The Night Before Christmas…and More Classic Holiday Tales

The Night Before Christmas…and More Classic Holiday Tales

Posted on December 13, 2010 at 6:00 pm

My very favorite DVD series for families has a wonderful holiday treat: The Night Before Christmas…and More Classic Holiday Tales. Twelve beloved family classics come to life, including the Christmas stories “The Night Before Christmas,” “The Twelve Days of Christmas,” “The Clown of God,” and “Great Joy.” The collection also features the Hannukah story, “In the Month of Kislev,” and a saga of the African American holiday, “Seven Candles for Kwanzaa.” As always with Scholastic, every story is beautifully animated and narrated. This is a true treasure. And I have one to give away to the first person who emails me at moviemom@moviemom.com with “Scholastic” in the subject line and tell me your favorite holiday song. Don’t forget your address!

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Despicable Me

Posted on December 13, 2010 at 8:00 am

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for rude humor and mild action
Profanity: Some crude schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Cartoon violence including explosions, shark, crashes, peril, but no one hurt
Diversity Issues: None
Date Released to Theaters: July 9, 2010
Date Released to DVD: December 14, 2010
Amazon.com ASIN: B0042U94UQ

We usually just take it for granted that the villain wants to rule the world without worrying too much about why. But one of the many charms of this utterly delightful film is that we get a glimpse that is both funny and satisfying of what it is that makes not one but two super-villains so intent on being despicable.

We even get a flashback of our anti-hero, Gru (voice of Steve Carell with a Boris Badenov accent) as a child, confiding his dreams of being an astronaut to his mother (voice of Julie Andrews as Natasha!). She crushes his hopes with a cruel insult. So decades later, he is still trying to earn her respect, now as a super-thief. No matter how audacious his capers, however, she is still unimpressed. He has stolen the Jumbotron from Times Square and the Eiffel Tower and Statue of Liberty (okay, those last two are the replicas from Vegas). But he still needs to make that one heist that will show her he can earn her respect. He could not be an astronaut and fly to the moon. So, maybe he could steal it.

And then there’s the anti-anti-hero, who has just adopted the villain name Vector. He may have a nifty name and even niftier equipment, his lair guarded by everything from heat-seeking missiles to buzz saws and a shark, and he may have just pulled off the theft of one of the Seven Wonders of the World, but it turns out he has some trouble pleasing his parent, too.

So it’s a race between Gru and Vector to see who can steal the moon, which first involves stealing the shrink ray they need to make it small enough to carry home. And, adorably, this requires the involvement of dozens of little yellow “minions” who look like oompa-loompas made out of marshmallow peeps and three little orphan girls who live with a Miss Hannigan-style harridan as they hope someone will give them a real home. Maybe made of gummi bears.

The resilience of the three girls (the oldest voiced by Miranda Cosgrove of “iCarly” and “School of Rock”) is a sublime counterpart to the unhappiness and insecurity of Gru and his arch-rival Vector (voice of Jason Segal), showing us that even the rottenest of circumstances does not have to make you overly vulnerable or mean. When Gru brings them home as a way of getting into Vector’s compound (his security system features missiles and a shark but he can’t resist the girls’ cookies), he is so clueless he puts out candy in a dog bowl and newspapers on the floor. But as we have glimpsed in his interaction with the minions (I loved the matter-of-fact way he knows all the names of the almost-identical horde), he is susceptible to being liked and trusted. And he slowly begins to learn that it wasn’t that he didn’t want to care; he was scared to.

Brilliant production design contrasts Gru’s goth with a touch of steampunk lair in the middle of a street of identical homes with Vector’s sleek, Apple-eseque, creamsicle-colored high-tech headquarters. The expert pacing keeps things fresh, funny, and exciting. And a twist on the usual race-to-the-big-event-to-show-your-new-found-values reminds us all that the great thing about families is you can always have a second chance.

It looks like 2010 will go down in history as the year 3D animation kicked the stuffing out of all the live-action releases. Pixar opened the door and it is a thrill to see studios like Illumination showing what they have to bring to audiences ready to accept animation as art and as heart-warming family entertainment.

And here’s a special glimpse of one of the extras on the new DVD release:

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Roger Ebert Cites Me in MPAA Ratings Op-Ed

Posted on December 12, 2010 at 7:34 pm

I am honored to be mentioned in Roger Ebert’s outstanding op-ed about the MPAA ratings, and thrilled with his support for what I do. Last week, on appeal, the MPAA lowered the rating of “Blue Valentine,” a searing portrait of a deteriorating marriage, to an R. Its explicit sexual material had given it an NC-17, which meant that many newspapers would not accept ads and many theaters would not show it.
Ebert says:

The MPAA should have changed its standards long ago, taking into account the context and tone of a movie instead of holding fast to rigid checklists….It’s time to get pragmatic about this. The current ratings system is useful primarily for the parents of small children who are concerned that images or situations may be disturbing for young minds. They know a G film is harmless and a PG almost certainly is, and a PG-13 may or may not be. It’s an open secret that some naturally PG movies have an element or two thrown in to earn a PG-13, so teenagers aren’t scared off. That’s not a step forward.

Obviously, what parents really want is an evaluation, exactly what Mr. Valenti said the MPAA could not provide. When they’re informed that a PG-13 contains “language, some intense situations and smoking,” what have they learned? On the Internet, useful guides to content are everywhere. Critics like Nell Minow, the “Movie Mom,” write intelligently for parents about the content and context of films.

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Ask Amy’s ‘Book on Every Bed’ Project

Ask Amy’s ‘Book on Every Bed’ Project

Posted on December 12, 2010 at 8:00 am

Amy Dickenson has a wonderful idea for Christmas, “A Book on Every Bed.”

Take a book. Wrap it. Place it on a child’s bed so it’s the first thing she sees on Christmas morning (or whatever holiday you celebrate). That’s it.

I’m working with the Family Reading Partnership, a literacy organization in my home town of Ithaca, N.Y., to spread the word about the importance of reading with children.

A million stories: Our goal is for a million American children to wake up to a wrapped book on their beds.

This is not a fundraising appeal. This is not about buying books (the book you give can be passed down).

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“A Book on Every Bed” is an appeal to spread the love of reading from parents to children. We also want to encourage families to share books by reading aloud.

Dickenson recalls her own love for Green Eggs and Ham and the life-long love for reading it inspired.
Reading Rockets has some good ideas to get you started. Long after the electronic gizmos and fads are forgotten, the gift of books and the learning and imagination they inspire will be a sustaining force in the lives of children. Start the tradition of waking up to a book on Christmas morning for the children in your home — and — why not — add books for the adults as well. Letting children see the people they love enjoying a book will be a gift to them as well.

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