Take Yourself to a Movie — Alone

Posted on April 3, 2018 at 8:00 am

I love seeing movies with my husband, my family, and my friends.  I also love the pre-release screenings, where I get to hang out with my fellow movie critics, who are great friends and lots of fun to talk with about movies.  But I also love to go go movies by myself (okay, I love seeing movies pretty much any way they come) and was delighted to read this tribute to solo movie viewing by Matthew Monagle of Film School Rejects:

Perhaps my favorite thing about watching movies by myself, however, is the lack of pressure to form an immediate opinion. Much to the annoyance of my friends and family members, I’m not particularly good at articulating how I feel about a movie until I’ve had a little time to think it over. Even then, I might not truly know how I feel until I start trying to write things down. Pauline Kael once described her writing process – and I’m paraphrasing pretty heavily here – as essential to the development of her opinion: she wouldn’t know how she truly felt about a movie until her words hit the page. I’m prone to that same sort of self-discovery. Sometimes it’s because I don’t want to commit to an opinion until I’m certain it’ll hold up under intense scrutiny; other times it’s because I can’t pin down my vague feelings of slight-dislike or slight-like for a movie I just watched. Whatever the reason, those extra minutes I spend to myself after watching a movie – on the subway, in the car, along the street – give me time to bounce ideas around in my head before trying an opinion on for size. And when you come across a movie you truly love, like The Devil’s Candy? Sometimes it’s just nice to sit and bask in it for a little bit without having to dig any deeper.

So the next time a movie catches your eye and you can’t find anyone to go see it with you, try something you may find a little uncomfortable at first: go by yourself.

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Understanding Media and Pop Culture
Slate Spoils Annihilation

Slate Spoils Annihilation

Posted on March 3, 2018 at 10:12 pm

I never miss an episode of Slate’s Spoiler Specials, the discussions of movies for those who have already seen them, so there is no need to avoid spoilers of plot twists or surprise endings. There couldn’t be a better choice of movie for a spoiler-filled discussion than Annihilation or a better trio to discuss it than Dana Stevens, Inkoo Kang, and Marissa Martinelli. They may not answer every question, but they puzzle along with you in an exceptionally thoughtful and enlightening conversation.

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Most Valuable Players: Actors Who Appeared More than One Top 2017 Film

Most Valuable Players: Actors Who Appeared More than One Top 2017 Film

Posted on January 19, 2018 at 1:31 pm

Copyright Sony PIctures Classics

Michael Stuhlbarg, Timothee Chalamet, Sally Hawkins, Lucas Hedges, Alison Brie, and Caleb Landry Jones are among the actors who appeared in more than one 2017 awards contender. Some are well-known actors we are seeing in a new light, like Bob Odenkirk, or well-known actors who just keep being great like Nicole Kidman and Robin Wright. Others are reliable stalwarts like Stuhlbarg, Tracy Letts, and Bill Camp. Others seem to have come out of nowhere to astonish us, like Chalamet and Jones. Indiewire has a great gallery of last year’s MVPs.

Copyright Fox Searchlight 2017
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Mira Singer on the Theme of Failure in “Star Wars: The Force Awakens” and “The Last Jedi”

Mira Singer on the Theme of Failure in “Star Wars: The Force Awakens” and “The Last Jedi”

Posted on January 13, 2018 at 4:44 pm

Mira Singer has an exceptionally thoughtful essay on the theme of failure in “Star Wars: The Force Awakens” and “Star Wars: The Last Jedi.” NOTE: To be read after seeing the films as there are spoilers.

Master Yoda, the wisest character in the Star Wars universe, says, “The greatest teacher, failure is.” The film doesn’t just state this message — it proves it. Each of the characters’ failures leads to important lessons, character development, and thematic revelation. There is an inverse relationship between the success of the characters’ plans and the lessons they learn, which is the way life often works.

It is only because the characters fail that they learn what they learn and grow the way they do. What they want is different from what they need. Separating character want and need is a classic storytelling technique that this movie executes successfully — the characters pursue what they want, and they don’t get it. Instead, they get what they need.

FURTHER SPOILERS: I note that there were several films about retreat by the good guys this year including three different movies about the real-life Dunkirk rescue (“Dunkirk,” “Darkest Hour,” and “Their Finest”), “The Last Jedi,” and “Thor: Ragnarok.” I will have to think about what this signifies.

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Understanding Media and Pop Culture

Rotten Apples — Not if the Movie is Good But if the People Who Made It Are

Posted on December 16, 2017 at 8:51 pm

Rotten Apples is a searchable database that reveals whether a movie was made by an actor, screenwriter, director, or producer facing allegations of sexual misbehavior.  “Rotten” results include a link to an article about the pertinent accusations.  It’s still very much a work in progress, but is doing its best to be up to date.

Copyright 2017 Rotten Apples
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Critics Understanding Media and Pop Culture
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