The Muppets

Posted on November 22, 2011 at 6:00 pm

Lowest Recommended Age:	All Ages
MPAA Rating:	Rated PG for some mild rude humor
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Some tense confrontations
Diversity Issues:	None
Date Released to Theaters:	November 23, 2011
Date Released to DVD:	March 19, 2012
Amazon.com ASIN:	B006JTS5OO

Let the joy be unrestrained. The Muppets are back. It turns out that deep inside Jason Segal, best known for raunchy Judd Apatow comedies and for playing the monogamous Marshall on “How I Met Your Mother,” is at his core a puppet nerd whose highest and best use is in pushing Disney (which now owns the rights to the Muppets) to let him co-write and co-star in the happiest family movie of the year. And it is accompanied by a “Toy Story” short film that is, minute for minute, the funniest movie of the year.

Segal plays Gary, a sweet small-town guy who is devoted to his brother Walter and his girlfriend of ten years, Mary (Amy Adams), a teacher. Gary and Walter are devoted fans of the old Muppet Showand they spend many happy hours watching reruns. When Gary takes Mary on their first visit to the big city of Los Angeles, they bring Walter along so that he can realize his dream of touring the Muppet studios. Mary was hoping for something a bit more romantic but good-heartedly agrees to share the trip with Walter as long as Gary promises a special anniversary dinner for just the two of them.

The Muppet studio is broken-down and covered with cobwebs. The only other people on the tour are a couple who mistakenly thought they were at Universal Studios. Walter wanders off and overhears the dastardly Tex Richman (Chris Cooper) plotting to buy the studio. He will promise to preserve the Muppets legacy and then tear it down to drill for the oil underneath. To save the studio the Muppets have to raise $10 million. But they have gone their separate ways. Can they get the band back together? And if they do, does anyone still want to see them? When Gary gets caught up in helping the Muppets, will he forget the anniversary dinner?

Segal and co-screenwriter Nicholas Stoller have seamlessly continued the story of the the captivating Muppets, with their unique blend of sweetness and self-deprecating insouciance. It’s what Danny Thomas used to call “treacle cutters” that keep the Muppets fresh and appealing, expertly countering every corny joke with heart and every tender moment with humor. With joyously sunny musical numbers composed by “Flight of the Conchords” co-star Bret McKenzie and cameos by everyone from Mickey Rooney to Sara Silverman and Neil Patrick Harris, this film is utterly true to the spirit of the original television series and pure delight for both fans and newcomers.

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A Trip to the Moon

Posted on November 22, 2011 at 3:57 pm

This week’s release of “Hugo,” based on The Invention of Hugo Cabret by Brian Selznick, is inspired by the films of George Méliès, the French magician-turned-filmmaker who pioneered the field of special effects. “A Trip to the Moon,” made in 1902, is his best-known.

I highly recommend the last episode of Tom Hanks’ brilliant series, From the Earth to the Moon, which has a poignant tribute to Méliès.

The Greening of Whitney Brown

Posted on November 22, 2011 at 12:03 pm

B-

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for brief mild language
Profanity:	Brief mild language
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril
Diversity Issues:	None
Date Released to Theaters:	November 23, 2011
Amazon.com ASIN:	B005TTEG0M

A middle schooler who thinks she has it all figured out finds herself tossed from 1 percent-ville to 99-percent-land in a cute new film in limited release called “The Greening of Whitney Brown.” Sammi Hanratty plays the title character, a spoiled prep school princess who is elected school president on a platform that is all about throwing the biggest, best, and most expensive party. But then her father loses his job when his company goes bankrupt and her parents (Aiden Quinn and Brooke Shields) take her to a place in the country that is all they have left. Everything is old and broken, there’s a horse that follows her around like Mary’s little sheep, she gets no cell phone reception, and everything she thought she knew about what makes someone popular turns out not to apply in her new school.

http://www.youtube.com/watch?v=zeklp2nRXe4

Whitney has to start over more than once, especially after it turns out that the friend she trusted to watch out for her at her old school is more competitive and less loyal than she thought. As Whitney’s parents begin to figure out a path to a new career out in the country, Whitney begins to understand that things she once thought were important don’t matter and things she once dismissed without a thought are where the real value lies.

The Muppets!

Posted on November 22, 2011 at 8:00 am

Hurray for the Muppets and hurray for Disney and Jason Segal for bringing them back! “The Muppets” is one of the best movies of the year. When your children want more, try The Muppet Show, The Muppet Movie, and The Muppets Take Manhattan!

http://www.youtube.com/watch?v=z-_QLNkh-zI

The End of Film?

Posted on November 21, 2011 at 3:54 pm

New York Times movie critic A.O. Scott has a very thoughtful essay about the transition from movies on film to digital images and the perennial question, “are the movies today as good as they used to be?”

Scott writes about the good:

he history of film is now more widely and readily accessible than ever before. We may lament the end of movie clubs and campus film societies that presented battered prints of great movies, but by any aesthetic (as opposed to sentimental) standard, the high-quality, carefully restored digital transfers of classics and curiosities now available on DVD and Blu-ray offer a much better way to encounter the canon.

And he puts the concerns into context with exceptional insight:

And yet movies, at the moment, feel especially fragile and perishable. That may be because film is so much younger than the other great art forms, which have had centuries to wane, wax, mutate and cross-pollinate. But there is also something about cinema’s essentially modern character that makes it vulnerable to fears of obsolescence. The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved. As for those bold projections of what is to come, they have a habit of looking quaint as soon as they arrive.

Nostalgia, in other words, is built into moviegoing, which is why moviegoing itself has been, almost from the beginning, the object of nostalgia. It hardly seems like an accident that so many movies embrace this bittersweet disposition. This week Martin Scorsese’s “Hugo,” which visits the earliest days of cinema, will open on the same day as “The Artist,” Michel Hazanavicius’s silent film about the silent era. Both films recapture some of the heady magic of the old days, and both make use of the latest technology in doing so.

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