100 Years of Black Film

100 Years of Black Film

Posted on January 2, 2020 at 12:00 pm

Copyright 2020 Soda Pop Graphics

This outstanding new history of black filmmakers is available for free! It includes everything from Hollywood classics (Hattie McDaniel and Sidney Poitier as the first black performers to win Oscars) to the unsung innovators like Oscar Micheaux, who responded to the racism of D.W. Griffith’s “The Birth of a Nation” with “Within Our Gates, the pioneers of the Blaxploitation era, and Barry Jenkins’ “Moonlight” winning the Best Picture Oscar. The #Oscarssowhite protests, Motown’s Berry Gordy’s films like “Lady Sings the Blues” and “The Bingo Long Traveling All-Stars and Motor Kings,” and Tyler Perry establishing his own (wildly successful) studio. Highly recommended!

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NY Times: Top Podcasts for Movie Fans

Posted on November 17, 2019 at 11:48 am

The New York Times recommends seven podcasts for movie fans, including Filmspotting (long, thoughtful, informative conversations about current releases and other films), “You Must Remember This” (Karina Longworth‘s deeply researched Hollywood history), “How Did This Get Made?” (funny guys and often silly conversations about terrible movies), Scriptnotes (insights on writing for film, including critiques of listener-submitted scenes), and I Was There Too, stories from character actors and others who were on the set.

I’d also add:

Slate’s Spoiler Specials — smart and lively discussions for AFTER you’ve seen the movie

Flashback: Dana Stevens and K. Austin Collins revisits classics like “Imitation of Life,” “The Straight Story,” and “Bride of Frankenstein.”

3rd and Fairfax: The official podcast of the Writer’s Guild West.

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Movie Mom on “Some Like it Hot” — Crooked Table Podcast

Movie Mom on “Some Like it Hot” — Crooked Table Podcast

Posted on June 26, 2019 at 8:00 am

Copyright United Artists 1959

I had a lot of fun on the Crooked Table podcast talking about one of the greatest movies of all time, Some Like it Hot.

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Free This Week for 2019 Mother’s Day — 50 Must-See Movies: Mothers

Free This Week for 2019 Mother’s Day — 50 Must-See Movies: Mothers

Posted on May 6, 2019 at 7:00 am

Copyright Columbia Pictures 1994

 

In honor of Mother’s Day, my ebook 50 Must-See Movies: Mothers will be free on Amazon from Monday, May 6 to Friday, May 10, 2019.Image

No relationship is more primal, more fraught, more influential, more worried over, more nourishing when good and more devastating when bad that our connection to our mothers. Mom inspires a lot of movies in every possible category, from comedy to romance to drama to crime to animation to horror, from the lowest-budget indie to the biggest-budget prestige film. A lot of women have been nominated for Oscars for playing mothers and just about every actress over age 20 has appeared as a mother in at least one movie. From beloved Marmee in “Little Women” (three great movie versions, a modern-day adaptation, and a PBS miniseries, and a forthcoming film directed by Greta Gerwig) and Mrs. Brown in “National Velvet” to mean moms in “Now Voyager” and “Mommie Dearest.”  Oscar winning classics and neglected gems, based on real-life like Sally Fields in “Places in the Heart” or fantasy like Dumbo’s lullaby-singing elephant mom, these are all must-see movies.

 

 

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Native Americans on Film

Native Americans on Film

Posted on February 4, 2019 at 8:00 am

It wasn’t that long ago that Native American characters in film were played by actors of other races, including Burt Lancaster, Audrey Hepburn, Anthony Quinn, Burt Reynolds, Johnny Depp, and Elvis Presley. Depictions are often wildly inaccurate, from the most basic details of dress, ceremony, culture, and history.

It was just four years ago that Native American actors walked off the set of the Adam Sandler film, “The Ridiculous Six.” The fact that the movie was offensive to Caucasians and every sentient life form on the planet did not justify what the actors were being asked to do.

This week’s “Cold Pursuit” has real Native Americans playing Native American characters, and the one of the movie’s high points is when one of them uses their ethnicity — and the prospect of a withering Yelp review — to pressure a snooty hotel clerk into giving them a room. Most of the Native Americans in “Cold Pursuit” are criminals, but so are most of the rest of the characters.

Putting actors of Native American heritage in the movies is not enough. Letting them play characters who are not stereotypes, even better, letting them play characters where their ethnicity is not a defining characteristic– is a step forward. Best of all is the stories they tell by and about themselves, as in the endearing Smoke Signals.

Sierra Teller Ornelas writes in the Hollywood reporter that when she worked at the Smithsonian’s National Museum of the American Indian, many of the visitors asked for more information about what they had seen in the movies and it was almost entirely inaccurate.

We’re so invisible. And we’re so sick of explaining to people that we’re invisible. We have an abundance of great stories to tell. And even when we get to tell your stories, we make them so much better (see Taika Waititi’s Thor: Ragnarok). If traditional network and cable structures are about to straight-up implode, if people are finally desperate enough to try anything, then try me, or Sterlin Harjo and The 1491s, Sydney Freeland, Azie Dungey, Lucas Brown Eyes or all the other Native creators who are grinding and capable. Because if all content is indeed going the way of the streaming algorithm, I’m worried about what happens when you — and your voice and your stories — have never occurred to that algorithm.

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