Behind the Scenes: JK Rowling’s Fantastic Beasts and Where to Find Them
Posted on February 3, 2016 at 8:00 am
I’m so excited about “Fantastic Beasts and Where to Find Them,” with the first-even screenplay from Harry Potter author JK Rowling. It’s her first story set in the past and her first set in the United States. Here’s a behind the scenes look.
The only panda more “aw-worthy” than Po (Jack Black), is the National Zoo’s Tian Tian rolling in the snow. In this third outing, the roly poly martial arts hero is still kind, humble, brave, and wiser than he knows. And, once again, the film’s gorgeous visuals lend a touch of epic grandeur to the story that provides a nice balance, as the Furious Five do for Po.
Two important characters join the story. The first is a more powerful foe than any we have seen before. His name is Kai and he has the deep growl of J.K. Simmons and the deep animosity of someone who has been waiting centuries in the Spirit Realm for revenge. He has supernatural powers and it is genuinely shocking to see him quickly overcome a character we thought was the most powerful of all dragon warriors. Kai has the ability to steal the “chi” (life force) of his opponents. And he is determined to defeat the Furious Five, their teacher, Shifu (Dustin Hoffman), and Po as well.
The second new character is Li (warmly voiced by Bryan Cranston), Po’s long-lost biological father. Po loves his adoptive father Mr. Ping (James Hong), proprietor of a small noodle restaurant. But he is very different from everyone around him. That is one reason for his compassion and ability to appreciate the difference in others. He longs to learn more about where he comes from.
As Kai comes closer, Li brings Po to the Panda community, where he is delighted to find out how quickly he feels at home. Mr. Ping has come along, and does his best to hide his jealousy, but he is worried about losing Po.
Fathers are the theme of the film, as Po in a sense loses his spiritual fathers Shifu (who tells Po he must now take over as teacher) and Oogway (Randall Duk Kim) and has to figure out what his new relationship with Li will be and how that will affect Mr. Ping. Po also loses the support of some of the characters he has always depended on when their chi is stolen by Kai. At the same time he is gaining new friends and a community he has always somehow missed, he realizes how much of a family his old friends have been for him.
Kai is coming for the pandas, and so Po must train them to protect themselves. The ultimate battle, though, will be left to the dragon warrior, and even though Po is now a teacher, he still has to discover some new techniques to fight a foe who holds the chi of so many valiant warriors. “There is always something more to learn, even for a master.”
Jennifer Yuh, whose last film in this series is the highest-grossing ever by a woman director, returns with co-director Alessandro Carloni, who worked as as artist on both the previous films. Yuh also began as an artist and the visuals are imaginative and gorgeous, inspired by Chinese paintings and landscapes. Po’s early encounters with his new extended family are endearing. While some families, especially adoptive families, may be uncomfortable with Po’s eagerness to rejoin a group he can barely remember, the issues of abandonment and strain between the biological and adoptive fathers are handled with sensitivity.
Like the martial arts masters themselves, the film achieves a seemingly effortless balance, with a light, graceful touch. It that encompasses silly comedy (mostly delightfully so, though making fun of a character with bad teeth is questionable). And it has some sophisticated, self-aware humor (beginning with a joke on the studio logo and continuing with commentary on “the power of a dramatic entrance”), along with warm-hearted lessons learned, and skillfully-orchestrated action.
Parents should know that this film includes action-style violence, some characters (temporarily) transformed and turned into enemy operatives, themes of adoption and identity with jealousy between adoptive and biological parents, and some potty humor.
Family discussion: How does Po feel differently about PIng and Li? Why did Shifu want Po to teach the others? What is the wrong thing for the right reasons?
If you like this, try: the first two “Kung Fu Panda” movies
Toothless and Hiccup go nose-to-nose with Skrill in an electrifying battle. Watch all the action unfold in an all-new season of Dragons: Race to the Edge on Netflix, January 8th, 2016.
Can’t wait for more? Well, Disney says this is what we have to look forward to in the “Star Wars” universe.
“Rogue One: A Star Wars Story” (takes place before Episode IV, about obtaining the plans Leia will stash in the first of the “Star Wars” films to be released)
Director: Gareth Edwards
Written by: Gary Whitta and Chris Weitz
Starring: Felicity Jones, Diego Luna, Riz Ahmed, Ben Mendelsohn, Donnie Yen, Jiang Wen, Forest Whitaker, Mads Mikkelsen, and Alan Tudyk
Release: Dec. 16, 2016
“Star Wars: Episode VIII” (So Rey hands Luke the lightsaber, and then….)
Written and directed by Rian Johnson (of “Brick” and “Looper”)
Starring: Mark Hamill, Daisy Ridley, Oscar Isaac (reportedly)
Release: May 26, 2017
“Star Wars Anthology: Han Solo” (working title) (backstory of Han Solo — maybe we’ll get to see him make that Kessel run)
Directors: Phil Lord and Christopher Miller (“The LEGO Movie” guys!)
Written by: Lawrence and Jon Kasdan
Starring: Not yet announced
Release: May 25th, 2018
“Star Wars: Episode IX”
Director: Colin Trevorrow
Writer: Rian Johnson
Starring: Not yet announced
Logline: Unknown
Release: 2019
“Star Wars Anthology: Boba Fett”
Director: Not yet announced
Writer: Not yet announced
Starring: Not yet announced
Logline: Unknown
Release: 2020 (reportedly)
About five minutes after it began, the long-suffering Dave (Jason Lee, looking tired and oh so over this) comes home to find that the irrepressable little singing chipmunks in the midst of a wild party with a half-pipe set up in the back-yard and LMFAO’s Redfoo working the turntables as DJ. Two-thirds of the dear little creatures experience flatulence, which middle chipmunk Theodore (the hungry, chunky one) describes as “pizza toots.” Sigh. Later on, when one of the chipmunks is hiding inside a character’s clothes as he goes through TSA, pee and poop come out the character’s pant leg. And another character gets pooped on by a bird. Yes, this is that movie. It’s so proud of its potty humor that most of it is featured in the trailer.
Once again our little scamps create chaos and destruction wherever they go. Dave wails, “AAAAAAAAlvin!” Then he scolds them. Then he forgives them. Rinse and repeat.
Dave has two developments in his life, and it is the task of the Chipmunks to create as many complications and catastrophes as possible to impede both of them. First, there is the release of a new album he produced from Taylor Swift-style pop artist Ashley (Bella Thorne), at a big, splashy event in Miami. Second, there is a new woman in Dave’s life. Her name is Shira (Kimberly Williams-Paisley), she is a heart surgeon (but so adorably ditzy that she keeps forgetting that her stethoscope is still around her neck), and she has a son named Miles (Josh Green, a welcome bright spot we hope to see in a better movie soon). When the chipmunks discover an engagement ring just before Dave and Shira are about to leave for Miami, they decide to hide the ring and, when that doesn’t work, they decide to go to Miami to prevent Dave and Shira from getting engaged. At this point, their relationship with Miles is one of outright hostility, but he shares the goal of keeping Dave and Shira apart, so they set off for Miami together.
After various hijinks, they are put on the no-fly list by air marshall Benson (Tony Hale, slumming and looking glum about it) who makes it his personal vendetta to hunt them down as they make their way to Miami, finding (duh) that they and Miles kinda like each other. This road trip, I mean road chip, provides opportunities for musical numbers. The choreography by Richmond and Anthony Talauega is joyously inventive. Unfortunately, the “singing” is just the same sped-up buzzy drone sound that Dave Seville (Ross Bagdasarian) came up with for a novelty Christmas record back in 1958.
Parents should know that this movie includes potty humor and slapstick peril and violence. There are some issues of fears of parental abandonment and actual parental abandonment.
Family discussion: Why did Miles lie about his father? Why didn’t Miles want to like Dave and the chipmunks? Which is your favorite chipmunk and why?
If you like this, try: the earlier chipmunk movies and the “Garfield” movies