Tribute: Farrah Fawcett

Posted on June 25, 2009 at 2:01 pm

We mourn the loss of the beautiful and talented Farrah Fawcett, who died this morning after a long bout with cancer. She came to attention as the athletic Jill on “Charlie’s Angels.” Her dazzling smile and girl-you-wish-was-next door look quickly led to the poster that became a twelve million-selling sensation. Her departure from the show after the first year was rancorous, but she proved herself to be a gifted actress, with outstanding work in “The Burning Bed,” “Extremities,” “See You in the Morning,” and “The Apostle.” She married Ryan O’Neal last week, after an on-and-off relationship that spanned decades. She will be fondly remembered and she will be missed.

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Actors Tribute
List: Great Comedy Duos

List: Great Comedy Duos

Posted on June 24, 2009 at 3:58 pm

As I was watching Year One, I thought about why the Michael Cera/Jack Black teaming does not work very well. They are both very funny guys, and they have that yin/yang element that propels most comedy teams, with one expansive and impulsive and the other more cerebral and hesitant. But there is not a lot of chemistry between them. That led me to thoughts of some of my favorite comedy teams.

Bob Hope and Bing Crosby This team was unique because it included two mega-stars who were at the top of their fields as solo performers, and yet they made a series of films as a team that rank with any of the best comedy duos of all time. My favorite: Road to Bali, but this number from “Road to Rio” is one of their all-time highlights.

Stan Laurel and Oliver Hardy These adorable goofs were holy fools, with a wonderful innocence and grace. My favorites: “Two Tars” and “Big Business” But this charming dance from Way Out West is another treasure.

Bud Abbott and Lou Costello A classic comedy paring includes a straight man who is a bit slick opposite a comedian who is a bit child-like. My favorite of their movies is “The Time of Their Lives,” but I also love “Buck Privates” and of course their classic “Who’s on first” routine:

The Smothers Brothers Tom and Dick Smothers were also a classic straight man/fool team, but they added in superb music and some barbed political commentary. Their best work was on their television series and I love their CDs, like this one: Sibling Revelry: The Best of the Smothers Brothers

Dean Martin and Jerry Lewis This team began as unknowns and became the most successful performers in America, working in clubs, in the early days of television, in recordings, movies, and even in comic books. Then they split, and each achieved stardom as solo artists. Lewis referred to their act as “a handsome man and a monkey.” They had a wonderful fearlessness and obvious affection for each other and an extraordinary chemistry. I prefer their television work to their movies.

Jerry Stiller and Anne Meara Ben Stiller’s parents were a very successful comedy team before they went their separate ways as actors on television (Stiller played George Costanza’s father on “Seinfeld” and Kevin James’ father-in-law on “King of Queens” and Meara appeared on “Archie Bunker’s Place,” in “Sex and the City,” and in movies like “The Daytrippers”). Their comedy played off their real-life differences, especially their Catholic-Jewish intermarriage.

There are many more worth mentioning, including Mike Nichols and Elaine May (who both had successful careers as movie directors), Tim Reed and Tom Dreeson (the first inter-racial comedy duo, whose book about the experience is called Tim and Tom: An American Comedy in Black and White, Dan Rowan and Dick Martin, whose act was very traditional but whose television show, Laugh-In was innovative and hugely influential, and George Burns and Gracie Allen, whose careers included vaudeville, movies, and a groundbreaking television series.

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Commentary For Your Netflix Queue Lists Movie Mom’s Top Picks for Families Understanding Media and Pop Culture

Dan Savage Takes on “The Suite Life of Zach and Cody”

Posted on June 17, 2009 at 8:00 am

I am a huge fan of advice columnist Dan Savage and his essays for “This American Life.” His recent commentary on the death of his mother brought me to tears. And I am very impressed with his thoughtful assessment of the Disney Channel series “The Suite Life of Zach and Cody.” As a gay man, he remembers the feeling of disconnection he had as a child who never saw on television characters who reflected his view of the world, how he felt, who he wanted to be. And now as a father, he sees his son watching the ostensibly wholesome “Suite Life” and finds it as disturbing a portrayal of heterosexuality as the over-the-top stereotypes of gays he saw when he was growing up. Ten-year-old Zach’s fascination with a pretty teenage girl, his advice about how to get “babes” by lying to them, his creepy come-ons, comments like “I’d better practice my kissing” — Savage says that his son has a “look of concentration” when he watches as though he is “filing things away for future reference.” Savage wants his son, a straight boy growing up with gay parents, to see positive models of heterosexual behavior in the media. But “stereotypes are patient,” says Savage. “They’ll wear you down.”

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After the kids go to bed Television Understanding Media and Pop Culture

Jon and Kate: Can Their Marriage Be Saved?

Posted on June 1, 2009 at 8:00 am

Why do we care so much about Jon and Kate?

Why is the show about these two people and their twins and sextuplets so popular? And why are their marital problems getting so much attention?

I feel terribly sad for the entire family. Jon and Kate were a young couple with twins who wanted another child and so had fertility treatments which resulted in sextuplets. They now support their 10-person family by allowing television cameras to follow them everywhere and they have become celebrities, with Kate spending a lot of time on the road promoting her book and giving talks. The younger children, who just celebrated their fifth birthday, have grown up on camera. Their show is popular because people enjoy seeing how they cope with the unimaginable challenge of feeding, bathing, transporting, and listening to eight children under the age of seven. The children are cute and Kate’s unfazed normalcy seemed to be grounded in her Christian values, though many people commented on her harsh on-camera treatment of her husband. She once memorably told him he was breathing too loud.

Before the new season of the show began, there were supermarket tabloid headlines that Jon and Kate were becoming estranged and possibly having affairs. The couple addressed these questions on the season’s first episode, but what was most important was what they did not say. They did not deny the rumors but they did not say that they were committed to staying together.

Here is a clip from happier days, but even there, you can see some stress between them. Look at the body language as Kate leans away from Jon and compare it to the light-hearted home movie footage of their engagement, wedding, and honeymoon. It is impossible not to be touched by the tenderness of their vows and not to hope that they find their way back to one another.

Jon and Kate have experienced enough stress to drive a dozen couples apart. They got married very young, they very quickly produced eight children, and then, and this may be the most stressful of all, they opened up their lives 24-7 to the viewing public. Any parent of very young children knows what it feels like to see your romantic partnership turn into an endless series of logistical demands. It can be very difficult not to feel frustrated and impatient, and parents often feel they are losing a sense of themselves as separate, functioning, and appealing adults. Jon and Kate may find it difficult to resist whatever reminds them that they merit adult approval. That could be a flirtation with another person or with the audience as a whole — Kate appears to enjoy her glamorous makeover and the attention from audiences.

Jon and Kate will have to work out what is best for them and for their family. But we, too, should give some thought to the part we have played as their audience — whether for the show or for the salacious gossip. Were we too ready to believe the best about them? Are we too ready to believe the worst? Think of poor Susan Boyle, that gentle, unassuming soul who just wanted to sing and who has been almost crushed by overwhleming adulation and scrutiny since her appearance on “Britain’s Got Talent.”

We need to understand that it is absurd to think that “reality” shows give us any real sense of what truly goes on It is a fantasy to think that Jon and Kate could handle all of these children as the show made it appear. And it is an even bigger fantasy to think that the show itself does not fundamentally change the dynamic and relationships it depicts. We need to understand that just as Heisenberg proved that sub-atomic particles behave differently when they are observed, so the very fact of our watching people changes their lives, often for the worse. Look at the Jon and Kate who are so tender in reciting their wedding vows. If they knew what they would have to give up in exchange for the money and product placement and notoriety, would this be what they would have wanted for themselves? For Aaden, Joel, Alexis, Hannah, Leah, Collin, Cara, and Madelyn?

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Commentary Television Understanding Media and Pop Culture

Glee

Posted on May 24, 2009 at 8:00 am

I so enjoyed the sneak preview of the new fall series, “Glee.” The characters are immediately engaging and the music is inspired.

You can watch the entire pilot episode of “Glee” on Hulu and listen to an interview with the creator, Ryan Murphy (of “Nip/Tuck”), on Fresh Air. The series begins this fall.

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