42

Posted on April 11, 2013 at 12:08 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for thematic elements including language
Profanity: Racist epithets, crude and ugly insults, some additional strong language (s-words)
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Threats of violence, some scuffles, some injuries
Diversity Issues: A theme of the movie, brief homophobic humor
Date Released to Theaters: April 12, 2013
Date Released to DVD: July 15, 2013
Amazon.com ASIN: B009NNM9OA

Jackie Robinson was the first black man to play major league baseball. His number, 42, is worn by every player once a year to commemorate his achievements as a baseball player and as a man.  This version of the story of the year the Brooklyn Dodgers broke the color barrier in baseball from writer/director Brian Helgeland is a little superficial, it still packs a lot of power, thanks to an evocative sense of its period and star-making performances by Chadwick Boseman as Robinson and Nichole Beharie as his wife.  If what we see is a small part of the courage and integrity of this extraordinary man in taking on the virulent racism of his era, it is still enough to make this movie deeply moving.

It is just after the end of WWII.  Black soliders returned home from fighting for freedom on behalf of a country that was still segregated, from the separate fighting divisions in the military to the “Whites Only” laws of the Jim Crow South.  Brooklyn Dodgers manager Branch Rickey (a cigar-chomping Harrison Ford, in full growl) decides it is time to integrate baseball.  He needs to find a player who is not only an athlete of unquestionable ability but someone who has the temperament to stay cool despite the constant attacks he will face from his own team, opposing teams, and the fans.  Rickey decides that Roy Campanella was too sweet and Satchel Paige was too old (both would follow Robinson into the major leagues).

Rickey picked Robinson.  He had the skill, he has played with white teammates in college, and he is tough.  He was courtmartialed  for refusing to go to the back of a military bus — and won.  Rickey asks Robinson, “Can you control your temper?” “You want a player that doesn’t have the guts to fight back.” “I want a player who has the guts not to fight back.”  Rickey knows that no matter what the provocation, any show of temper from Robinson will only give ammunition to the bigots.  What would be called “spirit” in a white player will be called something different coming from him.

It is solidly entertaining, delivering all of the expected notes, and if it seems heavy-handed to anyone old enough to remember a time before the Montgomery bus boycott and the passage of the Civil Rights Act, it is perhaps understandable that Hollywood does not take for granted that younger audience members remember there was once a time when segregation was not only legal; it was the law.  It harks back to the Sidney Poitier era of saintly black characters, which is understandable.  But it is a movie about tolerance that cannot resist a homophobic joke about teammates showering together, which is not.

Parents should know that this movie features frank portrayals of bigoted behavior including a stream of racist invective, with crude insults.  There are some sexual references, including adultery.  Characters drink and smoke, and there are some scuffles and injuries.

Family discussion:  Why was Jackie the best choice to be the first?  How did he challenge the beliefs of his teammates?   Read more about Jackie Robinson.

 

If you like this, try: “The Bingo Long Traveling All-Stars & Motor Kings,” Ken Burns’ “Baseball” series, “Brian’s Song,” and “A League of Their Own”

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Based on a true story Biography Drama DVD/Blu-Ray Pick of the Week Spiritual films Sports

Planet Ocean

Posted on April 8, 2013 at 8:00 am

B+
Lowest Recommended Age: All Ages
MPAA Rating: Unrated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Environmental concerns
Diversity Issues: None
Date Released to DVD: April 8, 2013
Amazon.com ASIN: B00BBAGF0W
http://www.youtube.com/watch?v=7vYMUV2_das

Josh Duhamel narrates this extraordinary documentary about one of our planet’s most precious resources, our oceans.  Filmed by directors Yann Arthus-Bertrand and Michael Pitiot, along with an outstanding team of international underwater cinematographers in partnership with OMEGA and with the scientific support of Tara Expeditions, the film aims to explain some of the planets greatest natural mysteries, while reinforcing how essential it is that mankind learns to live in harmony with our oceans. Planet Ocean serves as a reminder of the bond between humans and nature, and the duty that exists to protect and respect our planet. Yann Arthus-Bertrand, Goodwill Ambassador for the United Nations Environment Program, presented this film to the leaders of Rio+20 conference in June 2012.

Spectacular aerial and underwater imagery captured in extreme geographical conditions worldwide, Planet Ocean brings into into the least known regions of our planet. I have one Blu-Ray copy to give away.  Send me an email at moviemom@moviemom.com with Ocean in the subject line and tell me your favorite ocean view.  Don’t forget your address!  (US addresses only).  I’ll pick a winner at random on April 21.  Good luck!

BONUS FEATURES (BLU-RAY™ and DVD):

·       THE MAKING OF PLANET OCEAN

·       IN THE SKIES ABOVE RIO:  Breathtaking images of Rio de Janeiro’s magnificent shores 

·       UNDERWATER:  Uncover the natural mysteries of marine life with Planet Ocean’s team of underwater cinematographers.  

·       SHANGHAI:  Extraordinary aerial photography of Shanghai’s busy harbor underscores the significance of ocean commerce.

 

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Documentary DVD/Blu-Ray Pick of the Week Environment/Green

Interview: Janet Tobias of the Holocaust Documentary “No Place on Earth”

Posted on April 7, 2013 at 3:58 pm

No Place on Earth is the extraordinary new documentary about a small group of Jews from Ukraine who hid from the Nazis in two caves for almost two years.  Interviews with the survivors, narration from a book written in the 1960’s by the woman who was one of the leaders of the group, some re-enactments, and a powerful return to the caves 67 years after the end of the war.  Tonight, as the annual observance of Yom Hashoah, the day of holocaust remembrance, it is especially meaningful to share this story.

http://www.youtube.com/watch?v=n00EE5CeatA

I spoke to director Janet Tobias about making the film.

One of the people in the film says, “We were not survivors.  We were fighters.”  What do you think that means?

They were fighters.  They stuck together.  Esther Stermer was an incredible mother and grandmother, a matriarch. She didn’t do the obvious thing.  She decided to do what was necessary to survive and to protect her family.  It’s an incredible story of what they accomplished.  The lesson I take away from it is how much we depend on each other.  they were greater as a collective whole than they were individually.  Many of them would not have made it on their own.  We do much better when we have each other than on our own.  

The families were extended families, but it was a tough world.  There had to be a group of people from each family who were willing to risk their lives on a weekly basis.

Tell me about the re-enactments of some of the scenes, which you shot in Hungary.

I was blessed with an incredibly great group of Hungarian actors, from Kati Lábán, who played Esther Stermer who is a very well-known actor in Hungary to some who had never acted before. We looked for approximation of physicality but I was not going to be completely literal because it is more important to have the person who has the right understanding of the story and the spirit.  We did recreations, a hybrid between documentary and drama, because on the one hand you are in the presence of the last years of people who were eyewitnesses, who can say, “That happened to me.  I saw it,” which is an incredible gift in documentary.  On the other hand, the Stermers were fighters, as you said.  They were actors on their environment.  Lots of documentaries are about people contemplating their life.  But the Stermers were fighters, not contemplators.  They are doers.  To show the incredible thing they accomplished, what they got up and did, that needed actors.  Esther Stermer had a clock in her head.  She kept a cooking schedule, a cleaning schedule.  They knew when they could go out without moonlight. They observed the holidays.  When they were buried alive, they did not give up and say “It’s over.”  They said, “We need to do the following things in construction to even have a chance of figuring this out.”  They were dramatic actors in real life, so we needed to match that.

And we had to show what it was like to live in the cave.  I had never been in a cave except to walk by the opening on a hike.  That world is a crazy strange world, the claustrophobic spaces, the mud, the darkness.  It’s really hard to imagine, so we really needed to show people the world they were living in and navigating in, the world they ultimately found safer than the outside world.

You can see how dynamic they still are when they return to the cave, 67 years later.  They were so young when they were in the cave.

You do hear Esther’s words in the book she wrote in 1960.  And the leadership in the cave passed to young men.  It shows how incredibly brave and honorable young men can be.  Esther was running things underground but the father was afraid and so the leadership in the cave was teenage boys and young men in their 20’s because they were capable of doing things that kept everyone alive.

The story of the horse is almost like a fairy tale, especially when the families, who are so hungry, decide not to eat the horse but to let him go.

Even Sol did not believe his brother would come back with a horse.  For Sol, it was this miraculous thing for his brother to find a horse to help them get supplies.  They felt so blessed and lucky that they did not eat the horse.

And when they returned, no one in the town even said hello to them.

After the war, fighting continued in Ukraine.  Partisans were fighting the Russians.  Their possessions were taken by people who did not want to give them back.  There was a lot of hostility to Jews, which is why there are no Jews in that town anymore.  Their dog gave them the only greeting.  We really wanted their return to be meaningful for them and it was.  They are very special people.

Why was it important to show the photographs of the families of the survivors at the end?

What these 38 people did, each with individual experiences, each fighting hard, from the children to the grandparents — the ripple effect is life.  All the children and grandchildren and great-children who became lawyers, doctors, construction workers, physical therapists, they are all alive because these people fought.  Fighting and survival and preventing genocide, that starts one person at a time.  One Polish woodcutter giving information, one person saying “We’re not going to leave our cousin behind,” that has a ripple effect of life with generations who make a difference.

 

 

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Directors Documentary

From Up on Poppy Hill

Posted on April 4, 2013 at 6:00 pm

The animated films from Japan’s Studio Ghibli are adored by many American families for their lush and intricate hand-drawn animation and imaginative story lines.  But others, like me, find many of them uneven and inaccessible.  The latest, from Goro Miyazaki, son of  legendary writer/director/animator Hayao Miyazaki (“Spirited Away,” “My Neighbor Totoro,” “Princess Mononoke”), has the gorgeous settings we expect from Ghibli, inspired as much by European fairy tales as by the mid-century Japanese seaside town where the story takes place.  But it also has the inexpressive faces and oddly un-family-friendly storyline of some of the studio’s other productions.  It seems more than a little off that a large part of the plot concerns a disturbing issue of possible paternity, a questionable theme for a movie about and intended to be seen by children.

Hayao Miyazaki co-wrote the film, based on a popular manga comic.  Like many of the Studio Ghibli films, it is the story of a young girl who has had to take on a lot of responsibility.  It is set in the Umi (voice of Sarah Bolger of “In America”), a quiet, respectful girl.  She lives with her grandmother, who runs a boarding house above in the port city of Yokohama.  Umi’s father was lost at sea fighting in the Korean War.  Her mother is studying in America.  Every day, Umi hoists a “safe voyage” signal flag for all the boats.  In her heart, it is also a message to the father she still dreams will someday come back to her.

One day, she meets the outgoing, impulsive Shun (Anton Yelchin).  As she works with him to help restore a dilapidated house Shun and his friends are using for their club meetings.  They hope to persuade local officials not to knock it down.  They never speak about their feelings but it is delicately shown that they are drawn to one another.  And then they discover >they may be siblings.  “I guess we stop feeling how we feel,” Shun says, and they agree to stay friends.  Fortunately, they find a kind and reassuring answer to their question.

It is strange to see so much focus on the details of the backgrounds, which are exquisitely rendered, when there is so little attention to the expressiveness of the characters.  The fluttering of a signal flag conveys more emotion than the impassive faces and delivery of the characters.  The resonance of the story’s context in the years between Japan’s defeat in WWII and its hosting of the 1964 Olympics 20 years later will be lost on today’s children, which leaves the thin storyline inadequate to sustain our interest to the end.

 

Parents should know that this movie includes references to sad parental losses and separation and war and a discussion about how the two young teens who have romantic feelings for each other might be siblings.

Family discussion: What did Umi and Shun like about each other?  Why was the house important to the kids?

If you like this, try: “Spirited Away”

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Animation Stories About Kids
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