Boiler Room

Posted on December 13, 2002 at 5:16 am

Seth (Giovanni Ribisi) wants two things very badly. He wants to make a lot of money quickly, and he wants the respect of his father (Ron Rifkin), a federal judge. Seth drops out of college to run a highly profitable business. His entrepreneurship and work ethic are impeccable. But his line of business — a casino run out of his home — is not.

A casino customer tells him about a way to make a lot of money as a stockbroker. At a huge cattle call of an interview, Jim Young (Ben Affleck) promises that everyone who stays in their program will become a millionaire within three years, tossing the keys to his Ferrari on the table as proof. Seth signs up as a trainee at J.T. Marlin, a Long Island stock brokerage firm.

Seth quotes a rap song that says that to make money fast “you have to have a jump shot or sling crack,” and adds that for white boys, the equivalent of slinging crack is selling stock. And the stock he sells, like crack, provides a giddy, addictive high while it is destroying the victim’s finances, and more. Seth finds that it can destroy the seller as well as the buyer.

First time writer-director Ben Younger creates a realistically edgy world that runs on rap music and testosterone. Rival brokers taunt each other like Sharks and Jets in Armani suits. They spend money on huge toys and empty mansions, and watch a video of “Wall Street” together, reciting the lines along with Gordon Gekko. And their mantra is taken from “Glengarry Glen Ross:” “ABC-Always Be Closing.” Each sale is a victory in a war against loneliness and loserdom. They just want to win. They don’t care at what, as long as everyone else loses.

These are lonely, insecure, immature men. The ironically named Jim Young points out that at age 27 he is one of the oldest people in the firm. When Seth asks Chris why he still lives with his mother, Chris does not understand the question. They travel in packs and except for Seth we never see them with families or on dates. They’re like Long Island Lost Boys, in a perverse Never Neverland.

Seth is drawn to this world in part because the masculine leadership and approval makes up for his emotionally absent father. But he is unable to turn away from his growing awareness that something is wrong and that J.T. Marlin is far more corrupt than his casino operation.

This movie has one of the best scripts in many months. In one superb scene, Seth is so proud of his skill as a salesman that he coaches a telemarketer who calls to sell him a newspaper subscription. Younger has a fresh and clever take on things and his music video experience lends a raw, hyper, thrill-seeking tone to the movie. The young performers do very well, especially Vin Diesel as Chris and Nia Long as Seth’s love interest.

Parents should know that the primary reason for the R rating is very strong language, including racist, sexist, homophobic, and anti-semitic epithets. Characters smoke, drink, use drugs, and beat people up. Two characters have an affair, though nothing is shown. Families whose teens see this movie should talk about how moral choices are made, how consequences are evaluated, and how difficulties in family communication can affect behavior outside the family. They might want to check out the film’s website before seeing the movie, to familiarize themselves with terminology like IPO, cold call, and rip.

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Crime Drama Family Issues

The King and I

Posted on December 13, 2002 at 5:16 am

Don’t waste your time on this animated version — rent the classic version with Yul Brynner and Deborah Kerr instead. Some of the classic Rodgers and Hammerstein songs remain, but second-rate animation and massive plot changes (mostly of the dumbing-down variety) remove most of the value.

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Animation Musical

The Insider

Posted on December 13, 2002 at 5:16 am

Jeffrey Wigand (Russell Crowe), a research scientist for a tobacco company, tells “60 Minutes” to reveal that the company is more aware of the addictive properties of nicotine than its executives claimed and in fact manipulated the delivery of nicotine. Lowell Bergman (Al Pacino), a producer of the show, promises to protect him. But CBS executives cut Wigand’s portion from the broadcast because they are worried about a potential lawsuit by the tobacco company.

Although the movie is based on a real-life incident, some of the names and details have been changed.

Wigand and Bergman are caught in parallel moral dilemmas. Both are loyal to their organizations until they witness what they perceive as acts of corruption. Both respond by making their stories public, resulting in struggle and sacrifice. The question is not one of disloyalty, but of conflicting loyalties. Wigand knows that telling the truth will hurt him and his family more than it hurts the tobacco company.

Families should be sure to discuss the point of view of the movie. Director/co-screenwriter Michael Mann very skillfully makes every shot and every note of the soundtrack help shape the story so that the viewer sees Bergman’s perspective. (One hint: the Bergman character is unerringly fair and honest.)

Families should discuss how the would movie be different if it was told from Wigand’s, Wallace’s, or the tobacco company’s point of view. And they should take a look at the tobacco company’s rebuttals to the movie, in full-page ads and on its website http://www.brownandwilliamson.com/1_hottopics/insider_frame.html.

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Based on a true story Documentary Drama Inspired by a true story

Arlington Road

Posted on December 13, 2002 at 5:16 am

This is a very scary movie about a very scary subject — terrorism. Indeed, its release was delayed due to concerns about the sensitivity of the material. Jeff Bridges plays Michael Faraday, a professor who specializes in terrorism, still grieving for the loss of his wife, an FBI agent who was killed in a Ruby Ridge-style shootout. He is befriended by a new neighbor, Oliver Lang (Tim Robbins). At first, Lang’s family seems like an all-American family straight out of an “Up With People” concert, but Faraday begins to suspect that under their bright smiles and peppy friendship might be something very sinister.

Faraday’s friends think that he has become a little unhinged from his wife’s experience. But as he continues to investigate, he discovers more and more disturbing information about the Langs.

This movie will give thoughtful teens some things to think about — balancing the need for security against individual rights, the difficulty of deciding whom to trust, and the factors that lead to hate crimes. The references to acts of terrorism in the US that are so close to reality you will think you recognize them make this more thoughtful than the usual thriller. The very first image, of a boy walking in an immaculate suburb, bleeding from an accident, sets the stage for the unsettling story, and the ending is not only scary, but hauntingly so.

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Drama Horror Thriller

Deuce Bigalow: Male Gigolo

Posted on December 13, 2002 at 5:16 am

Viewers will know exactly what they’re in for when the opening credits reveal the production company: Happy Madison. Anyone who recognizes that name as a tribute to two Adam Sandler movies will enjoy this genial but raunchy story of a hapless fish-tank cleaner who becomes an even more hapless “man-whore.” If that term makes you laugh, even after you’ve already heard it many times, this is your kind of movie.

The plot is “American Gigolo” crossed with “Risky Business” — a suave gigolo (Oded Fahr of “The Mummy”) has to go out of town, and lets Deuce stay in his glamorous apartment so he can care for his fish. When Deuce accidentally trashes the place, he must find a way to raise $6000 to get it back to normal before the owner returns. With the help of a friendly procurer, he gets set up on dates for pay with a succession of unhappy, self-conscious women (including Marlo Thomas, and what is that girl doing in this movie?). Meanwhile, a detective is pursuing him and Deuce begins to fall in love with a client who does not know that his date with her was paid for by her friends.

My biggest complaint about Adam Sandler has always been that he is lazy. His movies read like they were ad-libbed during an all-night beer bash. This time, he has managed to make an Adam Sandler movie without actually having to appear in it — that position is occupied by his fellow Saturday Night Live alum Rob Schneider, who co-wrote the script. The best that can be said is that it is in Sandler’s “Wedding Singer” tradition, with many references that will hit home for those who grew up in the 80’s and a sweet romance to lend an innocent quality to the potty humor and gimp jokes. The courtroom finale may be dumb and hackneyed, but audiences may find their “ewwwwwws” turning to “awwwwws” as Deuce’s clients each testify that all he did was make them feel good about themselves. Deuce is even able to make the detective feel better.

Parents should know that the movie’s R rating is well-deserved, with strong language and much of the humor coming from sexual references and situations, including the accidental viewing of a porno movie by a little girl, the detective’s exposing himself and complaining about his ability to satisfy his wife, a used condom, a body cavity search, etc. The movie also makes a lot of jokes at the expense of people with disabilities, including narcolepsy, Tourette’s syndrome, and blindness.

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Comedy Romance
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