Will Smith plays the last man on earth in this third movie based on Richard Matheson’s novella. Scientist Robert Neville was immune to the virus that wiped out everyone. He spends his days hunting for food in the deserted streets of Manhattan, now overgrown with brush and inhabited by deer, and working in the lab to find a cure for the virus. And he spends his nights barricaded to protect himself from the infected creatures who are hunting him. Once human, they are now mindlessly enraged vampire/zombie killers who can do nothing but devour.
Okay, they can do one other thing. They can learn. In their feral, furious way they can cooperate and plan. Neville can trap them for his experiments or throw them off his trail, but they keep getting smarter. He is not just their prey — he is their teacher, and he is teaching them how to get him.
This quiet little independent film is the story of the friendship between two New York City schoolteachers, an Orthodox Jew and a Muslim, who transcend the assumptions of those around them. They quickly realize that they have more in common with each other than they do with the very secular teachers at the school, who see them as relics from a past best forgotten.
The two young women recognize the historic and modern-day conflicts between their groups. One of the sweetest moments in the film is when they use their students’ assumption that they must hate each other for a learning opportunity about tolerance. The two women are respectful of each other’s traditions and supportive of each other’s devotion to faith and family. But they share their fears and frustrations with one element of tradition that makes both of them uncomfortable — the highly parent-directed courtship system that most contemporary young women would consider hopelessly anachronistic.
What makes this movie especially endearing is its own respect for the choices made by the women to honor but find their own way within the traditions and observances of their religious faiths. Lovely performances by Zoe Lister Jones and Francis Benhamou and the quiet intimacy of low-budget film-making bring us inside the story so deeply that the beautiful final image fills our hearts with a resonance that lasts for days.
I grew up in Chicago, a city that really knows how to celebrate St. Patrick’s Day. There’s the parade, of course, and every year they dye the Chicago River green. And every year WGN shows The Quiet Man, the unabashed love letter to Ireland made by director John Ford with John Wayne and Irish and Irish-American actors like Maureen O’Hara and Barry Fitzgerald. Some people think the movie is sexist, but they ignore the movie’s key themes about how important it is for both men and women to believe that they bring something important to the relationship. In the words of Michaleen Oge Flynn (Barry Fitzgerald), it is about a love story that is impetuous and Homeric. It has passion, humor, glorious Technicolor, and one of the greatest fight scenes ever put on film. It’s a great way to celebrate St. Patrick’s Day.
“One Hundred and One Dalmatians” is one of the best-loved Disney classics (and the first of its animated films to take place in a contemporary setting). There is nothing more irresistible than 99 frisky spotted puppies and there has never been a more deliciously scary villain than the fur-mad Cruella De Vil. It is a great family movie because it is exciting and funny and because it is all about the importance of family and community and the love parents have for their children. And just because it is a lot of fun.
Like “Lady and the Tramp,” 101 Dalmatians is told from the perspective of dogs, this time two dalmatians, Pongo and Perdita, the cherished pets of Roger and Anita. Anita’s old friend is the aptly named Cruella De Vil (Betty Lou Gerson). Her henchmen kidnap Perdita’s puppies and eighty-four others so she can make them into a dalmatian fur coat. Pongo (Rod Taylor) and Perdita (Cate Bauer), with the help of their animal friends, undertake a daring rescue. The puppies are adorable, and the movie is delightful (with a sly poke at television and the kids who watch it).
Movieline magazine once asked actresses to name the most memorable female villain in the history of the movies — Cruella was at the top of the list. She just might be the most ruthless villain of all time and any gender. Hannibal Lecter may be “Hannibal the Cannibal” but he never tried to make darling little puppies into a fur coat.
This gorgeous new Diamond edition is a treasure. This was a transitional film between the hand-painted classical style of the fairy-tale Disney films and a looser, more modern look. It was the then-new invention of the photocopier that made this movie possible. Without that technology, the Disney artists would still be painting all those spots.
Families who enjoy this movie might also like to see the 1997 live-action version, with Glenn Close as Cruella. Close is wonderful, but the movie relies too much on slapstick and the real dogs do not have the personality and range of expression of their animated predecessors. The 2000 sequel, “102 Dalmatians,” also featuring Close, is disappointing, too much silliness and not enough sweetness. The animated original is still the best. And the book by Dodie Smith is very different, but also wonderful.