Teens Learn About Less in Chicago

Posted on March 9, 2009 at 8:00 am

The Chicago Tribune reports on a class that teaches teenagers “voluntary simplicity,” giving up one something significant each month and thinking, talking, and writing about what it feels like. Begun last fall as a project to inspire mindfulness in the spirit of Henry David Thoreau, the program now seems even more meaningful in light of the economic troubles. Students are evaluating what it is they really “need” and gaining a deeper understanding of the impact they have on the world and the impact the world has on them.

The Mundelein teens’ project began in November, when they gave up sugar and eating at chain restaurants. A television blackout followed in December, and January’s challenge was to forgo using sheets of new paper. They pledged in February to avoid buying anything that might end up in a landfill. The next challenges are the boldest yet: a March without cell phones and an April without the Internet.

I especially liked the comments of the expert quoted in the article, Madeline Levine, author of The Price of Privilege: How Parental Pressure and Material Advantage Are Creating a Generation of Disconnected and Unhappy Kids
The Price of Privilege: How Parental Pressure and Material Advantage Are Creating a Generation of Disconnected and Unhappy Kids. She said that going without can be good for teens.

Packing lunches, skipping the trendiest jeans or canceling cell phone service gives children a new role as a family contributor and a vital lesson in self-discipline, she said. In the process, young people reared in times of economic abundance may rethink their expectations.
“For many kids, this is an opportunity. I think that most of them are rising to the challenge,” she said.

The economic upheaval provides an excellent opportunity to talk to kids of all ages about the role they can play in helping the family. It does not have to be scary. Indeed, it cam be very empowering to teach them that the feeling of confidence and satisfaction they get from doing without and making a contribution is far greater than the momentary pleasure of being given something that can be lost, broken, or outgrown.

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Commentary Teenagers Understanding Media and Pop Culture

Ask a Real Nazi-Fighter

Posted on January 17, 2009 at 10:00 am

The Jewish Partisan Educational Foundation has put together free resources for teachers who want their students to learn about the resistance fighters who opposed the Nazis. Their website includes a place to ask real-life partisans like the Bielski brothers featured in “Defiance” questions about their experiences in fighting the Nazis. Reach the stories of these extraordinary heroes and see their pictures. And then read through some of their answers or ask some questions of your own.

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Internet, Gaming, Podcasts, and Apps

Quiz: High School Musicals

Posted on October 21, 2008 at 8:00 am

In honor of HSM3, test your memory of musicals with high school settings:

1. What number is on Troy’s basketball uniform?

2. What is the name of the high school musical they perform in the first movie?

3. What 1978 high school movie musical set in the 1950’s featured real-life 50’s star Eve Arden?

4. What 1963 high school musical begins with a song where teenagers calling each other to talk/sing about about a couple going steady?

5. Who was the “Rock and Roll High School” named after?

6. What rock group was the favorite of the kids in “Rock and Roll High School?”

7. Which popular high school musical has been filmed twice?

8. What musical was about teenagers who wanted to have a dance in a town where rock music was banned?

9. Which superstar duo appeared in several different movies as teenagers who put on musical shows?

10. Which movie with a best-selling and Oscar-winning title song was set in a high school where music and dance were at the heart of the curriculum?

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Musical Quiz

Drillbit Taylor

Posted on July 1, 2008 at 8:00 am

drillbit.jpgLike Adam Sandler, Judd Apatow has tried to extend his franchise, and like Sandler, the result is diluted, derivative, and disappointing. Director Steven Brill (of the truly terrible “Without a Paddle,” “Ready to Rumble,” and Sandler’s biggest flop, “Little Nicky”) captures the letter but not the spirit of the Apatow oeuvre. You can hear the pitch now: “A PG-13 ‘Superbad!'” As in that film, we have a schlubby pair of best friends, one fat (Troy Gentile as Ryan) and one thin (Nate Hartley as Wade), who want nothing more than to be cool and get girls to like them.
But there is a bully who tortures them so badly they decide to hire a bodyguard, Drillbit Taylor (Owen Wilson), who tells them he is a former Ranger who has experience with Black Ops and protecting high-profile celebrities. His plan is to take their money and leave town, but one of his other low-life friends persuades him to stick around and get as much as he can from the boys. Drillbit becomes attached to them and to the vision of himself he sees in their eyes.

(more…)

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Not specified

Murder by Numbers

Posted on December 13, 2002 at 5:17 am

In 1924 there was a murder was so shocking that it was called the crime of the century. What was chilling was the motive — not money or passion but a cool arrogance that led two wealthy young men to try to prove their superiority by showing that they could get away with murder.

The greatest criminal defense lawyer in American history was called in to defend the two brilliant young students accused of the crime. They had confessed to the crime, so all that Clarence Darrow could do was invent a legal argument that would keep his clients alive. His use of psychiatric testimony and his moving closing argument allowed Leopold and Loeb to escape the death penalty and live out their lives in prison.

That case is the inspiration for this story of two high school kids and the detective trying to solve a murder case. Sandra Bullock plays Cassie, a detective whose tough manner with her colleagues hides her sensitivity. When she refers to the murder victim by her first name, her chief reminds her that she is supposed to be identifying with the perpetrator, not the person he killed. It is the criminal’s profile she needs to study.

Cassie has a new partner, Sam (Ben Chaplin). Cassie always has a new partner because no one will stay with her long enough to work on a second case. At first, it seems as though clever police work has led Sam to the killer. And when Cassie insists that the solution is at the same time too neat (the suspect is dead) and too messy (despite the convenient forensic matches of hairs and fibers, there are still unanswered questions), no one wants to listen.

There is something about the two high school kids — rich, popular Rick (Ryan Gosling) and introverted, scholarly Justin (Michael Pitt) — that bothers her.

It is easy to see why Bullock, who also produced, wanted to make this movie. She gets to play a grittier (and more wounded) character than her usual girl-next-door parts, and she has a couple of showy scenes, but the movie feels predictable, even manufactured, a sort of movie by numbers.

Parents should know that the movie has some graphic violence including murders and domestic abuse. Characters use very strong language, drink, use drugs, and smoke. A character has an exploitive sexual encounter that is secretly videotaped. Cassie has sex with Sam but will not allow him to get close to her. There is a homosexual connection between Justin and Rick. The movie’s tension and creepiness may upset some viewers.

Families who see this movie should talk about the role parental neglect might have played in creating a need in Rick and Justin to do something angry and destructive and the way that two people can spur each other on to do things that neither of them could have imagined alone. Why was becoming a detective a good or bad way for Cassie to respond to her past? Did the detectives lie to the suspects? Is that fair? Families may also want to talk about the famous “prisoner’s dilemma”, which we see here as the police question the two boys in different rooms so that each one feels pressure to confess first.

Families who enjoy this movie might like to read Clarence Darrow’s famous closing argument at the Leopold and Loeb trial or take a look at this history of the case. Other movies based on Leopold and Loeb include Alfred Hitchcock’s Rope and Compulsion, with Orson Welles in the Darrow role.

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