Smile of the Week: Joseph Gordon-Levitt on Sesame Street
Posted on February 17, 2013 at 8:00 am
Joseph Gordon-Levitt and Murray discuss the word “reinforce” — to make something stronger.
Posted on February 17, 2013 at 8:00 am
Joseph Gordon-Levitt and Murray discuss the word “reinforce” — to make something stronger.
Posted on February 16, 2013 at 7:53 pm
The Criterion Collection includes the very best throughout the history of cinema, impeccably restored. And this long weekend, you can watch Criterion’s collection free on Hulu. Try Chaplin’s “Modern Times,” Bergman’s “The Seventh Seal,” Truffaut’s “Stolen Kisses,” Wenders’ “Wings of Desire” or one of the many, many others.
http://www.youtube.com/watch?v=wENE7O-Y6ME
Posted on February 16, 2013 at 6:43 pm
Yesterday Chris Dodd, head of the Motion Picture Association of America (MPAA), spoke at the National Press Club, which prepared movie poster cookies in his honor. As a member of the club who writes about movies, I was invited to watch from the head table. Dodd, who was a Connecticut Senator for 30 years (his father also represented Connecticut in the Senate), now runs the trade association for the film industry, which includes lobbying Congress and the Senate on matters like piracy and copyright and assigning ratings from G to NC-17. He spoke eloquently on “why movies matter.” As an art form, he said, it is a “spectacular convergence” of visual arts, language arts, and music, attracting some of the most talented people in the world who want to paint on one of the largest and most stimulating canvases ever created. They “tell stories that help us make sense of our world” and are “a vehicle to raise awareness of social and political issues.”
He emphasized the importance of the movie and television production industry to the US economy. There is a 7 to one export/import ratio, higher than in any other sector. “For every unfathomably rich and beautiful star” there are thousands of people who are employed by the industry, more than 2 million, who have careers, not just jobs, many of which are good paying jobs even for those without a college degree. Also, movies brand America in the eyes of the world, communicating our openness and opportunity. He quoted one man who told him that he did not agree with much of what the US does, but had to admire the way our filmmakers are so open in their own critiques of America and its policies. “Your movies examine, ridicule, and challenge public institutions — and get awards for it!”
And he said that every movie is hand-crafted. Movies also inspire unique technological breakthroughs. Ang Lee had to wait 12 years from the time he first wanted to make “Life of Pi” into movie until the technology could be developed to make it work.
Dodd spoke of the need to balance the “free and open internet,” which he supports, with protection of intellectual property. “Free and open cannot be synonymous with working for free.”
Asked about the responsibility the movie industry bears for its portrayal of violence and the impact that has on audiences, especially children and teenagers, he said with evident feeling that Newtown affected him personally — he once represented the Sandy Hook community. And Connecticut is the seventh largest producer of guns. “It is not an abstraction to me.” But his comments were on the abstract side — along the lines of “we of course want to be part of the conversation,” emphasizing the “slippery slope” of content regulation, and pointing to the lack of support for the mentally ill and their families as a more important problem. “We provide choice. Not every movie is for everyone.” The MPAA supports educating the audience about the tools it already makes available for control. Similarly, he was not willing to commit to any overhaul of the MPAA’s unnecessarily obscure, inconsistent, and biased toward the big studios ratings system. He also dodged specifics in answering questions about privacy and copyright extension.
Posted on February 15, 2013 at 11:15 pm
A new animation studio called Rainmaker has produced its first film, “Escape from Planet Earth,” a story of sibling rivalry and aliens. It almost works as an amiable, if derivative time-waster for kids with a few jokes for the grown-ups, but too much is unsettlingly off-base.
On the planet Baab, where the inhabitants are blue and nearly bald, Scorch Supernova (Brendan Fraser) is a big, brash, brave, impulsive hero. His Buzz-Lightyear knock-off spacesuit is festooned with NASCAR-style sponsor patches. In between missions, he promotes his cereal brand, Scorchies.
His brother Gary Supernova (Rob Corddry) is the brilliant but careful, brilliant mission control specialist who makes sure Scorch knows what he has to do, where he has to be, and how to get back home. His coffee mug says, “I (HEART) Safety.” Gary tells Scorch to proceed with extreme caution and Scorch responds that he will proceed with style.
Scorch always calls Gary his “little brother” and Gary irritably reminds Scorch that he may be smaller but he is actually older. Each feels unappreciated by the other. And each secretly thinks his contribution is the more important one.
They complete a successful mission rescuing kidnapped Baab-ian babies from a planet inhabited by creatures with big teeth who thought of the babies as a delicacy. But it put such a strain on their working relationship that they split up, just as Scorch is about to undertake his most dangerous mission of all — a trip to “the dark planet” of earth, “the only world in which evolution goes in reverse.” More than 100 aliens have landed there and none has made it home. Scorch, insisting he can do it on his own, arrives on earth and is immediately captured. Gary goes after him, and he gets captured, too. And of course they are taken to Area 51.
They are held there by General Shanker (William Shatner), where they are forced to give up their inventions — like social networking, cell phones, computer animation, and search engines — so that the general can finance some big contraption he says is to help preserve peace. The brothers will have to learn to work together and to appreciate each other if they are to get back home. And they will need the help of Gary’s wife Kira (Sarah Jessica Parker) and son.
There are a couple of good jokes and some of the characters are well-designed and voiced, especially Jane Lynch as a one-eyed alien who appears to be made out of lobster shells. The prison-like setting where Scorch, Gary, and the other aliens are kept and much of the humor is reminiscent of films like “Paul,” “Monsters, Inc.” and “Monsters vs. Aliens.” But the movie slides from the unimaginative to the weirdly creepy when the aliens are told that if they work they will be set free in a chillingly insensitive echo of the infamous Auschwitz gate. When Gary’s boss (Jessica Alba) repeatedly insults Kira for being a stay-at-home mother, it falls flat. So do the jokes about Gary’s being a nerd, making fun of him for being smart. It’s one thing to have all the aliens breathe air and speak English, but having them travel back and forth between planets in less time than it takes to fly from New York to Chicago and have characters show up on Baab when they were left behind on earth three days earlier feels less like sci-fi than laziness.
Parents should know that this movie includes extended peril and action and some scary-looking aliens, some potty humor, and a parent getting crushed by a UFO. There are some oddly insensitive jokes about nerds not having any friends and stay-at-home mothers not being capable.
Family discussion: Why was it so hard for Gary And Scorch to be nice to each other?
If you like this, try: “Monsters vs. Aliens” and “Monsters, Inc.”
Posted on February 15, 2013 at 8:12 am
Ever since last summer at Comic-Con, I have been looking forward to the prequel to “The Wizard of Oz” with James Franco, Michelle Williams, and Mila Kunis. Here’s a sneak peek.