Posted on November 11, 2010 at 8:00 am
As we remember and thank those who have served our country and defended our freedom, these movies help us begin to understand their contribution.
The Messenger
Gardens of Stone
Taking Chance
Posted on November 10, 2010 at 12:50 pm
It is every parents’ worst fear. Look away for just a split second and a child is gone. You have to swallow the terror to create a sense of calm for those around you and help you think through the best way to find the child. But it is impossible to keep away from memories of what you have shared and fears about what might have happened.
That is the simple but moving story of The Way Home, with Dean Cain as Randy Simpkins, a loving but often distracted father of three boys whose two-year-old son, Joe, disappears as the family is getting ready to go on a vacation. The very things Randy loved most about his home — its remote setting, the vast surrounding space of woods and ponds — instantly become sources of dread as the hours went by and twilight approached, Joe still not found.
The police arrived, and the news cameras. But so did the entire community as word went out from one church group to another and 400 people showed up to help.
The film is based on the true story of the real Randy Simpkins and his son, Joe, filmed where it actually took place. As a movie, it is uneven — Cain’s performance is at a far higher level than anyone else in the cast. But it is sincerely done and undeniably touching.
I have copies of the DVD to give away to the first two people to write to me at moviemom@moviemom.com with “The Way Home” in the subject line. Don’t forget to include your address!
Posted on November 9, 2010 at 8:00 am
Adam Sandler fans would do well to re-watch “The Wedding Singer” or “Happy Gilmore” rather than suffer through this excruciating mess of gross-out humor, eww-inspiring vulgarity, and soppy sentimentality. My mother always likes me to say something nice, so I’ll mention that Salma Hayek Pinault looks beautiful and the setting is lovely. Chris Rock gets off a few good lines. Adam Sandler doesn’t use his doofy “funny” voice. And eventually, it is all over. But that’s about it. Sandler has always been lazy and his films have devolved from slacker to inert. The increased efforts at injecting “heart” into the storyline just makes the rest of the movie look even more cynical, crass, and condescending to its audience. And that’s not including the misogyny and overall sour attitude toward just about everyone.
Here, he plays Lenny Feder, a successful Hollywood agent married to Roxanne (Hayek Pinault), a clothing designer. He returns to his home town for the funeral of the coach who guided his grade school basketball team to a championship. At the funeral, he catches up with his teammates, and they go off together with their families for a few days at a home on the lake. Of course each of them has a situation that is intended to be funny (not) and poignant (really not). Co-stars David Spade, Chris Rock, Rob Schneider, and Kevin James all look embarrassed to be there, the only flicker of authenticity on screen. Spade, looking hung over even when his character is not, plays the good time guy who never settled down. James is a family man whose biggest problem seems to be that his wife (a slumming Maria Bello) is still breast-feeding their four-year-old. Rock is a stay-at-home father whose pregnant wife (a slumming Maya Rudolph) and mother-in-law think his being a full-time dad is not manly. And Schneider, as always in Sandler films, plays a guy who the designated ewwwww-inducer, with personal and sexual habits designed to gross everyone out. He plays a man whose third wife is an aging hippie (Joyce Van Patten) and whose three daughters show up halfway through, two smokin’ and one funny-looking with a semi-Snooki puff, just like dear old dad. He also has the thankless responsibility of undertaking one of Sandler’s favorite gags — an impaled foot. And a disgusting bunion in loving close-up. What is it with him and feet! At least Tarantino’s foot obsession is on the beautiful toes of Uma Thurman and Diane Kruger.
Lenny, compared to his struggling friends, has little to worry him other than concerns that his children are getting spoiled (they text the nanny to bring them hot cocoa and then reject it when it isn’t Godiva) and being too embarrassed to tell his friends that his kids have a nanny, so he keeps insisting she is just an exchange student and thrusting books at her.
Sandler may have stopped playing boy-men who won’t grow up (hence the title), but as producer and co-screenwriter he is still a film-maker who won’t grow up. The comedy in the movie centers around pubescent sniggering stuck at about the level of a game of “Doctor.” Both adults and young teens are reduced to quivering, slobbering, hysteria by the presence of an attractive member of the opposite sex (conveniently giving us a chance to ogle them, too). But the only one who seems to have a committed relationship that includes a sex life is the one who grosses everyone out with his PDA because his wife is three decades older than he is.
The phony sentiment is no better than the phony comedy. Yeah, yeah, the importance of family and friends and board games over video games. And we are further afflicted with a rematch between our intrepid one-time champions and the guys they beat. Thirty-two years ago. About the last time any of these jokes were fresh.
Then there is the insult humor. Admittedly, there are some funny lines, but further evidence of the movie’s sloppiness is its lack of interest in making some distinction between the affectionate insults that bond people and the hurtful ones that spark anger and truth-telling. Further laughs are expected for the aforementioned impaled foot, injuries requiring a full body cast, and various falls and crotch hits, plus an older lady with an ugly bunion and intestinal distress she blames on the dog. If only we could do the same with the movie.
Posted on November 8, 2010 at 8:00 am
A+| Lowest Recommended Age: | Kindergarten - 3rd Grade |
| MPAA Rating: | G |
| Profanity: | None |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Tension as the family escapes, Nazi threat |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | 1965 |
| Date Released to DVD: | November 9, 2010 |
| Amazon.com ASIN: | B003VS0CX8 |
The Sound of Music
As a postulant, Maria is “not a credit to the Abbey.” While she means well, she is constantly in trouble. The wise Mother Abbess sends her away to be the governess for the seven children of a stern widower, Captain von Trapp. Obedient to their disciplinarian father, the children are uncooperative with Maria until she wins them over with her own high spirits, as well as her kindness. She also shares her love of music, and her joy in the beauty around them, and they become devoted to each other.
The Captain’s friend Max (Richard Hadyn) hears the children sing, and wants them to perform at the local festival. But the Captain refuses, thinking it is foolish and inappropriate. Meanwhile, the Captain is considering marriage to a titled and wealthy woman, and his oldest daughter, Leisel, is beginning a romance with Rolfe. And as the Nazis threaten control of Austria, the Captain knows that his military skill and experience will lead them to him. He knows that they will ask him to join them, and that they will not accept a negative answer.
Maria, realizing that she has fallen in love with the Captain, runs back to the Abbey. But the Mother Abbess counsels her to follow her heart, and she returns to the children. The Captain realizes that he loves Maria, and they are married in the Abbey. They return from their honeymoon to find that an invitation to join the Nazi navy is waiting.
Max has put the children on the festival program, hoping the Captain would relent. He forbids them to participate and makes plans to escape. But when the Nazis arrive to stop him, he explains that they are just on their way to perform at the festival. The Nazis escort them to the festival, where they win first prize, and use their encore number to camouflage their escape. On their way out of Austria, they are betrayed by Rolfe, now a Nazi, but protected by the nuns in the Abbey, and they leave for Switzerland, over Maria’s beloved mountains.
Discussion: A number of people in this movie must make important choices when they face challenges that are completely unexpected. Maria and the Captain both thought they had established what their lives would be like. Maria planned to be a nun, and to live in the Abbey all her life. The Captain expected to continue with the life he had, a loving but stern father to his children and a respected aristocrat and military leader. His family had always lived in Austria, and he expected his children and grandchildren would live there, too. Maria’s unexpected challenge comes from within herself. She is lucky to have the wise Mother Abbess to help her examine her heart to learn that she is better suited for a life outside the Abbey.
The Captain is used to being in control. It may be that his regimental approach to the children is as much prompted by a need to feel in greater control following the loss of his wife as it is by his military training. His original inclination to marry the Baroness seems to be led by his head rather than his heart; it feels more like an alliance than a romance. But he finds that he cannot resist Maria’s warm and loving heart.
Just as all of this is happening, every aspect of the life they had known in Austria is challenged by the Nazis. Unlike his friends, the Captain does not have the option of making a slight accommodation to the Nazis. He must fight for them, if he wants to keep his home. He gives up every material possession he has to get away, preserving freedom for himself and his family.
Everyone in Austria has to make a choice when the Nazis arrive. Rolfe becomes so committed to the Nazis that he is willing to betray the young woman he cared for. Even the nuns in the Abbey must make a choice. They decide to protect the Von Trapps and impede the Nazis, risking their own freedom. Children, especially young children, will need some background to understand what these choices involved and what the risks were. It is also worthwhile to discuss with them the sweet song that the Captain sings to Maria, telling her that he must have done something good in his past to deserve her love and the happiness she has given him.
Questions for Kids:
· Why does Maria have a problem fitting in at the Abbey?
· What does the Captain learn from Maria?
· The same people wrote the song about “My Favorite Things” and “Whistle a Happy Tune” in “The King and I.” How are they alike? (Think about when it is that Maria sings the song.) If you were going to write the song, what would be on your list of favorite things?
· What is the difference between the way the Captain, Max, and Rolfe react to the Nazis?
· What does the song, “Climb Every Mountain” mean?
Connections: Sister Sophia is played by Marni Nixon, a rare onscreen appearance by the off-screen singing voice from “My Fair Lady,” “West Side Story” and “The King and I.”
Activities: Kids who enjoy this movie can read more about the real-life family in one of the books written by Maria von Trapp, and can visit the Trapp family’s lodge in Stowe, Vermont. Find Austria, Germany, and Switzerland on a map but do not try to trace the family’s escape route. If they had climbed over the mountains they took in the movie, they would have ended up in Germany.
Posted on November 2, 2010 at 3:00 pm
Walden has just about mastered the art of turning the very best in children’s literature into very fine family films. It doesn’t get any better than Beverly Cleary’s marvelous series of books about Ramona Quimby and her family, and here director Elizabeth Allen (who showed a gift for stories about young girls with “Aquamarine”) brings them to life in a way that both fans and those new to the characters will enjoy.
Joey King is just right as Ramona, age 9 years and 3 months, a girl with a big imagination and an even bigger heart, both of which get her into trouble when she tries to help out without thinking things through. As in the books, the Quimby family is instantly relatable and utterly irresistible, funny, touching, and completely endearing.
It helps to have first-class talent among the adult performers. John Corbett (“Sex and the City” and “My Big Fat Greek Wedding”) and Bridget Moynahan capture the believably lived-in feeling of experienced parents who are almost always there when needed and are always ready to be captivated by their kids. The always appealing Josh Duhamel as the uncle of the kid next door and Ginnifer Goodwin as Ramona’s beloved Aunt Bea make their love story work while keeping the focus on Ramona and her view of the world.
Ramona’s perspective is expertly handled, and some of the best moments give us the world through her imaginative point of view, whether turning a hole in her house during construction into a portal into adventure or believing that an embarrassing moment on the jungle gym is a humiliation heard around the world. The harshest criticism of Walden’s faithful adaptations of children’s literature classics is to say that they are a little too faithful. They err on the side of literalism rather than taking greater liberties to get the benefit of the full range of cinematic storytelling. That saps some dramatic tension from the movie, making it feel a little too episodic and discursive. But if it re-creates the feeling of the book that way and especially if it inspires young viewers to read it for the incomparable pleasure of Beverly Cleary’s writing, then that is fine with me.
