The authors of the book “So Sexy So Soon,” Diane Levin and Jean Kilbourne, say that children are constantly bombarded by the media and advertisers with images and portrayals of hyper-sexuality.
In the book, the authors provide practical suggestions about the ways that parents can provide context and expand their children’s understanding and imagination to help them make sense of the avalanche of messages equating sexuality (and only sexuality) with happiness and power — that that buying products is the way to achieve that. This interview describes the way children respond to the media’s messages and some of the content of the book.
I am thrilled to have FIVE copies of this week’s DVD pick of the week, The First Olympics, one of my all-time favorites. This two-part television miniseries an outstanding family film about the first modern-day Olympics in 1896, exciting, touching, funny, and inspiring. The first five people who send me an email at moviemom@moviemom.com with “Olympics” in the subject line will get this very special DVD. This one is for those who have not yet won anything only, please. And stay tuned, more giveaways ahead.
Thanks to Cheryl Sherry for a nice mention in her article about “teachable moments” for talking to kids about values. I especially appreciate her including my gallery of movies about values to help families talk about honesty, compassion, loyalty, and other important goals. (But just one “n” in “Minow!”)
Rated PG for mild adventure action and brief language.
Profanity:
None
Alcohol/ Drugs:
None
Violence/ Scariness:
Peril, reference to loss of a parent, character who is scared of everything
Diversity Issues:
None
Date Released to Theaters:
April 4, 2008
Date Released to DVD:
August 4, 2008
Amazon.com ASIN:
B001APZMJI
Copyright 2008 Walden Media
A pair of heroines on opposite sides of the world team up in an eye-filling and heart-warming story from Walden Media, the latest in its series of fine films based on popular children’s literature.
Eleven year old Nim (Abigail Breslin of “Little Miss Sunshine”) and her marine biologist father, Jack (Gerard Butler), are the only human residents of a remote but idyllic South Pacific island. While Jack studies nanoplankton, Nim makes the entire island her school, with the animals as her teachers and her friends. Every few months, a supply boat brings another book by her favorite author, Alex Rover, an international man of adventure.
But Alex is really Alexandra (Jodie Foster), a writer so terrified of just about everything that she lives on canned soup, constantly sanitizes her hands, and cannot get far enough outside her front door to retrieve the mail. Alexandra has created a hero who is everything she is not – fearless and always eager to go where he has never been and try what he has never tried.
To get information for her new book, Alexandra emails Jack for details about a volcano he described in an article for National Geographic. But he is away for two days obtaining plankton samples, so Nim answers, thinking she is corresponding with the dashing Alex (also played by Butler , as envisioned by both Alexandra and Nim). By the time Alexandra realizes she is writing to an eleven-year-old, Jack is missing and Nim is alone on the island. And the woman who was terrified to walk four feet to the mailbox must go halfway around the world to help her new friend.
Husband and wife directors Jennifer Flackett and Mark Levin, seamlessly combine adventure, drama, comedy, and fantasy as Jack, Nim, and Alexandra have to confront their separate but often parallel fears and challenges. As Nim tightens the rope around her waist so that she can climb the volcano, Alexandra is tightening the belt of her robe and gathering her resolve to walk out the front door. All three of them find their determination tested and creativity challenged. And all find assistance from unexpected friends.
Nim is an enormously appealing heroine and it is especially welcome to have a story about a resourceful and courageous young girl. The film wisely makes her the center of the story in a way that young audiences will find empowering and Breslin’s unaffected interactions with the creatures and natural screen presence are a pleasure to watch.
Of the three characters, Nim is closest to the imaginary Alex Rover, confident and capable. She navigates the island by gliding on zip wires like a modern-day Tarzan. She not only swims with the sea lion; she teaches it to play soccer and boogie. She can fix the solar panels on the roof to get the electricity and satellite uplink back in working order, protect the newborn baby turtles from predators, rappel down the side of a volcano, and make a dinner out of mung beans and meal worms. When the island is invaded by a pirate-themed cruise ship bearing pina coladas, beach chairs, port-a-potties, and chubby Australian tourists, Nim and her animal friends set up a “Home Alone”-style series of booby-traps to scare them away.
Butler is fine as Nim’s fond, if distracted father and as the heroic Alex. And it is a treat to see Foster enjoying a comic turn in her first film for families since her Disney days, when she was Nim’s age, and shared the screen with an Oscar-winning star, Helen Hayes in “Candleshoe.” Here’s hoping when it is time for Breslin to pass on the torch to a young actress 30 years from now it will be in a movie as good as this one.
Parents should know that this film features a child and adults in peril, a brief image of a wound, some gross-out humor, and a reference to loss of a parent. There is also some intrusive product placement.
Families who see this movie should discuss why Alexandra created such a brave hero when she was so afraid of everything? Would you like to live like Nim? What would be the best part? What would you miss?
Families who enjoy this movie will also enjoy Shipwrecked and the book that inspired this movie. They will also enjoy seeing Foster and Helen Hayes in Candleshoe.
Rated R for pervasive language, drug use, sexual references and violence.
Profanity:
Constant extremely strong, vivid, profane, and crude language
Alcohol/ Drugs:
Characters are drug dealers and characters are habitual drug abusers, drug use by adults and young teenagers
Violence/ Scariness:
Very graphic blood-spattering violence, many characters injured and killed
Diversity Issues:
None
Date Released to Theaters:
August 8, 2008
Another week, another Apatow movie. Another Apatow movie, another story of lame, pot-smoking slackers up to all kinds of hijinks and discovering the true meaning of friendship.
Sigh.
Comedy is often grounded in the pleasure of seeing someone get away with bad behavior we are not allowed to enjoy or seeing someone safely other than ourselves squirm through a nightmare scenario of humiliation and failure. This kind of comedy has an essential and revelatory childishness that reminds us, sitting comfortably in our stadium seating, how fine the line is between how we try to appear and what we are really thinking.
But whether that is slapstick like the Three Stooges bashing each other or outrageous behavior like Howard Stern’s radio show, there has to be something that keeps us on the side of the anti-heroes and this movie runs out of goodwill long before the finish. In The 40-Year-Old Virgin the leading man was a decent guy who just somehow missed one of the essential off-ramps to adulthood. In Superbad we get to witness one of those efforts to make it to the off-ramp as it happens. Adolescent behavior is expected when the characters are actual adolescents. But in this movie, most of the characters are unappealing, generic, and just too skeezy.
Except for James Franco. Casting directors take one look at those cheekbones and assign Franco to the brooding category. One of his early break-out roles was the broodiest of them all, the lead in a made-for-television biopic about James Dean. More recently, he smoldered his way through the “Spider-Man” movies as best friend/rival/nemesis Harry Osborn. Only Apatow saw Franco’s gifts as a comic actor and cast him in “Freaks and Geeks.”
As Saul, a sweetly stoned dealer who just wants to take care of his Bubbe, watch some television, and make some friends, he turns in one of the choicest comic performances of the year, making every moment about more than just being dim or baked. When he says that smoking the super-potent strain of marijuana that gives the film its name is almost like “killing a unicorn” or is happily reminded, when he says he’d like a job that involved hanging around and getting stoned all day that that is exactly the job he has, or when he unexpectedly finds the mental capacity to come up with an astounding list of possible ways that the bad guys might track them down, he gives us a character who is enchantingly caught up in a world of perpetual possibilities.
Seth Rogan, who co-wrote the script, is far less interesting as Dale, a 25-year-old process server with a high school girlfriend who is vastly more mature than he is. He can see that even through the constant cloud of marijuana smoke, and that only makes him more insecure and needy — and juvenile.
A vicious drug dealer (Gary Cole) and a corrupt cop (Rosie Perez) come after Dale and Saul, and various other people get caught up in the chase, including a fellow dealer whose loyalties are rather fluid (a funny Danny R. McBride). Extreme and graphic violence is interspersed with various stoner riffs and random encounters, including Bubbe’s assisted living facility and a surreal suburban family dinner with the parents of the high school girlfriend. Franco continues to find fresh ways to engage us but Perez and Cole are drastically underused and Rogan is as stale as last week’s bong water. It’s not outrageous enough, it’s not audacious enough, and it’s just not funny enough.
and the 
that inspired this movie. They will also enjoy seeing Foster and Helen Hayes in 
.