The 355

The 355

Posted on January 6, 2022 at 5:24 pm

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sequences of strong violence, brief strong language, and suggestive material
Profanity: Brief strong language
Alcohol/ Drugs: Alcohol and drinking to relieve stress
Diversity Issues: Extended action-style peril and violence, torture, murder, chases, explosions, characters injured and killed
Date Released to Theaters: January 7, 2022

Copyright Universal 2021
It’s a little bit “Bourne,” a little bit “Avengers,” and a little bit “The A-Team” except that the main characters are women and unlike “The A-Team,” the plan never really comes together. And by “plan,” I mean the script.

This is a continent-hopping spy story that has such low expectations of its audience that an establishing shot of Paris clearly showing the Eiffel Tower is helpfully labeled “Paris, France” and one of Washington, D.C. showing the Capitol and Washington Monument is helpfully labeled “Washington, D.C., USA.” At least they did not add, “Planet Earth.”

The storyline, which hardly rises to the level of a plot, is similarly simple. There’s a McGuffin (Hitchcock’s term for whatever it is that everyone in the movie is trying to get). There’s a hard drive with a program that could disrupt anything, from financial records to cell phones to airplane navigation systems. Spies from different countries are trying to keep it from the bad guys. At first, they are each on their own. But, hang on for the big surprise, they have to learn to trust each other and work together. There’s another “surprise” I won’t spoil except to say it’s clear what’s happening in the first 15 minutes and most of the movie is getting it, losing it, and getting it back again.

The spies are: American Mace (Jessica Chastain), a CIA field agent gone rogue since the death of her partner, British former MI6 computer whiz who is determined to stay away from spying Khadijah (Lupita Nyong’o), German Marie (Diane Kruger), fighting the suspicion that she may be a double agent, and Colombian Graciela (Penelope Cruz), who is a therapist, not a spy, insisting she will never use a gun, and just wants to get home to her husband and children. Other members of the cast whose roles I won’t spoil are Sebastian Stan (Bucky in the MCU) and Chinese superstar Fan Bingbing.

The title refers to a real-life female spy of the Revolutionary War era whose identity is still unknown to this day. You’d be much better off watching that story in the television series “Turn: Washington’s Spies.”Even by the very, very low standards of early January movies (Liam Neeson, where are you?), always a dumping ground for films the studios want to get off their books, and even with an all-star cast (two Oscar-winners in this mess!) “The 355” fails in its most basic tasks, telegraphing every development with a cinematic bullhorn (you think Graciela is not going to end up shooting a gun?). Only Bingbing is at all credible in the fight scenes and she arrives too late to make it worthwhile. There are a couple of brighter moments when the ladies are just hanging out, but the action scenes are poorly staged and the non-action scenes are repetitive and dull. The scariest part of the movie is the conclusion promising a sequel.

Parents should know that this movie has extended action violence with chases, explosions, shooting, torture, poison, and fight scenes.

Family discussion: Why did the spies decide to trust each other? When did they trust the wrong people?

If you like this, try: “The Transporter” and “Hobbs & Shaw,” and better films from these performers

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Tribute: Betty White

Tribute: Betty White

Posted on January 1, 2022 at 12:37 am

It was a privilege to write a tribute to the wonderful Betty White for rogerebert.com. An excerpt:

White’s utter fearlessness as a performer was grounded in the delight she took in delighting others, especially if she could shock them just enough to make them laugh. She had unbounded enthusiasm, she loved a challenge, and she never worried about whether the character she was playing was likeable. Whether appearing as herself or in character, she always enjoyed the unexpected twist, especially if it was insulting or raunchy. When more than half a million members of a 2012 Facebook group successfully petitioned to have her host “Saturday Night Live,” her opening monologue let them know she did not take herself – or them – seriously. “When I first heard about the campaign to get me to host ‘Saturday Night Live,’ I didn’t know what Facebook was, and now that I do know what it is, I have to say it sounds like a huge waste of time.” That appearance won her an Emmy, one of five, with 21 nominations going back to 1951.

From CBS Sunday Morning:

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Actors Tribute
Interview: Dana Canedy about “A Journal for Jordan”

Interview: Dana Canedy about “A Journal for Jordan”

Posted on December 23, 2021 at 11:49 am

Dana Canedy’s book, A Journal for Jordan, is the story of her romance with First Sgt. Charles Monroe King, with excerpts from the journal he wrote for the son he would meet just once before he was killed in Iraq. It’s now a movie starring Michael B. Jordan and Chanté Adams, directed by Denzel Washington. I interviewed Ms. Canedy for the Alliance of Women Film Journalists.

An excerpt:

He was writing at a time in his life where he was looking forward to this new life that was coming into the world but also watching soldiers die really focused him in terms of writing what was important and stripping away anything that wasn’t. That’s what makes the journal so powerful. Also, I don’t think he realized he was writing themes throughout the journal that emerged. I don’t think that was on purpose. But when I read it, it very clear what the themes were. They were his love of God, his absolute pride, and dedication in military service. His utter profound respect for women, and the fact that he expected Jordan to respect women. And his love for me. Those are the four themes that came through over and over in in the journal.

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Sing 2

Sing 2

Posted on December 22, 2021 at 11:00 am

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some rude material, mild peril/violence
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Some peril and threats of violence
Diversity Issues: Some humor about a disabled character
Date Released to Theaters: December 22, 2021
Date Released to DVD: March 28, 2022

Copyright 2021 Illumination
This sequel wisely jettisons the less interesting plot lines from the original, the backstories of the animals with dreams of singing before cheering audiences, in favor of what worked best the first time, the performances themselves. “Sing 2” is all about putting on a show, and it begins with a smashing version of Prince’s “Let’s go Crazy.” There’s a lot happening, but take a moment to notice the costumes worn by the performers. They were created by high fashion house Rodarte.

Koala impressario Buster Moon (Matthew McConaughey) has a bigger dream than ever. He wants to take his performers to the entertainment capital of the world, Redshore City, with its enormous and ultra-glamorous theater, the Crystal Tower. It is run by Mr. Crystal (Bobby Cannavale), a tough-talking wolf who only agrees to let them put on their show if they can promise to deliver the lion rock star-turned recluse Clay Calloway (Bono). Moon promises that he will, though he has no idea where Calloway is or how to persuade him to return to performing. There’s a bigger problem. He has the performers, including porcupine Ash (Scarlett Johansson), pig and mother of innumerable piglets Rosita (Reese Witherspoon), gorilla Johnny (Taron Egerton), and shy elephant Meena (Tori Kelly). But despite what they promised Mr. Crystal, they do not have a show, only a concept from Gunter (Nick Kroll) of a space opera titled “Out of this World.” They don’t have enough information to tell the crew what kind of sets to build except that it is set on four different planets and there is a spaceship.

All of which sets up various shenanigans as the little group tries to keep Mr. Crystal from finding out what is going on as they track down Clay Calloway and get the show ready. There are some additional complicating factors. Crystal’s spoiled daughter Porsha wants to be in the show even though her acting is terrible (she can sing, though; she is voiced by pop star Halsey), and her daddy thinks she should have whatever she wants. Johnny cannot learn the complicated moves from the choreographer. Meena’s new co-star is an arrogant Yak (Eric André), who intimidates her. The ice cream guy, though, has her bashful heart fluttering.

All of this is done with heart and humor that will delight young audiences while the parents will get a kick out of the eclectic mix of songs, from Grammy-winning favorites to esoteric Indies and even a little Prokofiev. The audition scene is like a lightning round of Name That Tune. Bono’s rumble makes a great vocal contribution as Clay, and the poignance of his grief gives the story greater heft. There’s even a new U2 song on the soundtrack to underscore in both senses of the word) the way that music can heal and connect. It adds to the ebullience of the film, and like all great music, inspires calls for an encore.

Parents should know that there is some cartoon-style peril and threats of violence and some mild humor about a character’s disability, in addition to some schoolyard language.

Family discussion: Which character is your favorite? What musical show would you like to create? What is Porsha good at?

If you like this, try: the first “Sing” and the Trolls movies.

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