Celebrating Cinderella — A Magical Night at the Library of Congress
Posted on June 21, 2019 at 8:45 am
WASHINGTON, DC – JUNE 20: Cinderella attends Disney’s “Cinderella” Library f Congress National Film Registry Ball at The Library of Congress on June 20, 2019 in Washington, DC. (Photo by Kris Connor/Getty Images for Disney)
Last night was truly magical, a celebration of one of Disney’s classic animated films, “Cinderella,” as it was added to the National Film Registry at the Library of Congress. Cinderella was there in person, of course, introduced by a courtier and welcomed by Dr. Carla Hayden, 14th Librarian of Congress, who presented the film’s official certificate that inducted CINDERELLA into the National Film Registry to Mary Walsh, Managing Director of the Animation Research Library at Walt Disney Animation Studios.
WASHINGTON, DC – JUNE 20: (L-R) Librarian of Congress Dr. Carla Hayden, Cinderella, and Mary Walsh, Managing Director of the Disney Animation Research Library, attend Disney’s “Cinderella” Library of Congress National Film Registry Ball at The Library of Congress on June 20, 2019 in Washington, DC. (Photo by Kris Connor/Getty Images for Disney)
Attendees included members of Congress, the Boys & Girls Clubs of Greater Washington, and other notable D.C. area tastemakers and influencers. (That means me!) It was a thrill to see the film on a full-size screen, with an audience that included so many children and so many girls and women in ballgowns and tiaras. The Library of Congress had a spectacular array of their Cinderella-related treasures, from the original songs with hand-lettered lyrics that were submitted for copyright registration, including some that never made it into the film, to a fascinating collection of different versions of the Cinderella story going back literally thousands of years. They also had a set of the original lobby cards with pictures from the film and a flier with all of the products and tie-ins from the movie’s original release, with costumes, shoes, and even cleaning products. There were a number of photo opportunities and my favorite was a real-life Prince Charming in a booth filled with glass slippers, who was there to help the ladies and girls see if their feet would fit.
The new Signature series DVD/Blu-Ray release features a brand-new commentary track showing how Walt Disney and the filmmakers made comments and revisions as the film was being created. Stay tuned for my interview with Ms. Walsh about the film’s history, coming soon on thecredits.org.
Extended fantasy/action peril and violence, attempted murder, near-drowning, discussion of sad deaths of parents
Diversity Issues:
Issue of female autonomy and power
Date Released to Theaters:
May 24, 2019
Date Released to DVD:
September 16, 2019
Copyright Disney 2019It is a bit of a puzzle that a director known for dynamic action doing a live action remake of a musical animated film that was exceptionally lively has somehow produced a movie that seems bogged down, even static. The new “Aladdin” from co-writer/director Guy Ritchie (“Lock, Stock, and Two Smoking Barrels,” “Sherlock Holmes”) is colorful and tuneful, but for much of its just over two hours running time it lumbers along, despite its best efforts to entertain.
The original Disney animated version of “Aladdin” is one of the studio’s all-time best thanks to a wonderfully melodic score, with songs by Alan Mencken and Howard Ashman and possibly the all-time greatest animated movie voice performance in history, Robin Williams as the Genie. The mercurial Williams found his ultimate mode of presentation with the help of Disney’s top animators as the magical, infinitely malleable, cartoon character, instantly creating characters ranging from Ed Sullivan, William F. Buckley, and Jack Nicholson to Peter Lorre and a bunch of zombies, always retaining the essential heart and humor that made a fantasy come alive. (The closest Williams ever came to replicating avalanche of portrayals might be his innumerable improvisations with a shawl on “Inside the Actor’s Studio.”) No live action version, even with the help of the latest CGI technology and the powerhouse charisma of Will Smith, can match the kaleidoscopic imagination of the 1992 Genie.
This version does make some substantial improvements in the story of the “street rat” who loves a princess and then, with the help of the genie in a magical lamp, pretends to be a prince so he can court her. Disney says it has the most diverse cast in the studio’s history, and it is great to see all of the lead roles performed by people whose ethnicity matches their characters, with Egyptian-born Mena Massoud as Aladdin and Naomi Scott, of British and Indian heritage, as Jasmine. The locations are authentic as well. Filmed in Jordan, and with the always-outstanding work of the Disney production designers, the settings are splendid, and the classic songs still sound fresh and hummable, especially “Prince Ali” and “A Whole New World.” The film should really be called “Aladdin and Jasmine” because it gives the princess a full, meaningful role in the story, respecting her agency, ability, and dedication to her people. It gives her father, the Sultan (Navid Negahban) more agency, as well, unlike the animated character, who spends much of the story in an enchanted fog. And it’s nice to see Genie get a bit more of a story, too, thanks to the handmaiden to the princess, played by “SNL’s” Nasim Pedrad.
But the story-telling itself is foggy in this version. Jafar (Marwan Kenzari), the story’s villain, does not have the menace of the original. He seems young and angry, more petulant than ominous. There is a hint of an intriguing backstory for him that gets lost in the busy, “look at me”-ness of the film. A storyline about whether the Sultan should approve invasion of another country does not work well and a dance number with the Genie controlling Aladdin has too many cuts to deliver on the humor of the situation. The “Step Up” movies do these moments much better, and Jasmine’s new song from “La La Land’s” Benj Pasek and Justin Paul is outshone by the originals. A wink at the map of Disneyland as Jasmine does the ancient equivalent of Googling “Prince Ali” is out of place.
If there had been no animated version, this one would have served as an entertaining family movie. But as has happened too often with Disney’s live action remakes of its best animated films, it is just an unnecessary reminder of how much we loved the original.
Parents should know that this film includes fantasy peril and violence including near-drowning, attempted murder and references to killing and to sad death of parents, action, brief alcohol, and a kiss.
Family discussion: What would your three wishes be? Remember to be careful with your words! Why was Aladdin so awkward when he becomes Ali? Why was Jafar so angry? What does it mean to be a diamond in the rough, and what made Aladdin one?
If you like this, try: the original Disney animated version and the stories of the 1001 Nights
Rated PG-13 for sequences of sci-fi violence and action, and some language
Profanity:
A handful of swear words including one said by a child
Alcohol/ Drugs:
None
Violence/ Scariness:
Extended sci-fi/fantasy/comic book action, peril, and violence, battle scenes, characters injured and killed, very sad deaths
Diversity Issues:
None
Date Released to Theaters:
April 25, 2019
Date Released to DVD:
August 12, 2019
Copyright 2019 Marvel StudiosMarvel Studios sticks the landing with “Avengers: Endgame,” a completely satisfying conclusion to the nearly two dozen films, bringing together the stories of a wide range of characters with complex, varied mythologies extending back over decades of stories in comics and other media.
We need to all take a moment to pay tribute to Kevin Feige of Marvel Studios, who has produced them all with a deep understanding of the characters and the fans and a truly remarkable ability to find a nuanced balance between canon and innovation. His willingness to let the individual stories of the characters develop in such different genres and still bring them together when it is time for the Avengers to assemble is an essential element of the success of the series. It would be like having separate film series for Harry Potter, Hermione, Ron, Draco, Professor McGonagall, and Dumbledore, one a romantic comedy, one a thriller, one a crime drama, one a political allegory, and then brought them all together every so often to continue the core story.
I am going to do my best to continue this review without spoilers, but there is one I am sure no one will mind. You do NOT need to stay through the very end as there are no extra scenes following the credits. That seems right for a movie that is such a resounding conclusion and I know you will be happy to get those ten minutes of your life back instead of sitting through the names of the personal chefs of the stars. Now, if you want to see it without knowing anything more than whether I liked it, let me just say here that I thought it was great and you can come back and read the rest after you’ve watched it and want to let me know what you think.
To answer the most frequently asked question: no, three hours does not seem long. It’s really three movies in one, and — fair warning — I could feel my objective critical faculties dissolving after about forty minutes when I realized that it was combining three of my very favorite movie genres in one. First is Marvel superhero stories, of course, with great effects and action, both one-on-one (and I really mean ONE) and big, BIG, battles. Then there’s getting the band back together, with a group of people who once worked together very closely but were not always in agreement (the “Civil War” debate comes back) seek each other out and try to form a team again. And then a heist, or rather, several heists, as the Avengers’ favorite McGuffin is very much a part of the story. There’s a fourth major theme as well, but that’s something I will not spoil except to say that even though they make delightful fun of the way that theme has been portrayed in many other movies, I strongly advise you not to think too deeply about whether the way it is portrayed in this one does any better in terms of consistency or logic.
To answer the second most frequently asked question: yes, you have to have seen the previous movie and as many in the series as possible to get the most out of it. This movie was made by fans for fans and there is tremendous depth that shows how thoroughly this world has been studied and imagined (though only one of the very knowledgable group I spoke to following the film could identify a briefly glimpsed teenage boy toward the end). To confirm the most frequent speculations of those anticipating the film, yes, we will be saying goodbye to some characters, every one of them in a supremely satisfying way, but bring a handkerchief. Yes, we will see some we thought were lost back again, sometimes in a flashback. One of the elements I loved most in this film was those flashbacks, which might give us a different look at scenes we thought we knew.
And the answer to a question that maybe fans forgot to ask, after all these movies: Yes, someone does say, “Avengers, assemble!” I admit it, my heart skipped a beat. It also thumped pretty hard several times and I cried more than once. The skill it takes to fight with Thanos is nothing compared to the skill it took to bring this series to such vibrant, thrilling life, and I am grateful to Stan Lee (yes, he gets a great cameo), Jack Kirby, Steve Ditko, Kevin Feige, Disney, the Russos, and especially to each of these actors, who bring their A game every time, for assembling this joyous finale.
Parents should know that this film includes extended sci-fi/comic book peril, action, and violence with monsters, battle scenes, explosions, very sad deaths including death of a parent and fatal sacrifices and a handful of bad words, including one said by a child.
Family discussion: Did Cap make the right choice? What did the characters learn from their past experiences? Which Avenger is your favorite?
If you like this try: the other Marvel movies, especially “Black Panther,” “Iron Man,” “Ant-Man and the Wasp,” and “Avengers: Infinity War”
