Spider-Man: Far From Home

Posted on June 28, 2019 at 7:32 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi action violence, some language and brief suggestive comments
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Extended comic book/action-style peril and violence, mayhem, destruction, characters injured and killed
Diversity Issues: None
Date Released to Theaters: July 3, 2019
Date Released to DVD: September 23, 2019

Copyright Sony 2019
Okay, three key points before we get into the details of “Spider-Man: Far From Home.” First, see this smart, funny, heartwarming and entertaining movie on the biggest screen possible, IMAX if you can. Second, yes, you have to stay ALL the way through the credits. There are some big developments/revelations/surprises you will need to know. Third, if you have not seen “Avengers: Endgame” be aware that there are spoilers, so watch that first if you can, so you will better understand some of the conflicts and believe me, you don’t want to be distracted by figuring out what you missed because this movie deserves your full attention.

Just a reminder, as we’ve had a variety of Spider-Men on film, including Tobey Maguire, Andrew Garfield, and a whole bunch of Spideys including a pig and an anime girl in the Oscar-winning “Spider-Man: Into the Spider-Verse.” In this version of the Spider-verse, Tom Holland has played high school student Peter Parker in “Spider-Man: Homecoming” and in two Avengers movies. Tony Stark (Robert Downey, Jr.) took a special interest in Peter, and had his aide Happy (Jon Favreau) act as messenger and mentor.

Now that that is all out of the way, let’s get into it, unless you have not seen “Avengers: Endgame,” in which case stop reading now as there will be spoilers. The movie begins with an in memoriam tribute to the characters who died in that film, as Whitney Houston sings “I Will Always Love You.” It’s touching but it’s cheesy and sappy and we find out why: it’s on a high school closed-circuit news program with student announcers who help bring us up to date. The people who turned to dust when Thanos snapped his fingers have been returned and their absence is called The Blip. But the returnees are five years older, while for the people who were not dusted no time had passed. Everyone is still getting used to the idea that the world has been saved and beginning to get back to normal or get used to the new normal.

Peter thinks he deserves time time off, so when Nick Fury calls, he does not answer his phone. Even though Tony Stark left him in charge of the Avengers, his priority is to go on the class trip to Europe and let Mary Jane (Zendaya) know that he likes her. As in “Spider-Man: Homecoming,” this film combines adolescent angst and romance with special effects superhero extravaganza fights (remember what I said about the big, big screen), with a skillful blend of humor, action, and growing up. Sometimes that combination creates a problem for Peter, as when he gets jealous of a rival for MJ’s affection and accidentally calls a drone strike on the tour bus.

The school trip provides lots of picturesque (before they get trashed) European locations, including Venice and Prague, as Nick Fury keeps “upgrading” the trip to reroute Peter to where the action is.

I know I always say that the make or break for superhero movies is the villain, but I don’t want to tell you too much about the villain here because the details should be a surprise. So I will just say that the surprises are great and this one is a lot of fun, with a very clever updating of the comic book version of the character that create an opportunity for some trippy and mind-bending visual effects. And Peter gets a great gift from Tony Stark — be sure to listen carefully to what the acronym EDITH stands for.

The settings, fight scenes, and special effects are all top-notch, but it is the cast that really brings this story to life. Holland is a little less soulful than Maguire or Garfield (or Shameik Moore), a little more heart-on-his-sleeve energetic, with a natural athleticism that lends a gymnastic, almost balletic grace to his web-swinging and slinging. Zendaya’s MJ is smart, edgy and vulnerable. The villain is…surprising, and a welcome relief after the stentorian-voiced blowhards we have too often seen in superhero movies. Plus, Led Zep, Samuel L. Jackson gets to say, “Bitch, please,” and we get to see London Bridge (or the equivalent) falling down. This is just what a summer movie is supposed to be — fresh, fun, exciting, and with a wow of a post-credit scene to shake things up for the next installment. This one made my spidey-sense tingle.

Parents should know that this film includes intense comic-book/action-style peril and violence with massive destruction and mayhem, with characters injured and killed. The movie also includes teen kissing, some strong language, a crotch hit, someone giving the finger, and mild sexual references.

Family discussion: Should Peter have answered Nick Fury’s call? Why did Tony Stark pick him? What does it mean to say “Uneasy lies the head that wears the crown” and where does that expression come from?

If you like this, try: the other Marvel movies and “Spider-Man: Into the Spider-Verse

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The Secret Life of Pets 2

Posted on June 6, 2019 at 5:15 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some action and rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: Cat becomes intoxicated on catnip
Violence/ Scariness: Extended action/cartoon-style peril and violence including whip, gun, taser, and tranquilizer dart used on animals, fistfight played for humor
Diversity Issues: None
Date Released to Theaters: June 7, 2019

Copyright Illumination 2019
Well, what a nice surprise! “The Secret Life of Pets 2” is a vast improvement over the original, which had a promising beginning but ended up with a lackluster imitation of “Toy Story.” This sequel combines three different stories and adds some terrific new characters all in a zippy under 90 minutes. It is colorful, exciting, and a lot of fun.

Our hero is still Max (Patton Oswalt, taking over from Louis CK), a lovable mutt who does not like change but has made his peace with his new apartment-mate, Duke (Eric Stonestreet). But more change is ahead. Max’s owner (that is what he calls her) Katie (Ellie Kemper) meets Chuck (Pete Holmes) and soon there is another new resident in the apartment, a baby named Liam. Max, who thinks he does not like children, cannot resist the baby who clearly adores the two dogs. But the changes are very stressful, and when his anxiety about keeping Liam safe is so severe he has to be taken to the vet and finds himself in the Cone of Shame, to keep him from scratching all the time.

Katie and Chuck take Liam and the dogs to visit their family on a farm. Max asks Gidget (Jenny Slate) to watch his favorite toy, Busy Bee, while they are away. (Fans of “Best in Show” will remember Parker Posey’s frantic search for a dog toy called Busy Bee on the day of the dog show.) Gidget, whose unrequited crush on Max is the movie’s weakest plot point, agrees, but almost immediately manages to knock it out of the window, and it lands in the apartment of the cat lady to beat all cat ladies.

Meanwhile, Snowball (Kevin Hart), a soft, fluffy white bunny whose little girl owner dresses him as a superhero, begins to believe he really is one, and when newcomer Daisy (a terrific Tiffany Haddish) asks him for help freeing a friend of hers who is being abused, he is happy to agree. The friend is Hu, a white Chinese tiger, and he is in a cage at a circus, guarded by wolves.

Max will get some guidance on dealing with his fears from a wise farm dog named Rooster (Harrison Ford!! At his Harrison Ford-iest, which is awesome!). Gidget will have to get cat lessons from the languid pudgeball Chloe (Lake Bell) on how to be a cat so she can go undercover to get Busy Bee back, in the movie’s best scenes. And Snowball and Daisy will have a lot of wild adventures along the way.

It all moves along with brisk good humor and some nice lessons about how to handle being scared and what we learn when doing what scares us gives us the chance to be surprised at what we can do. The design of the characters and settings is witty and engaging enough to invite repeat viewings. Parents may need to talk to their kids about some of the plot points — we don’t want anyone trying to let a tiger out of the cage, sometimes it makes sense to listen to your fears and not take risks, and kids should know there are laws protecting animals from the abuse Hu suffers. But this is a treat for the family that makes me hope number three is in the works.

Parents should know that this film includes comic/fantasy/action peril and violence including very dangerous stunts, a protracted fistfight, and a man who threatens animals with a whip and a gun, some potty humor and schoolyard language, and a cat becomes intoxicated on catnip.

Family discussion: What did Max learn from Rooster? Why did Rooster give him a bandana? Was there a time you pretended to be braver than you felt? Why did Max change his mind about Liam? Which pet in this film would you like to have?

If you like this, try: “Despicable Me” and “Rio”

There are a lot of cool extras on the DVD/Blu-Ray:

BONUS FEATURES ON 4K ULTRA HD, BLU-RAY™, DVD & DIGITAL
Mini Movies
Minion Scouts – When Margo, Agnes and Edith return from Badger Scout camp, three of the Minions are entranced by the girls’ merit badges. Their own attempt at scout camp results in attracting a bear, eating poison berries and eventually blowing up a dam, creating a massive flood. But, when they arrive back home, the girls share their badges, encouraging the rest of the Minions to try their hand at scouting.

*DVD format includes over 75 minutes of bonus content
Super Gidget – When Max is kidnapped by an army of squirrels, Super Gidget is the only one who can save him. It turns out that Max’s captor is a flea with the power of mind control. Gidget must use her pluckiness, strength and smarts to save her one true love…until it turns out it was all just a dream.
The Making of the Mini Movies – Every Illumination film is accompanied by mini movies that are a production all their own. Each film’s directing partners will explore how the mini movies were made.
Deleted Scenes
Wake Up – Max and Duke have a new morning routine with Liam.
Duke Explores the Farm – Duke has a funny interaction with a goat.
Snowball Karate – Snowball does his superhero warm up.
Secret Confessions – Dogs gather to talk about their deepest secrets
A Tapestry of a Tail: The Making Of – The plot of The Secret Life of Pets 2 involves multiple storylines ultimately coming together to create a larger than life tale. We talk with the filmmakers, editor and cast about the delicate dance of juggling multiple narratives in one movie.
How to Draw – Hosted by Head of Story, Eric Favela, follow the step-by-step tutorial to learn to draw Max, Snowball and Chloe
Frame by Frame: How to Make a Flip Book – In this DIY-style vignette, Head of Story Eric Favela will teach viewers about the essence of animation and how they can create their very own flip book animations at home.
Character Pods – Get a closer look at your favorite characters of The Secret Life of Pets 2 with these delightful character pods that might just give away a few more pet secrets.
Patton Oswalt – Max
Kevin Hart – Snowball
Eric Stonestreet – Duke
Jenny Slate – Gidget
Tiffany Haddish – Daisy
Lake Bell – Chloe
Nick Kroll – Sergei
Dana Carvey – Pops
Bobby Moynihan – Mel
Harrison Ford – Rooster
A Party Fit for a Pet – Using stop motion animation, this step-by-step guide teaches you everything you need to know to throw the very best party for your pet!
Pops’ Puppy Training School with Kevin Hart – Join Kevin Hart as he shows off his dog training skills.
Pets Yule Log – Sit back and relax in front of this exclusive The Secret Life of Pets 2 themed animated ‘Yule Log.’
Lyric Videos
‘Panda’ Lyric Video
‘It’s Gonna Be A Lovely Day (The Secret Life of Pets 2)’ Lyric Video

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SHAZAM!

Posted on April 3, 2019 at 5:19 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of action, language, and suggestive material
Profanity: Some schoolyard language and a few bad words
Alcohol/ Drugs: Teens try to buy beer, character with some substance abuse issues
Violence/ Scariness: Extended action/comic book peril and violence
Date Released to Theaters: April 5, 2019
Date Released to DVD: July 15, 2019
Copyright Warner Brothers 2019

Here’s a word you don’t hear very often in reviews of superhero movies: “Shazam!” is adorable. Oh, yes, it’s exciting and has great fights and special effects and a good bad guy and all that. But it is also wildly entertaining, downright delightful, and, yes, adorable. This is an especially welcome development from DC Comic and Warner Brothers, which have tended toward the it’s-depressing-so-it-must-be-profound side of superhero stories.
“SHAZAM!” is fun. It is exciting. It is warm-hearted. It is very funny. And it is, no kidding, wise, in its own way much more profound than many portentous comic book movies with angsty heroes.

Screenwriter Henry Gayden draws as much from the classic Penny Marshall/Tom Hanks movie “Big” as he does from the varied history of the comic book character whose name is an acronym for the sources of his power:

S The wisdom of Solomon
H The strength of Hercules
A The stamina of Atlas
Z The power of Zeus
A The courage of Achilles
M The speed of Mercury

But Shazam has one more power that is even more intriguing — when teenager Billy Batson (a terrific Asher Angel) says “SHAZAM!” he doesn’t just turn into a superhero — he turns into an adult superhero (Zachary Levi). So Billy/Shazam is excited about being super-strong and having the power to zap things, but he is just as excited about being able to buy beer.

One thing he is not excited about is being sent to another foster home. Billy became separated from his mother at a fair when he was a child and has been bouncing around in the foster system ever since, trying to track down his mother whenever he gets a chance — and making chances when he does not.

The new foster home is headed by a couple who were foster kids themselves and it includes an assortment of children, most of whom try to reassure Billy, but he has no interest. His roommate is Freddy (an equally terrific Jack Dylan Grazer), who walks with a crutch. But Billy does not want to make friends and getting close to anyone seems to him like an admission that his real family, his mother, will never be found. “Families are for people who can’t take care of themselves,” he says. And yet he cannot stop looking for the mother he lost, or who lost him.

And then Billy meets a wizard (Djimon Hounsou). We’ve already seen a flashback where another kid was given the chance to gain the powers of Shazam but failed the test. We won’t find out whether Billy passes the test because the wizard’s time is running out and Billy is his last chance. So, Billy gets the powers, and we get to watch him try to figure out what they are. So does Freddy, who becomes his sidekick, and then his friend, and then, maybe, his family.

While Billy/Shazam is having a blast — literally — with his new powers, the boy who failed the test in 1974 is now an angry man (all-purpose villain Mark Strong as Dr. Thaddeus Sivana) who has spent his life trying to get another chance at the powers that he was once offered.

The film embraces its “Big” themes, with a callout to its most iconic scene, as Billy/Shazam pauses in a chase scene to play with a giant keyboard in a toy store.

Like Hanks, Levi shows us the boy inside the man, the unguarded expressions of someone who has not yet developed a social mask and the awkward moves of someone still trying on the adult body and not too sure of how it takes up space. Angel and Glazer are both outstanding, with tons of cinematic charisma. The story of Billy and Freddy is a perfect balance to the special effects/superhero storyline, and Billy’s growing understanding of what family really means is heartfelt and genuinely sweet.

To say more would be to spoil the movie’s best surprises, and you deserve to see them un-spoiled. Just go to one of this year’s most entertaining films.

NOTE: Stay through the credits for TWO extra scenes!

ALSO NOTE: This is the first of two “Big”-inspired films this month. Coming up, we have the “Big” triple reversal “Little,” starring Black-ish’s Marsai Martin, who came up with the idea when she was watching the Hanks film. Instead of a white boy wishing to be big, this ons is about a black woman who is wished into becoming a child again. The film co-stars Regina Hall and “Insecure’s” Issa Rae.

Parents should know that this film includes extended sci-fi/superhero peril and violence, some schoolyard and brief strong language, a teen sneaking into a strip club, and some potty humor. There are issues of parental abandonment.

Family discussion: What did Billy learn from seeing his mother? If you had Shazam’s powers, what would you do first? Was the wizard’s test a good one? How was Thaddeaus affected by his father?

If you like this, try: “Thor: Ragnarock” and “Wonder Woman”

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Captain Marvel

Posted on March 7, 2019 at 5:55 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sequences of sci-fi violence and action, and brief suggestive language
Profanity: Some brief language
Alcohol/ Drugs: None
Violence/ Scariness: Extended fantasy/superhero violence and peril, characters injured and killed, some disturbing images
Diversity Issues: None
Date Released to Theaters: March 8, 2019
Date Released to DVD: May 28, 2019

Copyright 2019 Disney
I often say that superhero movies depend on the quality of the villain. A small amendment — sometimes it depends on a cat. And the cat in this movie, named Goose for reasons we will discuss later, is a delight in this very entertaining Marvel film, making way for the upcoming “Avengers: Endgame” and for the first time giving a female superhero a starring role.

Oscar-winner Brie Larson plays Captain Marvel, though that is not her title in the film. She does not have a rank or a superhero name. In fact, she is not sure what her actual name is. The Captain Marvel character has appeared in different forms in comic books over the years, mostly male. So even the most deeply committed fanboys and fangirls may not come to this film with a detailed backstory in mind, though fans of the comics will have some quibbles with this adaptation anyway. We meet this character as she meets herself. At first, she is known as Vers, a member of an elite fighting force of a race called the Kree, with a sensei/mentor/commanding officer named Yon-Rogg (Jude Law), who trades avuncular quips and punches with her in training sessions.

The Kree are lead by a God-like entity known as the Supreme Intelligence, who is to complex to be comprehended in its true form. So it appears to each person (if I can call the Kree “persons” since they appear human) in whatever form is most meaningful to him or her. To Vers, the Supreme Intelligence appears as Annette Bening in a leather jacket, as it might to any of us, when you come to think of it.

The mortal enemies of the Kree are the Skrull, a lizard-like race with the ability to shape-shift so that they are indistinguishable from any living being, down to the DNA. Their leader is played by Ben Mendelsohn, for once using his real-life Aussie accent, a great choice for a character who is not the usual super-villain. Speaking of which, the usual super-villain, Ronan (Lee Pace) does make an appearance.

When the Kree are ambushed by the Skrull, Vers escapes to another planet, which turns out to be Earth in 1995. Her rocket crashes into a Blockbuster video store, which makes sense because there was one on just about every corner back then.

And you know who was also around back then? A young Nick Fury and Agent Colson played by digitally airbrushed Samuel L. Jackson and Clark Gregg. Fury has a full head of hair and two working eyes. He does not believe that the young woman described by a witness as “dressed for laser tag” is from another planet. What she is wearing is her Kree military jumpsuit, until she lifts a Nine Inch Nails t-shirt and some ripped jeans from a mannequin.

Soon Vers and Fury (he says even his mother calls him “Fury”) are on the road, trying to get the whatsit to keep it away from the whosit (avoiding spoilers here), picking up Goose the cat along the way, as Vers begins to remember the life she once had on Earth, a military pilot named Carol Danvers, with a mentor who turns out to be…a scientist/engineer played by Annette Bening. Carol also had a difficult childhood (played as a young girl by the gifted Mckenna Grace) and a devoted friend, a single mother who was also a pilot (Lashana Lynch, both tough and warm-hearted as Maria Rambeau).

Carol’s name-tag broke in the accident that wiped out her memory. The Kree only saw the half that read “Vers,” which they used as her new name, because apparently the Kree can read the English language alphabet, but that’s okay because they can also breathe our air and look like humans, so just go with it. When she begins to literally put the pieces together, she begins to tap into her real power, not just the ability to shoot super-powerful photon beams out of her fists, but her determination, courage, and integrity.

Carol and Maria have a real need for speed “Top Gun” need-for-speed vibe, which explains the cat’s name, a tribute to the Anthony Edwards character in the film. And Carol’s grunge look and riot grrrl outlook fit in well with the 90’s references in the film, the songs on the soundtrack, of course, but also the technology that feels like it is from the era of the Flintstones, like dial-up modems, the Alta Vista search engine, and pagers.

Larson is fine, especially in her easy banter with Jackson, but the character is a bit bland. In one of the movie’s climactic moments, the question of exactly what her powers are and who controls them is fluffed in a way that removes some of the dramatic tension. But the movie has a couple of clever twists that keeps it involving, with some pointed but never pushy references to refugees and how we learn who to trust as we learn who we are. Props to Marvel, though, for not giving us a love story, as it would just be a distraction. Plus, we get to discover why the Fury of our era wears an eye-patch and Jackson gives one of his most natural and charming performances ever, making Goose a close second as the film’s most appealing character.

NOTE: Stay all the way to the end of the credits for two extra scenes.

Translation: Extended comic book/fantasy action, peril and violence, characters injured and killed, some disturbing images, chases, crashes, brief sexual reference, reference to unhappy childhood, betrayal

Family discussion: What would Supreme Intelligence look like to you? How did Carol decide who to trust?

If you like this try: the Avengers movies, including “Guardians of the Galaxy” and “Captain America: Winter Soldier”

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The LEGO Movie 2: The Second One

Posted on February 7, 2019 at 5:04 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for mild action and rude humor
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Fantasy/cartoon-style peril and violence
Diversity Issues: None
Date Released to Theaters: February 8, 2019
Date Released to DVD: May 7, 2019

Copyright Warner Brothers 2019
The LEGO Movie 2: The Second One” is a great big box of happiness in part because of its non-stop cheeky humor but also in part because it deals subtly but frankly with three of the most annoyingly painful and near-universal human experiences: fighting with siblings, adolescent moodiness, and stepping on LEGOs in bare feet.

The first movie ended with a surprisingly meaningful and warm-hearted pivot from animation into live action as it turned out the entire story had been grounded in a conflict between a boy who wanted to play and a dad who wanted his LEGO world to be pristine and orderly. The kicker at the end was that the touching reconciliation between father and son was followed by the arrival of the preschool sister with her toddler-sized Duplos, who had her own destructive powers.

There’s a bit more live action in this sequel, and we see more clearly the relationship between what is going on in the lives of the real-life family and the imaginary play of the two children, now five years older but no more interesting in joining forces.

Once again, Emmet (Chris Pratt) thinks everything is awesome, barely noticing that the bustling metropolis of Bricksburg has turned into a post-apocalyptic wasteland known as Apocalypseburg (“a heckish place to live”). Lucy (Elizabeth Banks), formerly known as Wyldstyle, tries to teach Emmet how to brood properly. “Look out into the distance and say whatever grim thoughts you have in a deep voice.” As we saw at the end of the last film, the Duplos arrive from the Systar System. When they take Lucy, Emmet follows to rescue her.

Adults will catch onto the names of some of the perils our dauntless hero faces along the way, like Queen Watevra Wa’Nabi (a perfectly cast Tiffany Haddish), Systar, the dreaded ArMAMAgetin, and that notorious hiding place for LEGO figures, Undah de Dryah. That is, if they are not trying to get the film’s guaranteed new hit song, “The Catchy Song” (“This song’s gonna get stuck inside your head..”), or laughing too hard at the avalanche of pop culture meta-references, especially a song that takes on every iteration of Batman from Adam West to Christian Bale and a new character who not only bears a strong resemblance to Emmet but to his portrayer, Chris Pratt, as well.

It’s fast, fresh, fun, and funny, with a skillful mix of silliness and action and some random call-outs to celebrities from Justice Ruth Bader Ginsburg (who’s having quite a moment on screen these days) and Bruce Willis, back where he should be, crawling through heating ducts. But it has something interesting to say about how we decide when to change and when not to, and about its female characters. And watching it just might ease the pain not just of the universal experiences mentioned above, but of that other heartbreak — having your children grow out of childhood.

Parents should know that this film includes fantasy/cartoon-style peril and slapstick humor and some potty humor and schoolyard language.

Family discussion: Why did Lucy want Emmet to change? What do you do when everything’s not awesome?

If you like this, try: The first LEGO movie, “Trolls” and the “Toy Story” films

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