National Treasure: Book of Secrets

Posted on May 19, 2008 at 4:00 pm

national%20treasure%202.jpg The first movie ended with historian/treasure-hunter Benjamin Franklin Gates (Nicolas Cage) triumphant, with riches, a dream house, and a dream girl, historian/knockout (and conveniently named) Abigail Chase (“Troy’s” Helen Diane Kruger). He has pretty much lost all of that as this movie begins. Meanwhile, sidekick Riley (Justin Bartha) can’t get anyone to buy his book and has learned that “the tax on $5 million in income is $6 million) as his fancy car is towed away by the IRS. It’s time to break out the treasure maps and cypher-decoders.

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Harold and Kumar Escape from Guantanamo Bay

Posted on April 24, 2008 at 6:00 pm

B-

Lowest Recommended Age:	Adult
MPAA Rating:	Rated R for strong crude and sexual content, graphic nudity, pervasive language and drug use.
Profanity:	Extremely strong, graphic, and crude language
Alcohol/ Drugs:	Frequent drug use, positively portrayed
Violence/ Scariness:	Comic peril and violence including guns, character murdered
Diversity Issues:	A theme of the movie
Date Released to Theaters:	April 25, 2008

harold%20and%20kumar.jpg Like the effects of the marijuana laced with cocaine smoked by a world leader near the end of this movie, the sequel to Harold & Kumar Go to White Castle combines a literally dopey stoner comedy buzz with an electric sting of sharp satire. The first film was surprisingly popular with audiences and even more surprisingly popular with critics, who found that making the main characters minorities in an otherwise unambitious druggie comedy gave the interactions as the two stoned college students stumbled toward the fabled little square burgers a new freshness, even an edgy, satiric quality.

Plus, it had Neil Patrick Harris in a deliciously demonic role as “himself,” a ‘shroomed-out former child star.

Harold (John Cho) and Kumar (Kal Penn) depart for Amsterdam, where Harold hopes to see the girl of his dreams (even though he does not know her last name or where she is staying) and Kumar hopes to enjoy legal marijuana. But on the plane, Kumar lights up, using a smokeless bong he invented for the occasion, and a passenger assumes he is a terrorist. “Bong” sounds like “bomb” and he has brown skin. Before you can say “I just wanted to join the other mile high club,” they are cuffed by air marshals and carted off to face a racist, power-mad, pea-brained US government official (Rob Corddry), who orders them put into orange jump suits and shipped to the prison at Cuba’s Guantanamo Bay. This ain’t “Law and Order.” No right to a phone call, no lawyer, no passing Go and no collecting $200.

After some ugly encounters with real terrorists in the adjacent cell and sexually predatory guards, Harold and Kumar escape, get back to the US, and take off for Texas, where they hope to get help from a classmate who is conveniently both connected to the top levels of the Department of Defense and about to marry Kumar’s former girlfriend, the one he still loves.

The racial and political barbs are even more pointed this time as just about everyone’s bigotry is exposed. In one of the highlights, Harold and Kumar are taken in by a redneck who looks like an extra from “Deliverance.” He brings them to his broken-down shack and they go inside to find it decorated like a Manhattan co-op apartment, the redneck’s elegant wife at the computer complaining that the DSL line is not working properly. Just as they readjust their expectations, there is another twist. They also have a run-in with the KKK, who think they are Mexicans. No one seems to know or care what their ethnic backgrounds really are. The government interrogator insists on speaking Chinese to Harold’s parents — and insists that they are speaking some strange dialect he cannot understand, despite the fact that they are (1) Korean, (2) are speaking English, and (3) have lived in New Jersey for 40 years.

Cheerfully offensive, cheekily raunchy, happily outrageous, and often just plain disgusting, the movie avoids the usual sophomore slump by ramping up the political jabs while keeping it all unpretentious and moving quickly. We get a bit of a glimpse of Kumar’s backstory — his first girlfriend and his first joint. It is not for everyone; some audiences will consider it so morally bankrupt that they will not be able to enjoy it. But for its audience what makes this one appealing is that like its heroes, this series is growing up.

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Comedy Movies -- format Series/Sequel

The Pirates Who Don’t Do Anything-A Veggie Tales Movie

Posted on January 11, 2008 at 9:14 am

B-

Lowest Recommended Age:	Preschool
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Some mild peril and briefly scary monsters
Diversity Issues:	None
Date Released to Theaters:	January 11, 2008

The Veggie Tales have produced a series of popular computer-animated videos for children and their families, with fruit and vegetable-inspired characters in engaging and funny stories with gentle moral overtones. Their new feature film does not mention God, as the videos do (briefly but explicitly). It is a fable-like story of three unlikely heros who find themselves called upon to rescue a captured prince and princess. They have been captured by their evil pirate uncle, who is planning to usurp the throne. We know he must be a bad guy because like all classic movie villains, he has a deep voice with an English accent. Unlike the other characters, he also has arms and legs, or rather one leg and one peg.
Princess Eloise, in a Princess Leia-like desperate call for help, throws a golden ball into the ocean and tells it to find her some heroes. But the people, or rather, vegetables it finds do not seem very heroic and certainly do not think of themselves that way. They are “cabin boys” (waiters) in a pirate-themed dinner theater called “Pieces of Ate” who can’t even manage to get up the nerve to try out for the show. Elliot is afraid of so many things that he keeps a fight list. Sedgewick is lazy and thinks trying is too much work. And George, who has the husky cadences of a Borscht Belt comic, does not respect himself and realizes that his children do not respect him, either.
But the golden ball finds them and soon they find themselves on a rowboat in the ocean, on their way to rescue Princess Eloise and her brother Prince Alexander. Each of our trio will face important challenges and learn important lessons. And of course there will be a little adventure and a lot of silliness and a couple of musical numbers along the way.
The Veggie Tales’ colorful but limited animation can seem static on the big screen, and children used adventures that conclude in a brisk half hour may find this feature film a little long. But the gentle humor and equally gentle lessons will be appealing to younger children and long-time fans.

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Ice Age: The Meltdown

Posted on March 25, 2006 at 2:06 pm

B-

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for some mild language and innuendo.
Profanity:	Some crude language
Alcohol/ Drugs:	None
Violence/ Scariness:	Tension, peril, characters killed, references to extinction
Diversity Issues:	A metaphorical theme of the movie
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000GUJZ00

Once again, as in the first Ice Age, wooly mammoth Manny (voice of Ray Romano), sloth Sid (John Leguizamo), and saber tooth tiger Diego (Denis Leary) set off on a journey. This time, they have to lead their friends out of the valley before the ice melts and it becomes flooded.

Along the way, Manny wonders if mammoths are about to become extinct because he seems to be the only one left, until he meets Ellie (Queen Latifah), a mammoth who thinks she is a possom. Sid meets up with some miniature sloths who think he is their Fire King. And all of the characters face predators and other obstacles as they try to beat the water to the edge of the valley. And every now and then we get to see the continuing saga of Scrat the prehistorical squirrel and his Sisyphus-like quest to get and keep an acorn.
Even by the low standards of sequels (it’s fair to expect at least a 30% drop-off in quality), this is a disappointment. There are brightly funny individual scenes, especially the “Fire King” encounter (though it seems to have been taken straight from one of the Hope and Crosby “Road” movies — or, come to think of it, all of them), but it doesn’t have the power or imagination of the original. Instead, itt has a cluttered plot with a formulaic mix of potty humor, mostly kid-appropriate scariness, and some encouraging lessons about responding to fear and the imprtance of family.

The primary relationship issues between the three leads were resolved the first time around and the new characters don’t add much interest or do much to propel the story. On the contrary, they serve as a distraction, especially the resolutely un-cute and un-cuddly mischievous possums. When their very un-possum-ish sister natters about her feelings as though she was in the middle of a Dr. Phil show instead of a life and death struggle to save members of her group, it is less likely to be amusing for children and their parents than annoying. A well-designed Busby Berkeley-style dance number to the Oliver! song “Food Glorious Food” is sung by vultures hoping that the characters we are rooting for don’t make it, so they can feast on the “putrid” meat.
This last example is a good indicator of the movie’s primary problem — an uncertain sense of its audience. A crowd old enough to recognize references that are 40 and 60 years old? A crowd old enough to find some dark humor in having vultures sing about how excited they are that animals we have just spent most of a movie with are going to die so they can eat them? As Ben Stein said so memorably in Ferris Bueller’s Day Off, “Anyone? Anyone?”

Parents should know that the movie has some tense and scary moments with characters in frequent peril. Predatory fish with many very sharp teeth chase after the characters. At least one character is killed (offscreen and discreetly) and another has a near-death experience. There are discussions of possible extinction. Characters use some crude and insulting language (“idiot,” “moron,” “crap”) and there is some potty humor. An odd near-death visit to Heaven may be disturbing to some audience members.
Families who see this movie should talk about how we recognize and deal with our fears. Why were Ellie’s feelings hurt? How do you feel about the way Ellie and Manny resolved their argument about which way to go? Several characters in the movie were lonely. How can you tell, and what did they do about it? What does it mean to be “the gooey, sticky stuff that holds us together?” And they should talk about endandered species and efforts to protect them. Families might also want to learn more about wooly mammoths and other ice age animals.
Families who enjoy this movie will enjoy the original Ice Age as well as The Land Before Time and its sequels.

The Sisterhood of the Traveling Pants

Posted on May 31, 2005 at 12:58 pm

This is a story about one summer in the life of four friends, told with sincerity, heart, and a little bit of magic — the very same qualities that made the original book and its sequels a “you have to read this” classic for young girls.

Four 16-year-olds, friends since before birth, when their mothers met in a prenatal exercise class, are about to be separated for the summer for the first time ever. Just before they leave, they find a mysterious pair of blue jeans that somehow fit each of them perfectly, even though their sizes as shapes are as different as their personalities. They decide to share the pants as a way of sharing their experiences over the summer. As they mail the pants back and forth to each other, the jeans will help them share their stories and stay connected.

The first to wear the pants is shy artist Lena (Alexis Bledel of television’s Gilmore Girls) goes to Greece to visit her grandparents. On the island of Santorini she meets Kostas. Despite a multi-generation feud between their families — and a promise never to see him again, Lena and Kostas fall in love.

Outgoing and athletic Bridget (Blake Lively) goes to soccer camp. She thinks a romance with her handsome coach is what she needs to make up for the emptiness that she has felt since her mother died.

traveling pants.jpg Aspiring writer Carmen (America Ferrera of Real Women Have Curves) goes to South Carolina to see her father (Bradley Whitford), who did not tell her that he was living with a woman (Nancy Travis) with two children and planning to get married.

And rebellious would-be film-maker Tibby (Amber Tamblyn of television’s Joan of Arcadia) stays home, working at a huge discount store called Wallman’s and trying to make a movie about how bleak and meaningless everything is. She meets a girl named Bailey (Jenna Boyd) who becomes her film crew.

Each of the girls wears the pants and sends them on to the next with a letter. As they all try on new experiences and emotions and feel a little lost and vulnerable, the pants and their friendship keeps them feeling close and supported.

What takes this above the level of the average something-for-everyone collection of stories with a group hug at the end is its willingness to keep things a little complicated and messy instead of tying everything up neatly into the TV-style resolutions most people think are required in stories for young audiences.

Characters make real mistakes, not cute flubs that are either quickly corrected or happy accidents that work out even better than the original plan. Some characters learn lessons and change their minds or their behavior, but others do not. Some wounds are healed and some of what is lost is found, but some not. This is more reassuring, rather than less, because in our hearts even kids know that is true; all endings are not happy. It is good to see how people handle that — and can even be enlarged by it.

The film benefits, too, from sensitive and committed performances by its five young stars (including the precociously centered Boyd, a real presence on screen here as she was in the otherwise awful Dickie Roberts: Former Child Star). They make us believe in the connection between very different characters. It’s almost possible to think of them as different aspects of the same adolescent — shy and bold, thoughtful and impulsive, cynical and hopeful. Together, like the movie itself and like those magical Levis, they are more than the sum of their parts.

Parents should know that there is a subtle reference to a sexual encounter that one of the characters initiates but later considers a mistake. This is handled sensitively and responsibly. The same is true of other difficult issues the characters must face, including the suicide of a parent, a difficult adjustment to a divorced parent’s re-marriage, and a very sad death.

Families who see this movie should talk about what makes such different girls such loyal and devoted friends? What are the most important lessons each one of them learns over the summer? Why don’t the pants fit Bailey? Families should talk about why this movie does not try to give everyone a happy ending or even an ending at all. Why was Bridget so wrong about what she thought would make her feel less lonely? How did her mistake help her to share her feelings with her friends in a way she could not before? What could Carmen have done to try to get to know her father’s new family better?

Families who enjoy this film will also enjoy The Baby Sitters Club. And, of course, they should read the bookand its sequels. They might also enjoy a different kind of story about a magical piece of clothing shared by a disparate group of people in a life-changing series of adventures, The Wonderful Ice Cream Suit.