Interview: Meredith Anne Bull of “Strange Magic”

Posted on January 21, 2015 at 3:57 pm

Bog King (voice of Alan Cumming), Griselda (voice of Maya Rudolph) and Marianne (voice of Evan Rachel Wood) are part of a colorful cast of goblins, elves, fairies and imps in "Strange Magic," a madcap fairy tale musical inspired by “A Midsummer Night's Dream.” Released by Touchstone Pictures, “Strange Magic” is in theaters Jan. 23, 2015. Strange Magic © & TM 2014 Lucasfilm Ltd. All Rights Reserved.
Bog King (voice of Alan Cumming), Griselda (voice of Maya Rudolph) and Marianne (voice of Evan Rachel Wood) in “Strange Magic.” Strange Magic © & TM 2014 Lucasfilm Ltd. All Rights Reserved.

Meredith Anne Bull stars in this week’s release “Strange Magic,” an animated musical fairy tale based on a story by George Lucas. She plays Dawn the “young, naive, unaffected and thrilled with life” younger sister of the heroine, Marianne, played by Evan Rachel Wood. She has done voice-over work before, but this was her first time as the voice of a feature film animated character. She says she felt very comfortable working in a recording studio, which is a challenge for some actors who don’t have a musical background. But it was a challenge to create a performance alone in a recording booth, “without the other actors around you to interact with. Sometimes the director will feed you lines and sometimes you are out there on your own and you have to pull from your imagination.” She did get to see some of the movie’s visuals, especially more recently. She began working on the film in 2011, before most of the animation work had been completed.  And the storyline changed over the year. But in the last year she got to see some short clips and had a better idea of what the final version would be like. She says her favorite fairy tales are “Red Riding Hood” and “Goldilocks,” which she thinks is “hilarious.”

Bull told me she originally auditioned for the part of Marianne, singing “Thriller” and “Like a Virgin.” They asked her to read for Dawn, though she says it is Marianne who is more like her in real life, more independent, with more of a dark sense of humor. “But they saw some part of Dawn in me. They’re more to her than being irresponsible and flying off the handle. She’s sensitive, and she really cares about her sister.  Sometimes she can be self-centered, and she lets her sister down at one point, but you see how much she cares about what her sister thinks of her.  She’s not just happy all the time, though that is certainly her go-to emotion.”

The movie has an assortment of contemporary songs, including a duet with Elijah Kelley, Bob Marley’s “Three Little Birds.”  “They’re not like the typical Prince Charming and Princess.  She’s like three feet taller than he is!”

She says the best piece of advice she ever got was from Kelley, who told her not to be intimidated, no matter who she was working with.  “This was kind of my first big film.  I was not exactly intimidated but a little squirrely to be around these people who are very established.  Elijah talked to me about not being intimidated — we are all people, we all have families, we all have insecurities and disappointments.  You should never let anyone make you feel less than you are.”

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Actors Animation Interview Musical

Trailer: Ex Machina

Posted on January 18, 2015 at 8:00 am

Imagine they were beta-testing Samantha in “Her,” or one of the replicants in “Blade Runner” and you were brought in to try out the latest model. That’s the idea behind “Ex Machina,” with two of today’s most fascinating actors, Oscar Isaac and Domhnall Gleeson. Opening in April 2015.

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Science-Fiction Trailers, Previews, and Clips

A Most Violent Year

Posted on January 15, 2015 at 5:58 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language and some violence
Profanity: Very strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Crime and violence including guns, suicide
Diversity Issues: A theme of the movie
Date Released to Theaters: January 16, 2015
Date Released to DVD: April 6, 2015
Amazon.com ASIN: B00RNELG5E
Copyright A24 2014
Copyright A24 2014

After three very different movies, we know two things about writer/director J.C. Chandor. First, he is already one of today’s most original, thought-provoking directors, with a remarkably mature and insightful eye, and second, he is vitally interested in the survival instincts of characters who are under the direst of pressures. His “Margin Call” is the best take we have seen yet from Hollywood on the Wall Street meltdown, taking place in one day as a huge financial firm finds out it is on the wrong side of a bet that will bring down the entire company. It is filled with sharp, smart, character-defining dialogue that all but sizzles. His second film was “All is Lost,” an almost-wordless, one-character story with Robert Redford trying to stay alive a boat that is damaged in a collision, and an ending that viewers are still debating. And now, his third film is his first period piece, set in 1981 New York, one of the most violent years in the city’s history.

Oscar Isaac and Jessica Chastain star as Abel and Anna Morales, husband and wife and ambitious owners of a home heating oil company. The company is doing well and they have the chance to take it to the next level with the purchase of some property on the water that will reduce their delivery costs. But they are under tremendous pressure, moving into an expensive new home, on the hook to come up with the money for the land in 30 days, under investigation by a prosecutor who is equally ambitious (“Selma’s” David Oyelowo), and being pushed hard by cut-throat competition from his competitors, who harass his drivers, hijack his trucks, and steal his oil.

Like Michael Corleone, Abel wants to be strictly legitimate, but he is not there yet.

Both husband and wife are trying to move past their origins into the upper middle class. Abel is an immigrant who began as a driver for the company when it was owned by Anna’s father, a gangster.  They love each other deeply, but each is by nature mistrustful and secretive.  “You won’t like what happens if I get involved,” Anna tells Abel, and they both know he is right.  Anna and Abel may have some trust issues but Isaac and Chastain, who have been friends since they studied together at Juilliard, as actors have a fearlessness with each other that requires complete trust as actors.  Every scene they are in together crackles.

We first see Abel running through the streets.  This was when running first became popular as exercise.  But Abel is running all the time.  Isaac is always calm and reassuring in his manner, but he has a white-hot inner fury.  That is probably what drew Anna to him.  He wants it all — money, respectability, family.  And he knows that in order to get it he will have to deal with some very bad people and some very weak people and that means he might have to do some very bad things and some people might get hurt.

In his first period film, Chandor creates an atmosphere so authentic we can almost taste the smog.  He has been compared to Sidney Lumet for the gritty, layered texture of the settings and the storyline.  He is extraordinarily gifted with actors, starting with the casting.  Alessandro Nivola is superb as a highly civilized gangster who lives in a home so fortified it tells us how thin that veneer of civilization really is.  He creates a complex and fully-realized world that brings home Faulkner’s famous line: “The past isn’t dead.  It isn’t even past.”

Parents should know that this film includes very strong language, and some peril and violence including guns, suicide, and criminal activity, drinking, and smoking.

Family discussion: How would this story be different if it took place today?  Why does the film begin with Abel running?

If you like this, try: “Margin Call” and “All is Lost” from the same director

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Crime Drama DVD/Blu-Ray Pick of the Week

Spare Parts

Posted on January 15, 2015 at 5:58 pm

Copyright Lionsgate 2014
Copyright Lionsgate 2014

It really happened. Four undocumented high school kids from the poorest of communities took on the most brilliant engineering students from the country’s top colleges in a robotics competition and won. The contest results were one in a million, but once it happened, the movie version was inevitable. George Lopez produced the film and stars as the students’ reluctant coach and teacher, Fredi Cameron (based on the two real-life teacher/coaches, Allan Cameron and Fredi Lajvardi).

Unlike its robotic superstar, there is not much ingenuity in the storyline. Everything added on, especially the fictionalized backstory for Cameron, is predictable and superfluous and distracting. Lopez is an amiable presence, but these detours reveal his limits as an actor. We want to focus on the students and their robot, to see them solve problems in engineering and teamwork (which is a form of engineering, too). But too much of the running time is devoted to Cameron’s past and his possible romance with a fellow teacher, played by the always-wonderful Marisa Tomei. If she played the coach, this would have been a much better movie. Still, with a storyline like this one, it cannot help being fun to watch.

Cameron is an engineer with a PhD who tells the school’s principal (Jamie Lee Curtis, in a performance of great warmth and wit) he wants a temporary job as a substitute teacher. She notes that he has moved around a lot, but she does not have any alternatives. He agrees to coach the school’s engineering club because he is assured no one will want to join.

Oscar (Carlos PenaVega) shows up with a flier. He is an outstanding JROTC cadet and was crushed to learn that he cannot join the US Military without proof of citizenship. He thinks participating in a NASA-sponsored robotics competition will make it harder to be turned down. Cameron reluctantly agrees to help.

They assemble a team that includes the brain (David Del Rio), the kid who always gets into trouble but is a whiz at mechanics (José Julián), and the muscle (Oscar Javier Gutierrez II) — one problem they cannot engineer around is that someone has to be strong enough to lift their robot. Each has his own challenges. The brain is bullied at school. The troublemaker is under a lot of pressure to take care of his brother. The muscle has to be able to pass a tough oral exam at the competition to show that every member of the team understands the details of the robot. Oscar falls in love with a pretty classmate named Karla (sweetly played by PenaVega’s real-life wife, Alexa), but worries that his illegal status puts her at risk. All of the students are hiding from the ICE, which has already sent one of their mothers back to Mexico.

And then there is the challenge of the competition itself. Not only does this robot have to operate underwater, it has to execute an immensely complicated series of tasks in a limited time period. When the team shows up, they are so certain they will lose anyway that they decide they might as well compete with the college teams instead of the other high school teams. The night before they have to compete the robot has a disastrous leak. Their very creative and inexpensive (and hilarious) solution is one of the film’s high points.

The film’s name refers to more than the repurposed junk used to assemble the robot. Their triumph is bittersweet because their undocumented status prevents them from taking the opportunities available to those who are citizens. This film makes it clear that it is our loss, as it prevents our country from benefiting from the perseverance and skill that made an $800 robot created by kids kick the robotic butt of the $18,000 robot from MIT.

Parents should know that this film includes some teen crime including armed robbery, violence including bullying, some strong language and tense family confrontations and teen kissing.

Family discussion: What was the team’s most difficult challenge? Who was the teacher who inspired you the most and why?

If you like this, try: the book by Joshua Davis, Spare Parts: Four Undocumented Teenagers, One Ugly Robot, and the Battle for the American Dream, and films like “October Sky” and “Stand and Deliver”

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