Interview: Dana Canedy about “A Journal for Jordan”

Interview: Dana Canedy about “A Journal for Jordan”

Posted on December 23, 2021 at 11:49 am

Dana Canedy’s book, A Journal for Jordan, is the story of her romance with First Sgt. Charles Monroe King, with excerpts from the journal he wrote for the son he would meet just once before he was killed in Iraq. It’s now a movie starring Michael B. Jordan and Chanté Adams, directed by Denzel Washington. I interviewed Ms. Canedy for the Alliance of Women Film Journalists.

An excerpt:

He was writing at a time in his life where he was looking forward to this new life that was coming into the world but also watching soldiers die really focused him in terms of writing what was important and stripping away anything that wasn’t. That’s what makes the journal so powerful. Also, I don’t think he realized he was writing themes throughout the journal that emerged. I don’t think that was on purpose. But when I read it, it very clear what the themes were. They were his love of God, his absolute pride, and dedication in military service. His utter profound respect for women, and the fact that he expected Jordan to respect women. And his love for me. Those are the four themes that came through over and over in in the journal.

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AWFJ Awards 2020

AWFJ Awards 2020

Posted on January 11, 2020 at 10:25 pm

I am proud to be a member of the alliance of Women Film Journalists and delighted to announce our awards.

Best Film

PARASITE

Best Director

Bong Joon-ho, PARASITE

Best Screenplay, Original

PARASITE, Bong Joon-ho

Best Screenplay, Adapted

LITTLE WOMEN, Greta Gerwig

Best Documentary

APOLLO 11

Best Animated Film

I LOST MY BODY

Best Actress

Lupita Nyong’o, US

Best Actress in a Supporting Role

Florence Pugh, LITTLE WOMEN

Best Actor

Adam Driver, MARRIAGE STORY

Best Actor in a Supporting Role

Brad Pitt, ONCE UPON A TIME…IN HOLLYWOOD

Best Ensemble Cast – Casting Director

LITTLE WOMEN, Kathy Driscoll and Francine Maisler

Best Cinematography

1917, Roger Deakins

Best Editing

THE IRISHMAN, Thelma Schoonmaker

Best Non-English-Language Film

PARASITE

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director

Celine Sciamma, PORTRAIT OF A LADY ON FIRE

Best Woman Screenwriter

Greta Gerwig, LITTLE WOMEN

Best Animated Female

Bo Peep, Annie Potts in TOY STORY 4

Best Breakthrough Performance

Florence Pugh, MIDSOMMAR, LITTLE WOMEN and FIGHTING WITH MY FAMILY

Outstanding Achievement by A Woman in The Film Industry

Ava DuVernay for creating ARRAY and championing women in film

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism

Zhao Shuzhen, THE FAREWELL

Bravest Performance

Aisling Franciosi, THE NIGHTINGALE

Actress Most in Need Of A New Agent

Anne Hathaway, THE HUSTLER and SERENITY

Most Egregious Lovers’ Age Difference Award

THE PUBLIC: Emilio Estevez (57) and Taylor Schilling (35)

Remake or Sequel That Shouldn’t Have Been Made

CHARLIE’S ANGELS

AWFJ Hall of Shame Award

HFPA for excluding women nominees in major Golden Globe categories.

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AWFJ Spotlight on Rita Coburn

Posted on June 17, 2019 at 8:33 pm

Copyright PBS 2016
It was a great privilege to be asked to write the June spotlight for the Alliance of Women Film Journalists on Rita Coburn. An excerpt:

Writer/producer/director/novelist Rita Coburn’s acclaimed documentary Maya Angelou: And Still I Rise, co-directed with Bob Hercules, was released in 2016, but the film is ever timely in its importance and impact. In an ongoing outreach program, Coburn still travels with the film to schools and community centers, bringing to a wide range of audiences — especially impressionable youngsters — an understanding of the brilliant and inspiring Dr. Angelou, of her empowering story, of the importance of storytelling and of documentary film as the record of essential human history — especially the herstory that hasn’t been taught in schools….“All we have, in the long run, is our stories. It is of vital importance that stories be recorded before the people who lived them are no longer with us. Everyone should be documenting their elders on film or audio. Their stories tell us where we came from and who we are. For black women, people of color and all those who are marginalized, we have not been the writer’s of history. Documentaries and narrative work in our industry is a window to greater understanding of our culture. And, we should be front and center, through and through in telling those stories,” says Coburn.

“Until we have many points of view out in the media and the communications world we have a skewed picture of who we are as a people…. African American people didn’t write the history books. Even in other societies, women didn’t write the books so the stories aren’t there.”

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Reel/Real Women: AWFJ Pays Tribute to Movies About Real-Life Female Characters

Posted on March 6, 2019 at 6:59 pm

The Alliance of Women Film Journalists has published a new list in honor of Women’s History Month — our favorite portrayals of real-life women in feature films. AWFJ founder Jennifer Merin writes:

Throughout cinema history, films by and about women have enthralled audiences, accrued awards and honors worldwide and scored at the box office while influencing out social social mores and enriching our cultural conversation. Although some Hollywood honchos and haters assert that female-centric movies are less likely to be commercial successes, our list proves them wrong. Movies that tell women’s stories have legs.

Released to celebrate Women’s History Month, AWFJ’s REAL REEL WOMEN List is an annotated roster of 50 fascinating real women whose remarkable true stories have been told in narrative features since the earliest days of moviemaking. The REAL REEL WOMEN List is a companion to AWFJ’s WONDER WOMEN List of iconic fictional females, published as a five-part countdown series in 2016.

AWFJ members selected our 50 iconic REAL REEL WOMEN from more than 150 nominees, all of whom have had their stories told in watch-worthy films. Short essays about our REAL REEL WOMEN’s lives, accomplishments and the films made about them have been written by AWFJ members Betsy Bozdech, Liz Braun, Sandie Angulo Chen, Carol Cling, Leslie Combemale, Linda Cook, Laura Emerick, Marilyn Ferdinand, Alexandra Heller-Nicholas, Kimberley Jones, Loren King, Sarah Knight Adamson, Cate Marquis, Brandy McDonnell, Jennifer Merin, Nell Minow, Lynn Venhaus, and Susan Wloszczyna.

We hope that reading about these REAL REEL princesses and pilots, artists and actors, poets, political activists and other women from all walks of life will prompt you to add all the films about them to your watch list, and that you’ll then be motivated to seek out and enjoy additional current and classic movies about other real women whose stories are memorialized in cinema.

One of my contributions to the list was Fanny Brice, unforgettably portrayed by Barbra Streisand in “Funny Girl.”

Fanny Brice, born Fania Borach, was the daughter of Jewish immigrants who dropped out of school as a teenager to work in burlesque and began her association with vaudeville impresario Flo Ziegfeld two years later. She headlined the Ziegfeld Follies from 1910 through part of the 1930s. Best known in sketch comedy as bratty little girl “Baby Snooks” and performing songs like the comically self-deprecatory “Second Hand Rose,” her signature was the heartbreaking torch song, “My Man,” which inspired her first film, My Man (1928). She played herself in the Oscar-winning The Great Ziegfeld (1936), acted in several other films, and had a hit on radio with the “The Baby Snooks Show,” but there is no question that her own fame has been eclipsed by the performer who starred as Brice on Broadway and in her first film—Oscar-winner Barbra Streisand in Funny Girl (1968). It was a perfect match—one brash, prodigiously talented, unconventionally pretty, New York Jewish singer equally adept at comedy and drama portraying another. Streisand sings “Second Hand Rose,” “My Man,” and original songs created for the Broadway show, including the now-standard “People.” The story of Brice’s determination and resilience despite the heartbreak of her marriage to a handsome scoundrel is now a classic and prompted a sequel, also starring Streisand, that told more of Brice’s story, 1975’s Funny Lady. Brice helped pave the way for unconventional-looking lead performers, and her few films are well worth watching.

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Alliance of Women Film Journalists Awards 2019

Posted on January 10, 2019 at 4:00 pm

I am proud to be a member of the Alliance of Women Film Journalists and proud of our 2019 awards.

These awards are presented to women and/or men without gender consideration.

Best Film


ROMA
 


Best Director 


Alfonso Cuaron

ROMA


Best Screenplay, Original


THE FAVOURITE

Deborah Davis, Tony McNamara 



Best Screenplay, Adapted 


CAN YOU EVER FORGIVE ME?

Nicole Holofcener, Jeff Whitty

Best Documentary 


WON’T YOU BE MY NEIGHBOR?

Morgan Neville

Best Animated Film


SPIDER-MAN INTO SPIDER-VERSE

Bob Persichetti, Peter Ramsay, Rodney Rothman 


Best Actress


Olivia Colman

THE FAVOURITE



Best Actress in a Supporting Role 


Regina King

IF BEALE STREET COULD TALK

Best Actor


Ethan Hawke

FIRST REFORMED

Best Actor in a Supporting Role

Richard E Grant

CAN YOU EVER FORGIVE ME? 



Best Ensemble Cast

BLACK PANTHER

Sarah Finn, Casting Director

Best Cinematography


ROMA

Alfonso Cuaron

Best Editing


ROMA

Alfonso Cuaron, Adam Gough 



Best Non-English-Language Film


ROMA

Alfonso Cuaron

Mexico

EDA FEMALE FOCUS AWARDS

These awards honor WOMEN only.

Best Woman Director


Marielle Heller

CAN YOU EVER FORGIVE ME? 



Best Woman Screenwriter


Deborah Davis

THE FAVOURITE

Best Animated Female

Elastagirl

Holly Hunter

INCREDIBLES 2

Best Breakthrough Performance


Thomasin McKenzie

LEAVE NO TRACE

Outstanding Achievement by A Woman in The Film Industry


Rachel Morrison

For paving the road for women cinematographers with her Oscar nomination for MUDBOUND and scoring as DP on BLACK PANTHER.

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism 


Viola Davis – WIDOWS



Bravest Performance


Olivia Colman – THE FAVOURITE 



Actress Most in Need Of A New Agent


Jennifer Lawrence – RED SPARROW

Most Egregious Age Difference Between The Lead and The Love Interest Award


MISSION IMPOSSIBLE FALLOUT – Tom Cruise and Rebecca Ferguson

Remake or Sequel That Shouldn’t Have Been Made


OVERBOARD

AWFJ Hall of Shame Award

ALL ALLEGED ABUSERS: Including Weinstein, Moonves, CK, Spacey, Rush, Franco, Singer, Rose, Lauer et al.

ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not-for-profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women’s voices in the film community by broadening opportunities for women who write about film and supporting films by and about women – both in front of and behind the cameras – through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies. More information about AWFJ, including the membership list, can be accessed at www.awfj.org or sending inquiries to awfjinc@gmail.com.

ABOUT THE EDA AWARDS: The AWFJ presents EDA Awards to honor women’s achievements in front of and behind the cameras. In addition to the annual end of the year awards, AWFJ presents EDA Awards for Best Female-Directed Films at select film festivals, including IDFA, Whistler Film Festival, DOXA. Edinburgh Film Festival. St. Louis International Film Festival and others. The EDAs are named in honor of AWFJ founder Jennifer Merin’s mother, Eda Reiss Merin, a stage, film and screen actress whose career spanned more than 60 years. A dedicated foot soldier in the industry, Eda was one of the founders of AFTRA and a long-standing member of AMPAS.

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