Interview: Jade Pettyjon of the New American Girls Movie: McKenna Shoots for the Stars

Posted on July 22, 2012 at 3:48 pm

I absolutely loved the new American Girls movie, McKenna: Shoots For The Stars. Based on the stories about the American Girl of the Year doll for 2012, a young gymnast. So it was a treat to get to interview the girl who plays McKenna, Jade Pettyjohn. Her co-stars include Nia Vardelos of “My Big Fat Greek Wedding,” who plays her mother, and real-life gymnastics champion Cathy Rigby, who plays her coach. In the movie, McKenna’s challenges include an injury and a learning disability but her family and friends provide a lot of support. I especially appreciated the way that kids with disabilities are portrayed — in addition to McKenna’s learning issues, her tutor is in a wheelchair — it is frank and sympathetic but not at all condescending or marginalizing.

I have one copy of the DVD to give away! If you want to enter, send me an email at moviemom@moviemom.com with “McKenna” in the subject line and tell me your favorite doll. Don’t forget your address! (US addresses only.) I will pick a winner on July 28.

What was your audition like? And how did it feel to get the part?

It wasn’t a gymnastics movie when I did the audition. They didn’t want to give away the idea, so I thought it was a dance movie. They gave me lines to memorize and had me read them with the casting director. I was in the car when I found out I got the job and so I couldn’t jump up and down but I was super-excited! And it shot in Canada and that was really exciting because I had never been out of the country before, so that made it even better.

My favorite thing in the movie is the way it portrayed the friendships between the girls, even those of different ages and those who were competing against each other. Are your friends like that?

My friends don’t have as much drama! But I liked that the characters in the movie all made up in the end and were better friends. And the girls on the film had a lot of fun together on set and off set. We would invite each other to where we were staying and watch movies and have classes with my mom and we celebrated Canada Day and watched the fireworks!

It was great to see disabled characters in the movie. Do you have disabled friends?

I do. I was in a group called Kids on Stage for a Better World and one of the girls was in a wheelchair.

What surprised you about working on the film?

I knew gymnastics was hard but I did not know how much hard work and dedication it takes. I was amazed by it. I did a little bit before. I could do cartwheels and a few things but they flew me out a few weeks before so I could learn the gymnastics. One thing me and my character have in common is that we both love to make something come out right and work until it is perfect — for me it’s acting and for her it’s gymnastics.

What movies do you like?

It changes but right now I love “We Bought a Zoo.” And I love “The Help.” And the “Step Up” movies. I am so excited for the new one!

You wore some great clothes in this movie!

I loved my characters outfits and stuff. They were amazing! I loved the dress at the end. But it was really hectic on set and I had seven or eight costume changes in one day!

Did Cathy Rigby give you any pointers?

She is so amazing! She is my role model. I love her! She helped with double cartwheels and splits — it was really cool to work with her.

What’s the best advice you ever got about acting?

It is really important to understand every word in the script. I’ve learned a lot of new vocabulary words that way!

What do you want people to learn from this movie?

I want them to learn that it is important to have balance, a little bit of this and a little bit of that. You can’t do just one thing because you might stop loving it and getting fun out of it.

(photo credit: Jessica Pettyjohn)

For the London Olympics: A Movie Quiz

Posted on July 21, 2012 at 3:54 pm

The Olympics have inspired a lot of great (and not-so-great) movies, both fact-based and fictional. Which ones can you identify?
1. A warm-weather country competed in a cold-weather sport in which fact-based Disney film?
2. Which Oscar-winning movie was the story of two Olympic runners?
3. There are two different movies about which real-life Olympic champion runner?
4. Which Olympic decathlete played himself in a movie based on his life?
5. Athletes from rival countries fall in love in this movie that is fiction in more ways than one — it has America competing in an Olympics that in real life the US boycotted.
6. One of the wildest Olympics movies ever made has a team from an almost-bankrupt country where all the citizens have super-athletic ability. Which classic comedian starred?
7. Animals compete in the Olympics in which animated feature?
8. Who stars in a movie about a gold medalist who defects who has to fight for his life when his former coach comes after him?
9. Which real-life Olympic star appeared in one of the biggest musical movie flops of all time and now appears in reality television?
10. Which movie is the tragic story of one of America’s greatest Olympic athletes being stripped of his medals?
11. Which Olympic medalist appeared in a movie about an athlete starring Katharine Hepburn and Spencer Tracy?
12. Which movie about the Olympics featured Cary Grant?
Bonus question: Which Olympic and world champion became one of the highest paid stars in Hollywood?

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Tim Gordon Interviews The Sugar Man

Posted on July 21, 2012 at 6:13 am

One of the most fascinating documentaries of the year is “Searching for Sugar Man,” the extraordinary story of musician Sixto Diaz Rodriguez, who made two albums in the 1970’s and then disappeared from performing. It is a moving reminder that each of us has the potential for influence far beyond our ability to imagine.

From the film’s website:

In 1968, two producers went to a downtown Detroit bar to see an unknown recording artist – a charismatic Mexican-American singer/songwriter named Rodriguez, who had attracted a local following with his mysterious presence, soulful melodies and prophetic lyrics. They were immediately bewitched by the singer, and thought they had found a musical folk hero in the purest sense – an artist who reminded them of a Chicano Bob Dylan, perhaps even greater. They had worked with the likes of Marvin Gaye and Stevie Wonder, but they believed the album they subsequently produced with Rodriguez – Cold Fact – was the masterpiece of their producing careers.

Despite good reviews, Cold Fact was a commercial disaster and marked the end of Rodriguez’s recording career before it had even started. Rodriguez sank back into obscurity. All that trailed him were stories of his escalating depression, and eventually he fell so far off the music industry’s radar that when it was rumored he had committed suicide, there was no conclusive report of exactly how and why. Of all the stories that circulated about his death, the most sensational – and the most widely accepted – was that Rodriguez had set himself ablaze on stage 4 having delivered these final lyrics: “But thanks for your time, then you can thank me for mine and after that’s said, forget it.” The album’s sales never revived, the label folded and Rodriguez’s music seemed destined for oblivion.

This was not the end of Rodriguez’s story. A bootleg recording of Cold Fact somehow found its way to South Africa in the early 1970s, a time when South Africa was becoming increasingly isolated as the Apartheid regime tightened its grip. Rodriguez’s anti-establishment lyrics and observations as an outsider in urban America felt particularly resonant for a whole generation of disaffected Afrikaners. The album quickly developed an avid following through word-of-mouth among the white liberal youth, with local pressings made. In typical response, the reactionary government banned the record, ensuring no radio play, which only served to further fuel its cult status. The mystery surrounding the artist’s death helped secure Rodriguez’s place in rock legend and Cold Fact quickly became the anthem of the white resistance in Apartheid-era South Africa. Over the next two decades Rodriguez became a household name in the country and Cold Fact went platinum.

The New York Times wrote:

n the other side of the globe, in South Africa, Rodriguez had become as popular as the Rolling Stones or Elvis Presley. But he never knew of that success. He never saw a penny in royalties from it, and he spent decades doing manual labor to make ends meet and raise his three daughters. It wasn’t until fans in South Africa, trying to verify rumors he was dead, tracked him down through the Internet and brought him there to perform to adoring multitudes, that his career was resuscitated.

“This was the greatest, the most amazing, true story I’d ever heard, an almost archetypal fairy tale,” said Malik Bendjelloul, the Swedish director of “Searching for Sugar Man,” a documentary that opens on Friday in New York and Los Angeles. “It’s a perfect story. It has the human element, the music aspect, a resurrection and a detective story.”

My friend and fellow critic Tim Gordon interviewed Rodriguez on his Keeping it Reel podcast (it starts about half an hour into the program) and it is well worth a listen.

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The Dark Knight Rises

Posted on July 18, 2012 at 11:38 am

There’s a reason you never hear about “your friendly neighborhood Batman.” Spidey may have some angst and guilt and abandonment issues but he is downright sunny-natured compared to the brooding soul of Bruce Wayne (Christian Bale), holed up in Wayne Manor with only his loyal manservant Alfred (Michael Caine) and his tortured memories. At the end of the second chapter of director and co-writer Christopher Nolan’s Dark Knight trilogy, Wayne decided it would be better for the citizens of Gotham to believe that Harvey Dent (Aaron Eckhart) died a hero than to tell them to truth about the descent of a once-honorable man into madness and vigilantism. So everyone thinks that Batman is the villain who killed Dent instead of the hero who saved the city and Wayne is refusing to see anyone.

In Dent’s memory, legislation has been passed to keep dangerous criminals imprisoned and the crime rate is down so low that a policeman jokes they may be reduced to chasing people down for overdue library books. But everyone in this story is tortured by secrets and shame, even Commissioner Gordon (Gary Oldham), who carries in his breast pocket a speech setting the record straight but does not have the nerve to deliver it. There is the lissome but light-fingered catering assistant who turns out to be the notorious Selina Kyle (Anne Hathaway, rocking the leather catsuit). And there is Bane (Tom Hardy), a terrorist who shows his contempt for humanity by cynically couching his atrocities in the idealistic vocabulary of social justice, trashing spirits as he trashes the concrete and social structures of the community.

It is overlong at two hours and 40 minutes but the action scenes are superbly staged, from the audacious plane-to-plane maneuver at the very beginning to the literally earthshaking attack on the city. The “pod” motorcycle chases are sensational, especially with Hathaway at the helm. She is never referred to as Catwoman, by the way, but when her goggles are up on her head, they amusingly evoke cat’s ears. Joseph Gordon-Levitt is a standout as a perceptive young detective who understands Wayne too well. Hardy does his best to overcome the daunting limitations of the masked role, acting with his eyes and body language, but the weirdly disembodied voice is unconnected to the action and at times seems like a bad dub job in a cheesy karate film. Bale’s performance in this role (or, I should say, these roles) has always seemed thin to me, but fellow Oscar-winners Marion Cotillard, Morgan Freeman, and Michael Caine add some heft, especially Caine’s devoted Alfred, and it is good to see Tom Conti and Juno Temple in small but important roles.

The “Dark Knight Rises” title applies equally to both hero and villain in this story. This is like a chess game where all the pieces are black. Everyone has masks. Everyone has scars and a soul corrupted by a bitter stew of anger, fear, betrayal, abandonment, and isolation. Wayne says more than once he wears a mask to protect those he cares about, but he wears it to keep himself from getting too close to them, too. Nolan continues his exploration of duality and untrustworthy narrators (though one logical inconsistency inadvertently telegraphs a plot twist). Even the WMD at the heart of the action was originally designed for a benign, even heroic, purpose. This is a thoughtful, ambitious story that explores the metaphor and heightened reality of the superhero genre to illuminate the fears and secrets — and potential for heroism and yearning for a clean slate — we all share.

Parents should know that this film has extended comic book-style action, peril, and violence, many characters injured and killed, torture, hostages, references to sad loss of parents, brief mild language, non-explicit sexual situation

Family discussion: Almost everyone in this movie has secrets and conflicts — how many can you identify? Was Bruce Wayne right in thinking the risks of the energy technology were greater than the benefits? How are Bane and Batman alike?

If you like this, try: the Frank Miller “Dark Knight” comic books and the other “Dark Knight” movies

Ice Age: Continental Drift

Posted on July 12, 2012 at 6:00 pm

The “Ice Age” folks have the formula down very well, and this fourth entry is one of their strongest, with enough of the familiar to be satisfying and enough that is new to keep things interesting. The real expertise is the mixture of heart, humor, and adventure, in what is now one of the most reliably entertaining series for families.

It begins, as “Ice Age” must, with Scrat, the saber-toothed squirrel who is the Sisyphus of the pre-historic era. Scrat (voiced, or, I should say, squeaked and squealed, by director Chris Wedge) wants an acorn, but it is his destiny to have it always just beyond his reach or to create chaos when he tries to bury it. Both happen right off the bat as inserting the tip of the acorn into the ice has results that are literally earth-shattering. Yes, it turns out that the reason the continents separated and moved to opposite sides of the oceans was because of a squirrel.

Meanwhile, our old friends Diego the cranky saber-toothed tiger (Denis Leary), Manny the anxious Mammoth (Ray Romano), and Sid the silly sloth (John Leguizamo) are on the wrong side of the dividing tectonic plates and become separated from Manny’s mate Ellie (Queen Latifah) and his tween daughter Peaches (Keke Palmer). Just as Manny and Peaches are in conflict because she wants to hang out with her friends and he thinks she is too young, the ground buckles and cracks underneath them. Diego, Manny, and Sid are adrift on an ice floe along with Sid’s dotty grandmother (Wanda Sykes). Like Daniel Day-Lewis in “Last of the Mohicans,” Manny promises, “I will find you.” But they have no cell phones or GPS or even maps.

And then things get worse, as they run into a pirate crew on a ship made from ice led by the piratical Captain Gutt (a sensational Peter Dinklage of “Game of Thrones”). His first make is a female saber-toothed tiger named Shira (Jennifer Lopez). Our heroes must battle Gutt’s gang and find their way back home. Gutt and Sid’s granny are welcome additions to the cast, adding vitality and flavor to a cast whose conflicts have subsided in the previous chapters. The animation is exceptionally well executed, especially the roiling water and a very funny reaction to a paralyzing plant. The action scenes continue to be crisply executed and the happy ending includes lessons on loyalty for friends and family. If it merrily ignores any historical or scientific legitimacy, it shows its value with wit and heart.

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