Ant-Man and the Wasp

Ant-Man and the Wasp

Posted on July 3, 2018 at 4:15 pm

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some sci-fi action violence
Profanity: Mild language
Alcohol/ Drugs: Some alcohol
Violence/ Scariness: Extended comic-book/action peril and violence, characters injured and killed
Diversity Issues: None
Date Released to Theaters: July 6, 2018
Date Released to DVD: October 15, 2018
Copyright 2018 Marvel

I like Ant-Man. He’s literally down to earth — after the intergalactic super-villain Thanos plotting the wiping out of half the universe, it’s nice to see our hero up against an ordinary, non-super thug of a bad guy. And it’s also nice to see, 20 movies in, a female superhero in the title of the film. I like the slightly retro, slightly bookish look of the Ant-Man films (outstanding work from production designer Shepherd Frankel). And I like the fun they have with scale. Scott Lang (Paul Rudd) can do more than shrink himself to the size of an ant and call on his ant friends to help him out. He can make himself and objects around him get bigger or smaller almost instantly. And the Wasp (Evangeline Lilly) can do all of that AND fly and use her wrist blasters.

Scott has three more days to go under house arrest, wearing an ankle bracelet, with frequent check-ins by the local authorities, led by Jimmy Woo (Randall Park), who can’t seem to decide whether he wants to lock Scott up or become his BFF. He’s going a little stir-crazy, though he enjoys the elaborate games he creates for his daughter, Cassie (Abby Ryder Fortson). The terms of his parole forbid him from having contact with Hank Pym (Michael Douglas) or his daughter Hope (Lilly), but that has not been a problem. They are not speaking to him after they think he betrayed them by making their technology public in “Captain America: Civil War.”

But something else that happened in “Civil War” is the reason they have to find him again. Pym’s wife and Hope’s mother, the brilliant scientist Janet Pym (Michelle Pfeiffer), became too small and they thought she was lost forever in the “quantum entanglement.” Scott was able to return from the quantum entanglement, though, and they want to find out how and send him back there to see if Janet can be rescued. This is a job for two superheroes, and so it’s time for Hope to suit up.

An all-around crime boss named Sonny Burch (Walt Goggins) wants to stop them from getting the material they need to make that work. A character whose backstory I won’t spoil but who can vibrate through matter also wants it. And the cops are trying to capture the Pyms as well. So, lots of chases, lots of hand-offs and near misses. Director Peyton Reed and his writers (including Rudd) have a lot of fun with scale, sizing the vehicles up and down in an instant and Scott himself getting as big as the Statue of Liberty (which is exhausting for him) and as tiny as an atom. His suit does not always work correctly, though, and his judgment does not always work correctly, either.

The distinctive humor of the first film continues in this one, with Michael Pena returning as Scott’s loquacious fellow ex-con and business partner. His circuitous story-telling was funny in the first film, and it gets funnier here when he is questioned under the effects of what could be a truth serum (whether it is or not is a point of contention). Random topics that also come up for discussion include close-up magic, the Slavic folklore character Baba Yaga, loading the dishwasher, and playing the drums. There are some great action sequences, especially one in a kitchen and the chase scenes, and crisp pacing to balance the more laid-back comedy. Its biggest failing is the dumb nicknames for the daughters of the characters. Really, Peanut? Jellybean? Those girls deserve something as witty and distinctive as the rest of the film.

NOTE: Stay through the credits for a brief update on the “Infinity War” cliffhanger, and then all the way to the end for an even briefer and very silly little second extra that has an important clue.

Parents should know that this film includes extended comic book/action peril and violence, characters injured and killed, some scary images, mild language, and some parent-child issues.

Family discussion: What changes do you think the quantum experience has on people who travel there? How is Ant-Man different from the other Avengers?

If you like this, try: the first “Ant-Man” and the Avengers movies

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Sicario: Day of the Soldado

Sicario: Day of the Soldado

Posted on June 28, 2018 at 5:54 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence, bloody images, and language
Profanity: Constant very strong language
Alcohol/ Drugs: Drug dealing
Violence/ Scariness: Extensive and intense peril and violence involving children, teens, and adults, terrorism, guns, chases, explosions, grisly and disturbing images, many characters injured and killed
Diversity Issues: None
Date Released to Theaters: June 29, 2018
Date Released to DVD: October 1, 2018
Copyright Columbia Pictures 2018

The first Sicario movie had stunning cinematography by Roger Deakins, a character with integrity and courage, in a performance of equal integrity and courage from Emily Blunt, to bring us into the complex, layered story of moral quagmires around drug smuggling.

This sequel, “Sicario: Day of the Soldado,” has none of that. While the first film thoughtfully explored issues of whether the ends justify the means and how to fight for the rules when the people on the other side do not abide by any, this one starts out with all the nuance of ultra-partisans screaming at each other on cable news and then, even worse, gets smug about it. The movie begins with stark claims about drugs and people crossing the border from Mexico, and then a couple of suicide bombers blow themselves up. Just to make sure we GET THE POINT, we see law enforcement discover Muslim prayer rugs out in the desert and we see a mother with a young child plead with a suicide bomber to let them leave before he blows them all up.

And so the Secretary of Defense (Matthew Modine, pretty much relegated these days to seedy bad guys who direct tougher types to do the bad stuff) declare drug smugglers terrorists, which literally triggers a new range of strategic responses. “No rules this time.” Blunt’s character is gone (understandable, considering where we left her), so our focus is on two other characters from the first film, lantern-jawed, whatever-it-takes Matt Graver (Josh Brolin) and attorney turned revenge-seeker Alejandro Gillick (Benecio del Toro).

Part 2 is also written by Taylor Sheridan, but director Denis Villeneuve has been replaced by Stefano Sollima (television’s “Gomorrah”) and Deakins has been replaced by Dariusz Wolski. And subtlety has been replaced by a storyline just a notch above “The Expendables.” Graver (what a name) warns SecDef that “If you want to see this through, I’m going to have to get dirty.” “Dirty is exactly why you’re here,” the Secretary replies.

Actually, it’s deniability, as we will learn to no one’s surprise. Deniability with an unlimited budget. The plot is straight out of “Mission: Impossible” the 1960’s television series, the ones with the “As always, should you or any of your Force be caught or killed, the Secretary will disavow any knowledge of your actions.” Lotta take-out, lotta staring at screens barking orders, lotta thousand yard stare-offs.

Graver goes off to hire a bunch of Erik Prince-style black ops mercenaries for $10 million a month. “Now you’ll be able to afford that hockey team,” Graver congratulates him. If they kidnap the 16-year-old daughter of the head of one of the biggest drug cartels, he will blame the rival cartels, and they can save us all a lot of bullets by wiping each other out. What could go wrong?

Yeah, pretty much everything, with a mountain-high body count along the way, and very little to show for it, not carnage about the numbing impact of fighting an implacable, amoral, insurmountable foe, just carnage for the numbing effect of being in a movie that has run out of ideas.

Parents should know that this film includes constant crime and law enforcement peril and violence involving adults and teens, terrorism, suicide bombers, chases, guns, explosions, many characters injured and killed, disturbing images, moral, legal, and political issues, and very strong language.

Family discussion: Is it possible to fight people who break the law without breaking it ourselves? What should voters know about these kinds of operations?

If you like this, try: the original “Sicario,” Traffic,” and “Sin Nombre”

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Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom

Posted on June 21, 2018 at 3:30 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of science-fiction violence and peril
Profanity: Mild language
Alcohol/ Drugs: None
Violence/ Scariness: Extended and intense sci-fi/action peril and violence with many characters injured, eaten, gored, and killed, volcano,
Diversity Issues: None
Date Released to Theaters: June 22, 2018
Date Released to DVD: September 17, 2018
Copyright 2018 Universal Pictures

Jurassic World: Fallen Kingdom” is a mildly entertaining but utterly unnecessary fifth in the series inspired by doctor-turned blockbuster author Michael Crichton’s books.

It does recognize that if you’re going to keep making movies about reconstituted dinosaurs, it’s time to get them off that island. Yes, I remember they made it to San Diego in #2, but by now we feel we know every leaf and tree on the island that was once the theme park created by twinkly-eyed, mega-rich John Hammond (Richard Attenborough) with the help of scientist of questionable ethics Dr. Henry Wu (B.D. Wong), where so, so many things have gone wrong, as Dr. Ian Malcolm (Jeff Goldblum) way back in the OG “Jurassic Park” back in 1993. He predicted that the results would be unpredictable, and not in our favor: “Yeah, but your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should.”

Dr. Malcolm is back again as this film begins, and he’s still not on board with dinosaurs existing at the same time as humans. He’s testifying at a Congressional hearing because the island has a retconned volcano eruption and if the world does not save them, all of the dinos will be wiped out. “Let it happen,” says Dr. Malcolm. That’s nature, and it will prevent them from wiping us out. But of course there are those who consider the dinos, however created, an endangered species now, and are trying to raise money to save them. This includes former all-business, now all-love-for dinos Claire Dearing (Bryce Dallas Howard, thankfully out of the stilettos and able to run in flats), paleovetrenarian Zia Rodriguez (Daniella Pineda), and, of course, this movie’s house computer whiz and full-time scardy-cat, hacker Franklin Webb (Justice Smith of “Paper Towns”).

Just when it seems all is lost, Claire gets the dream offer from retconned former Hammond partner and ailing ultra-rich guy Benjamin Lockwood, who lives with his young granddaughter Maisie (excellent screamer Isabella Sermon). If she can persuade former love interest Owen (Chris Pratt) to help her extract samples of different species, Noah-style, he will put them in an isolated compound where they will never bother anyone or be bothered by anyone ever again.

Yeah, you know what Dr. Malcolm would say about that. He’d also say, “Never trust a rich guy, or, maybe, trust a rich guy but never trust his henchmen who want very, very, very much to be rich guys, especially after Dr. Wu shows up again, plus Buffalo Bill from ‘Silence of the Lambs.'” About that, though. Rafe Spall and Toby Jones use their best American accents for the evil want-to-be-rich roles but they are pretty bad at business. They accepted how much per dino?

So, basically, this is a movie of dinosaurs on the island running away from a volcano while humans run away from the dinosaurs (Remember — you don’t have to be faster than the dinosaurs. You just have to be faster than some other humans.), followed by humans running away from dinosaurs and evil humans at Lockwoods cool, creepy, Victorian mansion, followed by, oh yes, a big fat cliffhanger. Get ready for #6, “Jurassic World: Electric Blue-galoo.”

Here’s what’s good. Director J.A. Bayona knows how to tell a story with a camera, and the film is well-paced and stylishly told. The original had Spielbergian magic in the story-telling as well as the special effects, though. This one is several orders of magnitude down the evolutionary scale, so to speak, on both counts.

Parents should know that this film has constant sci-fi action and peril, scary animal attacks, volcano, characters injured and killed, including being gored and being eaten, murder, sad death, and guns.

Family discussion: Who was right about rescuing the dinosaurs? Do you agree that we keep creating technology we are not capable of controlling?

If you like this, try: the other Jurassic Park/World movies and the book by Michael Crichton

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Incredibles 2

Incredibles 2

Posted on June 14, 2018 at 5:49 pm

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action sequences and some brief mild language
Profanity: Schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Extended action/superhero peril and violence, gun, sad (offscreen) murder of parent
Diversity Issues: None
Date Released to Theaters: June 15, 2018
Date Released to DVD: November 5, 2018
Copyright Disney Pixar 2018

Brad Bird knows that all families are pretty incredible, and his movies about the family of superheroes reminds us that we know it, too. The writer/director of “The Incredibles” and this sequel, “Incredibles 2” (there’s a lot going on, so this title is streamlined and has no room for an extraneous “the”) took 14 years and it was worth the wait. We are glad to be back in the world of the super-family, though for many of us, our favorite character is still super-suit designer Edna Mode (voiced by Bird himself). Edna’s comment is really the theme of the film: “Parenting done right is really a heroic act.”

One of the best ideas in the original was giving each family member a heightened version of the real-life superpowers we see in all families. The dad is Bob, otherwise known as super-strong Mr. Incredible (Craig T. Nelson). Mom is Helen, who is always stretched in a million different directions, Elastigirl (Holly Hunter). The middle school daughter, Violet (Sarah Vowell) is invisible, because middle school is such a fraught time that many kids either think they are invisible or wish they were. And her younger brother is super-fast Dash (Huck Milner). There’s also a baby named Jack-Jack, who in the last film had not developed any superpowers yet, but in this sequel makes up for lost time with at least 17 of them.

We begin right where the first film left off. Even though they just saved the day, superheroes are still outlawed by a government that considers them too much of a risk. Violet has finally been noticed by the boy she likes. And a new super-villain, The Underminer, has attacked the town.

The Incredibles save the day, but it does not change the law. “Politicians don’t understand people who do good only because they think it right.” Even the secret government program to keep the superheroes saving the day is shut down.  The Incredible family has no place to go…until a pair of siblings who head up a huge corporation make them an offer.  They think they can persuade the government to change the law, but first Elastigirl — and only Elastigirl — will have to come with them.

The movie’s funniest moments come when Bob is left behind with the kids.  He may be able to lift a locomotive, but new math is an entirely different problem.  And Jack Jack’s new powers start popping out like jumping beans.  The concept of baby-proofing a house takes on a whole new meaning when it isn’t the baby you’re trying to protect. It’s the house that needs protection when a baby has laser beam eyes, invisibility, and a mode that can only be described as fire-breathing gorgon.  He may not be able to walk or talk yet, but a raccoon who won’t leave the yard will be very sorry about making that mistake.

Meanwhile, Elastigirl is happy to be using her powers again, but she misses her family, even when she gets a call about Dash’s missing shoes in the middle of a mission.  Of course a new villain is going to challenge the whole family, their old friend Frozone (Samuel L. Jackson) and a delightful new group of oddball superheroes. The action scenes are as thrillingly staged as all of the “Fast/Furious” films put together, the mid-century-inspired production design is sensationally sleek and space age, especially the house the Incredibles borrow. Some serious and timely issues are touched on lightly but meaningfully, including immigration, how to respond to laws you consider unfair, opting for “ease over quality” in consumer goods, and spending too much time on screens with not enough connection to people. The villain, once revealed, seems a bit patched together, however, as though there was some re-writing done over the 14-year gestation period that never got fully resolved. But there is plenty of comedy and lots of heart in a story that truly is incredible.  Please don’t make us wait until 14 years for the next one.

DVD Extras include concept art and a new feature about Edna Mode.

NOTE: Pixar continues its track record for making parents in the audience cry, this time even before the feature begins. The short cartoon before “Incredibles 2” is the story of a mom who just is not ready for her son to grow up and, I’m sorry, I must have something in my eye.

Parents should know that this movie includes an offscreen murder of a parent with a gun, extended action/superhero peril and violence, characters mesmerized and forced to obey, and brief mild language.

Family discussion:  Which is more important, selling or designing? When should you be a cynic and when should you be a believer?  What are your core beliefs?

If you like this, try: “The Incredibles,” “Monsters vs. Aliens,” “Inside Out,” and “Sky High”

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