The Pink Panther 2

The Pink Panther 2

Posted on June 23, 2009 at 8:00 am

I have seen taxidermy livelier than this moribund mess which further sullies the reputation of the original series of films starring Peter Sellers as well as those of everyone associated with this unwelcome sequel to the awful 2006 Pink Panther.

Steve Martin returns as Jacques Clouseau, the bumbling (except when he isn’t) gendarme whose physical and social clumsiness somehow always end up saving the day. This time, a super-thief who leaves a calling card saying simply “The Tornado” has stolen precious artifacts that are central to the pride and identity of European countries. French Chief Inspector Dreyfus (John Cleese, with an English accent) is directed to put together a “dream team” of top international sleuths, and despite his best judgment (and jealousy) of Clouseau, he is added to the team. The team includes a snobby (surprise!) Brit (Alfred Molina), a very romantic (surprise!) Italian (Andy Garcia), a Japanese expert in (surprise!) technology (Yuki Matsuzaki). The author of a book on the Tornado turns up to offer her expertise (the always-exquisitely lovely Aishwarya Rai Bachchan). They bicker and pratfall in various beautiful locations, most notably (but not even a little bit interestingly) at the home of The Tornado’s notorious art dealer, played by the top “What is he doing in this mess” award-winner, Jeremy Irons. Second place goes to Lily Tomlin, who once appeared with Martin in the delightful All of Me) but now has to make do as an instructor in culturally sensitive behavior who gets to throw in a “tut-tut” here and there.

The movie is spiritless in concept and limp in execution. It almost feels static as scenes — and attempted gags — are all but stationary. A restaurant burns down twice. Not funny either time. A man tells us — twice — that if something happens he will wear a tutu. It does and he does. But it isn’t funny. Clouseau is very dim or very clever, very sincere or very offensive. Not funny either way. A man shampoos another man’s hair and they discuss the fact that jojoba is pronounced “ho-ho-ba.” Funny? Don’t think so. It is supposed to be funny that Clouseau makes insensitive comments but the movie itself is insensitive on gender and ethnicity — not to make a point and not with any wit, just because it is careless and clumsy. More unforgivably, it is just dull.

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Comedy Remake Series/Sequel

Confessions of a Shopaholic

Posted on June 23, 2009 at 8:00 am

Even the endlessly talented and infinitely adorable Isla Fisher cannot overcome the script problems in this unfrothy romantic comedy about a writer who just can’t stop shopping. As hard as they try to make her irresistable, the character she plays is careless, thoughtless, and untrustworthy. And yet, everyone in the movie seems to be utterly won over by her, making the disconnect between the reactions of the audience and the reactions of the characters more and more jarring.

Fisher plays Rebecca, who was forever blighted by her parents’ penny-pinching. She wanted sparkly and colorful but her mother always bought brown and sensible. So she has grown up into a woman who cannot resist that most magical of siren’s refrains: “SALE.” They are not kidding about the “aholic” part of the title. Like any addict, she is in denial about the way in which her addiction has affected her life and the lives of those around her. She mooches off of her best friend and roommate (a delightful Krysten Ritter as Suze) and constantly lies to everyone, including herself. She goes to great lengths to avoid those nasty people who keep calling her because, oh yes, she does not pay her bills. It is supposed to be charming and funny that racing to the interview for what she says is the job of her dreams she is waylaid by a $120 green scarf, which she pays for with a combination of cash, several credit cards, and what amounts to attempted check-kiting that turns into a straight-on con, based on a gabbled story about a sick aunt. And who turns out to be on the other side of the desk in the interview? Yes, the con-ee himself, the handsome editor (Hugh Dancy in another Prince Charming role as Luke). An all-star supporting cast includes Kristen Scott Thomas as an imperious fashion editor and Julie Hagarty channeling Miss Jane from “The Beverly Hillbillies” as Luke’s assistant.

It is always a mistake for a movie to be more in love with its heroine than the audience is. A little romantic fantasy is welcome but here it reaches absurd levels as the most selfish and irresponsible behavior by Rebbecca produces coos of ecstasy from everyone. She instantly becomes an international sensation with a frivolous article using shoes as a metaphor for personal finance. And preposterously, when she finally begins to accept some responsibility for the mess she has made, the movie wants us to be on her side when she undercuts her inexcusably overdue payment with a silly prank. Fisher should have shopped around for a better script.

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Based on a book Comedy Romance
Inkheart

Inkheart

Posted on June 16, 2009 at 8:00 am

Inkheart is a best-selling novel by Cornelia Funke about the power of reading. There is something truly meta-magical about reading a book about reading a book, with a character who brings book characters to life. And no matter how creative the visuals, it is inevitably less magical when it leaves the world of words and imagination for the world of pixels and screens.

Brendan Fraser plays Mortimer, who is not just a book doctor (restorer of old tomes) but something of a book whisperer. At least, books seem to whisper to him. And he is a “silvertongue,” which means that when he reads a book aloud he has the power to call its characters into being. But he has no control of this power. He is as likely to bring to life a wicked character as a good one. And in order to maintain balance, when he brings a character out of a book, a real-life character gets swooshed into the book. When he was reading a book called Inkheart, characters named Dustfinger (Paul Bettany) and Capricorn (Andy Serkis) came out and Mortimer’s wife Resa (Sienna Guillory) went in. Now she is stuck there until he can find the book again and try to bring her back. So, he and his daughter Maggie (Eliza Hope Bennett) are constantly on the road, searching bookstores and trying to stay away from Dustfinger, who wants to be read back into his book so he can be with his family, and Capricorn, who wants more characters read out of the book so they can help him to enjoy life in our world (he is very fond of duct tape) and create all kinds of misery and oppression (he was written as a bad guy, after all).

The story shimmers with imaginative details. A stuttering silvertongue produces incomplete real-world characters with book text on their faces. Mortimer’s aunt Elinor (Oscar-winner Helen Mirren) has a fabulous library and vastly prefers books to people. She has a sign with “Don’t Even Think of Wasting My Time!” in three languages on her front gate. And when it is time to search for the author of the book “Inkheart” (played by James Broadbent), there are some lovely and subtle variations on the theme of reality vs. fantasy. Fraser is as always an appealing leading man and the trio of British stars bring wit and conviction to their off-beat characters — so much conviction, in fact, that they throw things a little out of balance. The story itself makes an uneasy transition to screen, the very books-and-words premise of the story in effect undercutting its translation to film. The story’s silvertongue may bring books to life but the director and screenwriter are less effective.

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Action/Adventure Based on a book Fantasy

Paperclips

Posted on June 15, 2009 at 8:00 am

A
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Discussion of Holocaust and some images of concentration camps
Diversity Issues: A theme of the movie
Date Released to Theaters: 2004
Date Released to DVD: 2005
Amazon.com ASIN: B000CMNJF4

The tragic shooting at the Holocaust Museum in Washington DC last week reminds us yet again of the importance of making sure that future generations do not just learn the statistics but truly understand the near-incomprehensible devastation of genocide and the toxic tragedy of bigotry.
The documentary Paper Clips is one every family should watch. It is the story of Whitwell, Tennessee, a small coal mining community (population 1600) outside of Chatanooga. The population is almost entirely white and entirely Christian. When the local school set out to teach children about tolerance and diversity, the teachers realized that most of the children had never seen a person from another country or faith. So the school decided to teach students about the Holocaust in Germany during World War II.
As the students tried to come to grips with the Nazi genocide, they had a hard time visualizing the magnitude of the loss of six million people. They wanted to collect six million of something to represent the people who were killed.
The students did some research and learned that the paperclip was invented in Norway and that Norwegians wore paperclips on their collars to demonstrate their sympathy for the Jews, gypsies, homosexuals, and other groups being persecuted by the Nazis. The students decided to collect six million paperclips and began writing letters to everyone they could think of to ask for help.
This documentary shows how the project grew from a classroom assignment to an event that transformed the entire community.

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