Trailer: “The Wilde Wedding” with Patrick Stewart, Glenn Close, and John Malkovich

Posted on August 17, 2017 at 8:00 am

This looks delightful! And yes, that’s Patrick Stewart in a wig.

Now-retired film star Eve Wilde (Glenn Close) prepares for her wedding to husband number four, renowned English writer Harold Alcott (Patrick Stewart), after a whirlwind courtship. At her upstate New York home – in the presence of both Wilde’s first husband, celebrated stage actor Laurence Darling (John Malkovich), and their collective families (Minnie Driver, Jack Davenport, Yael Stone, Peter Facinelli, Noah Emmerich, Grace Van Patten) – the long summer weekend offers the opportunity for everyone to get to know each other a bit more intimately. As sexual sparks begin to fly, there are unforeseen consequences abound.

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Christmas Eve

Posted on December 4, 2015 at 12:00 pm

B-

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG for some peril, thematic elements and language
Profanity:	Some strong and crude language
Alcohol/ Drugs:	None
Violence/ Scariness:	Sad terminal diagnosis, gun, some tense confrontations
Diversity Issues:	None
Date Released to Theaters:	December 4, 2015

It may be the most wonderful time of the year, but the Christmas season is also the most hectic and the most fraught. Our to-do lists are overwhelming. Our expectations are even more so. And then there are the expectations of others. Everyone who celebrates Christmas expects at least a little magic around December 25th. Everyone, even the most cynical among us, wants to believe. Like Scrooge, we want to wake up as merry as a schoolboy and like the Grinch, we want our heart to grow.

In the gentle dramedy “Christmas Eve,” six very different groups of people get that chance. They deal in the most literal terms with life and death. There is love and loss and reconciliation. And it all happens because a guy runs his repair truck (labeled “Deus ex Machina”) into a power station and knocked out the electricity, so that six elevators get stuck and the people in them are trapped.

Patrick Stewart plays a wealthy man used to barking orders at cowering underlings. He is trapped by himself in a precarious construction elevator. The others are in groups. One is in a hospital elevator with orderlies, a nurse (played by Shawn King, the wife of producer Larry King — yes, that Larry King), a doctor (Gary Cole),a and an unconscious post-surgery patient.

In an apartment building, an outgoing photographer and a shy young woman are stuck together. A classical music ensemble is trapped together on the way to a performance. There is a lot of artistic temperament in a crowded space and one of them (Cheryl Hines) has a gun.

In another elevator, an IT guy who has just been laid off (Jon Heder) is trapped in an elevator with the boss who just gave him the bad news — on Christmas Eve. And in a shopping mall, two silly girls are trapped between brains and brawn. Their elevator includes a guy with a lot of muscles and tattoos who does not say much, a guy with some OCD issues and a lot of hand sanitizer, and a guy who could do very well on Jeopardy.

Before the power station can go back on line, the repair truck guy has to be rescued in a very complicated maneuver. So that gives us time to go back and forth as the temporary (but not as temporary as they intended to be) inhabitants of the elevators worry about everything from bodily functions to existential issues (I suppose bodily functions are a kind of existential issue).

As one might expect from the unwieldy construct, the movie is very uneven, careening back and forth between “Love Boat” level corny situations to a few moments of surprising insight. We are not surprised when the photographer gives the shy young woman a makeover and takes her picture. But we are at what happens next. The doctor was hoping he would be far from the hospital by the time his patient woke up and had to hear some bad news. But they are in the elevator so long that he ends up having to tell her himself, and the moment is sensitively handled. The weakest elements are the slapstick-ish rescue of the man who hit the power station and the interaction between the laid-off employee and his now-former boss, which requires a suspension of disbelief even Christmas cannot excuse. At its worst, it feels like a late-season “Love Boat” episode crossed with a late-night Hallmark Christmas movie, but at its best it reminds us that even in this busy season, we need to stop to smell the pine needles.

Parents should know that this film includes crude bathroom humor, some strong language, peril, gunshots, a sad terminal diagnosis, and tense confrontations.

Family discussion: Which of these people would you most like to be stuck with? What was the most important lesson learned by the characters? Which one surprised you the most?

If you like this, try: “New Year’s Eve” and “Valentine’s Day”

Trailer: “Christmas Eve” with Patrick Stewart, Gary Cole, and Jon Heder

Posted on November 12, 2015 at 8:00 am

When a power outage traps six different groups of New Yorkers inside elevators on Christmas Eve, they find that laughter, romance, and a little holiday magic will get them through – and change their lives in unexpected ways.

Sometimes life has to stop for us to pay attention.

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X-Men: Days of Future Past

Posted on May 22, 2014 at 6:00 pm

X-Men fans will see this film anticipating the pleasure of watching their favorite X-Men characters in one of the comic book series most acclaimed storylines: the time-bending saga of a desperate trip to the past to undo one tragic mistake. Wolverine, Mystique, and the old and new versions of Professor X and Magneto are all here and there are grandly staged action scenes involving the White House lawn, Chinese ruins, and a sports stadium. But the powerhouse knock-you-socks-off what-did-I-just-see moments come from a new character in the movie franchise, Quicksilver (Evan Peters), who does a little time-bending of his own in the most dull and domestic of settings, a kitchen. Well, it’s a kitchen in the Pentagon, but still. Part “Matrix,” part Chuck Jones, it is sure to be on end of the year best lists. And of course Jennifer Lawrence is terrific as the conflicted Raven/Mystique, whose loyalties shift almost as often as her chameleonic exterior, and who looks sensational in a costume so revealing that would make a Las Vegas showgirl look like she’s wearing a parka.

Marvel’s X-Men are mutants, the next stage of evolution past homo sapiens, with a range of intriguing and sometimes mutable superpowers. They also represent the next stage of evolution as superheroes, with conflicted characters and complex extended storylines that resonate the themes of societal, political, and psychological struggles. Characters go back and forth between the “good guy” (want to work with humans) and “bad guy” (believe humans can never accept or keep up with them so they should be wiped out in a Darwinian overthrow of the less-fit) teams.

We’ve seen the present-day X-Men in a trilogy of films and stand-out Wolverine (Hugh Jackman) in two starring vehicles. And saw the origins of the first X-Men, Charles Xavier, known as Professor X, and Erik Lehnsherr, known as Magneto, in X-Men: First Class. Now, everything comes together in the time-travel saga “Days of Future Past,” a little bit “Terminator,” a little bit “Back to the Future,” as Wolverine goes back in time to change one event in order to prevent the creation of an army of killer robot drones that wiped out most of the mutants and humanity, too.

This will require getting the band back together, including teaming up sometime friends/sometime enemies Charles Xavier (played in the past by James McAvoy and in the present and future by Patrick Stewart) and Magneto (played in the past by Michael Fassbender and in the present and future by Ian McKellen). (Nerd note: In the comic book series, it is Kitty Pryde (Ellen Page) who transmits her consciousness back in time to her younger self, but in the movie she sends Wolverine’s consciousness back to his younger self instead.) Thankfully, they minimize the “How do I know you’re really from the future?” stuff and get to the action, starting with breaking Magneto out of the most secure prison facility on earth, buried under the Pentagon. This is where Quicksilver comes in very handy.

Newcomers will enjoy the action and it may lead them to check out the earlier movies and the comics to find out more about the X-Men universe. Fanboys and fangirls will appreciate a couple of insider references. Those old enough to remember the 70’s will appreciate some insider references, too, like the recording device in Richard Nixon’s oval office and the synth-infused score. As in all the best X-Men stories, the themes feel visceral to our times — national security, the definition of “other.” Just don’t try to resolve all the temporal anomalies, and you’ll have a blast.

Parents should know that this film has extended action/comic-book humor, with many characters injured and killed, guns, explosions, fire, some graphic and disturbing images, some strong language, drug use, brief nudity and very revealing attire.

Family discussion: If you could go back in history and change one thing, what would it be? If you could have any of the powers of the X-Men, what would you choose? How should the government make decisions about threats like the X-Men?

If you like this, try: the other “X-Men” movies and “The Avengers”

Legends of Oz: Dorothy’s Return

Posted on May 8, 2014 at 6:00 pm

“Oh, Toto,” says Dorothy (“Glee’s” Lea Michelle), “This doesn’t look like the Oz I remember.”

Tell it, sister.

Why why why why why take the most beloved family film of all time, based on a cherished book, and make a charmless sequel based, not on the other books by the original author, but on a story by the original author’s stockbroker grandson?

The original The Wizard of Oz has survived other attempts to build on its imperishable appeal, and it will survive this one, too. A bigger challenge will be for the audiences who try to struggle through this version, much too long at under 90 minutes.

Here is what is not too bad. The voice talent is excellent, with Broadway divas Bernadette Peters (as Glinda) and Megan Hilty (China Princess), a kindly Patrick Stewart (a tree), a dashing Hugh Dancy (Marshal Mallow — he’s a marshmallow, get it?), Martin Short as the wicked Jester, and shambling Oliver Platt as an enormous owl called Wiser (names are not this film’s strong point, either). The opening credits spin out of a 3D tornado that is pretty nifty.

That’s about it. The animation is garish and uninspired. The songs range from forgettable to not awful. The story is dreary. And the dialog is painful. “Emerald City needs all the heart and courage it can get right now!” says the Scarecrow (Dan Aykroyd) to the Tin Man (Kelsey Grammar) and the Lion (Jim Belushi) — Cowardly has been dropped from his name. This is apparently a cue for some excruciating bro-talk like “Can it, rust-bucket!” Can you imagine a line like “I have a large piece of bark lodged in my hindquarters” in the original? TMI, Wiser, way TMI. The attempts at humor are especially tough going. When Dorothy is hauled into court, she has to face the “peanut gallery” of candy peanuts and a jury of her peeps made up of Peeps. When Wiser says he is scared of the dark, the response is, “You’re nocturnal. Get a grip.” Oh, and the flying monkeys are here, and their leader has a pink mohawk.

Emerald City is indeed in trouble and they need Dorothy’s help. In Oz, years have passed, but back in Kansas it is the morning after the tornado and yet taking place in modern times — Auntie Em wears jeans. Dorothy’s house has been destroyed and this movie’s version of Agnes Gulch is an appraiser (Short again) who says he is “government-adjacent” and condemns all the property in the area. Before Dorothy can do something about this, she and Toto are whisked through a rainbow vacuum tube and find themselves back in Oz.

It turns out the Wicked Witches of the East and West had a brother, the Jester. He is capturing people and turning them into marionettes, so he can take over Oz. He has even captured Glinda, using the broom of the Wicked Witch of the West plus a magical orb that intensifies its power.

Dorothy and Toto meet up with Wiser, Marshal Mallow, and China Princess on their journey. They have dreary adventures and finally arrive for the confrontation with the Jester, which is surprisingly violent for a film for children. Weapons include a sort of gatling gun. The China princess appears to shatter. But all is resolved, finally, so that Dorothy can go home and set that appraiser guy to rights.

The best one can hope for from this movie is that it will be a potent deterrent to those who want to try to make more Oz movies, and a powerful reminder to families that they can best go over the rainbow by watching the classic.

Parents should know that this movie has fantasy violence and peril and scenes of post-storm destruction.

Family discussion: What could Dorothy do that the others could not? How did what she learned in Oz help her back home?

If you like this, try: the Judy Garland “Wizard of Oz” and the books by L. Frank Baum (great for family reading aloud)