Posted on January 15, 2019 at 10:03 am
The last one was called “Homecoming,” but this time your friendly neighborhood Spider-Man (Tom Holland) is out of his friendly neighborhood and on a field trip to Europe with his classmates, including Zendaya as MJ. Guess who shows up — Nick Fury (Samuel L. Jackson). Also Jake Gyllenhaal as Mysterio. And I love that sizzle between Aunt May (Marisa Tomei) and Happy Hogan (Jon Favreau). Spidey, take us home!
Posted on January 10, 2019 at 5:49 pm
B-| Lowest Recommended Age: | High School |
| MPAA Rating: | Rated PG-13 for suggestive content and drug use |
| Profanity: | Some strong and crude language |
| Alcohol/ Drugs: | Marijuana, some alcohol |
| Violence/ Scariness: | Severe medical issues, some peril, reference to serious accident |
| Diversity Issues: | A theme of the movie |
| Date Released to Theaters: | January 11, 2019 |
| Date Released to DVD: | May 20, 2019 |
Del did not want the job. He did not even know what job he was applying for. But his parole officer warned him that he would have to go back to prison if he could not show that he had been turned down by three potential employers. So, he takes the elevator to the penthouse thinking he is applying for a custodial position and barged into another candidate’s interview because he just wants to be turned down and get out of there and pick up his son from school. Instead, he ends up getting hired. Philip (Cranston) likes Del because he is so inappropriate. While the other applicants for the position spoke in low, soothing, deferential tones, Del was at home with saying whatever he was thinking.
Being at home with whatever the job required was another thing, however. Del is fine with lifting Philip into the chair and driving him around in his fancy cars. He is more than fine with his room in the penthouse, though the shower is very complicated and probably bigger than his prison cell. He is fine with Philip’s DNR orders. He is not fine with some of the more intimate aspects of the job.
It is about 15 minutes too long, and very much a studio product, burnished and focus-grouped. Philip teaches Del to appreciate opera and Del teaches Philip to appreciate Aretha Franklin. They each push the other out of their comfort zones. Del forces Philip to call his “epistolary” friend, a woman he has been corresponding with through old-school letters. Philip makes it possible for Del to resolve some of the issues of his past, including beginning to develop a relationship with his estranged son.
The three performers bring a lot of luster to a formulaic screenplay (opera/Aretha, TWO scenes high on weed, a breaking-everything-will-be-cathartic moment), especially Cranston, who brings warmth and depth to a character who is extremely patient and understanding (until he isn’t). Kidman is marvelous as Philip’s quiet and very proper executive assistant. And Hart has his best moments when he is slightly toned down, unsure, and disheveled from his usual high-energy, peppery persona, making us look forward to seeing him explore a wider variety of roles, maybe even something dramatic. If he listens to the advice Del gets from Philip, maybe that will happen.
Parents should know that this film features some strong and crude language, sexual references and graphic sexual humor and a mild situation, drug use and drug humor, and a severe medical condition.
Family discussion: What need can you find a way to fill? Who can you encourage? Why did Philip like Del?
If you like this, try: the original French version, “The Intouchables” and “Me Without You”
Posted on January 10, 2019 at 5:29 pm
B +| Lowest Recommended Age: | 4th - 6th Grade |
| MPAA Rating: | Rated PG for thematic elements, some peril and language |
| Profanity: | Some mild language |
| Alcohol/ Drugs: | None |
| Violence/ Scariness: | Peril and violence, death of human and animal characters, characters with disabilities and PTSD |
| Diversity Issues: | Diverse characters |
| Date Released to Theaters: | January 11, 2019 |
| Date Released to DVD: | April 8, 2019 |
Bryce Dallas Howard provides the voice of Bella, a pit bull pup living under an abandoned house in Denver with a bunch of homeless cats. She is loved and happy until animal control comes and takes her mother away. The mother cat adopts Bella, who is comforted and at home until the arrival of two animal welfare volunteers, who come by to leave cat food every day. Lucas (a warmly appealing Jonah Hauer-King) is a Veterans Administration employee studying for the MCATs and living with his mother, an Army vet struggling with depression. He is instantly taken with Bella and adopts her, even though his lease does not allow dogs.
Pit bulls are not allowed in Denver. It is up to the individual animal control officer to decide which dogs are covered by the ban, and one has it in for Bella. He picks her up once and Lucas pays the fine. But if he picks her up again, she will be killed. The developer who owns the property with the abandoned homes will do anything to get Lucas and the other animal lovers to stop interfering with his permits.
Lucas brings Bella to New Mexico to stay with friends so she will be safe while he moves to a new apartment outside of the Denver city limits. But Bella does not understand. She remembers that Lucas taught her how to go home, and so she runs away and begins a 400 mile adventure that will take more than two years.
Bella has encounters with humans and animals along the way, some kind, some predatory. She makes some friends and has the opportunity to find new loving homes but she wants to be with Lucas.
Having Bella as our narrator adds some charm to the movie because her understanding may be limited in some respects, but she never loses sight of the essentials. The individual encounters introduce us to a range of human characters, some worth a movie of their own, like the disabled vets who are able to experience joy and purpose through Bella (especially when they have to hide her from the doctor in charge of the VA hospital in one of the film’s best scenes). She saves one man’s life and becomes the last friend of a homeless man (Edward James Olmos). And she mothers “big kitten,” an orphan mountain lion who will someday return the favor. The footage here is heartwarming and genuinely astonishing, especially after they meet again when the majestic cat is fully grown.
This is a nice way to start the year, a story of love and loyalty, canine and human.
Parents should know that this film features humans and animals in peril, injured and killed, animal hit by a car, animal killed by hunters, character dies and the body is discovered by children, and characters who struggle with PTSD and depression.
Family discussion: What did Bella understand better than the humans did? Why did Bella make such a difference for the veterans?
If you like this, try: “The Incredible Journey” and “A Dog’s Purpose”
Posted on January 10, 2019 at 4:00 pm
I am proud to be a member of the Alliance of Women Film Journalists and proud of our 2019 awards.
These awards are presented to women and/or men without gender consideration.
Best Film
ROMA
Best Director
Alfonso Cuaron
ROMA
Best Screenplay, Original
THE FAVOURITE
Deborah Davis, Tony McNamara
Best Screenplay, Adapted
CAN YOU EVER FORGIVE ME?
Nicole Holofcener, Jeff Whitty
Best Documentary
WON’T YOU BE MY NEIGHBOR?
Morgan Neville
Best Animated Film
SPIDER-MAN INTO SPIDER-VERSE
Bob Persichetti, Peter Ramsay, Rodney Rothman
Best Actress
Olivia Colman
THE FAVOURITE
Best Actress in a Supporting Role
Regina King
IF BEALE STREET COULD TALK
Best Actor
Ethan Hawke
FIRST REFORMED
Best Actor in a Supporting Role
Richard E Grant
CAN YOU EVER FORGIVE ME?
Best Ensemble Cast
BLACK PANTHER
Sarah Finn, Casting Director
Best Cinematography
ROMA
Alfonso Cuaron
Best Editing
ROMA
Alfonso Cuaron, Adam Gough
Best Non-English-Language Film
ROMA
Alfonso Cuaron
Mexico
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.
Best Woman Director
Marielle Heller
CAN YOU EVER FORGIVE ME?
Best Woman Screenwriter
Deborah Davis
THE FAVOURITE
Best Animated Female
Elastagirl
Holly Hunter
INCREDIBLES 2
Best Breakthrough Performance
Thomasin McKenzie
LEAVE NO TRACE
Outstanding Achievement by A Woman in The Film Industry
Rachel Morrison
For paving the road for women cinematographers with her Oscar nomination for MUDBOUND and scoring as DP on BLACK PANTHER.
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism
Viola Davis – WIDOWS
Bravest Performance
Olivia Colman – THE FAVOURITE
Actress Most in Need Of A New Agent
Jennifer Lawrence – RED SPARROW
Most Egregious Age Difference Between The Lead and The Love Interest Award
MISSION IMPOSSIBLE FALLOUT – Tom Cruise and Rebecca Ferguson
Remake or Sequel That Shouldn’t Have Been Made
OVERBOARD
AWFJ Hall of Shame Award
ALL ALLEGED ABUSERS: Including Weinstein, Moonves, CK, Spacey, Rush, Franco, Singer, Rose, Lauer et al.
ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not-for-profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women’s voices in the film community by broadening opportunities for women who write about film and supporting films by and about women – both in front of and behind the cameras – through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies. More information about AWFJ, including the membership list, can be accessed at www.awfj.org or sending inquiries to awfjinc@gmail.com.
ABOUT THE EDA AWARDS: The AWFJ presents EDA Awards to honor women’s achievements in front of and behind the cameras. In addition to the annual end of the year awards, AWFJ presents EDA Awards for Best Female-Directed Films at select film festivals, including IDFA, Whistler Film Festival, DOXA. Edinburgh Film Festival. St. Louis International Film Festival and others. The EDAs are named in honor of AWFJ founder Jennifer Merin’s mother, Eda Reiss Merin, a stage, film and screen actress whose career spanned more than 60 years. A dedicated foot soldier in the industry, Eda was one of the founders of AFTRA and a long-standing member of AMPAS.
Posted on January 10, 2019 at 8:12 am
Remember “Big?” When a boy wished to be big and turned into Tom Hanks? Well, this is the other way around in “Little,” with Issa Rae as an executive assistant, Regina Hall as her tyrannical boss, and Marsai Martin (Diane on “Black-ish”) as her, well, Tom Hanks. Three of my favorite performers. I can’t wait.
