The Aftermath

Posted on March 21, 2019 at 5:29 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for sexual content/nudity, and violence including some disturbing images
Profanity: Some strong language
Alcohol/ Drugs: Drinking and drunkenness
Violence/ Scariness: Military violence with some disturbing images, brief Holocaust images, characters injured and killed, sad deaths
Diversity Issues: Post-war ethnic hostilities, Holocaust references
Date Released to Theaters: March 22, 2019
Date Released to DVD: June 24, 2019

Copyright Fox Searchlight 2019
The Aftermath” is the sort of soapy wartime melodrama people often think of when they complain that they don’t make movies like they did in the old days, except that it has more sex and, if you look past the steamy romance, a disturbing whiff of both sides-ism. The focus of the film is grief and the honorable work of rebuilding — literally, politically, diplomatically, personally after the tragic necessities of war, including demonization of the other side and the inevitable atrocities of country leaders sending young people to kill each other.

It takes place in Hamburg, Germany, five months after the end of World War II. The British are occupying the all-but-destroyed city. As residents comb through the rubble, still seeking thousands of missing people, and we are reminded that the Allies dropped more bombs in a week on the city than Germany dropped on the UK for the entire war, creating an uncomfortable parity. An elegant mansion is requisitioned by the occupying forces for its military leader, Lewis Morgan (Jason Clarke) and his wife, Rachel (Keira Knightley).

They allow the former owner of the home, architect Stefan Lubert (Alexander Skarsgård) to live in the attic with his teenage daughter, Freda. Lewis is gone most of the time, trying to maintain order while many Germans are still loyal to Hitler and furious with the Allies and the occupation. Some have burned 88 on their arms (for Heil Hitler, because H is the 8th letter of the alphabet). Rachael spends some time with other Brits stationed there, but she is lonely and still grief-stricken over the death of her young son in a German bombing attack on England.

And then, she begins to see Stefan not as an enemy but as a human, a father, a man of culture, a man mourning his own losses, and also a man who looks very appealing as he chops wood wearing a blue sweater. They are drawn to each other because they are lonely and because each represents for the other a complete break with the past, almost a way to obliterate it.

Author Rhidian Brook based the story on the experiences of his grandfather, which he first sold as a screenplay idea, and then made into a novel while he worked on the script. The issues of transitioning from war to peace, with awkward, useless official inquiries to try to make impossible assignments of guilt, basically asking, “Just how much of a Nazi were you?” are intriguingly raised but not very thoughtfully explored. Lewis is an exemplar of decency and yet cannot comfort his wife. He admits that he has seen and done unspeakable things but cannot talk to his wife about that, either.

There is so much potential here for tying together the issues of the broken city and the broken world and the broken marriage, but instead the focus is on the forbidden romance. As enticing as the steamy love story may be (did I mention the log-chopping scene?), its failure to recognize and address the issues it passes through leave the film, like the home at the center of the story, pretty but empty.

Parents should know that this film includes military and rioter/protest peril and violence with characters injured and killed, some grisly and disturbing images, brief Holocaust photos, some strong language, explicit sexual situations, nudity, non-explicit teen sex, and drinking and drunkenness.

Family discussion: What is the right way to treat citizens of a conquered country? How did Stefan, Lewis, Freda, and Rachael handle grief differently?

If you like this, try: “The Exception” and “Operation Finale”

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Based on a book Drama DVD/Blu-Ray movie review Movies Romance War

The Grinch

Posted on February 3, 2019 at 4:18 pm

B +
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for brief rude humor
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to Theaters: November 9, 2018
Date Released to DVD: February 4, 2019

Copyright Illumination 2018
My DVD pick of the week is “The Grinch,” which I reviewed for rogerebert.com.

An excerpt:

The visuals are delightfully Seussian, all curves and slants. I loved the mitten-shaped windows on one of the houses and the way that Whoville’s Christmas decorations make it look like a captivatingly intricate gingerbread village. In contrast, the Grinch’s mountain top lair is bare and cavernous, empty and solitary, far from the warmth of the Whovian homes.

While this is not especially inventive, there are some clever parallels as the Grinch and Cindy Lou each have to come up with a plan for Christmas Eve. They write out their schemes with the same two words alone on a huge surface: “Santa Claus.” And both must assemble helpers and equipment without anyone finding out.

The smaller details are the most fun, especially when the Grinch brings on an enormous, yak-looking reindeer named Fred to pull his fake Santa sleigh. Or when a relentlessly cheery Whovian (Kenan Thompson) with the fanciest Christmas decorations in town keeps insisting that he and the Grinch are best friends.

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Animation Based on a book DVD/Blu-Ray Fantasy For the Whole Family Holidays Remake

A Dog’s Way Home

Posted on January 10, 2019 at 5:29 pm

B +
Lowest Recommended Age: 4th - 6th Grade
MPAA Rating: Rated PG for thematic elements, some peril and language
Profanity: Some mild language
Alcohol/ Drugs: None
Violence/ Scariness: Peril and violence, death of human and animal characters, characters with disabilities and PTSD
Diversity Issues: Diverse characters
Date Released to Theaters: January 11, 2019
Date Released to DVD: April 8, 2019

Copyright 2019 Columbia Pictures
I laughed and I cried and I said, “Aww,” watching A Dog’s Way Home and that is not a bad way to begin the year.

Bryce Dallas Howard provides the voice of Bella, a pit bull pup living under an abandoned house in Denver with a bunch of homeless cats. She is loved and happy until animal control comes and takes her mother away. The mother cat adopts Bella, who is comforted and at home until the arrival of two animal welfare volunteers, who come by to leave cat food every day. Lucas (a warmly appealing Jonah Hauer-King) is a Veterans Administration employee studying for the MCATs and living with his mother, an Army vet struggling with depression. He is instantly taken with Bella and adopts her, even though his lease does not allow dogs.

Pit bulls are not allowed in Denver. It is up to the individual animal control officer to decide which dogs are covered by the ban, and one has it in for Bella. He picks her up once and Lucas pays the fine. But if he picks her up again, she will be killed. The developer who owns the property with the abandoned homes will do anything to get Lucas and the other animal lovers to stop interfering with his permits.

Lucas brings Bella to New Mexico to stay with friends so she will be safe while he moves to a new apartment outside of the Denver city limits. But Bella does not understand. She remembers that Lucas taught her how to go home, and so she runs away and begins a 400 mile adventure that will take more than two years.

Bella has encounters with humans and animals along the way, some kind, some predatory. She makes some friends and has the opportunity to find new loving homes but she wants to be with Lucas.

Having Bella as our narrator adds some charm to the movie because her understanding may be limited in some respects, but she never loses sight of the essentials. The individual encounters introduce us to a range of human characters, some worth a movie of their own, like the disabled vets who are able to experience joy and purpose through Bella (especially when they have to hide her from the doctor in charge of the VA hospital in one of the film’s best scenes). She saves one man’s life and becomes the last friend of a homeless man (Edward James Olmos). And she mothers “big kitten,” an orphan mountain lion who will someday return the favor. The footage here is heartwarming and genuinely astonishing, especially after they meet again when the majestic cat is fully grown.

This is a nice way to start the year, a story of love and loyalty, canine and human.

Parents should know that this film features humans and animals in peril, injured and killed, animal hit by a car, animal killed by hunters, character dies and the body is discovered by children, and characters who struggle with PTSD and depression.

Family discussion: What did Bella understand better than the humans did? Why did Bella make such a difference for the veterans?

If you like this, try: “The Incredible Journey” and “A Dog’s Purpose”

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Based on a book DVD/Blu-Ray movie review Movies Talking animals

If Beale Street Could Talk

Posted on December 27, 2018 at 12:08 pm

A
Lowest Recommended Age: Middle School
MPAA Rating: Rated R for language and some sexual content
Profanity: Strong language
Alcohol/ Drugs: Acohol
Violence/ Scariness: Some peril and violence, references to rape
Diversity Issues: A theme of the movie
Date Released to Theaters: December 25, 2018
Date Released to DVD: March 26, 2019
Copyright Annapurna 2018

When I interviewed writer/director Barry Jenkins about “Moonlight,” we talked about the movie’s haunting score, composed by Nicholas Britell. “Many directors would use songs of the era to place the audience in the film’s three time periods,” I said. “Two things,” he replied. “First, we could not afford the rights to those songs. But more important, I believe these characters deserve a full orchestral score.”

I thought of those words as I watched Jenkins’ latest film, “If Beale Street Could Talk,” based on the 1974 novel by James Baldwinmy #1 film of 2018, and winner of the Best Director, Best Supporting Actress and Best Film Spirit Awards. There were moments when it did not feel like I was watching the film. It was more like I was immersed in it, as though I could feel it pulsing through my veins. The entire theme of the movie could be, “These characters deserve a full orchestral score” along with the highest level of every other creative and aesthetic element available to a filmmaker, from Baldwin’s lyrical words to the luscious cinematography of “Moonlight’s” James Laxton, another gorgeous score by Britell, costumes that carry the narrative and illuminate the characters, and performances of infinite sensitivity and humanity.

“If Beale Street Could Talk” succeeds brilliantly at one of cinema’s most central functions: a love story with sizzling chemistry between two impossibly beautiful people. Stephen James (“Race”) and newcomer Kiki Layne are 2018’s most compelling romantic couple, pure pleasure to watch. Their relationship is in every way the heart of this story, the reason we feel so sharply the injustice and, in some ways harder to accept, the resignation that is the most undeniable signifier of generations of institutional racism. We see that most powerfully when Oscar-winner Regina King, as the girl’s mother, looks in the mirror as she prepares like a matador entering the bullring for a meeting that could make all the difference for the couple. She cannot expect much, but she has to try. Throughout the movie, there is resignation and diminished hopes but there is also resilience. And “Beale Street” reminds us that undiminished and imperishable love abide: romantic love, the love of parents and siblings, even an unexpected encounter with a warmhearted landlord. There is the love Baldwin and Jenkins have for these characters. And, most of all, it reminds us that this is a story that deserves to be told with the best of what movies have to offer, including a full orchestral score.

James and Layne play Fonny and Tish, childhood sweethearts who are young and deeply in love. He is wrongfully arrested for rape by a bigoted cop with a grudge and is in jail when Tish tells him that she is going to have a baby. We see what happened before and what happens after in a jazzy, non-linear form, luscious images and exquisite performances. This film is a masterpiece, like its characters of a time nearly half a century ago, “ready,” and exactly right on time.

Parents should know that this film includes explicit sexual references and situations, references to rape, unjust charges and abuse of the justice system, racism, and some peril and violence.

Family discussion: Why does Sharon take off her wig? Why do the mothers respond so differently to the news of the baby?

If you like this, try: “Moonlight” from the same writer/director and the books of author James Baldwin

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Based on a book Drama DVD/Blu-Ray Family Issues movie review Movies Race and Diversity Romance
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