There are about half a dozen bright spots in the new animated feature “The Addams Family,” but in between them is the unbright and unoriginal storyline about how the real monsters are the ordinary people, not the weird people.
Parents should know that this film includes monsters and peril. It is more funny-scary than scary-scary but there are some images that might disturb sensitive viewers, as well as comic/action-style peril with no one hurt, bullies, a neglectful parent, potty humor. Some may be disturbed by a casual portrayal of child who decides to live with a different family
Family discussion: Which characters are really scary? What does “assimilation” mean? What does your family do to recognize adulthood?
If you like this, try: “Hotel Translyvania,” “Igor,” and the “Addams Family” television books, series and films
If you want a master class in acting, watch the faces of three brilliant actresses as they take a an elevator in this trailer for “Bombshell,” based on the sexual harassment scandal at FOX News.
Margo Robbie plays Kayla Pospisil, Charlize Theron plays Megyn Kelly, and Nicole Kidman plays Gretchen Carlson. The powerhouse cast also includes Alice Eve as Ainsley Earhardt, Allison Janney as lawyer Susan Estrich, and John Lithgow as the late Roger Ailes.
Rated R for strong sexual content, language throughout and some drug use
Profanity:
Constant very strong and vulgar langauge
Alcohol/ Drugs:
Drinking, including drinking to deal with stress, drunkenness, drug use
Violence/ Scariness:
Comic peril and violence, some wartime violence
Diversity Issues:
A theme of the movie
Date Released to Theaters:
May 3, 2019
Date Released to DVD:
July 22, 2019
Copyright 2019 Lionsgate Entertainment
Remember in “Say Anything” when high school valedictorian who had done everything right and won every prize Diane Cort was described as a brain “trapped in the body of a game show hostess?” Well, imagine her character grown up and in Washington.
In “Long Shot,” Charlotte Field (Charlize Theron) is Secretary of State for a dimwit TV-star-turned President (Bob Odenkirk). She is still head of the class, doing extra credit homework while she’s on the treadmill, taking brief eyes-open standing power naps, and reading summaries of popular television shows so she can make smooth, diplomatic chit chat about media she has no time to actually watch. Needless to say, she is single. And, because she is played by Theron, she looks like a supermodel, very much appreciated by the American public which, her pollster tells her, gives her their highest ranking for “elegance.” This is the American public that elected an actor who played the President on television to the actual White House, so elegance — and a possible romance with the swooningly handsome Prime Minister of Canada (Alexander Skarsgård) are real plusses with the voters, who probably think that if they get married the two countries will merge, as though they are Sleeping Beauty and Prince Charming.
But the fairy tale here is more like Beauty and the Beast, if it was an extremely raunchy romantic comedy. Charlotte used to babysit for Fred Flarsky (Seth Rogen), who is now a shlubby but passionate Brooklyn journalist who has just quit on principle because his lefty alternative paper has been bought by media mogul and all-around bully Parker Wembley (Andy Serkis, so unrecognizable that he might as well be CGI). Charlotte sees Fred at a reception (featuring Boyz II Men, for whom they both stan). She impulsively offers him a job polishing her speeches to make them less Cabinet-officer-formal and careful and more “I’d actually like to run for President and I’m both super-competent and relatable!”
And so the out of work but highly principled Fred joins the team. Charlotte feels safe with him because they literally come from the same place, and he is able to remind her of a time when she was not as careful and not as isolated. He makes her speeches warmer and more personal. And they…like each other.
It’s funny and occasionally even sharp, but most of all it is really quite sweet. Theron is captivating as the good girl who longs to be a little less elegant and there is actually some genuine chemistry with Rogen, whose shambling demeanor she sees as refreshingly authentic. The film touches more lightly on subjects like political compromises and media pressure that we might think from an early scene of the idiot President watching himself on television in the good old days, when he only had to pretend to be the Chief Executive. The supporting cast includes O’Shea Jackson Jr. (“Straight Outta Compton”) as Fred’s loyal best friend, and their scenes together are some of the movie’s best.
There is enough sharp interplay on both current affairs and relationships to keep things moving briskly. Improbable as the pairing may be as characters and performers, Theron and Rogen have a nice easy rhythm, and it is heartwarming to see Charlotte and Fred each learn to relax a bit, her being less careful, more vulnerable, and more true to her less-than-perfect self and him being less sure of his opinions and more sure of his value.
Parents should know that this movie has very explicit and gross-out sexual humor, references and situations, very strong language, drinking and drunkenness, and some slapstick and military-style peril and violence.
Family discussion: Could a candidate like Charlotte get elected? What does she like about Fred? Would you want to read a journalist like Fred?
If you like this, try: “50/50,” also with Rogen, from the same director
With “Tully,” their third collaboration, director Jason Reitman and screenwriter Diablo Cody are approaching a “Before Sunrise/Sunset/Midnight”-style series about the challenges of growing up and getting older.
It may not be the same set of characters, but “Juno,” “Young Adult,” and now “Tully” can be seen as a continuing story with smart, flawed female protagonists. The first was a pregnant teenager, then a floundering author trying to reclaim the life she thought she was going to have when she was in high school, and now a married mother of two, pregnant with a third, trying to connect with the person she once was when all of her time and attention was not taken up with obligations to others. Charlize Theron plays Marlo, the exhausted mother, and Mackenzie Davis plays the title character, a night nanny who turns out to be just what Marlo needs in ways that surprise her and us.
Marlo is exhausted and overwhelmed. Her second child is a son who is described by the school principal in the words that strike terror and a fierce defensiveness in the heart of a parent: “quirky” and “out of the box” — and then, finally, “not a good fit.” Every morning, with infinite patience and tenderness, Marlo gently brushes his whole body because she saw online that it might help him with sensory integration. When he has a meltdown because she isn’t parking in the usual spot, she is compassionate. But it is clear that she is giving so much to her family that she has lost some sense of herself and her own needs.
Marlo has a brother (Mark Duplass) who offers her a baby gift — the services of a night nanny, someone who comes at night to help new parents get some rest. Marlo and her husband (Ron Livingston) enjoy mocking her brother and his wife for being materialistic and bourgeois. It also makes them feel a bit superior and helps them ignore their envy at his financial stability. The idea of a “night nanny,” even paid for by someone else seems like just another mockable bougie pretension. But then Marlo has the baby as her husband’s job keeps him away from home and, even more exhausted and overwhelmed, she calls the number her brother gave her, and Tully (Mackenzie Davis) shows up like a hipster Mary Poppins.
She’s not just a baby whisperer; she’s a Marlo whisperer, too. With patience and kindness, she listens attentively, and she very gently and supportively guides Marlo, to feel peaceful and cared for. “Kiss the baby,” she says, as Marlo begins to trudge upstairs to bed. “She’ll be different in the morning. We all will.” Marlo comes down the next morning and the house is neat. Tully even makes cupcakes. She even presses Marlo about reconnecting to her husband.
Theron’s performance here is superb. “Brave” when referring to an actress, usually means that she doesn’t look like a size zero teenager. And Theron went for it here, gaining 50 pounds from her “Atomic Blonde” action star look, and she does indeed appear like a very pretty woman who has had three children. But what is brave here is her extraordinary emotional authenticity, her vulnerability, and her wry humor. When she tells the officious, though superficially kind school principal that the baby is a blessing, we can see three levels to that word. Marlo is saying the word she thinks will ingratiate her with the principal who is trying to politely extricate her son from the school (those deadly words, “not a good fit”). She is sarcastic (Cody loves sarcasm). But, you know what? She really believes it, too. Tully’s greatest contribution is reminding Marlo that all that is overwhelming her is what she once wished for. This is her happy ever after ending and even if it’s going to be messy, there has to be a way to hold on to that before she ends up missing it.
Sharply but lovingly observed, clearly based on deeply lived experience, with lots of Cody’s shrewd wit and enormous compassion for its characters, “Tully” is as welcome in theaters as its title character is at Marlo’s door.
Parents should know that this film includes glimpses of pornography, explicit sexual references and nudity, very strong language, childbirth scene, drinking and drunkenness, and an auto accident with injuries.
Family discussion: Who is Tully? Why did she visit Marlo? Why are Marlo and her brother so different? What does “quirky” mean?
If you like this, try: “Juno,” by the same director and writer
Copyright 2017 Focus FeaturesWin a copy of “Atomic Blonde,” one of 2017’s most intense action films, starring Charlize Theron and James McAvoy.
Send me an email at moviemom@moviemom.com with Atomic in the subject line and tell me your favorite spy story. Don’t forget your address! (US addresses only). I’ll pick a winner at random on May 1, 2018.
