Interview: Don Piper, who Spent “90 Minutes in Heaven”

Interview: Don Piper, who Spent “90 Minutes in Heaven”

Posted on January 26, 2016 at 3:52 pm

The book 90 Minutes in Heaven: A True Story of Death and Life is the story of Don Piper, who was pronounced dead after a truck slammed into his car, and his long and painful recovery, with 34 surgeries. In those 90 minutes, Piper says he experienced heaven. Now a movie starring Hayden Christiansen and Kate Bosworth as Piper and his wife Eva, written and directed by Bosworth’s husband Michael Polish, is available on DVD/Blu-Ray.

I spoke to Don Piper about his experience and about the film.

How does it feel to see your life up on a big screen?

Surreal, surreal. You know you’re watching people be you and say your words and live the experiences that you did and part of the most stunning thing about it is that you’re watching the complete story because when you are living it a lot of people are doing a lot of things that you don’t ever see and conversely the same thing with them. I did not get to see my wife making all kinds of decisions and she wasn’t there when the accident happened. So I’m now seeing what she was doing and she’s now watching the accident. Our children were fairly well screened from all of this because it was such an horrific thing that we just didn’t want to expose them to it, but now they see all of that, too. So now we watch it all together and it has a riveting effect on the five of us. But it’s not something that we would just sit down and watch on a regular basis and probably never will.

Is it especially meaningful to you that it’s the story of a husband and wife and there was a husband and wife behind the film as well? Did that add to the authenticity of the movie?

Interesting observation. Yes, I think so. Kate was really captivated by the story because it was a fairly typical lady who was just living her life and then suddenly her life was completely rearranged and torn apart. Since they are married and have been for a while, and we’ve been married for 42 years now, I think that dynamic really played a role in her wanting to have this part. Michael has been attached to the project for 6 to 7 years so he was always planning to do the movie but subsequently they got married four years ago. Incidentally, I was supposed to marry them but I wasn’t able to do it. I did not get to perform their marriage but obviously we got to be very close friends with them and I think that formed our lifelong relationship. Eva and Kate talk all the time.

Do you think that everyone gets their own individual experience of heaven or do you think that there is a sort of a separate reality that everyone encounters?

If you read the different accounts you will see different emphasis because God created us as individuals. He wanted somebody just like me, he wanted someone like you. And so we would obviously filter that through our own perspective, our own personality. So that’s why for instance Todd Burpo who is featured in the book Heaven is for Real would pay would more attention to the angels or pay more attention to other aspects and I would be more captivated by the music because I’m a music person. I love music and I probably would have been leaning in to that a little bit more. So yes, you are going to probably pay more attention to certain aspects of it because that’s something that you are very interested in.

What about different religious beliefs about heaven?

I have to come from a Christian perspective because that’s my perspective. I didn’t really grow up in a particularly spiritual or religious home but made that decision when I was about 15. So that is the horse I rode in on and I lean in that direction. God in his infinite wisdom can make that decision himself based on whoever he wants to take there. I happen to believe that it is based on a relationship with Jesus Christ the Son of God, so that is my perspective. I totally respect all the other faiths and I celebrate them and the wonderful and positive things that they do. When I’m asked about those types of things I usually say, “This is my perspective,” and I try to approach it from that perspective but respecting others’ own traditions. You know the monotheistic religions, Judaism, Islam and Christianity have a focus on heaven as a different place, another place and that place is created by God, where God lives and that we will wind up someday if we become eligible for it but that’s where we differ, on how to get there.

Would you say that your experience was more related to what you saw, what you heard or what you felt?

It’s really difficult to distinguish between those because heaven is, as I have often said, it’s a buffet for the senses, it’s essentially an explosion, it’s all those things multiplied by whatever exponent you choose. I mean the sight is something we would be blinded by with earthly eyes but we won’t have earthly eyes there, the music and the sounds in heaven are so overwhelming that I don’t think we could probably take it in with this body that we occupy here on earth. So it is stunning, it is the most real thing that has ever happened to me and it is all those things. I was embraced by the people who greeted me but one thing I did not do, I didn’t have anything to eat, so I don’t know what that’s like. I believe we will eat in heaven but we do not eat in heaven for sustenance, we eat in heaven for fellowship because God wants all his children to dine together in a fellowship experience. So it is similar in some ways to the things that we experience and enjoy here but it is so far beyond anything that we can experience here. It’s very difficult for earthly words to describe heavenly the heavenly place.

(L to R:) Hudson Meek (Chris Piper), Bobby Baston (Joe Piper), Elizabeth Hunter (Nicole Piper), David Clyde Carr (Eva’s Dad), Kate Bosworth (Eva Piper), Hayden Christensen (Don Piper) and Catherine Carlen (Eva’s Mom), welcome Don home from his 13-month hospital stay in a scene from 90 MINUTES IN HEAVEN, from Giving Films, LLC, releasing Sept. 11, 2015.  (Photo credit: Quantrell Colbert)
(L to R:) Hudson Meek (Chris Piper), Bobby Baston (Joe Piper), Elizabeth Hunter (Nicole Piper), David Clyde Carr (Eva’s Dad), Kate Bosworth (Eva Piper), Hayden Christensen (Don Piper) and Catherine Carlen (Eva’s Mom), welcome Don home from his 13-month hospital stay in a scene from 90 MINUTES IN HEAVEN, from Giving Films, LLC, releasing Sept. 11, 2015. (Photo credit: Quantrell Colbert)
When you were recovering, you had a long and very difficult recovery. Did your experience of heaven helps to sustain you?

Actually it ran counter to that; it sustained me in a sense because I knew what happened next. There wasn’t really any doubt in my mind from that moment forward. But I have seen the heaven and had it taken away from me, so lying there in that bed for 13 months and enduring 34 operations only caused me to wonder why I saw it. I was brought back to a long dark night followed by two years of therapy and rehabilitation which were every bit as difficult and painful as the surgeries. So it really caused me to try to examine what in the world God was trying to teach me through this experience, showing me heaven which I didn’t particularly believe you could go and see and come back and talk about it which I did and then coming back to a nightmare of recovery. It caused me to understand why I’m still here. And I think that’s to help everyone else get to heaven by explaining to them how to get there but also to let them know they can have a better trip on the way even if they have had a horrible experience or difficult or painful events in their lives, whether it is a divorce or a bankruptcy or tornado or loss of a loved one or murder any of those things. I deal every day with people who are going through those things. So somehow people relate what happened to me, which was quite awful, to what’s happening to them and they want to talk to somebody who got through it, they want to talk to somebody who understands what pain and struggle are about and I certainly do understand that. And I try to help them get through it.

Would you say that the movie is in a way a part of that ministry because it can reach an audience that you might not be able to reach by sermons or by lectures?

I wouldn’t have made it if I didn’t believe that it would be. We consider it a ministry tool. The death rate here on earth is 100%. We’re not getting out of this alive so if people want to know what happens next but they also want to know how do you get through life when it’s just incredibly painful and very challenging, very difficult, then this is what we have to tell him. Let’s face it, if we all live a long life we probably going to need a miracle. We wonder if God does hear and answer our prayers, and I think I’m only alive because people prayed and God said yes. I’m certainly only alive because a lot of miraculous things have happened to cause me to be functioning and to cause us to even be able to have this conversation.

So yes I do believe that we wanted to make the movie, I mean let’s face it we put our lives on display, we put our pain on display, we put our challenges on display, hoping against hope that it would cause people in their everyday lives to pause for a moment and think, “OK I’m not going to stay here, when we show up on earth we find out very quickly we don’t get to stay. So that begs the question – what happens after this? Is there anything after this? So what? And also how do I get through this day? This day in which somebody hit me with a truck or someone gets sick?” Watch the first 15 minutes of the newscast any night and it’s just mostly mayhem and tragedy and suffering and pain and that’s the way it is here on earth and so how do we endure? How do we overcome? How do we get better and not bitter? That’s what the movie was supposed to be about, that’s what the books were about, that’s what I’m trying to do.

What do you say to people who come to you and ask why when they have done their best to be good people terrible things happen to them?

It’s the world in which we live. Let’s face it; we got off on the wrong foot at the very beginning of humanity. I mean in one of the first stories in the Bible the first two children that were born, one killed the other. So we have not done well. We’ve been rebellious, we know how to do right and we do not do it. Almost any culture or spiritual system would agree with that. We fail and we are disobedient, we mistreat each other. So that is the price of this world and that’s one reason why diseases prevail, accidents happen and certain things here on earth that seem to be out of our control more or less, or if we can control them we don’t so that begs the question, there’s got to be a better place to live, and thankfully there is.

God has not abandoned us. He just provided us a better way and I think that way is Christ, of course, that’s why we made the movie, that’s why I wrote the book, because we want people to understand you don’t have to live like this. I have been knocked down but I have not been knocked out, I’m certainly beaten up — I have the scars to show for it all over me — but I’m not beaten. You know when I get to speak sometimes I look down on the first couple of rows there would be people in wheelchairs, there are people even wearing the devices that they put on me, to save my leg and they come a long way because they want to talk to somebody who gets it, they want to talk to somebody who understands what they are going through. Everybody’s been nice to them and encouraging to them but they do want to hold hands with somebody who has lived through it, emerged on the other side and understands what they’re going through.

I think we can all do that, I talked to a man the other day who lost his wife of 40 years and he was really obviously devastated and was kind of angry at God for taking his wife, that’s what he said. And I said, “Well I’m so sorry for the temporary separation from your wife.” She was a believer and so was he, and so I said, “You know what, she may have been your wife but think about where she came from.” “She was a gift of God,” he told me. I said, “Of course she was and God is taking good care of her now, so instead of shaking your fist at Him and saying ‘Why did he take my wife?’ who He’s actually taking good care of in heaven, why don’t you put your arm around other people who have lost their spouse and say, ‘Let me help you get through this, I understand how you feel.'” So his face lit up. The tears dried up and he said, “Well, I can do that, I can help other people get through this because I did it.” I said, “Of course you did and God can use you to do that.” I think that is the thing that matters to me the most. I call that a new normal. I’m not the person I was before. A long time ago I decided to take the disappointments and there’s has been a bunch because I can’t do a lot of things I used to do before the truck hit me, I’ve decided to take the disappointments and look for opportunities to minister to people who are hurting, because I know what hurting is and I’m still here.”

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Spiritual films The Real Story

Coming to Fox January 31, 2016: Grease Live!

Posted on January 26, 2016 at 8:00 am

https://www.youtube.com/watch?v=6utokZTAwxs

It looks like a lot of fun — but caution, parents, there is some material in the show (based on the original play as well as the film) that may not be appropriate for younger children, including references to a possible teen pregnancy, concerns about promiscuity, and (spoiler alert) a “happy” ending that has a “good girl” acting like a “bad girl” to keep a boy.

The stars include “High School Musical’s” Vanessa Hudgens, “Dance With the Stars'” Julianne Hough, and “Akeelah and the Bee’s” Keke Palmer — plus, Jeannie from the “Ellen” show.

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Based on a play Musical Remake Television

Truth and Power: Documentary Series About Protest, Activism and Change on Pivot TV

Posted on January 23, 2016 at 10:31 am

New on Pivot TV: Truth and Power, a 10-part series of films about protest, activism, and change. Maggie Gyllenhaal narrates the series, which covers #blacklivesmatter, government spying on US citizens, privately-run prisons, animal rights, and more.

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Contest: Win a Pop Star Minnie Mouse Clubhouse DVD!

Contest: Win a Pop Star Minnie Mouse Clubhouse DVD!

Posted on January 23, 2016 at 8:00 am

Copyright Disney 2016
Copyright Disney 2016

Join Minnie Mouse and Her Favorite Clubhouse Pals in the New Clubhouse Tour Bus Musical Adventure in Mickey Mouse Clubhouse: Pop Star Minnie on DVD February 2nd! It includes the Pop Star Minnie episode plus 4 additional music themed episodes for over 2 hours of fun and comes with a FREE Inflatable Guitar so your kids can rock along with the Disney crew!

Send me an email at moviemom@moviemom.com with Minnie in the subject line and tell me your favorite Disney character. Don’t forget your address! (U.S. addresses only). I’ll pick a winner at random on February 2, 2016. Good luck!

Reminder: My policy on conflicts

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The Lady in the Van

The Lady in the Van

Posted on January 21, 2016 at 5:55 pm

Copyright 2015 Sony Pictures
Copyright 2015 Sony Pictures

What connects us to each other? What creates a sense of obligation? Why is it that we somehow find ourselves alone when we don’t want to be and with others when we don’t want to be? Are there secrets that completely change the way we think about people we thought we knew?

And is it possible to be fair to the other people in our lives when we tell stories about them?

Writer Alan Bennett (“The History Boys,” “The Madness of King George”) got an urgent appeal from a disheveled woman in a kerchief. You know the kind of person I am talking about, the ones we ignore or pretend to ignore. She is not exactly homeless. She has a dilapidated, broken-down van parked on the street near his new home. His neighbors are not unkind. One even tries to bring her food. But for some reason, Miss Shepherd (Maggie Smith) likes Bennett. And for some equally inexplicable reason, he kind of doesn’t dislike her. And for another equally inexplicable reason, as frustrating and annoying and inconvenient and often infuriating as Miss Shepherd (as he always calls her) is, he finds it easier to deal with her than with his own mother, who is beset with her own cognitive challenges.

“A writer is doubled,” Bennett tells us, “the one who writes, the one who lives.” He is clearly most comfortable as the one who writes. And we get to see them both. Alex Jennings plays two slightly different variations on Bennett, the subtle variations of clothing and attitude showing us the tension as he wavers between being involved and observing. Part of him recoils from Miss Shepherd’s “multi-flavored aroma” with a thin layer of talcum powder. Part of him knows that she could lead to exactly what we are watching — a book, a radio play, a theatrical production, a movie with an Oscar-winning Dame in the title role. Yes, she asks if she can park temporarily in his driveway and stays for 15 years. But given the money he made from the story, who was sponging on who?

A writer will inevitably be drawn to the peculiar mix of sense and nonsense, sometimes called a word salad, coming from someone like Miss Shepherd. There’s something about the way she ends her mildly preposterous statements with equivocation. “I’m in an incognito position, possibly,” she tells Bennett. He will learn more about her past, but Bennett has enough respect for us and for Miss Shepherd that there is no attempt to try to explain her. It is just to help us do what he did instinctively, though perhaps reluctantly — to see the person inside the weirdness.

“A proper writer might welcome such an encounter.” Yes, he might. Yet, he thinks, “You won’t catch Harold Pinter pushing a van down the street.” Shouldn’t a writer get to pick his subject? “I don’t want to write about her,” he says. “I want to write about spies.” He knows that “you don’t put yourself into what you write; you find yourself.” And his two selves seem to come closer together as Miss Shepherd disintegrates further. If, as Arthur Miller wrote in “Death of a Salesman,” attention must be paid to people we would prefer to overlook, Bennett has done that for Miss Shepherd, with grace and humanity.

Parents should know that this film includes themes of mental and physical illness, fatal car accident, blackmail, and non-explicit sexual situations and bodily functions.

Family discussion: Why did Alan treat his mother and Miss Shepherd differently? Why does he let her stay? Why are there two Alans and what can we tell from the way they dress and speak?

If you like this, try: “The Madness of King George” by the same author and his early work in “Beyond the Fringe”

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