Happy Feet 2
Posted on November 19, 2011 at 6:23 pm
I loved the original Happy Feet, but five years later only liked this sequel. It’s still a lot of fun to see dancing, singing penguins, but the meandering storyline never catches hold.
In the original, a small Emperor penguin named Mumbles (Elijah Wood) could not sing like the others but loved to dance and ultimately found a way to be true to himself and be a part of the community. Toward the end, the movie took a darker turn by acknowledging the impact of climate change on the Antarctic’s pristine world. This movie seems to have adopted the same template with a few random variations. Once again, there is a mash-up of music from a variety of genres (now a more familiar idea in this post “Glee”-era) and a small penguin who does not fit in, but this movie begins with the environmental crisis as the penguins see something — and a color — that is new to their black and white world. The ice is beginning to melt and underneath is green grass.
Wood returns as Mumbles, with rock star Pink replacing the late Brittany Murphy as his spouse, Gloria. Their son son Erik (Ava Acres) is a misfit like his father. He cannot sing or dance and after a humiliating failure in front of the whole penguin tribe, he runs away from home, followed by two of his friends, Atticus and Boadicia (charmingly voiced by Benjamin Flores Jr. and Meibh Campbell). As Mumbles did in the first film, they meet up with some Adelies penguins led by the wild, sweater-wearing Lovelace (Robin Williams), who has a new friend, Sven (voice superstar Hank Azaria), a penguin with the ability to fly — and a secret about his identity. Mumbles goes after the penguin chicks, but on the way home, they find that the ice has broken apart so that their community is cut off. They cannot get back and their friends and family cannot get food. They will need the help of the Andelies and some other friends to rescue the Emperor penguins and find a new home. Meanwhile, though the penguins have no idea, a couple of microscopic krill named Will and Bill (voices of Brad Pitt and Matt Damon) are on an adventure of their own, trying to move beyond the hive mind of their species to evolve into something more independent.
The music choices are delightful but too often just frustrating snippets. The relationship between Mumbles and Erik never comes to life. The segments about Will and Bill are far more engaging (the movie I’d really like to see is the Pitt/Damon recording studio riffs), but they are not integrated enough to the rest of the storyline until a Cindy Lou Who moment at the end. It’s nice to make a movie about how everything is connected but in this movie, it does not really hold together.
, has started 
, based on the classic Christmas carol. In this version, Junior Asparagus hears the story of a little boy whose heart was filled with bitterness and anger when his home was destroyed until the birth of Jesus inspired him to find hope and forgiveness. They have their own Veggie twist on the story with some gentle silly humor, of course, plus Bebe and Cece Winans on the soundtrack.
DVDs are a faith-based series for pre-schoolers to help them learn numbers and letters. Animated twins Alex and Zoe have eight little angels watching over them, living on the ceiling of their bedroom and guiding them through the challenges of learning and growing.
(are there any other kind?), who want to see every single word of the books up on the screen and the realities of cinematic storytelling that limit a feature length movie script to about 110 pages, Summit Entertainment has opted for a third priority, the maximization of ticket sales. The decision to split the fourth and last book of the series into two movies may satisfy the most avid of the Twihards but the result is a movie that is sluggish and dragged out. And when “Twilight” gets dragged out, that exposes the weakest parts of what even many fans acknowledge is the most problematic of the four books, with too much time to focus on some of the story’s most outlandish absurdities.
-style — killers only) elicited laughter from the audience, as did the literally bed-smashing wedding night. A bigger problem is that four movies in, Bella and Edward still do not have much to talk about beyond how much they love one another and the logistics of their very mixed marriage. Edward actually researches vampire babies on the internet (a take-me-right-out-of-the-movie product placement from Yahoo search which should inspire nothing more from the audience than a Google search to see whether Yahoo still exists). And, frustratingly, Meyer begins to bend the rules of her own world, where blood means one thing in one scene and then everyone seems to forget about it in another. There is a very weird detour into a pro-life/pro-choice debate — is the creature Bella is carrying a child or a fetus? If, as it appears, continuing the pregnancy means certain death for her, should she have an abortion?