exquisite precision, working together against near-insurmountable odds to overturn a virulently oppressive system.

Garrett has a head for numbers even as a young boy, where he listens in on the conversations of men of business as he shines their shoes. As a young man, he understands that the ability to own property is as critical to financial stability, social parity, and equal opportunity as the kind of political organizing that is getting started at the same time. Morris is already a savvy businessman with clubs and real estate holdings. Their personalities are very different — one a quiet, devoted family man, the other a good-time guy. But they both know how things work. They know how to make themselves invisible, pretending to be limo drivers or janitors to get access to the places of power while their front-man pretends to know what he’s doing. (One problem with the film is its failure to give Nia Long more of a role than the ever-supportive wife, though this ever-talented actress lends the character some dimension.)

We know from the beginning, opening on a Senate hearing with some harsh questioning, that powerful people are going to try to stop Garrett and Morris from taking some of their power. This movie, with MCU star-power portraying real-life superheroes, gives some of it back to them.

Parents should know that this film has some strong and racist language, some sexual references, scenes in clubs and bars, and some historical depictions of racism.

Family discussion: What did Morris and Garrett have in common? Who is most like them today? What should they have done about Steiner?

If you like this, try: “Hidden Figures” and “Self Made,” and read more about Bernard Garrett and Joe Morris.

Family Movies for the Homebound IV: Movies Based on Great Books

Posted on March 30, 2020 at 8:13 pm

More wonderful movies for families to share — these are all based on books that are all-time classics.

The Secret Garden: Agnieszka Holland’s 1993 version of the classic by Frances Hodgson Burnett is my favorite, but the others are good, too. When I first read the book, I loved the heroine because she was so cross, a delightful change from all of the earnest girls in other books. When he parents die in India, Mary must go to the creepy, mysterious home of her absent uncle. The secret garden she discovers there is not even the most remarkable surprise. Also see: A Little Princess (1995 version)

Willie Wonka and the Chocolate Factory: Stick with the first version of Roald Dahl’s classic, Charlie and the Chocolate Factory, about the poor boy who finds a golden ticket in a chocolate bar and gets a tour of the candy factory, along with some other children who are spoiled and obnoxious. You will also enjoy some of the other movies basked on Dahl’s books, “James and the Giant Peach,” “The BFG,” and “Matilda.”

The Wizard of Oz: The most-loved family movie of all time is the Judy Garland, Ray Bolger, Frank Morgan, Bert Lahr, Margaret Hamilton, and Jack Haley version of the story of the Kansas girl who is whisked away to a magical land in a tornado, meets a scarecrow, a tin man, a lion, and a witch, and learns that there’s no place like home. Every time you watch it, you’ll marvel at something new. Also see: “The Wiz” a remix starring Diana Ross and Michael Jackson

The Chronicles of Narnia: Four children entered a wardrobe and found themselves in a magic land, gorgeously brought to life in a series of films.

Harry Potter: J.K. Rowling’s saga about the boy wizard is one of the most successful book adaptations of all time. Read them all and then see the films.

Also see: Family Movies for the Homebound I, II, and III (Chess).

All the President’s Minutes: Nell Minow Talks About All the President’s Men with Blake Howard

Posted on March 25, 2020 at 7:57 pm

All the President’s Men is one of my favorite movies of all time, so it was truly an honor and a thrill to be invited to talk about it with Blake Howard on his “All the President’s Minutes” podcast, which devotes an entire episode to each minute of the film. I got a great minute, the first meeting of Woodward (Robert Redford) and Bernstein (Dustin Hoffman) and Bernstein interviewing a source on top of what was then the Hotel Washington. I was a summer intern on Capitol Hill the summer of the Watergate hearings and got to attend twice, and have been fascinated by Watergate ever since.

Be sure to tune in to hear our conversation and then watch the film again!

Family Movies for The Homebound

Posted on March 16, 2020 at 8:49 pm

We all say we wish we had more quality family time. Well, here it is. Many parents will be looking for some good options for family viewing time, and here are some of our family’s favorites, all available on streaming services.

The Court Jester: This one has it all, action, comedy, romance, a brave heroine, and Danny Kaye singing. The “vessel with the pestle” scene is a comedy classic, but the semi-hypnotized sword fight (with Basil Rathbone!) is every bit as good.

The Dick van Dyke Show: When I was in 6th grade I was asked to write an essay about my favorite television show and I picked this one. Decades later, it’s still the top of my list. Inspired by Carl Reiner’s years as a writer on the popular variety series “Your Show of Shows,” it has one of the greatest ensembles in television history: Dick van Dyke as the head writer with Morey Amsterdam and Rose Marie as his colleagues and Mary Tyler Moore as his wife. Reiner made occasional appearances as the egotistical star of the television show within a show. Start with these episodes: Coast to Coast Big Mouth, Never Bathe on Saturday, That’s My Boy, The Curious thing
Big Max Calvada, My Blonde-Haired Brunette, Buddy Can You Spare a Job, and — to see the cast in their own variety show, The Alan Brady Show Goes to Jail. For more: see “My Favorite Year” and “Laughter on the 23rd Floor,” also inspired by the legendary writer’s room for “Your Show of Shows,” which included Neil Simon, Woody Allen, Mel Brooks, Selma Diamond, and Larry Gelbart.

The Great Race: Tony Curtis, Jack Lemmon, and Natalie Wood star in this wildly entertaining story of an early 20th century car race from New York to Paris. Director Blake Edwards dedicated it to “Mr. Laurel and Mr. Hardy” and it has a delightfully old-school blend of adventure, romance, and slapstick, including the pie fight to end all pie fights and a Prisoner of Zenda-style dual role for Lemmon. The terrific supporting cast includes Peter Falk, Kennan Wynn, Vivian Vance, Ross Martin, and Dorothy Provine.

National Velvet: A young Elizabeth Taylor plays a girl who dreams of owning a horse she names Pie and entering him in England’s biggest race. Micky Rooney gives one of his best performances as the son of a family friend. My all-time favorite movie mother is Anne Revere, who tells her daughter that ” I, too, believe that everyone should have a chance at a breathtaking piece of folly once in his life.”

Ball of Fire: Inspired by “Snow White and the Seven Dwarfs,” this sublimely witty romantic comedy has Barbara Stanwyck as a showgirl named Sugarpuss O’Shea hiding out with seven professors, played by six of the all-time great character actors plus Gary Cooper. The screenplay by the “Some Like it Hot” team is so clever you’ll have to watch it two or three times to get all the jokes and it has both a sensational drum solo by Gene Krupa and a swoon-worthy marriage proposal.

Galaxy Quest: Even if you are not a Star Trek fan, you will enjoy this hilarious love letter to television series about space explorers. An all-star cast including Alan Rickman, Sigourney Weaver, Sam Rockwell, Tim Allen, and Tony Shaloub play actors from an old but beloved television series who discover that aliens have made their show a reality. If you are a Star Trek fan, you will fall in love with this film, and you should follow it up with the behind-the-scenes documentary about the making of the film, “Never Surrender” and the great documentary about Star Trek fans, “Trekkies.”

Yellow Submarine: The Beatles have to save the world from Blue Meanies in this trippy, stunningly animated film featuring songs like “All Together Now,” “Lucy in the Sky With Diamonds,” “When I’m Sixty-Four,” “Eleanor Rigby,” and the title tune.

What We Do in the Shadows: It isn’t easy being a vampire. Your familiar nags you about a promotion. You need tech support so you can’t bite the IT guy. You have to avoid sunlight. Those werewolves are so annoying. And then there is The Beast, who is sure to show up at the annual Unholy Masquerade, a sort of vampire prom. Writers/directors/stars Jemaine Clement and Taika Waititi somehow keep the tone understated and savagely funny. Follow it up with the television series.

Sky High: This neglected gem is a smart, exciting, funny story about a high school for superhero teenagers, where the students are divided up into heroes and sidekicks. There are a lot of surprises in the story and is a lot of fun to see universal adolescent anxieties and experiences filtered through the superhero universe.

This is Spinal Tap: This mockumentary about a fading rock band brought us the classic “It goes to 11” and “There’s such a fine line between clever and stupid.” A comedy classic.

What a Way to Go! Shirley MacLaine stars as a young woman who longs for the simple life but keeps marrying men who become fabulously wealthy. Those husbands are played by an astonishing all-star cast: Dick van Dyke, Paul Newman, Robert Mitchum, Gene Kelly, and Dean Martin. Each marriage is portrayed as a different genre of movie, from silent to big-budget romance with over-the-top gowns and sets to fabulous musical (the dance number with Kelly is sensational).

The Burnt Orange Heresy

Posted on March 12, 2020 at 5:55 pm

B +

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for some sexual content/nudity, language, drug use and violence
Profanity:	Very strong and crude language
Alcohol/ Drugs:	Drinking, smoking, drugs
Violence/ Scariness:	Peril and violence, arson, murder
Diversity Issues:	None
Date Released to Theaters:	March 6, 2020

Paintings and movies can both be art or trash, and, in a completely separate binary, they can both be worth millions or pennies. Both forms of expression struggle with the balance of culture and commerce. But in one very important way they are opposite, an element that is literally material. The value in movies is in the experience of watching them, whether on film or in a digital print. The audience is unaware of the particulars of the mechanism of delivery; indeed, one of the great pleasures of film is that it is immersive, designed to be seen on an enormous screen in a dark room so that the line between the art and the audience is nearly dissolved. But for a painting or drawing, the value, the monetary value anyway, is in the unique distinction of the object. Try asking the Metropolitan Museum of Art whether they would swap a Picasso for an exact digital replica of the original. For this reason, the premium attached to the physical object is more important, at least when it comes to price, than the aesthetic merits of the image. A movie is made by dozens, maybe hundreds of people, many of whom never see each other. A painting (except for the high-end conceptual variations) is made by one person whose individual touch contributes immeasurably to its authenticity and value.

Perhaps this is why some movies are so fascinated with gallery art like paintings. Danish actor Claes Bang is appearing in his second film in three years about the conundrums and hypocrisy of the art world (third if you count “The Last Vermeer”). In the trippy “The Square” he played a museum director. In “The Burnt Orange Heresy” he is James Figueras, an art critic working in Italy who might have preferred to be an artist himself, or a curator. And in his first scene, we see he is also a liar. Speaking to a group of American tourists, James describes the story behind the painting depicted on a slide showing on a screen in the front of the room. It was the last painting from a Holocaust survivor, and as he tells them the story of the artist and his sister, we and the audience he is speaking to look at the image of the painting with increased interest and respect. He asks who wants a print and hands go up. Then he tells them it is a lie. He did the painting himself. Lesson: beware of critics, especially when their comments determine the authenticity or value of a work of art.

One American tourist at James’ talk is Berenice (Elizabeth Debicki). She and James have sex and he impulsively invites her to come along on a visit to the opulent home of a wealthy art dealer Joseph Cassidy (Mick Jagger, brimming with wily charm). Cassidy has an irresistible offer for James, a chance at the biggest art story in years, which could bring him fame, fortune, and the credibility he had been seeking since he lost his job at a museum over a little bit of embezzlement. The world’s most famous art genius recluse, a sort of J.D, Salinger of oil painting, lives in a small house on Cassidy’s property. He has not given an interview or allowed anyone to see his work for decades. If James interviews him, it will make his career. But Cassidy wants something in return — a painting. And if James should say no, well Cassidy is not above some almost-genteel blackmail.

The artist is Dabney (Donald Sutherland, deliciously courtly and eloquent, if opaque). It becomes a cat and mouse game with many players, and some surprises about who is the cat and who is the mouse, right up to the final shot.

The various mysteries, especially Berenice’s under-written backstory, are not always satisfying, though Debicki, who was superb in “Widows” and “The Tale,” is always entrancing. The settings, from the fabulous estate to the museum gala and the overall setting of the glamorous world of art museums and collectors, the provocative questions it raises about the uncomfortable relationships of art, commerce, and celebrity, and sharp, witty performances from Sutherland and Jagger make it enticingly watchable.

Parents should know that this film has explicit sexual references and a situation with nudity, very strong and crude language, drinking, smoking, drugs, criminal fraud, peril and violence including murder.

Family discussion: How did James’ story change your ideas about the painting in the first scene?

If you like this, try: “The Square” and “Velvet Buzzsaw” If you like this, try: “The Square” and “Velvet Buzzsaw”