Puss In Boots

Posted on October 27, 2011 at 6:00 pm

The popular feline bandit of the “Shrek” series gets his own feature film, one that is less of a fractured fairy tale and more of a swashbuckler. Antonio Banderas returns as the voice of Puss in Boots, the cat with the heart of a lion — and the eyes of a cute little kitty.

This is a prequel, set in a fanciful Spanish countryside, showing us Puss’ life as an orphan, his early friendship with Humpty Dumpty, the betrayal that led him to become an outlaw, and his efforts to find redemption.

“What can I say? I was a bad kitty,” he tells us as he bids farewell to a pretty feline whose name he can’t quite remember. He is “a fugitive from the law, searching for a way to clear my name.” He walks into a bar and silences the snickering caballeros, telling them, “You don’t want to make the cat angry.” He is looking for a way to score but he has his own set of values: no stealing from churches or orphans.

Magic beans, on the other hand, are another story, especially if they have already been stolen. And it turns out that the magic beans have special significance to Puss and to his old friend.

Puss makes a new friend, too, a hooded fellow thief who wants the same beans. At first, in a charmingly designed cat hide-out, they compete against each other with an hilarious dance-off. But then the thief removes the hood and is revealed to be the notorious Softpaw, a brilliant and beautiful female thief (voice of Banderas’ “Desperado” co-star Salma Heyek). And they are joined by Humpty, though their history makes it difficult for Puss to trust him.

The beans are magic, and the beanstalk takes them to a cloud-land where they find the goose that lays golden eggs. Or, as Softpaw puts it, “It’s a gold pooper; we’re taking it.” Will this be a chance for Puss to right past wrongs? Or will it just make him an even badder kitty?

Less visually striking, less funny, and less heart-warming than the Shrek movies and with completely unnecessary 3D, it is a step down for the series. The kitty hide-out and dance-off are well handled and there are some funny moments, but the death of a major character is too jarring for younger children. Puss is a better supporting player than a star.

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The Lion King

Posted on October 3, 2011 at 8:00 am

B+

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Characters in peril, murder, scary stampede and hyenas, sad death of a parent
Diversity Issues:	Diverse characters
Date Released to Theaters:	1994
Date Released to DVD:	October 3, 2011
Amazon.com ASIN:	B0036TGT3E

“The Lion King” finishes its record-breaking theatrical re-release in 3D with its first Blu-Ray in a superpack and I have five to give away! Details below.

One of Disney’s most popular animated features (and the inspiration for one of Broadway’s biggest blockbuster) is ”The Lion King,” a sort of cross between “Richard III,” “Henry IV,” and “Hamlet.” It is the story of Simba (voice of Jonathan Taylor Thomas as a child, Matthew Broderick as an adult), the cub of Mufasa (James Earl Jones), the king of the jungle. Simba “just can’t wait to be king.” But his evil Uncle Scar (Jeremy Irons), bitterly jealous of Mufasa, wants to be king, so he arranges for Mufasa to be killed in a stampede and to have Simba think he is responsible.

Simba runs away, and finds friends in Pumbaa the warthog (Ernie Sabella) and Timon the meerkat (Nathan Lane), who advise him that the best philosophy is “hakuna matata” (no worries). Simba grows up thinking he has escaped from his past, but his childhood friend, Nala finds him, and tells him that under Scar’s leadership, the tribe has suffered badly. She persuades him to return to take on his responsibilities as King of the Pridelands. He learns that it was Scar who caused Mufasa’s death, and he vanquishes Scar to become King.

Not just a movie, but a marketing phenomenon, this blockbuster was the highest grossing film of 1994. Amazingly, it made even more money in merchandise than it did at the box office, a fact for which audiences have been paying ever since, as each subsequent Disney animated movie seems to be designed primarily as a commercial for teeshirts, lunch boxes and action figures. The score, and the song “Circle of Life,” with authentic African rhythms and instruments, won Oscars for Elton John and Tim Rice.

Parents should know that the death of Mufasa is genuinely scary and young and sensitive children may be frightened of the stampede, the hyenas, and the family betrayal. More troubling is the arrogance of the “Circle of Life” explanation, which is mighty reassuring as long as you are the one on top of the food chain. And worse than that is the whole “hakuna matata” idea, which is genuinely irresponsible. Make sure that kids realize that even Simba finds out that he cannot run away from his problems.

Family discussion: How was being king different from what Simba thought? What does your family do to welcome new babies?

If you like this, try: the stage production, with its extraordinary puppets, “The Lion King 1 1/2,” a much better-than-average sequel, and other Disney animated classics like “Aladdin” and “The Little Mermaid.”

To enter the contest for the Blu-Ray/DVD Combo: send me an email at moviemom@moviemom.com with “Lion King” in the subject line and tell me your favorite song from this movie. Don’t forget your address! Good luck, and I will pick a winner a week from today.

Dumbo

Posted on September 19, 2011 at 8:00 am

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	Characters get drunk
Violence/ Scariness:	Sad and scary scenes, mother caged and separated from her child
Diversity Issues:	A theme of the movie, some racial material insensitive by today's standards
Date Released to Theaters:	1941
Date Released to DVD:	September 19, 2011
Amazon.com ASIN:	B003H9M1QM

A gorgeous new 70th anniversary “Dumbo” Blu-Ray DVD pack is the Pick of the Week.

The stork delivers babies to the circus animals, including Mrs. Jumbo’s baby, an elephant with enormous ears. The other elephants laugh at him and call him Dumbo, but Mrs. Jumbo loves him very much. When Dumbo is mistreated, she is furious and raises such a fuss that she is locked up. Dumbo is made part of the clown act, which embarasses him very much. He is a big hit and, celebrating his good fortune, accidentally drinks champagne and becomes tipsy. The next morning, he wakes up in a tree, with no idea how he got there. It turns out that he flew! His big ears are aerodynamic. He becomes the star of the circus, with his proud mother beside him.

The themes in this movie include tolerance of differences and the importance of believing in yourself. It also provides a good opportunity to encourage empathy by asking kids how they would feel if everyone laughed at them the way the animals laugh at Dumbo, and how important it is to Dumbo to have a friend like Timothy.

Parents should note that while respecting individual differences is a theme of the movie, the crows who sing “When I See an Elephant Fly” would be considered racist by today’s standards. One of them is named “Jim Crow” and they speak with “Amos ‘n Andy”-style accents, but clearly they are not intended to be insulting. Families who see this movie should talk about that depiction, as well as these questions: Why does Timothy tell Dumbo he needs the feather to fly? How does he learn that he does not need it? Why do the other elephants laugh at Dumbo’s ears? How does that make him feel?

Families who enjoy this movie will also enjoy some stories with related themes. The circus train, Casey, Jr., puffs “I think I can” as it goes up the hill, just like “The Little Engine That Could.” Compare this story to “How the Elephant Got Its Trunk,” by Rudyard Kipling (read by Jack Nicholson in the wonderful Rabbit Ears production), in which another elephant finds his larger-than expected feature first ridiculed and then envied by the other elephants. Kids may also enjoy comparing this to “Rudolph the Red-Nosed Reindeer,” “The Ugly Duckling,” and other stories about differences that make characters special.

The Lion King 3D

Posted on September 15, 2011 at 11:16 pm

Lowest Recommended Age:	Kindergarten - 3rd Grade
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Disturbing death of a parent and family betrayal, scary stampede and mean hyenas, characters in peril
Diversity Issues:	Diverse animal characters
Date Released to Theaters:	1994
Amazon.com ASIN:	B001AQR3JY

One of Disney’s most popular animated features (and the inspiration for one of Broadway’s biggest blockbuster) has been re-issued in 3D. “The Lion King” is sort of a cross between “Richard III” and “Hamlet,” the story of Simba (voice of Jonathan Taylor Thomas as a child, Matthew Broderick as an adult), the cub of Mufasa (James Earl Jones), the king of the jungle. Simba “just can’t wait to be king.” But his evil Uncle Scar (Jeremy Irons), bitterly jealous of Mufasa, wants to be king, so he arranges for Mufasa to be killed in a stampede and to have Simba think he is responsible.

http://www.youtube.com/watch?v=nCKCSBpfL0M

Family discussion: How was being king different from what Simba thought? What does your family do to welcome new babies?

Spy Kids: All the Time in the World 4D

Posted on August 20, 2011 at 10:53 pm

Jessica Alba was dressed for her role in Robert Rodriguez’s ultra-violent “Machete” when, on a break from filming, she stopped to change her baby’s diaper. Rodriguez says he saw her performing this most domestic of tasks in her action-movie attire and knew it was time to start up the “Spy Kids” series again, this time with Alba taking her baby with her on a mission.

The first Spy Kids was about Carmen and Juni Cortez (Alexa Vega and Daryl Sabara), children of super-spies who got caught up in the family business. It was sharp and funny and imaginative and made it clear that the real adventure is being part of a family. It was a rare film for audiences of any age with strong, smart female and Latino characters. And Rodriguez, known for his ultra-violent films for adults (“Once Upon a Time in Mexico,” “Machete”), kept the “Spy Kids” series refreshingly non-violent. If this fourth in the series is not as good as the first, it is better than the unfortunately titled Spy Kids 3D: Game Over. And much, much better than The Smurfs.

Alba plays Marissa Wilson, a spy who goes into labor in the middle of a chase but manages to capture the evil Time Keeper on her way to the delivery room. She quits to be a stay-at-home mom for the baby and her twin step-children, Cecil (Mason Cook) and Rebecca (Rowan Blanchard). Her husband Wilbur (a likable Joel McHale), has a “Spy Hunter” television show but somehow never figured out that his wife was not a decorator.

A year later, the Time Keeper is creating chaos and Marissa, the twins, and the baby are off to save the world and do some family bonding as well. The original spy kids, now grown up, arrive for some bad guy chasing and family conflict resolving as well.

Everyone gets a chance to know each other better, of course, but the film has a bit more substance. Cecil is hearing-impaired and he and everyone around him are completely comfortable with it. It is very rare in movies of any age that we get to see a character with a disability rather than a disability with a character. Cecil is a regular kid who happens to have hearing aids and Cook gives a nice comic snap to his comments. The gadgets are a lot of fun, including a robot dog with more functions than a Swiss Army Knife, hilariously voiced by Ricky Gervais, and “hammer hands” gloves that can punch through walls. Like all parents, Rodriguez is dismayed by the ever-quickening passage of time. So in the midst of the silliness with a “4 dimension” scratch and sniff card to accompany some of the story’s most odoriferous moments, a muddled storyline, and too much potty humor, there is a sweet theme about seizing the moment for what matters most.

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