Hamilton — Original Cast!! — Coming to Disney Plus
Posted on May 13, 2020 at 5:28 pm
The original Broadway cast of Hamilton film is coming to Disney+ on July 3.
The show was filmed live on stage with the original cast at the Richard Rodgers Theatre in 2016.
The original Broadway cast appearing in the film include Tony Award® winners Lin-Manuel Miranda as Alexander Hamilton; Daveed Diggs as Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberry as Angelica Schuyler; Leslie Odom, Jr. as Aaron Burr; Tony Award® nominees Christopher Jackson as George Washington; Jonathan Groff as King George; Phillipa Soo as Eliza Hamilton; and Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Okieriete Onaodowan as Hercules Mulligan/James Madison; and Anthony Ramos as John Laurens/Philip Hamilton.
The cast also includes Carleigh Bettiol, Ariana DeBose, Hope Easterbrook, Sydney James Harcourt, Sasha Hutchings, Thayne Jasperson, Elizabeth Judd, Jon Rua, Austin Smith, Seth Stewart, and Ephraim Sykes.
These movies are about kids having an adventure, mostly for older kids, 10 and up.
The Last Action Hero: Arnold Schwarzenegger stars as an action hero and as the actor who plays him in this PG-13 film that is a satire of and an affectionate love letter to action films. A young fan gets pulled inside his favorite film series and then he and the hero are catapulted into the real world. It’s smart, funny, and exciting.
Bad Hair Day: We’ve all been there. Somehow while we slept something truly awful happened to our hair. In this delightful Disney channel movie a high school senior’s bad hair leads to an adventure about a necklace that is being sought by a jewel thief and a FBI agent.
The Goonies: This 80’s classic may be the most popular film for the generation of today’s parents. A group of kids go on an amazing adventure and find a treasure, with a lot of goofy fun along the way.
Big-time Goonies fan Josh Gad got the cast together on Zoom, with some surprise appearances.
James and the Giant Peach: Roald Dahl’s book about the boy who goes for a remarkable ride with Grasshopper, Centipede, Ladybug, and more, all the way to the top of the Empire State Building.
Spy Kids: This wonderfully imaginative and reassuringly low-violence story has a lot of heart and humor. Two kids find out that their parents are spies when they have to rescue them, leading to quite an adventure.
Time Bandits: A boy goes on a gorgeously imaginative magic journey when some mischevious little people steal a map that shows the time holes in the universe, which they plan to use to steal all kinds of treasure.
There are oh so many stories for children about orphans and about people who are sent to live in creepy, mysterious old houses. The Willoughbys, based on the book by Lois Lowry, tweaks those and some of the other conventions of children’s stories, and turns some of them upside down. But one key element remains the same: children have an adventure. They are brave, they solve problems, they stick together, and they end up better off than they started. And all of that happens in a movie that is a a delight for the eyes, with wildly imaginative settings and clever details. There’s even a candy factory that’s half Willy Wonka and half Pac-Man.
Deliciously gruesome (but not quite as much as A Series of Unfortunate Events), it is the story of four red-headed siblings who live in a gothic mansion squeezed between skyscrapers, with acid narration from a nearby cat (Rickey Gervais).
The Willoughbys have lived there for generations and their history hangs heavily over them. Literally. There are huge portraits of ancestors, all sporting the thick yarn hair scowling down at today’s Willoughbys.
Also scowling, when they bother to notice them, are the Willoughby parents (Martin Short and Jane Krakowski), who devote all of their affection and attention to each other and can barely be bothered to notice that they have children, much less talk to them or feed them. The oldest is Tim (Will Forte, who worked with director Kris Pearns on “Cloudy With a Chance of Meatballs 2”). Then there’s his sister Jane who loves to sing (Canadian pop star Alessia Cara). By the time the twin boys were born, the Willoughby parents couldn’t be bothered to think of two names or provide them with two sweaters. So they are both called Barnaby and share one sweater between them.
In a conventional story of an intolerable home, you might expect the children to run away. But this is a story that likes to turn things upside down. Tim likes the house and is determined to uphold the grandeur he associates with the ancestors and the Willoughby name. He and Jane come up with an idea: their parents should run away from home. So they arrange an extended trip for their parents, a trip that just might include some dangerous activities.
What they don’t expect is that their parents might send a nanny (Maya Rudolph, delightfully whacky). Never having been treated with kindness, Tim does not trust her at first. Also, there is an orphan baby left on their front stoop. The children drop her off at a candy factory run by a a man who looks a little foreboding but also like he’s made of candy named Commander Melanoff (Terry Crews).
And so the Willoughby children end up going on an adventure that is colorful, funny, exciting, and satisfyingly heartwarming. The government’s child protective services are unnecessarily demonized but the message of resilience that we can create the families we want if nature gets it wrong the first time is very welcome.
Parents should know that this movie includes comic peril and violence (no one hurt) and humorously portrayed child neglect and abandonment themes.
Family discussion: How do Tim and Jane have different ideas about the way to solve their problems? Did you ever misunderstand someone’s words as Tim did with the nanny?
If you like this, try: “A Series of Unfortunate Events” and “Cloudy With a Chance of Meatballs”
Family Movies for the Homebound IV: Movies Based on Great Books
Posted on March 30, 2020 at 8:13 pm
More wonderful movies for families to share — these are all based on books that are all-time classics.
The Secret Garden: Agnieszka Holland’s 1993 version of the classic by Frances Hodgson Burnett is my favorite, but the others are good, too. When I first read the book, I loved the heroine because she was so cross, a delightful change from all of the earnest girls in other books. When he parents die in India, Mary must go to the creepy, mysterious home of her absent uncle. The secret garden she discovers there is not even the most remarkable surprise. Also see: A Little Princess (1995 version)
Willie Wonka and the Chocolate Factory: Stick with the first version of Roald Dahl’s classic, Charlie and the Chocolate Factory, about the poor boy who finds a golden ticket in a chocolate bar and gets a tour of the candy factory, along with some other children who are spoiled and obnoxious. You will also enjoy some of the other movies basked on Dahl’s books, “James and the Giant Peach,” “The BFG,” and “Matilda.”
The Wizard of Oz: The most-loved family movie of all time is the Judy Garland, Ray Bolger, Frank Morgan, Bert Lahr, Margaret Hamilton, and Jack Haley version of the story of the Kansas girl who is whisked away to a magical land in a tornado, meets a scarecrow, a tin man, a lion, and a witch, and learns that there’s no place like home. Every time you watch it, you’ll marvel at something new. Also see: “The Wiz” a remix starring Diana Ross and Michael Jackson
The Chronicles of Narnia: Four children entered a wardrobe and found themselves in a magic land, gorgeously brought to life in a series of films.
Harry Potter: J.K. Rowling’s saga about the boy wizard is one of the most successful book adaptations of all time. Read them all and then see the films.
Jane Austen described the eponymous central figure of her 1815 novel as “a heroine whom no one but myself will much like.” The opening sentence of the book almost challenges us to like her: “Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.” How can we root for someone who already has everything?
The answer, as Austen knew, is to immediately have her lose much of it. She will still be handsome, clever, and rich. But the rest of the story will bring plenty to distress and vex her. Emma’s past freedom from distress and vexation has left her blissfully unaware of the risk of failure. She is about to find out that those risks include not just personal humiliation but pain caused for others.
As this brightly sumptuous story begins, Emma (Anya Taylor-Joy), who lives in a Downton Abbey-like great house with her widowed father (Bill Nighy) is delighted to have arranged a match between her neighbor (Rupert Graves) and the governess who has been her dearest friend and substitute mother (Gemma Whelan). It was such a triumph that she is eager to do more to rearrange and improve the lives around her, starting with an unassuming young woman named Harriet Smith (Mia Goth). Just as the last match had the double benefit of romance and an elevation of status (from paid companion to wife of landed gentry), she expects the same for Harriet, who is in the society no-man’s-land of having been born out of wedlock to unknown parentage. A step up for her would be a match for the local clergyman, Mr. Elton (Josh O’Connor). Emma is determined to make this happen.
Meanwhile, two newcomers arrive in Emma’s very small community, where the number of people near her social level, meaning worthy enough to be entertained in her home, seems to be around a dozen at most. A kind-hearted spinster named Miss Bates (the wonderful Miranda Hart of “Call the Midwife” and “Spy”), who lives with her hearing-impaired mother, is delighted that her niece, the lovely and talented but poor Jane Fairfax (Amber Anderson) has come for an extended stay. Emma is no longer the center of interest, just as she has new reason to wish to be noticed. The other arrival is the handsome and charming Frank Churchill (Callum Turner). Also in the neighborhood is George Knightly, whose brother is married to Emma’s sister, which gives him some basis for familiarity. He does not hesitate to correct Emma when he thinks it is called for.
As Emma tries to orchestrate the match between Harriet and Mr. Elton, she ends up making one mistake after another, hurting her trusting friend, and revealing her own snobbishness. She tries to impress Frank Churchill, publicly humiliating someone else and revealing her own insensitivity.
There have been many versions of the Emma story, most notably the elegant Douglas McGrath version with Gwyneth Paltrow and Jeremy Northam and Amy Heckerling’s wittily updated “Clueless” with Alicia Silverstone. This one, a first time feature from music video director Autumn de Wilde is an “Emma” for our times. It is visually luscious, with endless, exquisite period detail. But to keep it from feeling stuffy, it is briskly edited, almost a door-slamming farce at times, with literally cheeky touches (a brief look at a couple of very attractive bare bottoms). The costumes are meticulously researched with details to swoon over, but they are also perfectly suited to provide more insight into each of the characters.
I was particularly taken with the hat worn by Mrs. Elton that made her look like an exclamation point and the red capes of the schoolgirls who march in rows through the town. The food in the novel plays a significant role, and it does in the film as well. Sparkling performances by a cast mostly not (yet) big names make this a welcome ensemble piece. If Knightly or Churchill or Fairfax were played by people already featured in People’s “most beautiful” issue, we would be able to anticipate some of the storyline’s best surprises. The most recognizable, of course, is Bill Nighy, perfectly cast as the anxious Mr. Woodhouse, always worrying that someone might be in a draft. This interesting essay speculates that he is not just querulous but actually suffering from early stage dementia, which puts Emma’s attentiveness/co-dependence and need to control others in a more nuanced light.
Most of all, this movie is fun, as much fun as Austen herself would have wanted it to be. “Emma” movies just keep getting better, like Emma herself.
Parents should know that this film is unrated. There is brief, nonsexual rear male nudity and there are some tense and uncomfortable situations.
Family discussion: Why was Emma so thoughtless with Miss Bates? Why was it hard for her to see the truth about Frank Churchill and Jane Fairfax?
If you like this, try: the Gwyneth Paltrow version of “Emma” and the book and the updated version, “Clueless”