Being Flynn

Being Flynn

Posted on March 8, 2012 at 6:05 pm

B
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for adult situations, language, nudity, and sex
Profanity: Constant very strong and explicit language
Alcohol/ Drugs: Drinking, smoking, drugs, substance abuse
Diversity Issues: A theme of the movie, character makes bigoted remarks
Date Released to Theaters: March 9, 2012
Amazon.com ASIN: B00772HR6O

Nick Flynn was working at a Boston homeless shelter when his father, Jonathan Flynn, came in looking for a place to stay. Nick was raised by his mother and had little contact with his father except for some letters explaining that he would soon be recognized as one of the three greatest writers in American history. Nick Flynn’s memoir, Another Bullshit Night in Suck City, has been adapted for the screen by director Paul Weitz, whose films often explore the relationships between fathers and sons (“About a Boy,” “In Good Company,” “American Pie”).

Paul Dano plays Nick, a young man who has some good instincts and some talent.  He is worse than directionless — he is stuck.  His mother (Julianne Moore) has died and he has no place to go.  He moves into a strip club-turned apartment that is barely more than a squat, selected over the other candidates because he has no family who might come in for an extended stay.  He takes the job at the homeless shelter because it is the first opportunity he hears of.  He is not unsympathetic but he is distant and untrained.  When a resident needs a new pair of pants Nick turns to one of the more experienced aides to ask what size.  The aide says simply, “Ask him.”  Nick begins to see — as we do — the artificiality of the denial-based distance we maintain from people we think might ask more from us than we can give or might make us think about how fragile our support system can be.  When his father (Robert De Niro) shows up in the line of people needing a bed, Nick has so many conflicting feelings he has to go numb — on his own and with some chemical assistance.  He wants to love his father and he wants his father to love him.  He wants to care for him but is afraid of not being able to — we learn more about why later in the story.  He is not prepared to acknowledge how much he wants to be like his father (in following his dream of being a writer) and does not want to be like him (unable to finish his story).  We hear their competing versions of the story but we know, as Nick does, that both are coming from him.

De Niro has one of his best roles as a man wavering between fierce pride and grandiosity.  Jonathan is a man of large gestures and unspeakably selfish behavior. De Niro keeps him human without compromising by trying to make him more sympathetic.  Ultimately, it is Jonathan’s lack of empathy that allows him to finally if briefly provide fatherly support and guidance in telling Nick an important truth that frees him from the past and provides direction for the future.

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Sneak Preview for “Titanic 3D”

Sneak Preview for “Titanic 3D”

Posted on February 27, 2012 at 3:13 pm

The Best Picture Oscar winner and box office record-breaker is back to remind us that our hearts will go on.   Moviegoers across the U.S. and Canada will be among the first audiences anywhere to experience Titanic in 3D at the exclusive “sneak preview” fan screening events, set for Monday, April 2nd in Canada and Tuesday, April 3rd in the U.S. Presented exclusively in RealD®, these one-night only special advance screenings will take place at 6:30pm at select 3D movie theaters across North America.  It opens in theaters April 4 for a special engagement.

Each TITANIC in 3D Sneak Preview Pack* includes:

  •     One ticket to the movie sneak preview
  •      A collectors edition pair of TITANIC RealD® 3D glasses
  •      A limited-edition TITANIC movie art lithograph

*While supplies last

 

Tickets for these April “sneak preview” events are on sale now both on-line, and at participating theatres. For event locations around the country, to purchase tickets, or to learn more about this exclusive event, please go to Titanic Fan Sneak Preview.

 

James Cameron, who directed the film has digitally re-mastered it using the latest technology of StereoD. The re-release of TITANIC also coincides with the 100th anniversary of the Titanic setting sail on April 10, 1912. Written, directed and produced by James Cameron, TITANIC is the second highest grossing movie of all time, following Cameron’s “Avatar.” It is one of only three films to have received a record 11 Academy Awards® including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.

 

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3D Action/Adventure Based on a true story

Act of Valor

Posted on February 23, 2012 at 6:07 pm

The Navy SEALS approached the Bandito Brothers film-makers about telling their story, years before they became headline heroes by finding and killing Osama Bin Laden.  After spending time with the SEALS and learning about their extraordinary missions and their extraordinary devotion to their families, their country, and each other, it became clear that even the biggest stars in Hollywood could never do them justice.  And so they made “Act of Valor,” a thrilling action/adventure film starring active duty U.S. Navy SEALS re-enacting some of their most dangerous missions, with live ammunition.  Every person in uniform you see in the film is currently serving in the U.S. military.  More than once, shooting had to shut down so that the SEALS could get back to work.

The story is pure fiction but the situations are real and the filming includes footage of training missions with live ammunition.  According to the story, a CIA agent has been kidnapped and is being tortured.  Terrorists are trying to enter the United States to detonate suicide bombings that will murder thousands of civilians.  The SEALS get little notice and less background briefing and they have to save the day, using a combination of the most cutting edge technology in weapons and communication and the oldest and most basic forms of technology (hand-to-hand combat) and communication (hand signals and just knowing each other and the mission objectives).  Most of all, they rely on training, integrity, and trust.  What they don’t rely on is anything going as originally planned.  In one exciting chase, the bad guys are closing in and shooting at them with automatic weapons and one of the SEALs has been critically injured.  What is even more fascinating than the pulse-pounding action is the way the Seals keep adapting their escape plan and updating their team with remarkable economy and precision.  “This will be a hot extract,” they say crisply into the walkie-talkies as they return fire.  “Moving to tertiary extract,” they continue.  All may be chaos around them, but you get the feeling that they could keep going with another 20 thought-through options for pick-up if the first 19 can not work.  “Prepare for a bigger fight than you were expecting,” they are advised in one operation, but the SEALs are always ready.  One of them quotes the moving words of the Native American leader Tecumseh that concludes, “When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.”

The guys (their names are not used for security reasons) are not actors, but that just adds to to sense that we are watching a documentary, albeit a documentary that sometimes plays like a first-person shooter game.  When we see the SEALs with their families and with each other, it is clear that there is not an actor in the world who could convey the humility and honor that is fundamental to their natures.

The storyline is thin and generic but there is plenty of drama in the operation of the missions, each like a movie of its own and well staged to make us feel at the center of the action.  Country greats like Trace Adkins, Wynonna Judd, Sugarland, and Lady Antebellum provide a stirring soundtrack.  We see operations on land, sea, and in the air.  There are fights and shoot-outs but one of the most mesmerizing scenes is all talk as the master interrogator shows the master criminal just enough respect to keep him cooperating, making clear how much power he has over the other man’s life to make that cooperation meaningful.  “I’d rather bring a gun to a knife fight than be interrogated by him,” one of the Seals says proudly.  The support of their families and, at least in one case, a family history of sacrifice creates a clarity of priorities that creates a context for excellence.  In a world where ambiguity and partisanship make it hard to find heroes, the biggest thrills in this film come not from the shoot-outs but from seeing real-life commitment, courage, and what valor truly means.

 

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The Vow

The Vow

Posted on February 9, 2012 at 6:39 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for an accident scene, sexual content, partial nudity, and some language
Profanity: A few s-words
Alcohol/ Drugs: Drinking
Violence/ Scariness: Car crash with injuries
Diversity Issues: None
Date Released to Theaters: February 10, 2012
Date Released to DVD: May 8, 2012
Amazon.com ASIN: B005LAIGSM

More than any other attribute, memory is what defines our identity and our connections to each other.  When a young woman’s traumatic brain injury erases her memory not just of having married her husband but even of having met him, both of them face daunting challenges about who they are and what they can be to each other.

The first time was so easy.  Leo (Channing Tatum) sees Paige (Rachel McAdams), a free-spirited art student, and they are immediately drawn to each other.  It was just two weeks later, we will learn, when she first said, almost to herself, that she loved him.  They had a quirky-cute wedding at the Chicago Art Institute (near the Seurat painting Ferris Bueller visited on his day off) with their quirky-cute friends and their vows written on the menus of their favorite little coffee shop (Cafe Mnemonic, a bit of memory foreshadowing).  They love, love, love each other until their car is hit by a snow plow and she goes through the windshield.  When she wakes up from a chemically-induced coma, she thinks Leo is a doctor.  She has no memory of him or of the past five years.  She thinks she is still in law school and engaged to Jeremy (Scott Speedman).  She can’t figure out why her hair is so unstyled or how she got a tattoo.  Leo has to try to make her fall in love with him all over again, and this time it will take much longer.

It is inspired by the true story of Kim and Krickett Carpenter, who wrote a book about about their experience but the marketing is intended to tie it to the stars’ previous appearances in Nicholas Sparks movies.  It does have Sparks-ian themes of love and loss and it has a gooey layer of Hollywood candy topping, but it is a bit sharper and less sudsy than Sparks movies like “The Notebook” and “Dear John.”  Leo and Paige and their friends all so quirky-cute they might be Shields and Yarnell performing in “Godspell.” The further it departs from the real story, jettisoning the importance of the couple’s faith and some of messiness of her recovery and throwing in a tired twist with Paige’s wealthy, uptight, controlling family, the further it gets from what does work in the movie, the palpable tenderness and devotion of Leo and the wrenching challenge of trying to reconnect with Paige as her uncertainty about who she is makes her retreat.  The great philosophy professor Stanley Cavell has written about the enduring appeal of the “comedies of remarriage,” movies that are not about falling in love but about re-falling.  There is something very captivating about the idea of someone who knows us and is willing to fall in love with us anyway.

Parents should know that this movie includes brief language (s-word), sexual references, adultery and male rear nudity, one punch, alcohol, and a car accident with injuries.

Family discussion: Why was Paige afraid to remember her life with Leo?  What does “I wanted to earn it” mean?  What does the name of the place Leo and Paige went to eat mean?

If you like this, try: “The Notebook” and “Dear John” and this poignant and inspiring Washington Post article about a similar real-life “in sickness and in health” love story. And read the Carpenters’ book, The Vow: The True Events that Inspired the Movie.

 

 

 

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Black History Month: DVDs for Families

Black History Month: DVDs for Families

Posted on February 4, 2012 at 3:58 pm

Great choices for Black History Month from Scholastic:

Duke Ellington… and more stories to celebrate great figures in African American history.

The DVD includes gently animated and beautifully narrated versions of four books about important figures in black history.

Duke Ellington Forest Whitaker reads this tribute to one of the 20th century’s most celebrated and influential musicians.

Ellington Was Not a Street Phylicia Rashad reads Ntozake Shange’s story about growing up amidst many of the great figures of African-American history.

Ella Fitzgerald: The Tale of a Vocal Virtuosa She had an exquisite voice and unsurpassed musicianship to use it like a jazz instrument. Billy Dee Williams tells the story of how she got her sound.

John Henry Samuel L. Jackson reads the story based on the famous legend and folk ballad about the hammer-driving man who could beat anyone, even the machine.

March On!… and More Stories About African American History

March On! The Reverend Dr. Martin Luther King’s story is lovingly told by his sister, Christine King Ferris.

Martin’s Big Words  Dr. King’s story shows how big ideas compellingly described change the world.

Rosa A brave woman decides to be the one to lead the fight against segregation in this story of Rosa Parks.

Henry’s Freedom Box Henry “Box” Brown was a slave who mailed himself to freedom in a daring escape.

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