Coming to Theaters: Explore the Architectural Wonders of the World with “Art & Architecture in Cinema”

Posted on January 21, 2016 at 8:00 am

Fathom Events, in partnership with SpectiCast, presents the “Art & Architecture” series in select U.S. cinemas from January through July 2016. The program will feature seven different titles (one each month) and bring the world’s greatest works of art and architecture and their environs to the big screen for one night. Moviegoers can now enjoy unprecedented access into the lives of renowned artists, their art and the fabulous museums and galleries that are not only the custodians of such masterpieces, but works of art in their own right.

FLORENCE AND THE UFFIZI GALLERY

Wednesday, January 27, 2016 at 7PM local time

Directed by Luca Viotto

EXHIBITION ON SCREEN’S GOYA – VISIONS OF FLESH AND BLOOD

Thursday, February 11, 2016 at 7PM local time

Directed by David Bickerstaff

LEONARDO DA VINCI: THE GENIUS IN MILAN

Thursday, March 31, 2016 at 7PM local time

Directed by Luca Lucini and Nico Malaspina

EXHIBITION ON SCREEN’S RENOIR: REVERED AND REVILED

Thursday, April 21, 2016 at 7PM local time

Directed by Phil Grabsky

EXHIBITION ON SCREEN’S PAINTING THE MODERN GARDEN: MONET TO MATISSE

Thursday, May 12, 2016 at 7PM local time

Directed by David Bickerstaff

TEATRO ALLA SCALA: THE TEMPLE OF WONDERS

Thursday, June 16 at 7PM local time

Directed by Luca Lucini

THE PAPAL BASILICAS OF ROME

Thursday, July 14, 2015 at 7PM local time

Directed by Luca Viotto

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Documentary

New on PBS: Mercy Street

Posted on January 20, 2016 at 8:00 am

“How I Met Your Mother’s” Josh Radnor stars in the first full-scale PBS-produced miniseries in a long time, “Mercy Street,” the story of a Civil War hospital in Union-occupied Alexandria, Virginia.

As always happens in wartime, when there are vast numbers of injuries affecting young, healthy patients, there were enormous advances in medicine during the Civil War. In this hospital, there are nurses from both sides of the conflict, along with a black laborer (McKinley Belcher III) who is more knowledgeable about medical treatment than some of the staff, and a newly freed woman (L. Scott Caldwell).

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Epic/Historical Television War

Why Are the Acting Oscar Nominees All White AGAIN?

Posted on January 19, 2016 at 3:12 pm

Spike Lee, who accepted a special Oscar award just two months ago, has said he will boycott the award show this year in protest of yet another all-white list of nominees. He is right to be outraged. How could Sylvester Stallone be nominated for “Creed” while his co-star Michael B. Jordan and writer/director Ryan Coogler are overlooked? What about the extraordinary performances in “Straight Outta Compton” (which only got a writing nomination and the Spike Lee’s completely overlooked “Chi-Raq?” What about a nomination for Idris Elba for “Beasts of No Nation” Fans and critics are outraged, with #oscarssoswhite hashtags dominating Twitter.

The Washington Post’s Lonnae O’Neal quotes my friend and fellow critic Tim Gordon in an excellent article about the “processing disorder” in the Academy when it comes to nominations for non-white performers.

From 1927 to 1999, a total of 14 black people won Oscars in all categories, he says. In acting categories, only 24 people of color have won since 1927, according to a Post report. More than 90 percent of Oscar voters are white and nearly 80 percent are male, according to the Los Angeles Times, and those numbers directly affect the range of stories and portrayals.

AMPAS head Cheryl Boone Isaacs, an African-American woman, is unhappy with the nominations as well, describing herself as “heartbroken and frustrated.” But until the Academy starts admitting more young, diverse members, it is not going to change. Boone agrees. She says. “The Academy is taking dramatic steps to alter the makeup of our membership. In the coming days and weeks we will conduct a review of our membership recruitment in order to bring about much-needed diversity in our 2016 class and beyond. As many of you know, we have implemented changes to diversify our membership in the last four years. But the change is not coming as fast as we would like. We need to do more, and better and more quickly.”

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Awards Commentary Race and Diversity
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