Interview: At the Death House Door

Posted on May 27, 2008 at 8:00 am

At the Death House Door is an extraordinary documentary from the makers of “Hoop Dreams.” It is the story of Pastor Carroll Pickett, who served 15 years as the death house chaplain to the infamous “Walls” prison unit in Huntsville. He spent the last 24 hours with 95 different men who were about to be executed. After each was killed, Pickett recorded an audiotape account of his trip to the death chamber. Through his experiences, including the witnessing of the execution of a man later proven to be innocent, he became convinced that the death penalty was wrong. The film premieres on May 29 at 9:00 PM Eastern on the Independent Film Channel.

I spoke to Pastor Pickett about his experiences:

How did you first come to work at the prison?

I was minister of a Presbyterian church in Huntsville Texas. During the time I was at that church they had a prison siege and the director called me and said, “I want you to minister to the families of those who were hostages. For 11 days and nights they were held hostage and then they had a big shoot out across the street. The only ones killed were two of my church members. I was planning to do one’s wedding the next Saturday. Then in 1980 the same guy who called me asked me to come work at the prison for one year. I went for one year. I didn’t sign any papers but I stayed there 16 years. God had prepared me back in 1974 to go to the prison. I went there believing this was God’s will. I felt like God wanted me to be there. As it says in the Bible, “I was in prison and you came to me.”

What surprised you about the prison experience?

The biggest thing that surprised me that there were so many nice people who were willing to participate in the program, so many who were Christians who had, for lack of a better term, left the fold. There were so many victimless crimes, so many who were innocent, so many who had made financial mistakes.

What did you try to teach them?

We helped them understand that it is happier and better to live the way God wants you to — whatever religion you are. We had Catholics, 26 Jewish people — we had the first seder in the prison. In prison you can still practice your faith, and I was so happy many of them were really willing to give a lot. There were a lot of people who were good but had made mistake. I don’t believe in rehabilitation, but these people had changed. one night had changed me. So many of them got out. Close to 100 who used to be in prison are now ministers.

What did you use to reach these people?

I believe that the music is so important. So many people are musicians and express themselves musically. We started a choir. We had a different one for the Catholics because they sing different songs, one for the Hispanics, a gospel for the black prisoners. One of the requirements was that in order to be a part of the choir they had to maintain all the rules, they had to work, they had to participate in all the activities. One former back up singer for Don Ho was one of my singers, a state Supreme Court justice was one of my singers. I was permitted to give points for parole for those who participated.

Did the prisoners help each other?

Yes! The prisoners ministered to each other. We had 28 ministers in prison. Ministers go to prison too. We had a father and son who were missionaries in South America. The mother died and the father got real angry at God, so they became bank robbers. And a lot of ministers get framed.

Tell me about your work with the men on death row.

I was chaplain for the people in the death house. I only got to see them on the last day, the way it was set up. I stayed with them usually from 6 am to 12 midnight. We used to execute them at 12. After helping 95 walk the gurney and get killed by the state, I concluded that there are innocent people being put to death and there are mentally retarded. Because of the “law of parties,” there are those who are guilty by law but not by crime. The one who actually did the crime got off and the other one was executed.

Carlos De Luna was innocent, we proved he was innocent. He had no father, his father left him and his stepfather was a drunk. On that last day, I took care of him all day long and we got along real well. I told him I believed he was innocent and he said, “I wish everybody else did.” That afternoon he asked, “Can I call you Daddy? That is different than being called “Father.” I have a son the same age. That changed the whole attitude in the death house, that night, letting him call me that. Carlos said, “Thank you Daddy. Thanks for being with me, Daddy. I wish I had you when I was a boy — I would never have been a problem at all.” He asked, “Daddy, would you pray?” He was in the cell, on his knees. I put my hands through the bars. That is illegal but I did not pay attention to those rules. While they strapped him to the gurney he said, “Daddy, I appreciate you being here today.” I never will forget those big brown eyes looking at me. He kept looking up. I don’t know what he was trying to say. I was hoping he would say, “Thank you, Daddy.” That’s the way I would like to believe. He was a good kid. I would have taken him home forever.

IFC has made available teaching materials about the movie.

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Documentary Interview Spiritual films

Rambo

Posted on May 27, 2008 at 6:00 am

rambo-vmed-4p_widec.jpgSame “stick it to the man” story. Same stoic, emotionally damaged but still a fighting machine (mean, yes; lean, not so much) who can take on a hundred guys with guns because he is so well trained and so pure of heart.
Also because he wrote and directed it.
Yes, Rambo is back. We first met him in 1982’s
First Blood (The Man = abusive cops), followed by Rambo – First Blood Part II (The Man = Viet Cong and corrupt politicians) and Rambo III (The Man = Soviets in Afghanistan). Twenty years later, there are still bad guys that only the last true morally righteous person on earth — or an aging movie star looking for an audience — can take on. For tonight’s performance, the part of The Man will be played by the military junta that controls Burma.

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Action/Adventure Genre , Themes, and Features Series/Sequel War

Documentary Therapy: Families Use Cameras to Create Conversations (and Confrontations)

Posted on May 26, 2008 at 6:00 pm

Last week I saw a documentary called Bigger Stronger Faster* (The Side Effects of Being an American). The film, produced by some of the people behind Fahrenheit 9/11 and Bowling for Columbine, ties the use of steroids and other performance-enhancing drugs in sports to larger issues of American ambition to be the best and newest and American optimism about the power of innovation and technology, as indicated by the second part of the title. But for me, the film was most engaging for the scenes that put it in an emerging category of documentaries, film as family therapy. Director/co-writer Chris Bell may not think of it this way, but it seemed clear that his primary motivation behind the film was less as a cautionary tale or assessment of the American character than an opportunity — perhaps an excuse — to confront his brothers on-screen about their use of steroids.

Bell and his brothers grew up idolizing the champions of World Wrestling Entertainment and believing its superstars when they said that they achieved their bulging biceps solely through exercise and good nutrition. But revelations of steroid use by Hulk Hogan, Arnold Schwarzenegger and others made them think that they too should use steroids for both offensive and defensive reasons. Steroids would not only make them stronger; they were the only way to compete in a world where “everyone does it.” Sadly, even stronger than their dependence on steroids is Chris Bell’s brothers’ conviction that their lives can only be meaningful if they prove themselves through competition (they do not think it is cheating to use performance-enhancing substances because it is the only way to win) and through being “famous.”

The film brings in other categories of artificial performance enhancement, from Tiger Woods’ Lasik eye surgery (which gave him better than perfect vision) to a cyclist who sleeps in a high-altitude chamber to raise his blood-oxygen level. But this is really the story of the Bell family.

Chris Bell says, “Turning the camera on my own family was a lot harder than I thought it would be. I don’t think we’ll ever be the same, but I also don’t think we’ve ever been closer. This film forced us all to discuss an issue that nobody in America wants to talk honestly about. Many families struggle with issues like alcoholism, drug abuse, depression…My family’s battle just happens to be with steroids.”

Also opening soon is Surfwise, a documentary about the Paskowitz family, whose nine children lived with their parents in a 25-foot camper, home-schooled, eating only natural, low-fat food and running a surfing camp. The father, “Doc” Dorian Paskowitz who decided to drop out of society and, according to the New York Times, “dedicated himself to uncompromised, uncompromising freedom.”

According to the Washington Post,

Dorian, now 86, is portrayed in the film as a combination Lear, Mao and Baba Ram Dass, but there’s affection as well. Time, after all, heals most, if not all, wounds.

“One of the things it’s allowed us to have,” Joshua says of the film, “is some perspective. When we were raised in the camper, Dorian had these theories of how to be the perfect man, have the perfect wife, be in an environment of loving and caring and compassion for one another.” That worked swell until the sibs hit their teen years. “As soon as the individual identity started to come into play,” says Joshua, “that was against everything we were taught.”

So there were fights. Resistance. Territorial disputes. Some of which weren’t resolved until the film, which opens in Washington on Friday, was being made….

“What it gave us a chance to do was talk to each other, even if it was coarse or caustic,” Jonathan said. “It gave us a chance to pull together. Israel said, ‘I always wanted to make up and get together.’ So we’re in different fights now. But they’re not as bad as the old fights.”

How bad were they?

Jonathan: “Two huge grizzlies fighting for the same salmon fishing ground. . . .”

Salvador: “Grizzly bears trained by the gnarliest, ultimate one-eyed Yukon Jack who ever lived, who taught every one of his students to never back down.”

Other recent films that use film as a way to explore and resolve family conflicts (all about missing or largely absent fathers) include My Architect: A Son’s Journey, Tarnation, Five Wives, Three Secretaries and Me, and Tell Them Who You Are.

It is worth talking about about what kind of documentary your own family would want to make and perhaps experiment with a home video camera by doing interviews and telling family stories.

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Commentary Documentary For Your Netflix Queue Understanding Media and Pop Culture

The Great Race

Posted on May 26, 2008 at 8:00 am

B+
Lowest Recommended Age: All Ages
Profanity: None
Alcohol/ Drugs: Social drinking, smoking
Violence/ Scariness: Comic peril and violence, no one hurt
Diversity Issues: A theme of the movie
Date Released to Theaters: July 1, 1965

Dedicated to “Mr. Laurel and Mr. Hardy,” this movie is both a spoof and a loving tribute to the silent classics, with good guys, bad guys, romance, adventure, slapstick, music, wonderful antique cars, and the biggest pie fight in history. The opening credits are on a series of slides like those in the earliest movies, complete with cheers for the hero and boos for the villain, and a flickering old-fashioned projector that at one point appears to break down. Always dressed in impeccable white, the Great Leslie (Tony Curtis) is a good guy so good that his eyes and teeth literally twinkle. His capable mechanic and assistant is Hezekiah (Keenan Wynn). The bad guy is Professor Fate (Jack Lemmon), assisted by Max (Peter Falk). Like Wile E. Coyote, Fate’s cartoonishly hilarious stunts to stop Leslie inevitably backfire.

After a brief prologue, in which Fate tries to beat Leslie in breaking various speed records, literally trying to torpedo him at one point, they both enter an automobile race from New York to Paris. So does a beautiful reporter (Natalie Wood as Maggie DuBois) trying to prove she can get the story — dressed in an endless series of exquisite ensembles designed by Hollywood legend Edith Head. Great%20Race2.jpg

The race takes them across America, through the Wild West, to a rapidly melting ice floe in the Pacific, and into a European setting that is a cross between a Victor Herbert operetta and “The Prisoner of Zenda,” where a spoiled prince happens to look exactly like Professor Fate and it takes all of the stars to foil an evil Baron (Ross Martin) who wants to use Fate to take over the throne.

This is a perfect family movie, just plain fun from beginning to end.  It may also provide an opportunity for a discussion of competition and sportsmanship.  At the end, Leslie deliberately loses as a gesture of devotion to Maggie DuBois.  Professor Fate, after all, shows some sense of honor — apparently it is all right for him to cheat to win, but not all right to win by having Leslie refuse to compete.  “You cheated — I refuse to accept!”  Modern adults may wince a bit at Dubois’ notion of how to attain equal opportunity — she ultimately succeeds by showing her leg to the editor, who becomes too dazed to argue further.  But like “Mary Poppins,” it provides a chance to remind children that when their great-grandparents were children, women did not even have the right to vote.

Questions for Kids:

  • Should Leslie have let Fate win?
  • Why wasn’t Fate happy when he beat Leslie?
  • Why was Fate so jealous of Leslie?
  • Why did DuBois want to be a reporter so badly?

 

Connections:  Curtis and Lemmon also appeared together in one of the greatest comedies of all time, “Some Like it Hot.”   Children who enjoy this movie might like to see some of the silent classics it saluted, like “Two Tars,” in which Laurel and Hardy create chaos in the middle of an enormous traffic jam.  They might also enjoy “Those Magnificent Men in Their Flying Machines” or “Those Daring Young Men in Their Jaunty Jalopies.”  Children who have enjoyed Ed Wynn as Uncle Albert (who “loves to laugh”) in “Mary Poppins” may like to know that his son, Keenan Wynn, plays Leslie’s assistant Hezekiah.

 

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Comedy DVD/Blu-Ray Pick of the Week For all ages For Your Netflix Queue Movie Mom’s Top Picks for Families Rediscovered Classic

National Treasure: Book of Secrets

Posted on May 19, 2008 at 4:00 pm

national%20treasure%202.jpg The first movie ended with historian/treasure-hunter Benjamin Franklin Gates (Nicolas Cage) triumphant, with riches, a dream house, and a dream girl, historian/knockout (and conveniently named) Abigail Chase (“Troy’s” Helen Diane Kruger). He has pretty much lost all of that as this movie begins. Meanwhile, sidekick Riley (Justin Bartha) can’t get anyone to buy his book and has learned that “the tax on $5 million in income is $6 million) as his fancy car is towed away by the IRS. It’s time to break out the treasure maps and cypher-decoders.

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