The SpongeBob Movie: Sponge Out of Water

Posted on February 5, 2015 at 5:55 pm

Our friends from Bikini Bottom are back in another deliriously silly story, so tender-hearted and cheery that there is no way to resist it. Plus, it has superheroes, a pirate played by Antonio Banderas, existential metaphysics, the guitarist from Guns ‘n’ Roses, and a time-traveling space dolphin with the stentorian tones of a classically trained Shakespearean actor. It will amuse newcomers and delight fans.

Banderas plays Burger-Beard, first seen on a desert island in search of hidden treasure. An Indiana Jones-style booby-trap is no match for his wiliness, and soon he is back on his one-man pirate ship (it operates on “automatic pirate”) with his precious booty: an old storybook. It was a popular book. The library check-out card in the pocket on the inside back cover shows that it has been checked out by piratical luminaries like Captain Kidd and Jolly Roger. The book has a story about SpongeBob and his friends as well as some surprising powers which we will find out about later.

The pirate’s book takes us to familiar territory. SpongeBob Squarepants (Tom Kenny) loves his job as a fry cook at the Krusty Krab, making wildly popular Krabby patties. His boss is the money-mad Mr. Krabs, who keeps the secret recipe in his safe. Bikini Bottom’s other eatery is the struggling Chum Bucket, owned by the envious, one-eyed Plankton (Mr. Lawrence), who is far more inventive in coming up with ways to steal the recipe than he is in cooking. Burger-Beard wants the recipe, too, so he can achieve his dream of opening up a food truck made from his pirate boat. When the recipe is stolen, the whole gang, including SpongeBob’s best friend Patrick (Bill Fagerbakke), a dim-witted starfish, and Sandy (Carolyn Lawrence) a scuba-suit-wearing squirrel, have to go on land to get it back.

There are some sweet lessons about teamwork (Plankton literally does not know the meaning of the term) and loyalty, but the best lesson of all is the good cheer and gentle laughter that has made SpongeBob the best-loved animated series on television.

Parents should know that this film has some potty humor, schoolyard language, and mild cartoon-style peril and violence, including a cannon.

Family discussion: Which characters are loyal and why? Why is money so important to Mr. Krabs? If you could write your own story, what would it say?

If you like this, try: the SpongeBob television series and Penguins of Madagascar

Annie

Posted on December 18, 2014 at 5:59 pm

The story of the plucky little Depression-era orphan with the curly red hair has been not just re-booted but re-imagined into the world of rent-a-bikes, viral videos, DNA tests, YOLO, corporate privacy invasions, and Katy Perry tweets. There are some nice shout-outs to the original version, with a character named for Little Orphan Annie creator Harold Gray and a music group named the Leapin’ Lizards after the redhead’s favorite way to express surprise.

A cheeky opening briskly bridges the decades. It begins with a red-headed girl named Annie giving a school report, concluding with a tap dance. She looks like the Annie we remember. But then the teacher calls on another Annie, and we meet our Annie, played by “Beasts of the Southern Wild’s” Quvenzhané Wallis. She gives a rollicking report about Franklin Roosevelt and the New Deal that sounds like a call to action from Occupy Wall Street. The whole classroom bangs on their desks along with her. Annie is all about the 99 percent. (The famously very right-wing Gray would be horrified.)

And, as she repeatedly reminds us, she is not an orphan. She is a foster kid. Every Friday evening, she waits outside the restaurant where her parents were last seen, in hopes that they will return. She was four when they left her with a note and half of a locket, and since then she has gone from foster home to foster home, now living with Miss Hannigan (Cameron Diaz), a bitter, abusive, alcoholic woman who once sang with C&C Music Factory and was almost a Blowfish. She resents the girls who are her only source of income, and makes them do all the work in the apartment.

Will Stacks (Jamie Foxx) is a cell phone company billionaire running for mayor of New York. (That’s “Stacks” as in “stacks of money,” with “Warbucks” a bit too on the nose for our more euphemistic times.) When he grabs Annie to save her from getting hit by a truck, his approval numbers spike, and his aides encourage him to spend some time with her to give him a more relatable image. Grace (Rose Byrne) is his all-purpose, super-efficient second-in-command and Guy (Bobby Cannavale) is his whatever-it-takes spin-master campaign advisor. Annie, about to be thrown out by Miss Hannigan, persuades Stacks to let her stay in his mega-luxurious apartment, promising that her “game face” will get him good press, combating his image as “a rich elitist who can’t relate to regular people.”

It works for a while until some unscrupulous people hire a couple to pose as Annie’s real parents.

Some of the updates work well, and there is a nice energy in the opening scenes as Annie uses the last ten minutes of a bike share to navigate the city, passing street performers riffing on the well-known score. Co-writer/director Will Gluck keeps things bright and bouncy, but his filming of the dance numbers is clumsy to the point of incompetence, undermining even the nearly unkillable numbers like “It’s a Hard Knock Life” with angles and edits that take the energy out of the songs instead of boosting it.

Wallis is inconsistent, occasionally appearing checked out of the scene. She is better in the few scenes with the other girls, but she has very little chemistry with Byrne or Foxx. And one barfing scene is bad, but four? Plus a spit take? And a hooker joke? There is a movie-within-the-movie that is very cute, but the cameos are a distraction. The tweaking of the script works better in individual scenes than in the overall plot, which feels slapped together and unsatisfying. Ah, well, the sun will come out tomorrow, so maybe next time they’ll get it right.

Parents should know that this movie has themes of child abandonment and abuse, a character abuses alcohol and there is a joke about alcoholism, and there is some mild peril and potty humor.

Family discussion: What did Annie mean when she said Stacks did not know he was good yet? How is Annie different from the other girls?

If you like this, try: the other musical versions and “Game Plan”

Penguins of Madagascar

Posted on November 25, 2014 at 5:17 pm

B+

Lowest Recommended Age:	All Ages
MPAA Rating:	Rated PG for mild action and some rude humor
Profanity:	Some schoolyard language
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril and violence
Diversity Issues:	None
Date Released to Theaters:	November 26, 2014
Date Released to DVD:	March 16, 2015
Amazon.com ASIN:	B00SK573RU

The most adorable characters from the first three animated “Madagascar” movies were the penguins, the seldom right but never in doubt leader Skipper (Tom McGrath), the often right but never listened to Kowalski (Chris Miller), the literally explosive Rico (Conrad Vernon), and the ever-loyal Private (Christopher Knights). They spun off into their own television series and now they star in their first feature film, a sublimely silly spy farce that has them globe-hopping through exotic locations with a cosmopolitan spy (Benedict Cumberbatch) in pursuit of a dastardly villain known as Dr. Octavious Brine, aka Dave (John Malkovich). It is one of the best family films of the year.

First, we get the origin story, hilariously narrated in the inimitable voice of director/documentarian Werner Herzog. It is Antarctica, and a film crew led by a cartoon Herzog (who did make a movie in Antarctica, “Encounters at the End of the World”) is there to shoot the march of the penguins. But Skipper, Kowalski, and Rico step out of line to rescue an egg that is rolling away, and the decision to think for themselves and to opt for adventure and loyalty to the team over tradition and instinct — plus a more-than-healthy dose of boundless confidence and optimism soon has them floating away from the frozen South Pole and on their way to uncharted lands, or lands uncharted by any penguins anyway. The egg they have saved finally hatches, and while they are a bit distressed to find that the miracle of birth is messier than they thought, they are charmed by the tiny hatchling and especially by the way they imprint on him as the only family he has ever known.

We next see the penguins years later, following the events of Madagascar 3: Europe’s Most Wanted. They are on a mission to break into that most impenetrable of fortresses, Fort Knox, repository of the US Government’s store of gold. But their goal is not what we might think. And the outcome is not what they expect. They are kidnapped by an enormous purple octopus, brilliantly animated, with every tentacle and crooked tooth creating comic menace. His human identity is Dr. Octavius Brine, well-known geneticist, aficionado of fine cheeses, and regular contributor to NPR pledge drives. But inside that lab coat is his real persona, the evil purple octopus named…Dave.

Yeah, I know, not too scary, right? And that is just one of the immense frustrations Dave has to confront, which is why he has created the green, ominously glowing Medusa serum. No one knows what it does, but it looks pretty evil.

It turns out someone has been tracking Dr. Brine. An international organization of crack spies called the North Wind, led by a wolf so deep undercover his name is classified (so the Penguins call him Classified) is trying to find him. The North Wind and the penguins stop in Venice, Rio, Shanghai (which the penguins think is Ireland) and other world capitals, sometimes working together, sometimes trying to beat each other to Dave and the Medusa serum. It turns out that Dave’s motive is one that will ring very true to kids, especially those with adorable younger siblings.

But of course, all of this is just an excuse for a never-ending stream of jokes. My favorite is Dave’s disastrously non-threatening Skype call as he tries to figure out how to transmit sound and picture at the same time. “It’s like trying to call my parents,” Classified says impatiently. The break-in at Fort Knox is very funny as the penguins roll over to camouflage themselves on a black and white striped floor. And a running joke featuring puns on celebrity names is delivered with such understated dry humor that it never loses its charm. If, as they say in the theater, dying is easy but comedy is hard, silly comedy may be the hardest of all, but here it is done to perfection, one more item to add to the thanks list on this holiday weekend.

Parents should know that this film has brief potty humor, and some comic peril and action (no one hurt).

Family discussion: Why was Dave so jealous of the penguins? Why didn’t Classified want the penguins to help him?

If you like this, try: “Madagascar 3: Europe’s Most Wanted” and the television series “The Penguins of Madagascar”

Family Movies for Thanksgiving

Posted on November 24, 2014 at 3:56 pm

There are some great Thanksgiving movies for adults. And here are some for the whole family to share.

A Charlie Brown Thanksgiving This is the one with the famous episode about Charlie Brown trying to kick the football Lucy keeps snatching away from him. And Peppermint Patty invites herself to Charlie Brown’s house for Thanksgiving and he is too kind-hearted to tell her that he won’t be there because his family is going to his grandmother’s. When the Peanuts gang comes over for a feast prepared by Charlie Brown himself, Patty gets angry at being served toast and jelly beans. But when she realizes how hard her friend tried to be hospitable, she learns what gratitude really means.

Dora’s Thanksgiving Parade Dora the Explorer has to save the day when the parade float gets away.

Squanto and the First Thanksgiving , Native American actor Graham Greene and musician Paul McCandless tell the story of Squanto’s extraordinary generosity and leadership in reaching out to the Pilgrims after he had been sold into slavery by earlier European arrivals in the New World.

An Old Fashioned Thanksgiving Jacqueline Bisset stars in this warm-hearted tale, based on a short story by Louisa May Alcott (Little Women).

https://www.youtube.com/watch?v=CHxcXv4t8co

The Boxtrolls

Posted on September 25, 2014 at 5:59 pm

A-

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	Rated PG for action, some peril and mild rude humor
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Cartoon-style peril and some violence, comic allergic reaction, references to disturbing violence, some gross images
Diversity Issues:	A theme of the movie
Date Released to Theaters:	September 26, 2014
Date Released to DVD:	January 19, 2015
Amazon.com ASIN:	B00HLTDARS

The-Box-Trolls-2 — Copyright LAIKA Studios 2014

LAIKA Studios (Paranorman and Coraline) has created another loveably crooked world, this time inspired by Alan Snow’s Here Be Monsters! (The Ratbridge Chronicles). It’s their first period setting, a sort of slightly bent Edwardian with a touch of steampunk, in the town of Cheesebridge. LAIKA’s motto may be “No straight lines, no right angles, no perfect circles,” but this wobbly community is rigidly stratified, with the White Hats at the top of society, nibbling on exotic cheeses in the elegant Tasting Room and hosting elegant parties, the lower class Red Hats desperate to be accepted by them. There is an entirely separate group, the gentle Boxtrolls, who live underneath the city, turning rubbish into Rube Goldbergian machines and tending their garden. They are called Boxtrolls because of their attire — discarded cardboard boxes. And their names come from the boxes they wear: Fish, Fragile, Shoes, and Specs.

And then there is Eggs (Isaac Hempsted Wright). He thinks he is a Boxtroll, but he is a human, left as a baby by his father, who was trying to keep him safe. Apparently Cheesbridge follows Noam Chomsky’s theories of language: while the Boxtrolls speak in a sort of mumbly pidgin talk, Eggs speaks flawless and rather aristocratic-sounding English. Their happy life is disturbed by Snatcher (Sir Ben Kingsley), the leader of the Red Hats, who conducts raids to capture the Boxtrolls. He knows they are harmless, but he has persuaded the White Hats that the Boxtrolls capture and eat human children so that they will depend on him to exterminate them. If Snatcher gets rid of all of them, the Mayor of Cheesebridge has promised to give him a White Hat and allow him into the sanctum sanctorum, the Tasting Room. There is one problem, though. Snatcher, despite his protestations to the contrary, is massively lactose-intolerant.

Mayor Lord Portly-Rind (Jared Harris) and his wife Lady Portly-Rind (Toni Collette) have a daughter named Winnie (Elle Fanning, the sister of “Coraline” star Dakota Fanning). She longs for them to pay attention to her. Their neglect has led her to develop a macabre fascination with what she imagines are the atrocities of the Boxtrolls and she decides to investigate. When she finds out that the Boxtrolls are harmless, she agrees to help Eggs tell her father that Snatcher has lied. Eggs will need to be persuaded that he is in fact human and then taught some of the basics of human interaction so that he can deliver the message.

The word “immersive” is often used to describe movies with 3D effects that seem to make the images surround the viewer by extending both in front of and behind the screen. But LAIKA’s films are more deeply immersive than that because of the intricacy of the world they create. Most animated movies use miles of code to show us how every individual hair in an animal’s fur rustles in the wind. But the handmade touch and infinite care of LAIKA’s stop-motion films, where figures and props are nudged ever so slightly for each individual frame and craftspeople spend months creating practical (not digital or virtual) effects to evoke water, fire, and clouds, creates an environment that is tantalizingly complex and invites many viewings to explore its wonders.

LAIKA is perfectionist in its dedication to not being perfect. It embraces the messiness of life. The Boxtrolls’ cavern is grimy and dank, and the Portly-Rind home filled with dessicated finery, but both are brimming with endlessly inventive detail, especially the elaborate mechanics of the Boxtrolls’ cave and the meticulous choreography of the White Hats’ ball. Every single object reflects the care taken by the filmmakers and every detail reflects some element of character and story, which are messy as well. Winnie, who has so much, is lonely and neglected. But she is brave and honest.

Eggs, who has so little, is surrounded by love. He is loyal and courageous. And Snatcher, who is so desperate for acceptance that he will don an elaborate disguise, make libelous accusations, and put his health and even his life at risk, is ultimately not really able to destroy the Boxtrolls. His henchmen, played by Tracey Morgan, Nick Frost, and Richard Ayoade are less wicked than existentially confused, trying to persuade themselves that they are on the right side.

The visuals are deliciously grotesque at times, but the message is a sweet one: families come in all sizes and shapes, sometimes biological, sometimes not, but what defines them is love.

NOTE: Be sure to stay through the credits to see some existential ponderings by the characters and a brief cameo by animator/CEO Travis Knight.

Parents should know that there are some comic but grotesque and macabre images. Characters are in peril and apparently killed, though shown later to be imprisoned. A character appears to have lost his mind. Another character explodes (offscreen).

Family discussion: Why was it so important for Snatcher to be a White Hat? Why didn’t Winnie’s parents pay more attention to her? Why did some of the Red Hats think they were the good guys?

If you like this, try: “Coraline,” “Paranorman,” and “Monster House”