Black Nativity

Posted on November 26, 2013 at 5:00 pm

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG for thematic material, language, and a menacing situation
Profanity:	Some strong language
Alcohol/ Drugs:	References to substance abuse
Violence/ Scariness:	Teenager threatens someone with a gun, references to violence
Diversity Issues:	A theme of the movie
Date Released to Theaters:	November 27, 2013

The poet Langston Hughes wrote a play called “Black Nativity,” a joyous African-American retelling of the story of the birth of Jesus with gospel music, and it has become a holiday perennial. Now it has been adapted by writer/director Kasi Lemmons (“Eve’s Bayou”) with a framing present-day story of a prodigal daughter, estranged from her parents for 16 years, brought back home at Christmas as “Black Nativity” is being performed in her father’s church.

Oscar-winner Jennifer Hudson plays Naima, a single mother in Baltimore who has lost her job and is trying everything she can think of to keep her home. But even with two jobs, she and her 15-year-old son Langston (17-year-old Jacob Latimore), named for the poet, are about to be evicted. Niama has no other options left. She puts Langston on a bus to New York to see the grandparents he has never met, knowing nothing about them or the cause of their estrangement.

Langston is hurt, lost, and angry. He is frustrated that he cannot do more to help his mother and determined to find a way to get her the money she needs to keep their home. Things go badly when his bag is taken by a kid as soon as he gets off the bus and he is arrested trying to return a man’s wallet because the police think he is trying to steal it. In jail, he meets Loot (Tyrese Gibson), who jeeringly calls him “Lunch Money” and makes Langston feel powerless and disrespected.

His grandfather, Reverend Cornell Cobbs (Forest Whitaker), is formal and reserved. His grandmother, Aretha (Angela Bassett) is affectionate but clearly in pain over the past and afraid of being hurt again. Langston will do anything to feel that he is taking control of what is happening to him so he can return home.

Impressionistically told, with songs that serve as monologues, the movie becomes more powerful when Cornell’s church stages a gorgeous production of “Black Nativity” and Langston nods off to have a gospel-inspired dream that features Nas and, as an angel with white hair sticking up like a dandelion ready to make a wish, Mary J. Blige. When Langston sneaks out of the service in a desperate attempt to get the money, it leads to a confrontation revealing in ways he could not anticipate. The concluding scenes of redemption and reunion are tender and transcendent.

Parents should know that the storyline concerns foreclosure and eviction, family estrangement, law-breaking, teen pregnancy, and abandonment. A teenager uses a gun.

Family discussion: Why didn’t Langston’s family want to tell him the truth? What did the watch symbolize to Cornell? What did we learn from Langston’s dream?

If you like this, try: the poetry of Langston Hughes

Trailer: Jennifer Hudson in “Black Nativity”

Posted on July 6, 2013 at 10:57 am

Oscar winners Jennifer Hudson and Forest Whitaker star in this musical opening in November about a struggling single mother who sends her son to her parents’ home for Christmas. It is adapted from a Langston Hughes story and directed by the gifted Kasi Lemmons. Mary J. Blige plays Platinum Fro, who acts as a kind of guardian angel to the boy, played by Jacob Latimore.

Rosa Parks Changed History on This Date

Posted on December 1, 2009 at 10:00 am

On Thursday December 1, 1955, Rosa Parks, a seamstress and a volunteer secretary for the NAACP, was sitting in the section of a public bus reserved for black passengers. As she rode, the seats designated for white riders were filled and the driver told her and three other seated black passengers to get up so the whites could sit. She refused and she was arrested.

“People always say that I didn’t give up my seat because I was tired,” she wrote, “but that isn’t true. I was not tired physically, or no more tired than I usually was at the end of a working day. I was not old, although some people have an image of me as being old then. I was forty-two. No, the only tired I was, was tired of giving in.”

A young minister, new in town, the Reverend Doctor Martin Luther King, led the bus boycott in protest of her arrest. It is important to remember how modest the demands were. King’s group did not ask that the buses be fully integrated. They only asked that the black riders should not have to move. When the segregation was ruled unconstitutional, Dr. King circulated a memo to remind the black community that not all white people supported segregation and that they should be courteous, even in the face of insults. He urged them to maintain “a calm and loving dignity” and to “pray for the oppressor and use moral and spiritual force to carry on the struggle for justice.”

Scholastic has some good teaching materials on Rosa Parks and the boycott. Older children and adults will appreciate Angela Basset’s performance in The Rosa Parks Story and Iris Little-Thomas as Mrs. Parks in Boycott.

Notorious

Posted on January 15, 2009 at 6:00 pm

B-

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for pervasive language, some strong sexuality including dialogue, nudity, and for drug content
Profanity:	Constant extremely strong and crude language
Alcohol/ Drugs:	Drinking, smoking, characters sell drugs, reference to drug use
Violence/ Scariness:	Gang-related violence, characters shot and killed
Diversity Issues:	A theme of the movie
Date Released to Theaters:	January 16, 2009

Christopher George Latore Wallace lived fast, died young, and left a very big corpse. He started dealing drugs as a young kid in Brooklyn, went to prison, and was killed at age 24 in a gang-style shooting that is still unsolved. What makes him worthy of a biopic is that in between all of this he made two rap albums as Biggie Smalls/Notorious B.I.G. that were and continue to be enormously successful.

This movie will inevitably come up short when compared to documentaries like the one about the similarly brief life of the far more prolific rapper Tupac Shakur or full-scale Hollywood biopics like “Ray” and “Walk the Line.” It is produced by Wallace’s biggest promoters, his mother and impresario Sean Combs, who was then known as Puff Daddy and it has the soft edges of a hagiography. And its star, newcomer Jamal Woolard, evokes Biggie’s flattish affect without making the story’s main character particularly dynamic. The film benefits from very strong performances by the supporting cast, including Angela Bassett as Wallace’s mother, Derek Luke as Combs, Naturi Naughton as protege/girlfriend Li’l Kim, Anthony Makie as Shakur, and Antonique Smith as his wife, Faith Evans. But there is not enough in it to engage anyone who is not already a knowledgeable fan. It does not provide any context about why Wallace was different or important or how his experience informed his lyrics or what it was about his performances that connected with such a wide audience. It does not explore the notion of authenticity and “keeping it real” and the inability to understand how legitimate success was different by almost everyone but Puff Daddy that made the tragic outcomes almost inevitable. It is superficial and overly commercial, something the really Biggie never was.

Akeelah and the Bee

Posted on March 16, 2006 at 11:50 am

“Prestidigitation.”

Akeelah (Keke Palmer) has just won her school’s spelling bee and everyone is impressed and proud. But Dr. Larrabee (Laurence Fishburne), who, like Keke, grew up in Compton, pushes her further, with this long word that means magic.

“Prestidigiation.”

And she knows it.

The movie has its own form of prestidigitation, not only in the transformation of its characters as they learn from each other and the experiences they share but on the audience as well. This is one of the best family films in a very long time and one of the best films of the year.

Oh, there are some meanies out there who may groan when the girl from Compton who loves words gets coached by everyone from the gruff but cuddly local drug dealer to the kind-hearted homeless guy. It takes a village, even in the Hood, the movie seems to say. And it all fits together just a little too neatly, so we’re not surprised when a girl with a missing daddy is befriended by a man who is dealing with his own loss as well. And yes, it follows the traditional underdog formula: a show of talent, a lack of confidence, an inspiring but demanding mentor, commitment at first uncertain, then whole-hearted, setbacks, unexpected friendships, an opponent who lacks our heroine’s heart and integrity, and then everything coming together at the big competition.

These themes are eternal, and eternally compelling and appealing, as long as the details are right and the characters are people we care about. And this is where “Akeelah” really delivers, with superb performances and a script filled with heart and humor. KeKe Palmer glows as Akeelah and Angela Bassett is marvelous as the mother who is loving but exhausted and terrified of risking any more loss. Laurence Fishburne is magnificent as Akeelah’s coach, Dr. Larabee, a man who has more in common with Akeelah than he wants to admit. The result is one of the best family films of the year and that spells: E-X-C-E-L-L-E-N-T.

Parents should know that the movie includes some tense family confrontations, references to sad deaths and marital separation, and a schoolyard scuffle. There is a subtle reference to local gangsters and a young woman has an apparently out of wedlock baby. There are sweet kisses on the cheek and a joke about sexual harassment. A strength of the film is its portrayal of dedicated, talented, devoted, accomplished women and minorities.

Families who see this movie should talk about what made Akeelah not want to enter the spelling bee and what made her decide to do it. Why did her friend not want to be her friend? Why did her mother not want her to participate? What was the most important lesson Akeelah learned from Dr. Larrabee, and what was the most important thing he learned from her?

Families who enjoy this movie will also enjoy Spellbound, the outstanding documentary about the national spelling bee. My interview with Fishburne is in Beliefnet.com. And every family should read the wonderfully inspiring quote from Marianne Williamson (often mistakenly attributed to Nelson Mandela):

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, “Who am I to be brilliant, gorgeous, talented, fabulous?” Actually, who are you not to be? You are a child of God. Your playing small doesn’t serve the world. There’s nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we subconsciously give other people permission to do the same. As we’re liberated from our own fear, our presence automatically liberates others.

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