Kennedy Center Honors Announced: Dustin Hoffman, Led Zeppelin, David Letterman, and More
Posted on September 12, 2012 at 11:52 am
This year’s Kennedy Center honors have been announced: Dustin Hoffman, David Letterman, blues musician Buddy Guy, dancer Natalia Makarova and the rock band Led Zeppelin. Led Zeppelin is being honored as a band, but keyboardist-bassist John Paul Jones, guitarist Jimmy Page and singer Robert Plant each will receive the Kennedy Center Honors. Drummer John Bonham died in 1980. The gala is scheduled for Dec. 4 at the Kennedy Center in Washington D.C., and will be broadcast on Dec. 26 on CBS.
Rated PG for sequences of martial arts action and mild violence
Profanity:
None
Alcohol/ Drugs:
None
Violence/ Scariness:
Martial arts action and violence, children separated from parents, characters in peril
Diversity Issues:
A theme of the movie
Date Released to Theaters:
May 27, 2011
Po, the kung-fu master panda (Jack Black), has everything he hoped for in the first movie. He has the martial arts skills to protect and impress the community and he is accepted as a teammate by the greatest champions in China. But he has not yet found inner peace, and that will require an even greater struggle.
Po has not wanted to think about the fact that his father is not a panda, until a glimpse of an all-but-forgotten insignia on an enemy unlocks some memories so painful Po does not want to think about. But a new villain (Gary Oldman as the peacock Lord Shen) is the most vicious Po has faced, and he cannot be defeated unless Po understands the tragedy that links them together. He cannot fight his memories and his adversaries at the same time. Po must make peace with his past to move on to the future.
As with the first one, this film combines exquisite, Asian-influenced design and a story that includes the classic heroic themes and gentle humor. The action sequences are exciting, especially a sensational scene with our heroes hiding out in a dragon costume. Before the peril gets too tense, there is always a laugh to remind us that we are safe with Po. “Ah,” he says, walking into battle, “my old enemy — stairs!”
It has some nice parallels — Po and Lord Shen were both given up by their parents, for different reasons. And both make use of fight techniques that can be used for good or evil. The same gunpowder that creates inspiring firework displays can be weaponized into something that could mean the end of kung fu. Po fights for freedom and for the discipline and skill of martial arts itself.
It opens with some background, beautifully told with traditional shadow puppets. Po’s existential crisis is handled deftly, with the reassuring message that even when the beginning of our story is not happy, that does not have to control who we are.
It’s wonderful to watch young people falling in love for the first time. That’s why we get to see it so often in the movies. But it is even more wonderful to see people falling in love for the last time, and that is one of the three great pleasures of this touching grown-up love story.
It’s always romantic to see first love because we can share with them — just for a moment — the belief that happily ever after means that there will never be an argument or disappointment or loss. But it is even more romantic to see older people fall in love because they know there will be all of that and they go ahead anyway. That is the story of “Last Chance Harvey,” a man who has lost his job and whose daughter asks her step-father to give her away at her wedding because she feels closer to him. Which is what gives him a chance to think about what he really wants for the rest of his life — and then he sees Kate.
Not much more happens. They walk around. They dance at the daughter’s wedding reception. They think about whether they really want to take the risk of sharing themselves knowing in a way that young people cannot what it really means. And yet in those moments, everything happens, and we know it and they know it.
The other two pleasures of the film are Dustin Hoffman as Harvey and Emma Thompson as Kate. These two actors, so perfectly at home with themselves, fearlessly give us two people who are complicated, difficult, and very, very protective of their bruised hearts. And then they let us see them bloom, not all at once, more of a two steps forward, one step back opening up of their hearts to each other. And that leaves our hearts just a little more open, too.
Po (voice of Jack Black) is a soft, sweet-natured cuddly panda. He works as a waiter in his father’s noodle shop but dreams of being a kung fu champion. He studies kung fu history and cherishes his action figures of the Furious Five, the country’s top martial arts masters: Tigress (Angelina Jolie), Crane (David Cross), Monkey (Jackie Chan), Viper (Lucy Liu), and Mantis (Seth Rogen). They are trained by Shifu (Dustin Hoffman) under the guidance of the Master (Randall Duck Kim).
The great villain Tai Lung (Ian McShane, providing the obligatory deep voice and English accent), guarded by 1000 soldiers, breaks out of prison and the Master must select a new Dragon Warrior to defend the people. The whole town gathers to see which of the Furious Five it will be. In what appears to everyone — including Po — to be a mistake, the Master points to the panda as the chosen one. And it is up to Yoda, I mean Shifu, to train him.
The Furious Five are, well, furious. Like a group of middle school mean girls, they tell Po he does not belong. Shifu is frustrated and impatient, insisting that the panda cannot be trained. He does not have the grace or balance for martial arts.
The panda is part teddy bear, part Pillsbury Doughboy, part Cookie Monster, all soft, sweet, and cuddly. Like Santa, he has a belly that shakes like a bowl full of jelly, a long way from a lean, mean fighting machine. He is also unsure of himself, ashamed of his clumsiness. He is afraid to try for his dreams — afraid to upset the father he loves (Po never seems to notice they are of different species) and afraid he does not have the ability to do better. When he fails in training, he says dejectedly, “I probably sucked more than anyone in the history of kung fu…more than anyone in the history of sucking.” He admits to Shifu that he only stayed “because I thought if anyone could change me, make me not me, it was you.” But Po will learn that the source of his strength is what no one can teach him — his sincerity and humility. Po will find within himself the strength, focus, and resolve to face Tai Lung.
As wise and experienced as he is, Shifu has some lessons to learn as well. He has to find a whole new way of teaching — it turns out the way to a Dragon Warrior’s heart may be through his stomach. And he has to explore some regrets and mistakes from his past.
All of this is handled very lightly — the film spends more time on the pratfalls than on the brisk training montage and the fight sequences are well within the PG range. The sweet-natured lumbering bear with the big tummy trying to achieve the grace, discipline, and balance of kung fu gives the animators a lot of opportunities for offbeat variations, sight gags, and contrasts, a cartoon tradition going back as far as the ballet-dancing hippos in “Fantasia.” And the scroll-inspired landscapes and colors are spectacularly beautiful.
The fortune cookie-like “everyone is special” lessons of the film get a little murky, though, and parents will want to talk to children about alternatives to violence, safe participation in martial arts, and telling the truth. But the film’s unpretentious sweetness, the striking visuals and fresh settings, and strong voice characterizations by Black, Hoffman, Rogan, and Cross make this satisfying family entertainment.
There’s nothing harder to get right in a movie than whimsy. And there are few clumsier crashes when it goes wrong. What could have been a charmingly whimsical children’s book becomes an arch and sugary movie, its failures of tone and timing hitting its lightweight storyline like a blast of cold air on a fragile souffle. This is one flat souffle.