Magic Mike XXL

Magic Mike XXL

Posted on June 30, 2015 at 6:02 pm

Copyright Warner Brothers 2015
Copyright Warner Brothers 2015

“We’re healers,” one of the male exotic dancers, explains to another in “Magic Mike XXL.”  They’re here to bring a smile to women who have not, through tragically misguided oversight, been worshipped and adored.  They have not been ap-PRE-ciated.  They have not been treated like QUEENS.

No fear.  Men have arrived who want nothing more from life than to worship, adore, and appreciate their queens, and to do so with the power of powerful, rhythmic, body movements that involve arching and thrusting.

The original “Magic Mike,” based very loosely on some of Channing Tatum’s experiences as an exotic dancer, was directed by Steven Soderbergh and had a few things to say about the economy and income inequality between the bumps and the grinds.  This sequel, produced by Soderbergh but directed by Gregory Jacobs (the underrated “Criminal”), is just out for a very good time, and on that, like its characters, it delivers.

As it opens, Mike (Tatum) has the furniture design company he was dreaming of, and it is successful enough to keep him very busy but not successful enough for him to be able to buy insurance for his employee.  Uh-oh, you think.  Sharp tools and no insurance.  There’s going to be some awful accident that will make Mike go back out to raise money a dollar at a time tucked into his g-string.

But no, this is not that movie.  No artificial stress.  It just wants to make you smile.

Mike just misses his friends, and so he decides to join them for one last big road trip, a bro-trip, with adventures along the way and the world championship exotic dancing competition at the end.  There are adventures and many, many opportunities to make women smile along the way, with a few personal problems to resolve, the most pressing finding a woman who is willing to have sex with Big Dick Richie (Joe Manganiello).  Spoiler alert: he does.

But before that, he has a great scene in a convenience store, doing a dance number to an 90’s pop confection that never goes out of style.  The guys stop off in a southern mansion where ladies old enough to be their mothers drink a lot of wine and reveal that they have just never been properly ap-PRE-ciated.  That problem will be at least temporarily solved.

And Mike visits a lady from his past, played by a smokin’ Jada Pinkett Smith.  She now runs a private club for ladies to be treated like QUEENS.  Will she help them by emceeing their big number at the convention?  Are healers gonna heal?  Are they going to go beyond the Village People typecasting and find dances that express their inner beings and make the ladies smile while so doing?

Yes, yes, and yes.  Gorgeous men dance for your pleasure and bro-out enough that boyfriends will enjoy it, too, especially when they realize that there is a certain fantasy element on a road trip like this one.  No one takes anything too seriously except for having fun and that is exactly what they deliver.

Parents should know that this movie has extremely explicit and crude sexual references and situations, nudity, drinking, drugs, and very strong and crude language.

Family discussion: Why do the guys like to think of themselves as “healers?”  If you created a dance to show your personality, what would it be?

If you like this, try: “Magic Mike” and the “Step Up” movies

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Musical Series/Sequel
Terminator Genisys

Terminator Genisys

Posted on June 30, 2015 at 5:15 pm

B-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for intense sequences of sci-fi violence and gunplay throughout, partial nudity and brief strong language
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Intense and often graphic peril and violence, characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: July 1, 2015
Copyright Universal 2015
Copyright Paramount 2015

“I’ll be back,” Arnold Schwarzenegger said in the first “Terminator” movie. He had the title role but only 16 lines, with about a total of 80 words. But those three words have become a legend. It now appears he meant it more than we thought, as he appears four decades later in a fifth “Terminator” movie, with two more in the pipeline.

The storyline is about how a network of computers called Skynet took over and all but destroyed life on earth, except for a small group of rebels led by John Connor. Given the time travel that occurs in the films, they in effect act as their own prequels and sequels. This is more of a side-quel, presenting some of the same characters and events in a sort of alternate, butterfly effect universe. Some changes are explained, including why a robot that looks like Arnold Schwarzenegger now looks so much older than he did in the first one. (I didn’t say it was explained persuasively, just that they recognize someone has to say something about it.) Many changes are not explained, and I am not just talking about the fact that the characters are, other than Schwarzenegger, played by different actors.  Some of those changes are good. Some are not.  And some are just dumb.

Here’s a good one.  In the first film, we learn that John Connor has sent Kyle, his top rebel colleague back in time to protect Sarah Connor because the Terminator (Schwarzenegger) has been sent back to kill her before she can even become pregnant with Connor, to eliminate him so that he can never be born and lead the rebellion against the machines.  In this film, we see it happen.  John (Jason Clarke) explains that, as we already know but Kyle does not, Sarah is not yet the tough, resilient woman she will become by the end of #1 and really show us in #2.  She is “scared and weak.”  She is also, John tells Kyle, a waitress, though since Kyle was very young when Skynet took over and declared humanity a pestilence that had to be eradicated before it contaminated the earth beyond repair, he has no idea what that is.

But then we see Sarah (now played by “Game of Thrones'” Emilia Clarke, no relation to Jason), and she is not the frightened, inexperienced girl Kyle expected.  Plus, she has Terminator of her own (Schwarzenegger) who is protecting her, not killing her.

Even by the very low standards of blockbuster sci-fi, the mumbo-jumbo here is pretty over the top, with plot holes bigger than the school bus that hangs over the side of a bridge in one of the film’s showiest action sequences.  We have not quite reached nuke the fridge status yet, but we’re teetering on the brink with unanswered questions and outright subversion of some of the series’ core precepts.  And it is one thing to make reference to the earlier films; it is another to wink at them and at us.  Make a character we trust untrustworthy. Okay. Age the Terminator.  Well…okay.  Call him “Pops.”  Sort of okay. Have him fake smile.  Okay.  Have him keep a cache of sentimental tokens.  Not okay. This is not Pinocchio, and he is not going to become a Real Boy.

But hey, this is summer, and we don’t need think-y movies, right?  So  let’s drive right through those plot holes, enjoy seeing Arnold now fight a CGI Arnold circa 1984, hang that school bus off the bridge, and keep going, without looking back.

NOTE: Stay past the credits for a scene that will not surprise you about what’s in store for #6.

Parents should know that there is extensive and intense peril and violence throughout the film, just under the R level, with characters injured and killed and some disturbing images.  There is also some discreet nudity, and brief strong language, with a couple of mildly crude sexual references.

Family discussion: If you could go back in time to make a change, what would it be?  What is the best way to prevent a Skynet-type machine takeover?

If you like this, try: the first two “Terminator” movies

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3D Movies -- format Scene After the Credits Science-Fiction Series/Sequel Thriller

Exclusive Clip: All Creatures Big and Small — FREE for a Limited Time on Google Play

Posted on June 30, 2015 at 3:44 pm

Martin Sheen and Amy Grant provide the voices in this animated animal adventure inspired by Noah’s Ark, from Entertainment One (eOne). “All Creatures Big and Small” will be available for free for a limited time on Google Play starting July 1, 2015.

A clumsy new species of Nestrians, led by patriarch Dave and son Finny, find themselves left off the list of animals allowed to board Noah’s Ark. With rough waters ahead, the father-son duo scramble in disguise to sneak onto the boat. Caught up in all the excitement, Finny accidentally steps off the boat and gets left behind leaving him and a few new friends to embark on an journey to reunite with their family. With the aid of creatures big and small, Dave must turn the Ark around to save his son in this heartwarming adventure of Biblical proportions.

The release of “All Creatures Big and Small” coincides with the launch of Google Play’s new family-friendly discovery experience, designed to help parents find apps, games, movies & TV shows and books that are appropriate for their kids.

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Animation Talking animals Trailers, Previews, and Clips
Interview: David and Christi Eaton of “Hope Bridge”

Interview: David and Christi Eaton of “Hope Bridge”

Posted on June 29, 2015 at 3:02 pm

Copyright 2015 PureFlix
Copyright 2015 PureFlix
David and Christi Eaton wanted to help families devastated by suicide and those who struggle with thoughts of suicide. And so they wrote “Hope Bridge.” I spoke with them about how a busy couple with six children who had never written a movie before were inspired to create this film. “Once directly in our family and then once with some very close friends who lost their 20 year old son, we experienced suicide and felt like we really needed to do something about the issue. Because one of the things we noticed is, if somebody dies of a heart attack, cancer or something you know people come in droves. They come, they bring food, they talk. But when you lose someone by suicide you know people don’t know what to say. So they just avoid you altogether because they just don’t know what to say,” David said. “We really felt like we needed to do something about it. We didn’t know what we were going to do and then God kind of put on our hearts that a movie was really the way to do this. Because media is such a large platform. The problem is we barely went to movies. It’s really not a part of our repertoire. So you now so being called to make a movie was actually kind of a funny joke that God seemed to be playing on us. Ok how in the world do we do this?”

Christi added, “It helped us realize that that is what God was wanting us to do. Something that was along His line of work and not ours.” Five of their children were teenagers at the time and both David and Christi had demanding jobs. They had no time and no experience. But they were determined to do it. David continued: “So we started writing a script, and of course what do you do when you don’t know how to write a script? You go on the internet because everything is true on the internet. So we go on the internet and we discover the framework of how to write a script and within eight weeks we had our first script written. We wrote at night, on the weekends, we would go for a walk, whatever it took. The kids would walk by the dining room and be like, ‘What are you guys doing?’ and we’d say, ‘We’re writing a movie.” They just rolled their eyes and started laughing hysterically. Like ‘Yeah, good one.’ But we wrote a script and got done with that and it was another one of those ‘Ok ,now what? Now what do we do?'”

Christi explained what happened next. “With every step that we took, it just seemed like doors kept opening. God would say, ‘OK, well you’ve been obedient, so now we’re at the threshold of another door, and I’m going to show you this door, and you’re going to walk through it’ and we did. It just seems as if it all rolled out, but none of this would have happened unless we were living Romans 8:28, which is ‘All things work for good.’ Sometimes those things that work for good start out really bad but if we know that God’s got a purpose in this, we walk by faith in that. We walk the walk and talk the talk that God will use it for good and we are definitely proof of that.” It was going to cost half a million dollars to make the film, which seemed impossible, but they found many people eager to help support the film.

What was important to them was helping families start the difficult conversations about suicide. “People are starving for it they want to talk about it and we’re giving them a reason to,” David said. They were inspired by Betty Ford’s openness about addiction and the way it inspired more information and support by making addiction less shameful. They want this film to be a part of the same kind of openness about mental illness. “The brain is just another organ in the body,” David continued. “If someone died by heart attack it is very sudden, but it’s something we understand. When have an issue with the brain sometimes people are a little more apprehensive to talk about it. You don’t just go, ‘Well there is something wrong here so I’m going to go to the doctor.’ But that’s how it needs to be.” Christi talked about the problem of reducing the stigma and misunderstandings about suicide. “I suspect suicide is attributed to bullying or a past relationship gone bad or even that some people think suicide is a contagion. Everybody just sweeps everything under the rug and nobody talks about it when ultimately there is always a deeper-rooted issue and most of the time it is a mental illness. It is a disease of the mind. And nothing has been glamorized. Everything has been realistic. The emotions that you see in the movie are realistic. It is not a documentary of course it is a drama. However we wanted to make sure that we were steering people towards the right avenue of finding healing and finding hope whether they have been a contemplator, a survivor or just people that are just trying to understand the whole topic of suicide that have never been touched.” She said she was especially concerned about teenagers, who are particularly vulnerable. It is the third leading cause of death for 15-24-year olds and the second for college students. Overall, there is a suicide in America every sixteen minutes. Veterans are also especially vulnerable, with as many as 23 suicides each day. It is a problem that applies regardless of race, class, or gender. “So this nation has a problem that needs to be addressed. In order for that problem to be discovered there has to be communication and there has to be a large platform and I’m so grateful that God trusted us just enough to put that in a movie.”

David said that being more open with their own children has had an impact. “I know one of the things we’ve noticed is how quick our children are to reach out to others now. You know one of the things that we consistently talk about is how there are people struggling and there are friends of theirs, and friends of yours and friends of anybody’s that you might know that are struggling and sometimes we’re maybe afraid to reach out to them because we might offend them. So we have a close friend who was struggling with severe depression and one of the things he told us later on as he worked his way out of it was that people are afraid to offend but he said, ‘I wish people would have offended me because that would show me that they care.’ It’s really important and what we tell our kids is, ‘Reach out.’ Sometimes you have to ask a tough question. Are you thinking about hurting yourself? Have you considered suicide? Do you have a plan? You know it’s OK to ask these questions because we care. And it’s OK if you’re struggling yourself to say something is wrong. We’ve had one child who was bold enough to reach out to us and say, ‘Something’s not right. I don’t feel right.’ It’s been very liberating for our family.”

They have put together resources via social media and on a website and they personally read all the messages that come in. The response to the film has been very heartening. Christi said, “After a screening, we had a 16 year old, approach us bawling, just tears rolling down her face, mascara too. She was quite a sight but she said, ‘I do not have the words but only thing I could tell you was thank you for making this. I’m not alone.’ And of course I started crying. I mean that’s our whole purpose, that is God working for good and we saw it right before our faces and it is a miracle.”

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Interview Spiritual films
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